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Sound Pure's Take

Born out of decades of experience with vintage microphones, John Peluso brings us this recreation of a classic that is as faithful as it is functional.  The 22 251 was crafted with the old vintage Telefunken ELA M 251 in mind and presents itself with a similar boldness, top-end, and openness that lovers of the original have come to expect. The 22 251 bears a clean and pleasantly detailed top-end while simultaneously maintaining robust and full-sounding low/low-mids. The magic of the vintage 251s lie in their ability to accentuate those low-mids when utilizing the proximity effect. The 22 251 reproduces this magic with the added ability to further increase proximity effect by pushing the polar pattern into a more hyper-cardioid position. This microphone comes complete with 9 switchable polar patterns that range from Omni to Cardioid to Bi-Directional. Unlike the original which only has 3 polar patterns and a switch built directly into the body of the microphone itself, the 22 251 features its polar pattern switching on the power supply unit that comes with the microphone. With careful construction and attention to detail, this finely contrived ode to a classic is well worthy of becoming a staple in studios everywhere. 

Watch & listen

Peluso Microphone Lab 101

Peluso Microphone Lab 101Produced by Beehive ProductionsInterview filmed and recorded live at Peluso in Willis, VA.Performances recorded live at the Floyd Country Store and Peluso.Captured with Peluso Microphones.

Polar Pattern Switching: Get the Most Out of Your Multi-Pattern Microphone - Peluso 22 251

The Peluso 22 251 is styled after one of the world's rarest and most coveted microphones. It captures the nuances of the vintage "251" sound. The 22 251 is paired with the Peluso MX-56 power supply. The dual sided capsul... Read more

The Peluso 22 251 is styled after one of the world's rarest and most coveted microphones. It captures the nuances of the vintage "251" sound. The 22 251 is paired with the Peluso MX-56 power supply. The dual sided capsule in the 22 251 enables the power supply to feature 9 polar patterns in an array from omni-directional to cardioid to figure eight. This mic is available for SoundPure's Try-Before-You-Buy Program, so if you want to hear how it sounds in your studio, shoot us an email at ProAudio@SoundPure.com, or call us anytime at 919.682.5552. Thanks for watching!

Peluso LDC Shootout on Female Vocals: P12 v. 2247 SE v. P67 v. 22 251

Also in this recording Peluso P-67 Switchable Pattern Tube Microphone Peluso P12 Multipattern Tube Microphone Peluso 2247 SE AMERICAN Switchable Pattern Tube Microphone Phoenix Audio DRS8 mk2 Microphone Preamp Apogee Digital Symphony I/O MkI 16x16 Analog

In this blind microphone shootout on female vocals we compare four of John Peluso's large diaphragm tube condenser mics: the P12, the 2247 SE, the P67, and the 22 251. These four mics are clones of the venerable C12, U47... Read more

In this blind microphone shootout on female vocals we compare four of John Peluso's large diaphragm tube condenser mics: the P12, the 2247 SE, the P67, and the 22 251. These four mics are clones of the venerable C12, U47, U67 and 251 respectively, which are four of the most sought after microphones for vocal recordings and many other studio applications. First you'll hear the four mics solo'd and completely dry, then we'll bring them into a loose mix for some context. All four mics were run through our Phoenix DRS8 preamp modules and our Apogee Symphony converter. If you'd like to know which mic was which and get the full length hi-res audio performances to compare for yourself shoot us a quick email to mics(at)soundpure.com. Additionally all four of these mics are eligible for our Try-Before-You-Buy demo program, so if you'd like to experience one for yourself with your gear in your studio please give us a call and we'd be happy to send one out for you to demo. 

Peluso Tube LDC Microphone Shootout: P12, 2247 SE, P67, 22 251

Also in this recording Peluso P12 Multipattern Tube Microphone Peluso 2247 SE AMERICAN Switchable Pattern Tube Microphone Peluso P-67 Switchable Pattern Tube Microphone Vintech Audio 573 500-Series Mic Preamp Apogee Digital Symphony I/O MkI 16x16 Analog Peluso P-84 SK Solid State SDC Microphone Stereo Kit Bricasti Design M7 Reverb Processor

In this blind microphone shootout on male vocals we compare four of John Peluso's large diaphram tube condenser mics: the P12, the 2247 SE, the P67, and the 22 251. These four mics are clones of the venerable C12, U47, U... Read more

