3rd Power CEO Jamie Scott playing the Dream Weaver in full bore, hot rodded Plexi mode
3rd Power CEO Jamie Scott playing the Dream Weaver in full bore, hot rodded Plexi mode (view less)
Lynx has impressively packed 32 channels of their new mastering-grade A/D and D/A converter quality into a single 19" Dante interface for both Mac and PC systems with the Aurora(n) 32 Dante!
$6,539.00
Retail: $6,849.00
The Lynx Aurora(n) is a profound reimagining of their original Aurora converters, which have been one of THE most trusted converters in professional studios for the past decade. The new units feature upgraded A/D and D/A converters utilizing the same technology that led the Hilo to the front of the pack. With modular connectivity via Lynx's existing (and expanding) selection of L-Slot cards you don't have to worry about these units becoming obsolete like that old firewire interface you used 5 years ago. Aurora(n)'s come in 8, 16, 24 and 32 channel varieties and are upgradable to add mic preamps, analog summing and additional digital I/O.
In this video, Sound Pure Pro Audio specialists Marc Kuzio and Chuck Giardino introduce the Lynx Aurora(n) Series of converters. This new generation of Aurora converters has blown us away with its level of detail, functionality, and ease of installation. It can also be used seamlessly with the previous generation of Lynx Auroras.
For the first time Lynx introduces a 24 and a 32 channel model along with all new 8 and 16 channel models. Aurora(n) significantly improves upon the spectacular performance and specifications the world has come to expect from the well-regarded Lynx Aurora line – each in a single rack-space. Providing an even greater level of wide-open, uncompressed and unequalized audio for studios, mastering facilities, remote recording, broadcast, live performance and production installations, these Aurora(n) converters set a new standard in analog to digital and digital to analog conversion. Leveraging technology that was previously reserved for the Lynx Hilo combined with the latest FPGA processors, the Aurora(n) achieves the pinnacle of transparency and low distortion and noise.
The Aurora’s future-proof design is expanded in the Aurora(n). New enhancements and capabilities will be made available through firmware upgrades. LSlot expansion slots allow for a wide array of current connectivity options to include Thunderbolt, Dante, ProTools|HD, USB and future formats. Expandable audio I/O modules are being developed to include pre amp, analog summing, digital I/O (AES3 + ADAT) which will be available in 2017. This makes for an Aurora(n) that will perform exceptionally for you now and remain innovative well into the future.
Also added to the line are two audiophile-grade headphone outs with independent volume control. A 480 X 128 TFT LCD display provides immediate access to all levels and functions – also configurable for future functionality.
Lynx Studio Technology, Inc. is a debt-free, privately held corporation that designs and manufactures professional, computer related audio products. The company was formed by a team of engineers previously associated with industry-leading digital audio companies with the goal of utilizing cutting-edge technology to create the highest quality products at a good value to the customer. The Lynx team is focused on "linking" the professional audio world with computers by utilizing their many years of experience in both hardware design and device driver coding. This complementary expertise is borne out in reliable products that not only have great specifications, but are also shipped with extremely stable and well-tested drivers. Support for Windows 95/98/ME/NT/2000/XP and Macintosh platforms are standard for most products. With the ability to support multiple platforms, buses, and operating systems Lynx plans to supply products to a variety of audio markets and applications such as audio production, delivery, and testing for recording studios, project studios, post production studios, home studios, and live concert settings. Lynx supports the retail market with a standard product line through its dealers and distributors. Lynx also supports OEM?s for larger quantities and custom designs. For information regarding retail and OEM sales please contact us at:
Line In (includes A/D Conversion)
THD+N: ‐113dB @1kHz, ‐1dBFS, 20kHz filter, +20dBu trim
Dynamic range: 119dB, A‐weighted, ‐60dBFS signal method
Frequency response: ±0.010dB, 20–20kHz
Crosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal
Common mode rejection: greater than 80dB
Full‐scale trim settings: +6dBV, 20dBu
Line Out (includes D/A Conversion)
THD+N: ‐108dB @1kHz, ‐1dBFS, 20kHz filter, +20 dBu trim
Dynamic range: 120dB, A‐weighted, ‐60dBFS signal method
Frequency response: ±0.025dB, 20–20kHz
Crosstalk: ‐130dB maximum @ 1kHz, ‐1dBFS signal
Full‐scale trim settings: +6dBV, 20dBu
Headphone Out (includes D/A Conversion)
THD+N: ‐107dB @1kHz, ‐1dBFS, 20kHz filter, volume at max
Dynamic range: 120dB, A‐weighted, ‐60dBFS signal method
Frequency response: ±0.025dB, 20–20kHz
Crosstalk: ‐120dB maximum @ 1kHz, ‐1dBFS signal
Output level: 18.4dBu maximum
3rd Power CEO Jamie Scott playing the Dream Weaver in full bore, hot rodded Plexi mode
3rd Power CEO Jamie Scott playing the Dream Weaver in full bore, hot rodded Plexi mode (view less)
3rd Power CEO Jamie Scott mimicking classic record tones achievable with the Dreamweaver and 2x12 cabinet.
