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Call Us! Toll Free! 888-528-9703
Local / International (+1) 919-682-5552

Sennheiser MD 421 II Cardioid Dynamic Microphone From Sennheiser

With a strong and present mid-range, it's no surprise why the MD 421 II is viewed as THE choice for drum, electric guitar, and brass recording!

$429.00

Retail: $570.00

Brand New

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Sound Pure's 3-Year Warranty

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In addition to the standard included manufacturer warranty, virtually all new products carry our exclusive, industry-leading, absolutely free, Sound Pure 3-Year Warranty, which includes PARTS & LABOR. This high-value perk is our way of providing the ultimate in added value to enhance the unique personal touch our small, dedicated team contributes to each purchase.

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Rating: 4.8
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Manufacturer's Description from Sennheiser

The MD 421 II continues the tradition of the MD 421, which has been one of Sennheiser's most popular dynamic mics for over 35 years. The large diaphragm, dynamic element handles high sound pressure levels, making it a natural for recording guitars and drums. The MD 421's full-bodied cardioid pattern and five-position bass control make it an excellent choice for most instruments, as well as group vocals or radio broadcast announcers. One listen and you'll know why it's a classic.

Features

Rugged professional microphone
Five position bass roll-off switch
Effective feedback rejection
Clear sound reproduction
Easy handling due to pronounced directivity

Delivery Includes

MD 421 II
Microphone clamp for 3/8” thread

About Manufacturer

Innovation and know-how those are the hallmarks of one of the world's leading companies in the area of electro-acoustics. From individual audio products to complete system solutions Sennheiser electronic has the knowledge and the experience to lead the way in the constantly developing audio market. The key factors in its extraordinary success are its customer orientation, the performance of its employees, and its worldwide market presence. Sennheiser responds to the enormous significance of the foreign markets by maintaining intimate contact with its customers through an international network of sales subsidiaries and independent sales partners, most of which have been collaborating with Sennheiser for many years. This consistent customer orientation is also reflected in the seven major business areas of the company. In 2001, Sennheiser's consolidated turnover amounted to 227,4 million EURO. As a family business with about 1.500 employees, Sennheiser is completely self-financed. The independence of external financiers is the basis for innovation and implementation of a high quality standard for products. The focus is not on short-term return on capital but on the healthy long-term development of the company. Music Industry Toploader, Manowar, Sting, Dido or Sasha stars and sound engineers rely on Sennheiser quality. The product range offers everything from rugged, roadworthy stage microphones to studio condenser microphones for audiophile recordings. The portfolio also includes in-ear monitoring systems for the artists and monitoring headphones for the sound engineer ... Consumer Electronics In-ear headphones and other "lightweights" for music on the move, classical open or closed cabled headphones, RF wireless headphones for greater freedom of movement, PC headsets, and TV headphones, also with infrared or radio-frequency transmission. Sennheiser's competency in headphones is matched by its experience with microphones: whether for hi-fi systems, natural life recordings, or for PCs, at Sennheiser, consumers find the right microphone for every purpose ... Professional Systems Theater, musical productions, special events, movies, radio, and television ? wherever professional sound transmission solutions are called for, on stage or backstage, Sennheiser brings its comprehensive system know-how to bear. With its RF wireless microphones of the top-of-the-line 3000 and 5000 Series, the company leads the field ... Aviation With pilot headsets for airline and private pilots as well as headphones for in-flight entertainment, Sennheiser covers the complete range of audio transmission on board. The special NoiseGard system efficiently reduces wind and aircraft noise and thus provides for clear communication and safety in radio traffic and gives passenger headphones disturbance-free sound that is worth listening to ... Installed Sound At conferences, museums, and exhibitions, Sennheiser's conference and tour-guide systems provide for comfort and communication across the boundaries of countries and languages. Infrared systems in theaters and event venues provide crystal-clear sound directly to the ears of the hearing impaired. Wherever communication takes place, an innovative Sennheiser solution is not far away ... Audiology The Sennheiser range for better hearing! RF or infrared headphones make watching television a pleasure once again for everyone concerned, because these lightweights let you hear without disturbing others. Personal sound amplifiers that can be used as needed make speech clear and understandable. Sennheiser also offers television systems and personal FM systems to hearing-aid users ... Telecommunications With PC headphones, microphones, and headsets from Sennheiser, you can discover the fascinating world of multimedia, work more reliably with voice recognition systems, set up your Internet telephony system more professionally, and much, much more ...