In this blind microphone shootout on male vocals we compare four of John Peluso's large diaphram tube condenser mics: the P12, the 2247 SE, the P67, and the 22 251. These four mics are clones of the venerable C12, U47, U67 and 251 respectively, which are four of the most sought after microphones for vocal recordings and many other studio applications. First you'll hear the four mics solo'd and completely dry, then we'll bring them into a loose mix with mandolin and drobro as well as some reverb from our Bricasti M7 for some context. All four mics were run through our Vintech 573 preamp moules and our Apogee Symphony converter. If you'd like to know which mic was which and get the full length hi-res audio performances to compare for yourself shoot us a quick email to mics(at)soundpure.com. Additionally all four of these mics are eligible for our Try-Before-You-Buy demo program, so if you'd like to experience one for yourself with your gear in your studio please give us a call and we'd be happy to send one out for you to demo.    We'd like to extend a huge thank you to George and Danny of the local roots rock band Jack The Radio! Definitely check them and their tunes out at www.JackTheRadio.com.   If you like what you hear, check this gear out at SoundPure.com or give us a call anytime at 919.682.5552. Thanks for watching!

Peluso Mics record Jazz Great Nnenna Freelon & The Beast @ Sound Pure Studios

Also in this recording Peluso VTB Vacuum Tube Bottle Microphone Peluso P12 Multipattern Tube Microphone Peluso 2247 SE AMERICAN Switchable Pattern Tube Microphone Peluso CEMC6 Solid State Microphone

On May 21, 2009 The Beast joined Grammy nominee Nnenna Freelon for a charity event in support of the Durham Arts Council at Sound Pure Studios. Following an interactive recording demonstration, The Beast capped off the e... Read more

On May 21, 2009 The Beast joined Grammy nominee Nnenna Freelon for a charity event in support of the Durham Arts Council at Sound Pure Studios. Following an interactive recording demonstration, The Beast capped off the evening with a performance for the attendees in which they premiered two original songs, including this one entitled Catalyst. This footage captures the intimate live show, recorded in one take and mixed at Sound Pure. The mics included the Peluso 22 251 on 6-time Grammy nominee Freelon's Vocals, Peluso VTB on MC Pierce Freelon of the Beast's Voice, a pair of Peluso P12 Microphones on the Steinway piano, Peluso 2247SE on Acoustic Bass, and Peluso CEMC6 Mics as Drum Overheads.

Peluso 22 251 Microphones Queen - Bohemian Rhapsody Cover

This video was created by Giulio Carnassi and cut all of vocals on his Peluso 22 251 microphone.  Entirely re-recorded from scratch, with the full choir, by Giulio Carmassi. Every instrument overdubbed, and the video sho... Read more

This video was created by Giulio Carnassi and cut all of vocals on his Peluso 22 251 microphone.  Entirely re-recorded from scratch, with the full choir, by Giulio Carmassi. Every instrument overdubbed, and the video shows 95% of the actual takes used in the recording. No autotune or similar used anywhere. All filmed with a cheap handy camera and all the lighting is done with regular house lamps. No crew or engineers, just me, a tripod and a bunch of mics. Hope you enjoy. It's a labor of love. And yes, i'm not Freddie Mercury, and i don't think i will ever be. But I've done this with a lot of respect for him and the rest of the band and i hope that other people that loved the original will have fun going through it.  All the vocals were cut with a Peluso 251 tube mic.

Phoenix DRS 8 Mic Preamp on Drums, Vocals, Guitar, Trumpet, & Rhodes Keyboard

Also in this recording Phoenix Audio DRS8 mk2 Microphone Preamp Lynx Aurora 16 I/O D/A and A/D Converter Coles 4038 Ribbon Microphone Peluso TR 14 Vacuum Tube Ribbon Microphone Lauten Audio Oceanus LT-381 Microphone Josephson C617 (just body no capsule) Peluso P12 Multipattern Tube Microphone

The DRS-8 developed by Phoenix Audio UK is an 8 channel, Neve influenced, preamp designed with Class A discrete technology with both the professional and home studio artists in mind. Modeled after Phoenix's other famo... Read more

The DRS-8 developed by Phoenix Audio UK is an 8 channel, Neve influenced, preamp designed with Class A discrete technology with both the professional and home studio artists in mind. Modeled after Phoenix's other famous preamps, the DRS-1 and DRS-2, the DRS8 uses a transformer less, Class A, discrete mic input which gives you a "valve-like" sound. The Phoenix Audio DRS-8 is extremely versatile complimenting an array of instruments including acoustic guitars, electric guitar, percussion instruments, vocals, horns, and keyboards. The cost-per-channel is also unbeatable for a preamp of this quality. Please contact our experts, here at SoundPure, with any questions 919.682.5552 or 888-528-9703.

