Free guitar clinic: Alex Skolnick of Testament, live at Sound Pure on Sun, Oct 18 at 5:00 PM. Reserve a seat

Sound Pure's Take

We at Sound Pure have been huge advocates of what Peter Montessi and the A-Designs crew have been creating for the past several years. Phenomenal gear priced below the market price of comparable equipment. The Pacifica is indeed something special - don't let its price tag fool you. This thing is a deal.

The Pacifica has smoothness and richness without over saturation, nor over-coloration, and as a result retains a spectacular amount of detail and high-end openness. While it's true to its 1970s heritage, this preamp has a much more usable modern transparency, detail, and noise floor. We tested it on many applications with great success, and really loved how its subtle character warmed up acoustic guitars without sacrificing character, and how detail and richness was revealed in vocals whether you were running tube or solid-state mics. It's amazing how much warmth they have retained without sacrificing on the detail end of the spectrum.

Additionally, a lot of our users have reported wonderful results using the Pacifica as a DI and line level through the 1/4" jacks on the 2-bus. Again, nice warmth, but still very refined detail. Honestly, this thing is a great every-day preamp - the kind of thing that you can use all over the studio, in countless applications, and never feel like you were getting too much color, too much muddiness, or too much Pacifica. Much like the MP-2 has accomplished in the tube domain, the Pacifica is a solid-state preamp that strikes an incredible balance of warmth and clarity, and yet still is delivered at an extremely well built and affordable price point.

Sonic polish without the cloudiness and greatness without the obscene price tag. Congrats to Peter Montessi and A-Designs audio on their 2006 nomination - this preamp deserves every bit of it. We have been behind the thing since we originally tested it on its product release, and are pleased to see others have recognized the Pacifica's brilliance. Whether or not you are building a preamp collection where the Pacifica can round out the solid-state mic pre lineup, or you are looking to purchase a high-end performing preamp that works in just about every situation, no studio should be without a Pacifica.

Watch & listen

Classical Guitar Recording Technique: Recording Acoustic & Acoustic/Electric Classical Guitars

Also in this recording Schoeps Colette Stereo Set CMC 6 + MK 2H Neumann TLM 107 (Nickel) Multi-pattern LDC Microphone Avalon AD-2022 Dual Mono Microphone Preamplifier Shure KSM313/NE Dual-Voice Ribbon Mic with Roswellite Ribbon Vintech Audio X73i Pre/EQ

In this video, SoundPure Pro Audio Expert, Travis Hall demonstrates different ways to record Acoustic and Acoustic/Electric Nylon Classical Guitars. Using these techniques, we captured the most beautiful and precise soun... Read more

In this video, SoundPure Pro Audio Expert, Travis Hall demonstrates different ways to record Acoustic and Acoustic/Electric Nylon Classical Guitars. Using these techniques, we captured the most beautiful and precise sounds from the guitars, with help from SoundPure Guest Musician, Dennis Aberle. If you like what you hear, check out the gear used in this video at SoundPure.com or call us anytime at 919.682.5552. Thanks for watching!

A Designs Pacifica Mic Preamp Tracking Killer Acoustic Guitars

Also in this recording Peluso P 28 Pencil Tube Microphone Mojave Audio MA-100 Stereo Tube SDC Microphone Pair Lynx Aurora 16 I/O D/A and A/D Converter

Sound Pure recording and sales experts use the A Designs Pacifica dual channel stereo microphone preamplifier, and exhibit how-to track stunning, detailed acoustic guitars, completely dry (no compression, EQ, or reverb),... Read more

Sound Pure recording and sales experts use the A Designs Pacifica dual channel stereo microphone preamplifier, and exhibit how-to track stunning, detailed acoustic guitars, completely dry (no compression, EQ, or reverb), in the Sound Pure Recording Studios, with a variety of mic choices and combinations

Andres Marvi 2007 205C Model Nylon String Guitar - Quick n' Dirty

Also in this recording Andres Marvi 2007 205C Model Nylon String Guitar - Used Schoeps CMC 6 U Microphone Amplifier Schoeps MK 2S Omnidirectional Capsule Neumann TLM 107 (Nickel) Multi-pattern LDC Microphone Lynx Aurora 16 I/O D/A and A/D Converter

The Andres Marvi is simply breathtaking. The combination of lineage, innovation, and sheer attention to detail is unmatched. It fills up a room like warm, summer breeze and is a masterpiece in every sense of the word. A... Read more

The Andres Marvi is simply breathtaking. The combination of lineage, innovation, and sheer attention to detail is unmatched. It fills up a room like warm, summer breeze and is a masterpiece in every sense of the word. A guitar you truly have to hear to believe. If you like what you hear, check out this gear at SoundPure.com or call us anytime at 919.682.5552. Thanks for watching!