Specifications

Technical Data

Dimensions	8.5 x 1.8 x 1.9 in. (215 x 46 x 49 mm)
Frequency response (microphone)	30 - 17,000 Hz
Min. terminating impedance	200 Ω
Nominal impedance	200 Ω
Pick-up pattern	Cardioid
Sensitivity in free field, no load (1kHz)	2 mV/Pa +- 3 dB
Weight	approx. 13.6 oz. (385 g)

8 Microphone Drum Setup - Sound Pure Gear Tip

In this installment of Sound Pure Gear Tips, Pro Audio Specialist Marc Kuzio walks us through an 8-microphone drums setup. This video is part 2 of a series on micing drums. For the previous installment (4-mic drums setup) click here: https://www.youtube.com/watch?v=W9o58kIGYBU

Signal Chain
- Shure SM57 Instrument Microphone
- Shure Beta 181/C Ultra-Compact Side-Address Microphone
- Sennheiser MD 421 II Cardioid Dynamic Microphone
- Neumann SKM 184 Stereo Mic Set (Nickel)
- Peluso P87 Multi-Pattern Solid State Microphone
- Audix D6 Dynamic Instrument Microphone

Sound Clips

rapido arpeggio electric guitar position 5 pickup

1. Nash S-57 Black - SOLD! 2. Fargen Blackbird 20W Guitar Amplifier Combo 3. Sennheiser MD 421 II Cardioid Dynamic Microphone 4. Vintech Audio X73i Pre/EQ 5. AEA R92 Ribbon Microphone 6. A Designs Pacifica Stereo Preamp 7. Apogee Digital Rosetta 800 8 Channel A/D/A

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800. (view less)

hyped up electric guitar position 4 pickup

1. Nash S-57 Black - SOLD! 2. Fargen Blackbird 20W Guitar Amplifier Combo 3. Sennheiser MD 421 II Cardioid Dynamic Microphone 4. Vintech Audio X73i Pre/EQ 5. AEA R92 Ribbon Microphone 6. A Designs Pacifica Stereo Preamp 7. Apogee Digital Rosetta 800 8 Channel A/D/A

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800. (view less)

mad max electric guitar position 2 pickup

1. Nash S-57 Black - SOLD! 2. Fargen Blackbird 20W Guitar Amplifier Combo 3. Sennheiser MD 421 II Cardioid Dynamic Microphone 4. Vintech Audio X73i Pre/EQ 5. AEA R92 Ribbon Microphone 6. A Designs Pacifica Stereo Preamp 7. Apogee Digital Rosetta 800 8 Channel A/D/A

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800. (view less)

hyped up electric guitar position 5 pickup

1. Nash S-57 Black - SOLD! 2. Fargen Blackbird 20W Guitar Amplifier Combo 3. Sennheiser MD 421 II Cardioid Dynamic Microphone 4. Vintech Audio X73i Pre/EQ 5. AEA R92 Ribbon Microphone 6. A Designs Pacifica Stereo Preamp 7. Apogee Digital Rosetta 800 8 Channel A/D/A

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800. (view less)

mad max electric guitar position 1 pickup

1. Nash S-57 Black - SOLD! 2. Fargen Blackbird 20W Guitar Amplifier Combo 3. Sennheiser MD 421 II Cardioid Dynamic Microphone 4. Vintech Audio X73i Pre/EQ 5. AEA R92 Ribbon Microphone 6. A Designs Pacifica Stereo Preamp 7. Apogee Digital Rosetta 800 8 Channel A/D/A

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800. (view less)

mad max electric guitar position 5 & 4 pickups

1. Nash S-57 Black - SOLD! 2. Fargen Blackbird 20W Guitar Amplifier Combo 3. Sennheiser MD 421 II Cardioid Dynamic Microphone 4. Vintech Audio X73i Pre/EQ 5. AEA R92 Ribbon Microphone 6. A Designs Pacifica Stereo Preamp 7. Apogee Digital Rosetta 800 8 Channel A/D/A

Nash S-57 electric guitar (position 5 & 4) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

Nash S-57 electric guitar (position 5 & 4) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800. (view less)

ace of distortion electric guitar position 4 pickup

1. Nash S-57 Black - SOLD! 2. Fargen Blackbird 20W Guitar Amplifier Combo 3. Sennheiser MD 421 II Cardioid Dynamic Microphone 4. Vintech Audio X73i Pre/EQ 5. AEA R92 Ribbon Microphone 6. A Designs Pacifica Stereo Preamp 7. Apogee Digital Rosetta 800 8 Channel A/D/A