USBPre 2 by Sound Devices - Detailed Product Review and Demo

The Sound Devices USBPre 2 is an outstanding two channel, portable mic pre that connects directly to computers via USB. The USB Pre 2 features clean mic pres, AD and DA converters, high quality audio playback of up to 19... Read more

The Sound Devices USBPre 2 is an outstanding two channel, portable mic pre that connects directly to computers via USB. The USB Pre 2 features clean mic pres, AD and DA converters, high quality audio playback of up to 192K 24 bit, a vast array of inputs and outputs including XLR, Line Level, RCA, Toslink, and SPDIF, as well as the ability to interface with many devices from iPads to CD-Burners. It is great for location recording, studio recording, and works well with a variety of software programs such as Pro Tools, Garageband, Sonar, Cubase, Logic, and even video editing programs like Final Cut Pro or Premiere. Thanks again to Kate McGarry (http://www.katemcgarry.com/). and Keith Ganz (http://www.keithganz.com/)for an amazing performance. For more information on this incredible, all-in-one device, contact the experts at Sound Pure today! 919.682.5552.

Ribbecke Halfling Pinbridge Archtop Acoustic Guitar Demo

Also in this recording Ribbecke Halfling Pinbridge Archtop Guitar Lauten Audio Oceanus LT-381 Microphone Lynx Aurora 16 I/O D/A and A/D Converter Phoenix Audio DRS8 mk2 Microphone Preamp

The Halfling Pinbridge Archtop Acoustic Guitar from luthier Tom Ribbecke offers the best of two worlds. The patented off-set arch provides both flat and archtop qualities producing a hard-hitting mid-range and huge bass... Read more

The Halfling Pinbridge Archtop Acoustic Guitar from luthier Tom Ribbecke offers the best of two worlds. The patented off-set arch provides both flat and archtop qualities producing a hard-hitting mid-range and huge bass responses. This guitar's off-set sound hole allows for an incredibly unique listening experience as a player. A Sitka Spruce top, Indian Rosewood back and sides with a Mahogany neck and Ebony fingerboard make up this exceptional guitar. Please contact Sound Pure today if you are interested in this extraordinary guitar from Tom Ribbecke.

Sound Devices USBPre 2 Demo - Acoustic Guitar and Vocals

Also in this recording Peluso P-67 Switchable Pattern Tube Microphone

The new USBPre 2 from Sound Devices is an exciting, 2 channel, all in one box that has a clear and clean microphone preamp, A/D and D/A converter, outstanding high-quality audio playback, the ability to record up to 192K... Read more

The new USBPre 2 from Sound Devices is an exciting, 2 channel, all in one box that has a clear and clean microphone preamp, A/D and D/A converter, outstanding high-quality audio playback, the ability to record up to 192K 24 bit audio, driverless interfacing with any computer with a USB port, ability to interface with Pro Tools, iTunes, Final Cut Pro, Logic, Garage Band, and more. The USBPre 2 can function without a computer even, in standalone mode it can connect to a CD-Burner or an Alesis hard disk record for computerless, location recording. You can record two live channels, or multi-track and build a full mix by stacking tracks. The USBPre 2 has many inputs and outputs including balanced mic or line level on XLR, unbalanced consumer line-level on RCA, S/PDIF, coaxial (RCA), and optical Toslink. Thanks to Kate McGarry and Keith Ganz for an outstanding performance. If you like what heard, check out their sites! http://www.keithganz.com/ andhttp://www.katemcgarry.com/ Give us a call today to learn more about this fantastic USBPre 2 from Sound Devices. This box can do so many things! Learn more about it from the experts at Sound Pure!