Enrico Bottelli 2007 Lorenzo Model Nylon String Guitar - Quick n' Dirty

Also in this recording Enrico Bottelli 2007 Lorenzo Model Nylon String Guitar -Used Schoeps CMC 6 U Microphone Amplifier Schoeps MK 2S Omnidirectional Capsule Neumann TLM 107 (Nickel) Multi-pattern LDC Microphone Lynx Aurora 16 I/O D/A and A/D Converter

This Bottelli is quite simply one of the best guitars out there. It has exquisitely mature rosewood tone: powerful bass response and an overtone bite that gives every note that comes out of an air of masterful authority.... Read more

This Bottelli is quite simply one of the best guitars out there. It has exquisitely mature rosewood tone: powerful bass response and an overtone bite that gives every note that comes out of an air of masterful authority. If you're a player looking for the instrument to accompany your career, or collector looking to have one of the best guitars, this is the one. If you like what you hear, check out this gear at SoundPure.com or call us anytime at 919.682.5552. Thanks for watching!

Henriksen The Bud Combo Guitar Amp: Acoustic Pickup Comparison

Also in this recording TELEFUNKEN Elektroakustik M60 FET Cardioid Stereo Set

The Henriksen Bud is the smallest amp we have in the shop, but don't let that turn you off, because this is an amp that you could throw into any musical situation you could think of and be satisfied with the results. The... Read more

The Henriksen Bud is the smallest amp we have in the shop, but don't let that turn you off, because this is an amp that you could throw into any musical situation you could think of and be satisfied with the results. The Bud has every feature you need and more than enough volume to get your bandmates or club manager to ask you to turn down, and coupled with the extension cabinet you can keep up with the heaviest-handed drummer with no problem. This amp is available for SoundPure’s Try-Before-You-Buy Program, so if you want to hear it in your studio with your gear, shoot us an email at Acoustics@SoundPure.com or call us anytime at 919.682.5552. Thanks for watching!

Henriksen The Bud Combo Guitar Amp: Singer/Songwriter Setup

Also in this recording TELEFUNKEN Elektroakustik M60 FET Cardioid Stereo Set Neumann KMS 105 MT Microphone (Matte/Black Finish)

Henriksen Amplifiers is all about tone first, the incredibly portable size and feature set of The Bud were developed around the sound, not the other way around and you can definitely hear the difference. Two channels mea... Read more

Henriksen Amplifiers is all about tone first, the incredibly portable size and feature set of The Bud were developed around the sound, not the other way around and you can definitely hear the difference. Two channels mean you could play and sing a solo gig on the same amp, with separate frequency controls, and only have the carry this little guy to the show. This amp is available for SoundPure’s Try-Before-You-Buy Program, so if you want to hear it in your studio with your gear, shoot us an email at Acoustics@SoundPure.com or call us anytime at 919.682.5552. Thanks for watching!

Henriksen The Bud Combo Guitar Amp: Mic vs. Line Out

Also in this recording TELEFUNKEN Elektroakustik M60 FET Cardioid Stereo Set

Henriksen Amplifiers The Bud has every feature you need and more than enough volume to get your bandmates or club manager to ask you to turn down. The Bud offers a 5-band EQ with carefully chosen center frequencies which... Read more

Henriksen Amplifiers The Bud has every feature you need and more than enough volume to get your bandmates or club manager to ask you to turn down. The Bud offers a 5-band EQ with carefully chosen center frequencies which were fine-tuned by ear to meet the demands of different playing environments using the widest possible array of musical instruments.  It also gives you two identical pre-amps, each with independent EQ and reverb and actual 48 volt phantom power, and an auxiliary input on each channel so that whatever you are using it for can be EQ’d separately from your instrument signal. This amp is available for SoundPure’s Try-Before-You-Buy Program, so if you want to hear it in your studio with your gear, shoot us an email at Acoustics@SoundPure.com or call us anytime at 919.682.5552. Thanks for watching!