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800. (view less)

mellow harmonix electric guitar position 4 pickup

1. Nash S-57 Black - SOLD! 2. Fargen Blackbird 20W Guitar Amplifier Combo 3. Sennheiser MD 421 II Cardioid Dynamic Microphone 4. Vintech Audio X73i Pre/EQ 5. AEA R92 Ribbon Microphone 6. A Designs Pacifica Stereo Preamp 7. Apogee Digital Rosetta 800 8 Channel A/D/A

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800. (view less)

ace of distortion electric guitar position 2 pickup

1. Nash S-57 Black - SOLD! 2. Fargen Blackbird 20W Guitar Amplifier Combo 3. Sennheiser MD 421 II Cardioid Dynamic Microphone 4. Vintech Audio X73i Pre/EQ 5. AEA R92 Ribbon Microphone 6. A Designs Pacifica Stereo Preamp 7. Apogee Digital Rosetta 800 8 Channel A/D/A

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800. (view less)

hyped up electric guitar position 2 pickup

1. Nash S-57 Black - SOLD! 2. Fargen Blackbird 20W Guitar Amplifier Combo 3. Sennheiser MD 421 II Cardioid Dynamic Microphone 4. Vintech Audio X73i Pre/EQ 5. AEA R92 Ribbon Microphone 6. A Designs Pacifica Stereo Preamp 7. Apogee Digital Rosetta 800 8 Channel A/D/A

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800. (view less)

ace of distortion electric guitar position 3 pickup

1. Nash S-57 Black - SOLD! 2. Fargen Blackbird 20W Guitar Amplifier Combo 3. Sennheiser MD 421 II Cardioid Dynamic Microphone 4. Vintech Audio X73i Pre/EQ 5. AEA R92 Ribbon Microphone 6. A Designs Pacifica Stereo Preamp 7. Apogee Digital Rosetta 800 8 Channel A/D/A

Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800. (view less)

hyped up electric guitar position 3 pickup

1. Nash S-57 Black - SOLD! 2. Fargen Blackbird 20W Guitar Amplifier Combo 3. Sennheiser MD 421 II Cardioid Dynamic Microphone 4. Vintech Audio X73i Pre/EQ 5. AEA R92 Ribbon Microphone 6. A Designs Pacifica Stereo Preamp 7. Apogee Digital Rosetta 800 8 Channel A/D/A

Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800. (view less)

mad max electric guitar position 3 pickup

1. Nash S-57 Black - SOLD! 2. Fargen Blackbird 20W Guitar Amplifier Combo 3. Sennheiser MD 421 II Cardioid Dynamic Microphone 4. Vintech Audio X73i Pre/EQ 5. AEA R92 Ribbon Microphone 6. A Designs Pacifica Stereo Preamp 7. Apogee Digital Rosetta 800 8 Channel A/D/A

Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800. (view less)

ace of distortion electric guitar position 5 pickup

1. Nash S-57 Black - SOLD! 2. Fargen Blackbird 20W Guitar Amplifier Combo 3. Sennheiser MD 421 II Cardioid Dynamic Microphone 4. Vintech Audio X73i Pre/EQ 5. AEA R92 Ribbon Microphone 6. A Designs Pacifica Stereo Preamp 7. Apogee Digital Rosetta 800 8 Channel A/D/A

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800. (view less)

friendly devil electric guitar position 2 pickup

1. Nash S-57 Black - SOLD! 2. Fargen Blackbird 20W Guitar Amplifier Combo 3. Sennheiser MD 421 II Cardioid Dynamic Microphone 4. Vintech Audio X73i Pre/EQ 5. AEA R92 Ribbon Microphone 6. A Designs Pacifica Stereo Preamp 7. Apogee Digital Rosetta 800 8 Channel A/D/A

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800. (view less)

ace of distortion electric guitar position 1 pickup

1. Nash S-57 Black - SOLD! 2. Fargen Blackbird 20W Guitar Amplifier Combo 3. Sennheiser MD 421 II Cardioid Dynamic Microphone 4. Vintech Audio X73i Pre/EQ 5. AEA R92 Ribbon Microphone 6. A Designs Pacifica Stereo Preamp 7. Apogee Digital Rosetta 800 8 Channel A/D/A