3rd Power CEO Jamie Scott mimicking classic record tones achievable with the Dreamweaver and 2x12 cabinet. (view less)
3rd Power CEO Jamie Scott mimicking classic record tones achievable with the Dreamweaver and 2x12 cabinet.
3rd Power CEO Jamie Scott mimicking classic record tones achievable with the Dreamweaver and 2x12 cabinet. (view less)
3rd Power CEO Jamie Scott demonstrates a range of overdriven tones available with the Dreamweaver's American Channel
3rd Power CEO Jamie Scott demonstrates a range of overdriven tones available with the Dreamweaver's American Channel (view less)
3rd Power CE Jamie Scott demonstrates the versatility of the British Dream's ability to overdrive based upon input volume, and plays some killer classic rock guitar riffs.
3rd Power CE Jamie Scott demonstrates the versatility of the British Dream's ability to overdrive based upon input volume, and plays some killer classic rock guitar riffs. (view less)
Amazing texture and atmosphere with Jamie Scott (3rd Power CEO) playing with the 3rd Power Dream 40 AC and Strymon
Amazing texture and atmosphere with Jamie Scott (3rd Power CEO) playing with the 3rd Power Dream 40 AC and Strymon (view less)
Model: DB Signature OM Top: Premium Eastern Red "Adirondack" Spruce Back & Sides: Madagascar Rosewood
Model: DB Signature OM Top: Premium Eastern Red "Adirondack" Spruce Back & Sides: Madagascar Rosewood (view less)
Tenor saxaphone solo into the TELEFUNKEN U47
Tenor saxaphone solo into the TELEFUNKEN U47 (view less)
Peluso P28 Tube Microphones used for drum overheads
Peluso P28 Tube Microphones used for drum overheads (view less)
Chris Boerner playing "All the things you are" on the Buscarino Monarch
Chris Boerner playing "All the things you are" on the Buscarino Monarch (view less)
Our own Chris Boerner gettin jazzy with the Eastman 905ce.
Our own Chris Boerner gettin jazzy with the Eastman 905ce. (view less)
Chris Boerner jazzez it up with the Buscarino Monarch custom guitar. This is the guitar played acoustically and mic'd with a stereo spaced pair of Peluso P67's.
Chris Boerner jazzez it up with the Buscarino Monarch custom guitar. This is the guitar played acoustically and mic'd with a stereo spaced pair of Peluso P67's. (view less)
Tom Ribbecke Halfling archtop guitar playing "Stella By Starlight" into AER Alpha amp(all controls 12 o'clock) mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8.
Tom Ribbecke Halfling archtop guitar playing "Stella By Starlight" into AER Alpha amp(all controls 12 o'clock) mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8. (view less)
Tom Ribbecke Halfling archtop guitar played into AER Alpha amp(all controls 12 o'clock) mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8.
Tom Ribbecke Halfling archtop guitar played into AER Alpha amp(all controls 12 o'clock) mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8. (view less)
Jimmy Foster Basin Street 7 String Cremona Burst guitar played into AER Alpha amp(all controls 12 o'clock) mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8.
Jimmy Foster Basin Street 7 String Cremona Burst guitar played into AER Alpha amp(all controls 12 o'clock) mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8. (view less)
Jimmy Foster Basin Street 7 String Cremona Burst guitar played into AER Alpha amp(all controls 12 o'clock) mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8.
Jimmy Foster Basin Street 7 String Cremona Burst guitar played into AER Alpha amp(all controls 12 o'clock) mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8. (view less)
Jimmy Foster Basin Street 7 String Cremona Burst guitar played into AER Alpha amp(all controls 12 o'clock) mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8.
Jimmy Foster Basin Street 7 String Cremona Burst guitar played into AER Alpha amp(all controls 12 o'clock) mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8. (view less)
Benedetto Bravo electric guitar played into AER Compact 60 mic'd with Peluso TR 14 into A Designs MP-2A feeding Lynx Aurora 8.
Benedetto Bravo electric guitar played into AER Compact 60 mic'd with Peluso TR 14 into A Designs MP-2A feeding Lynx Aurora 8. (view less)
Benedetto Bravo electric guitar played into AER Compact 60 mic'd with Peluso TR 14 into A Designs MP-2A feeding Lynx Aurora 8.
Benedetto Bravo electric guitar played into AER Compact 60 mic'd with Peluso TR 14 into A Designs MP-2A feeding Lynx Aurora 8. (view less)
Benedetto Bravo electric guitar played into AER Compact 60 mic'd with Peluso TR 14 into A Designs MP-2A feeding Lynx Aurora 8.