Solid Shell Snare Shootout: Craviotto v. Noble & Cooley v. Pork Pie

Also in this recording Pork Pie 6x14 Maple Solid Shell Snare Drum-White Marine Craviotto 6.5x14 Stacked Solid Walnut/Mahogany Snare Drum Miktek C7e Large Diaphragm Multi-Pattern FET Condenser Mic Josephson e22S Side-Address Condenser Microphone Shure SM57 Instrument Microphone Miktek C5MP Small Diaphragm Condenser Matched Pair Phoenix Audio DRS8 mk2 Microphone Preamp

SoundPure Drum Expert, Barry Knain, demos three fantastic solid shell snare drums in our first Snare Drum Shootout. In this blind shootout, we will showcase Craviotto, Noble & Cooley, and Pork Pie snare drums in a full k... Read more

SoundPure Drum Expert, Barry Knain, demos three fantastic solid shell snare drums in our first Snare Drum Shootout. In this blind shootout, we will showcase Craviotto, Noble & Cooley, and Pork Pie snare drums in a full kit setup. All three snare were recorded using out Phoenix DRS-8 Preamp and Apogee Symphony converter. If you want to know the results, or get the high res files to compare for yourself, shoot us an email at Drums@soundpure.com. If you like what you hear, check out this gear at SoundPure.com, or give us a call anytime at 919.682.5552. Thanks for watching!   Additional Gear Used:   Miktek C7 Audix I5 Josephson e22s x 3 Shure SM-57 Miktek C5 x 4 A Designs Pacifica

Eastman E20SS Addy/Rosewood Slope Acoustic Guitar

Also in this recording Peluso P-84 SK Solid State SDC Microphone Stereo Kit Apogee Digital Symphony I/O MkI 16x16 Analog

Allen Shadd, two-time National Flatpicking Champion, plays the Eastman E20SS Addy/Rosewood Slope Acoustic Guitar 030. This beautiful instrument responds to the slightest touch and produces a very focused and satisfying t... Read more

Allen Shadd, two-time National Flatpicking Champion, plays the Eastman E20SS Addy/Rosewood Slope Acoustic Guitar 030. This beautiful instrument responds to the slightest touch and produces a very focused and satisfying tone.   Gear: Eastman E20SS Addy/Rosewood Slope Peluso P84 Solid State SDC Mic A Designs Pacifica Preamp Apogee Symphony 16 Converter

Eastman E10-OM Adirondack/Mahogany Acoustic Guitar

Also in this recording Peluso P-84 SK Solid State SDC Microphone Stereo Kit Apogee Digital Symphony I/O MkI 16x16 Analog

Two-time National Flatpicking Champion Allen Shadd demonstrates the Eastman E10-OM Adirondack/Mahogany Acoustic Guitar. Made in the spirit of the flattop guitars from the "Golden Era," this model is deeply rooted in a tr... Read more

Two-time National Flatpicking Champion Allen Shadd demonstrates the Eastman E10-OM Adirondack/Mahogany Acoustic Guitar. Made in the spirit of the flattop guitars from the "Golden Era," this model is deeply rooted in a tried-and true style of guitar production.    Gear: Eastman E10-OM Adirondack/Mahogany Peluso P84 Solid State SDC Mic A Designs Pacifica Preamp Apogee Symphony 16 Converter

Eastman E10-D 428 Dreadnought Acoustic Guitar

Also in this recording Peluso P-84 SK Solid State SDC Microphone Stereo Kit Apogee Digital Symphony I/O MkI 16x16 Analog

Allen Shadd, two time National Flatpicking Champion, expertly demonstrates the Eastman E10D 428 Dreadnought Acoustic Guitar. Built in the tradition of the flattop guitars made in America's "Golden Era," this model allows... Read more

Allen Shadd, two time National Flatpicking Champion, expertly demonstrates the Eastman E10D 428 Dreadnought Acoustic Guitar. Built in the tradition of the flattop guitars made in America's "Golden Era," this model allows for an impressive full tone that can resonate throughout a room.    Gear: Eastman E10 428 Dreadnought Peluso P84 Solid State SDC Mic A Designs Pacifica Preamp Apogee Symphony 16 Converter

Goodall TRD 6231 Dreadnought Acoustic Guitar 366

Also in this recording Goodall TRD 6231 Dreadnought Acoustic Guitar 366 Peluso P-84 SK Solid State SDC Microphone Stereo Kit

Two time National Flatpicking Champion Allen Shadd demonstrates the Goodall TRD 6231 Dreadnought Acoustic Guitar 366.  The powerful bass and midrange tones on this guitar combine with a custom, partial scalloped bracing... Read more

Two time National Flatpicking Champion Allen Shadd demonstrates the Goodall TRD 6231 Dreadnought Acoustic Guitar 366.  The powerful bass and midrange tones on this guitar combine with a custom, partial scalloped bracing pattern giving it a nice 'boominess'.   Gear: Peluso P84 Solid State SDC Mic A Designs Pacifica Preamp Apogee Symphony 16 Converter   For more information about Allen Shadd, visit AllenShadd.wordpress.com   Have any questions?  Want to try this model for yourself?  Call us at (919) 682-5552 or send us an email at acoustics@soundpure.com.