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800. (view less)

hyped up electric guitar position 1 pickup

1. Nash S-57 Black - SOLD! 2. Fargen Blackbird 20W Guitar Amplifier Combo 3. Sennheiser MD 421 II Cardioid Dynamic Microphone 4. Vintech Audio X73i Pre/EQ 5. AEA R92 Ribbon Microphone 6. A Designs Pacifica Stereo Preamp 7. Apogee Digital Rosetta 800 8 Channel A/D/A

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800. (view less)

medal mania electric guitar bridge pickup

1. McNaught Vintage Single Cut Electric Guitar 2. Rivera Chubster 40 Guitar Combo Amplifier 3. AEA R84 Ribbon Microphone 4. LaChapell Audio 583s MKII 500-Series Tube Preamplifier 5. Sennheiser MD 421 II Cardioid Dynamic Microphone 6. A Designs EM Blue 500-Series Preamp 7. Lynx Aurora 8 I/O D/A and A/D Converter

McNaught Vintage Single Cut electric guitar (bridge pickup) played into Rivera Chubster 40 Combo(channel 2, volume 5, bass 5 mid 6, treble 7, master 5, presence 10, boosted) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp & mic'd with Sennheiser MD 421 II into A Designs Blue Preamp feeding Lynx Aurora 8.

McNaught Vintage Single Cut electric guitar (bridge pickup) played into Rivera Chubster 40 Combo(channel 2, volume 5, bass 5 mid 6, treble 7, master 5, presence 10, boosted) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp & mic'd with Sennheiser MD 421 II into A Designs Blue Preamp feeding Lynx Aurora 8. (view less)

blues hotel electric guitar neck pickup

1. McNaught Vintage Single Cut Electric Guitar 2. Rivera Chubster 40 Guitar Combo Amplifier 3. AEA R84 Ribbon Microphone 4. LaChapell Audio 583s MKII 500-Series Tube Preamplifier 5. Sennheiser MD 421 II Cardioid Dynamic Microphone 6. A Designs EM Blue 500-Series Preamp 7. Lynx Aurora 8 I/O D/A and A/D Converter

McNaught Vintage Single Cut electric guitar (neck pickup) played into Rivera Chubster 40 Combo(channel 2, volume 5, bass 5 mid 6, treble 7, master 5, presence 10) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp & mic'd with Sennheiser MD 421 II into A Designs Blue Preamp feeding Lynx Aurora 8.

McNaught Vintage Single Cut electric guitar (neck pickup) played into Rivera Chubster 40 Combo(channel 2, volume 5, bass 5 mid 6, treble 7, master 5, presence 10) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp & mic'd with Sennheiser MD 421 II into A Designs Blue Preamp feeding Lynx Aurora 8. (view less)

blues hotel electric guitar bridge pickup

1. McNaught Vintage Single Cut Electric Guitar 2. Rivera Chubster 40 Guitar Combo Amplifier 3. AEA R84 Ribbon Microphone 4. LaChapell Audio 583s MKII 500-Series Tube Preamplifier 5. Sennheiser MD 421 II Cardioid Dynamic Microphone 6. A Designs EM Blue 500-Series Preamp 7. Lynx Aurora 8 I/O D/A and A/D Converter

McNaught Vintage Single Cut electric guitar (bridge pickup) played into Rivera Chubster 40 Combo(channel 2, volume 5, bass 5 mid 6, treble 7, master 5, presence 10) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp & mic'd with Sennheiser MD 421 II into A Designs Blue Preamp feeding Lynx Aurora 8.

McNaught Vintage Single Cut electric guitar (bridge pickup) played into Rivera Chubster 40 Combo(channel 2, volume 5, bass 5 mid 6, treble 7, master 5, presence 10) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp & mic'd with Sennheiser MD 421 II into A Designs Blue Preamp feeding Lynx Aurora 8. (view less)

walking arpeggio electric guitar neck pickup

1. McNaught Vintage Single Cut Electric Guitar 2. Rivera Chubster 40 Guitar Combo Amplifier 3. AEA R84 Ribbon Microphone 4. LaChapell Audio 583s MKII 500-Series Tube Preamplifier 5. Sennheiser MD 421 II Cardioid Dynamic Microphone 6. A Designs EM Blue 500-Series Preamp 7. Lynx Aurora 8 I/O D/A and A/D Converter

McNaught Vintage Single Cut electric guitar (neck pickup) played into Rivera Chubster 40 Combo(channel 1, volume 8, bass 3 mid 7, treble 5, master 5, presence 8) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp & mic'd with Sennheiser MD 421 II into A Designs Blue Preamp feeding Lynx Aurora 8.