Avalon AD2022 Mic Preamp Demo Video -- Acoustic Guitar

Also in this recording Lynx Aurora 16 I/O D/A and A/D Converter Josephson C42 Small Diaphragm Condenser Matched Pair Peluso P28 Omni Microphone Capsule (CK-2) Avalon AD-2022 Dual Mono Microphone Preamplifier

The Avalon AD-2022 Stereo (2 channel) Microphone Preamplifier is a world-class solid-state microphone preamplifier that provides clean, in-your-face detail, and immaculate colorless precision along with some nice feature... Read more

The Avalon AD-2022 Stereo (2 channel) Microphone Preamplifier is a world-class solid-state microphone preamplifier that provides clean, in-your-face detail, and immaculate colorless precision along with some nice features such as impedance switching which will allow for alternate colors to be achieved. It is a serious mic preamp for the most discriminating engineers and home recordists on the planet, and assures that the sonic integrity of the original musical performance and any warmth and coloration from the microphones are preserved, and brought to the foreground of the mix. We love and use our Avalon 2022 religiously in the Sound Pure recording studios, and recommend you speak to one of our experts to discuss your next preamp or pro audio upgrade. We are available for you toll free at 888.528.9703.

Recorded with this gear

Quiet High Sax Accompanied by Piano in Concert Hall

Also in this recording A Designs Pacifica Stereo Preamp

Quiet High Sax Accompanied by Piano in Concert Hall, Peluso 22 251 Pair into Pacifica then Apogee Rosetta UV22HR 16-bit

Thunderous Steinway D Piano and Sax in Concert Hall

Also in this recording A Designs Pacifica Stereo Preamp

Thunderous Steinway D Piano and Sax in Concert Hall - Peluso 22 251 Pair into Pacifica then Apogee Rosetta UV22HR 16-bit

jazz deluxe electric guitar neck pickup

Also in this recording Benedetto Bambino Deluxe One-off Blue Blaze S1530 Archtop Guitar Raezer's Edge Stealth 10ER Speaker Cabinet A Designs Pacifica Stereo Preamp Lynx Aurora 8 I/O D/A and A/D Converter

Benedetto Bambino Deluxe electric guitar(neck pickup) played into Acoustic Image Clarus 2R Head into Raezer's Edge Stealth 10ER cabinet mic'd with Peluso 22 251(i foot off) into A Designs Pacifica preamp feeding Lynx Aur... Read more

Benedetto Bambino Deluxe electric guitar(neck pickup) played into Acoustic Image Clarus 2R Head into Raezer's Edge Stealth 10ER cabinet mic'd with Peluso 22 251(i foot off) into A Designs Pacifica preamp feeding Lynx Aurora A/D converters.

From Peluso Microphones

The Peluso 22 251 is styled after one of the world's rarest and most coveted microphones. It captures the nuances of the vintage "251" sound. The Peluso 22 251 employs a dual sided edge-terminated 34mm gold-coated Mylar capsule and a 6072A glass triode tube. The circuitry and transformer have been designed to match the vintage "251". Whether you're micing snare drums or steel guitars, violins or vocals, the 22 251 will provide great results.
The 22 251 is paired with the Peluso MX-56 power supply. The dual sided capsule in the 22 251 enables the power supply to feature 9 polar patterns in an array from omni-directional to cardioid to figure eight.
The 22 251 features our heavy-duty 8-pin screw on cable connector. The large diameter pins in the screw on connector give a tight and secure cable connection designed to perform for a lifetime of use.
Acoustically matched pairs available upon special request.
Microphone kit comes as a complete system including: 22 251 Microphone in a Wood Box, MX-56 Power Supply, New-style 8-Pin Screw on Cable Assembly, and a Shock Mount all packed in a Flight Case.
Type
Condenser Pressure Gradient w/ 34mm edge-terminated capsule
Frequency Range
20Hz/24Khz
Polar Pattern
9 - Switchable from omni- to bi-directional
Sensitivity
14mv/pa
Impedance
50/200 ohms
SPL
142 dB
Equivalent Noise
12 dB (A-weighted)
Tube Type
5744WB
Power Requirements
Dedicated Power Supply, 115V or 230V AC
Size
52mm x 225 mm
Weight
620 g

Free 3-Year Warranty

Sound Pure stands behind our products. Free three-year warranty on this item. Coverage exclusions live in Terms & Conditions, Section 27.

Level of support and expertise that simply isn't available at big-box megastores. Read the warranty →

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Not eligible for Try Before You Buy or the 48-hour approval period. Standard return policy applies — see Terms & Conditions, Section 18 for details.

Sound Pure Studios Control Room A — Durham, NC

Sound Pure Studios · Durham, NC

Come hear it in our control rooms.

Sound Pure is a working studio in Durham, NC — a 1,000 sq ft live room and two pro control rooms. Book a session to audition gear in a world-class acoustic space before you buy.

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