Benedetto Bravo electric guitar played into AER Compact 60 mic'd with Peluso TR 14 into A Designs MP-2A feeding Lynx Aurora 8. (view less)
McNaught Vintage Single Cut electric guitar (bridge pickup) played into Rivera Chubster 40 Combo(channel 2, volume 5, bass 5 mid 6, treble 7, master 5, presence 10, boosted) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp & mic'd with Sennheiser MD 421 II into A Designs Blue Preamp feeding Lynx Aurora 8.
McNaught Vintage Single Cut electric guitar (bridge pickup) played into Rivera Chubster 40 Combo(channel 2, volume 5, bass 5 mid 6, treble 7, master 5, presence 10, boosted) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp & mic'd with Sennheiser MD 421 II into A Designs Blue Preamp feeding Lynx Aurora 8. (view less)
McNaught Vintage Single Cut electric guitar (neck pickup) played into Rivera Chubster 40 Combo(channel 2, volume 5, bass 5 mid 6, treble 7, master 5, presence 10) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp & mic'd with Sennheiser MD 421 II into A Designs Blue Preamp feeding Lynx Aurora 8.
McNaught Vintage Single Cut electric guitar (neck pickup) played into Rivera Chubster 40 Combo(channel 2, volume 5, bass 5 mid 6, treble 7, master 5, presence 10) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp & mic'd with Sennheiser MD 421 II into A Designs Blue Preamp feeding Lynx Aurora 8. (view less)
McNaught Vintage Single Cut electric guitar (bridge pickup) played into Rivera Chubster 40 Combo(channel 2, volume 5, bass 5 mid 6, treble 7, master 5, presence 10) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp & mic'd with Sennheiser MD 421 II into A Designs Blue Preamp feeding Lynx Aurora 8.
McNaught Vintage Single Cut electric guitar (bridge pickup) played into Rivera Chubster 40 Combo(channel 2, volume 5, bass 5 mid 6, treble 7, master 5, presence 10) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp & mic'd with Sennheiser MD 421 II into A Designs Blue Preamp feeding Lynx Aurora 8. (view less)
McNaught Vintage Single Cut electric guitar (neck pickup) played into Rivera Chubster 40 Combo(channel 1, volume 8, bass 3 mid 7, treble 5, master 5, presence 8) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp & mic'd with Sennheiser MD 421 II into A Designs Blue Preamp feeding Lynx Aurora 8.
McNaught Vintage Single Cut electric guitar (neck pickup) played into Rivera Chubster 40 Combo(channel 1, volume 8, bass 3 mid 7, treble 5, master 5, presence 8) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp & mic'd with Sennheiser MD 421 II into A Designs Blue Preamp feeding Lynx Aurora 8. (view less)
James Tyler Studio Elite Burning Water electric guitar (position 1 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5) mic'd with Sennheiser MD 421 II (close) into A Designs Silver Preamp feeding Lynx Aurora 8.
James Tyler Studio Elite Burning Water electric guitar (position 1 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5) mic'd with Sennheiser MD 421 II (close) into A Designs Silver Preamp feeding Lynx Aurora 8. (view less)
James Tyler Studio Elite Burning Water electric guitar (position 5 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5) mic'd with Sennheiser MD 421 II (close) into A Designs Silver Preamp feeding Lynx Aurora 8.
James Tyler Studio Elite Burning Water electric guitar (position 5 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5) mic'd with Sennheiser MD 421 II (close) into A Designs Silver Preamp feeding Lynx Aurora 8. (view less)
James Tyler Studio Elite Burning Water electric guitar (position 1 pickup) played into Rivera Quiana amp(channel 2, volume 5, bass 7 mid 6 treble 7, master 6, reverb 3, presence 10, focus 10, boost on, bright on) mic'd with AEA R84(8 inches off) into A Designs Blue Preamp & Sennheiser MD 421 II(close) into A Designs Silver Preamp feeding Lynx Aurora 8.
James Tyler Studio Elite Burning Water electric guitar (position 1 pickup) played into Rivera Quiana amp(channel 2, volume 5, bass 7 mid 6 treble 7, master 6, reverb 3, presence 10, focus 10, boost on, bright on) mic'd with AEA R84(8 inches off) into A Designs Blue Preamp & Sennheiser MD 421 II(close) into A Designs Silver Preamp feeding Lynx Aurora 8. (view less)
James Tyler Studio Elite Burning Water electric guitar (position 5 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5, boost on) mic'd with AEA R84(8 inches off) into A Designs Blue Preamp & Sennheiser MD 421 II(close) into A Designs Silver Preamp feeding Lynx Aurora 8.
James Tyler Studio Elite Burning Water electric guitar (position 5 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5, boost on) mic'd with AEA R84(8 inches off) into A Designs Blue Preamp & Sennheiser MD 421 II(close) into A Designs Silver Preamp feeding Lynx Aurora 8. (view less)