McNaught Vintage Single Cut electric guitar (neck pickup) played into Rivera Chubster 40 Combo(channel 1, volume 8, bass 3 mid 7, treble 5, master 5, presence 8) mic'd with AEA R84 into LaChapell Audio 583s Tube Preamp & mic'd with Sennheiser MD 421 II into A Designs Blue Preamp feeding Lynx Aurora 8. (view less)

jazzy clean electric guitar neck pickup

1. McNaught Vintage Single Cut Electric Guitar 2. Fargen Blackbird 20W Guitar Amplifier Combo 3. Sennheiser MD 421 II Cardioid Dynamic Microphone 4. Vintech Audio X73i Pre/EQ 5. Apogee Digital Rosetta 800 8 Channel A/D/A

McNaught Vintage Single Cut electric guitar (neck pickup) played into Fargen Blackbird 20W (volume 9am, reverb 11am, treble 12pm, mid 3pm bass 1pm) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp feeding Apogee Rosetta 800.

McNaught Vintage Single Cut electric guitar (neck pickup) played into Fargen Blackbird 20W (volume 9am, reverb 11am, treble 12pm, mid 3pm bass 1pm) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp feeding Apogee Rosetta 800. (view less)

twanging electric guitar position 1 pickup

1. Tyler Studio Elite Burning Water 2K Electric Guitar 08230 2. Rivera Quiana 112 Ruby Guitar Combo Amplifier 3. Sennheiser MD 421 II Cardioid Dynamic Microphone 4. A Designs EM Silver 500-Series Preamp 5. Lynx Aurora 8 I/O D/A and A/D Converter

James Tyler Studio Elite Burning Water electric guitar (position 1 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5) mic'd with Sennheiser MD 421 II (close) into A Designs Silver Preamp feeding Lynx Aurora 8.

James Tyler Studio Elite Burning Water electric guitar (position 1 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5) mic'd with Sennheiser MD 421 II (close) into A Designs Silver Preamp feeding Lynx Aurora 8. (view less)

starting up electric guitar position 5 pickup

1. Tyler Studio Elite Burning Water 2K Electric Guitar 08230 2. Rivera Quiana 112 Ruby Guitar Combo Amplifier 3. Sennheiser MD 421 II Cardioid Dynamic Microphone 4. A Designs EM Silver 500-Series Preamp 5. Lynx Aurora 8 I/O D/A and A/D Converter

James Tyler Studio Elite Burning Water electric guitar (position 5 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5) mic'd with Sennheiser MD 421 II (close) into A Designs Silver Preamp feeding Lynx Aurora 8.

James Tyler Studio Elite Burning Water electric guitar (position 5 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5) mic'd with Sennheiser MD 421 II (close) into A Designs Silver Preamp feeding Lynx Aurora 8. (view less)

jamblues electric guitar position 5 pickup

1. Tyler Studio Elite Burning Water 2K Electric Guitar 08230 2. Rivera Quiana 112 Ruby Guitar Combo Amplifier 3. AEA R84 Ribbon Microphone 4. A Designs EM Blue 500-Series Preamp 5. Sennheiser MD 421 II Cardioid Dynamic Microphone 6. A Designs EM Silver 500-Series Preamp 7. Lynx Aurora 8 I/O D/A and A/D Converter

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pedal to the metal electric guitar position 1 pickup

1. Tyler Studio Elite Burning Water 2K Electric Guitar 08230 2. Rivera Quiana 112 Ruby Guitar Combo Amplifier 3. AEA R84 Ribbon Microphone 4. A Designs EM Blue 500-Series Preamp 5. Sennheiser MD 421 II Cardioid Dynamic Microphone 6. A Designs EM Silver 500-Series Preamp 7. Lynx Aurora 8 I/O D/A and A/D Converter

James Tyler Studio Elite Burning Water electric guitar (position 1 pickup) played into Rivera Quiana amp(channel 2, volume 5, bass 7 mid 6 treble 7, master 6, reverb 3, presence 10, focus 10, boost on, bright on) mic'd with AEA R84(8 inches off) into A Designs Blue Preamp & Sennheiser MD 421 II(close) into A Designs Silver Preamp feeding Lynx Aurora 8.

James Tyler Studio Elite Burning Water electric guitar (position 1 pickup) played into Rivera Quiana amp(channel 2, volume 5, bass 7 mid 6 treble 7, master 6, reverb 3, presence 10, focus 10, boost on, bright on) mic'd with AEA R84(8 inches off) into A Designs Blue Preamp & Sennheiser MD 421 II(close) into A Designs Silver Preamp feeding Lynx Aurora 8. (view less)

twanging boost electric guitar position 5 pickup

1. Tyler Studio Elite Burning Water 2K Electric Guitar 08230 2. Rivera Quiana 112 Ruby Guitar Combo Amplifier 3. AEA R84 Ribbon Microphone 4. A Designs EM Blue 500-Series Preamp 5. Sennheiser MD 421 II Cardioid Dynamic Microphone 6. A Designs EM Silver 500-Series Preamp 7. Lynx Aurora 8 I/O D/A and A/D Converter

James Tyler Studio Elite Burning Water electric guitar (position 5 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5, boost on) mic'd with AEA R84(8 inches off) into A Designs Blue Preamp & Sennheiser MD 421 II(close) into A Designs Silver Preamp feeding Lynx Aurora 8.

James Tyler Studio Elite Burning Water electric guitar (position 5 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5, boost on) mic'd with AEA R84(8 inches off) into A Designs Blue Preamp & Sennheiser MD 421 II(close) into A Designs Silver Preamp feeding Lynx Aurora 8. (view less)

jamblues electric guitar position 4 pickup.

1. Tyler Studio Elite Burning Water 2K Electric Guitar 08230 2. Rivera Quiana 112 Ruby Guitar Combo Amplifier 3. AEA R84 Ribbon Microphone 4. A Designs EM Blue 500-Series Preamp 5. Sennheiser MD 421 II Cardioid Dynamic Microphone 6. A Designs EM Silver 500-Series Preamp 7. Lynx Aurora 8 I/O D/A and A/D Converter

(view less)

jamborie electric guitar position 1 pickup

1. Tyler Studio Elite Burning Water 2K Electric Guitar 08230 2. Rivera Quiana 112 Ruby Guitar Combo Amplifier 3. AEA R84 Ribbon Microphone 4. A Designs EM Blue 500-Series Preamp 5. Sennheiser MD 421 II Cardioid Dynamic Microphone 6. A Designs EM Silver 500-Series Preamp 7. Lynx Aurora 8 I/O D/A and A/D Converter

James Tyler Studio Elite Burning Water electric guitar (position 1 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5, boost on, bright off) mic'd with AEA R84(8 inches off) into A Designs Blue Preamp & Sennheiser MD 421 II(close) into A Designs Silver Preamp feeding Lynx Aurora 8.

James Tyler Studio Elite Burning Water electric guitar (position 1 pickup) played into Rivera Quiana amp(channel 1, volume 7, bass 4 mid 7 treble 5, master 5, boost on, bright off) mic'd with AEA R84(8 inches off) into A Designs Blue Preamp & Sennheiser MD 421 II(close) into A Designs Silver Preamp feeding Lynx Aurora 8. (view less)

jamblues boost electric guitar position 4 pickup

1. Tyler Studio Elite Burning Water 2K Electric Guitar 08230 2. Rivera Quiana 112 Ruby Guitar Combo Amplifier 3. AEA R84 Ribbon Microphone 4. A Designs EM Blue 500-Series Preamp 5. Sennheiser MD 421 II Cardioid Dynamic Microphone 6. A Designs EM Silver 500-Series Preamp 7. Lynx Aurora 8 I/O D/A and A/D Converter

James Tyler Studio Elite Burning Water electric guitar (position 4 pickup) played into Rivera Quiana amp(channel 2, volume 5, bass 7 mid 6 treble 7, master 6, reverb 3, presence 10, focus 10, boost on, bright on) mic'd with AEA R84(8 inches off) into A Designs Blue Preamp & Sennheiser MD 421 II(close) into A Designs Silver Preamp feeding Lynx Aurora 8.

James Tyler Studio Elite Burning Water electric guitar (position 4 pickup) played into Rivera Quiana amp(channel 2, volume 5, bass 7 mid 6 treble 7, master 6, reverb 3, presence 10, focus 10, boost on, bright on) mic'd with AEA R84(8 inches off) into A Designs Blue Preamp & Sennheiser MD 421 II(close) into A Designs Silver Preamp feeding Lynx Aurora 8. (view less)