Recorded with this gear

rapido arpeggio electric guitar position 5 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

hyped up electric guitar position 4 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'... Read more

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

mad max electric guitar position 2 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

hyped up electric guitar position 5 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'... Read more

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

mad max electric guitar position 1 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

mad max electric guitar position 5 & 4 pickups

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone

Nash S-57 electric guitar (position 5 & 4) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & m... Read more

Nash S-57 electric guitar (position 5 & 4) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

ace of distortion electric guitar position 4 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

mellow harmonix electric guitar position 4 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

ace of distortion electric guitar position 2 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

hyped up electric guitar position 2 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'... Read more

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

ace of distortion electric guitar position 3 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone

Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

hyped up electric guitar position 3 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone

Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'... Read more

Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

mad max electric guitar position 3 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone

Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

ace of distortion electric guitar position 5 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

friendly devil electric guitar position 2 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

ace of distortion electric guitar position 1 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

hyped up electric guitar position 1 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'... Read more

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

rapido arpeggio electric guitar position 5 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo AEA R92 Ribbon Microphone

Nash S-57 electric guitar (position 5 pickup) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 12pm, mid 3pm, bass 1pm) mic'd with AEA R92 (6 inch off speaker) into A designs Pacifica preamp feeding Apoge... Read more

Nash S-57 electric guitar (position 5 pickup) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 12pm, mid 3pm, bass 1pm) mic'd with AEA R92 (6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

bluesy electric guitar neck & bridge pickup

Also in this recording McInturff Carolina Custom Brock-Burst Electric Guitar AEA R84 Ribbon Microphone Vintech Audio X73i Pre/EQ Sennheiser MD 421 II Cardioid Dynamic Microphone Lynx Aurora 8 I/O D/A and A/D Converter

McInturff Carolina Custom electric guitar (neck & bridge pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardi... Read more

McInturff Carolina Custom electric guitar (neck & bridge pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid pattern) into Vintech Audio x73i preamp & Sennheiser 421 (cardioid pattern) into A-Designs Pacifica preamp feeding Lynx Aurora A/D converters.

bluesy riff electric guitar bridge pickup

Also in this recording McInturff Carolina Custom Brock-Burst Electric Guitar AEA R84 Ribbon Microphone Vintech Audio X73i Pre/EQ Sennheiser MD 421 II Cardioid Dynamic Microphone Lynx Aurora 8 I/O D/A and A/D Converter

McInturff Carolina Custom electric guitar (bridge pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid pat... Read more

McInturff Carolina Custom electric guitar (bridge pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid pattern) into Vintech Audio x73i preamp & Sennheiser 421 (cardioid pattern) into A-Designs Pacifica preamp feeding Lynx Aurora A/D converters.

walking blues electric guitar neck pickup

Also in this recording McInturff Carolina Custom Brock-Burst Electric Guitar AEA R84 Ribbon Microphone Vintech Audio X73i Pre/EQ Sennheiser MD 421 II Cardioid Dynamic Microphone Lynx Aurora 8 I/O D/A and A/D Converter

McInturff Carolina Custom electric guitar (neck pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid patte... Read more

McInturff Carolina Custom electric guitar (neck pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid pattern) into Vintech Audio x73i preamp & Sennheiser 421 (cardioid pattern) into A-Designs Pacifica preamp feeding Lynx Aurora A/D converters.

strumming electric guitar neck pickup

Also in this recording McInturff Carolina Custom Brock-Burst Electric Guitar AEA R84 Ribbon Microphone Vintech Audio X73i Pre/EQ Sennheiser MD 421 II Cardioid Dynamic Microphone Lynx Aurora 8 I/O D/A and A/D Converter

McInturff Carolina Custom electric guitar (neck pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid patte... Read more

McInturff Carolina Custom electric guitar (neck pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid pattern) into Vintech Audio x73i preamp & Sennheiser 421 (cardioid pattern) into A-Designs Pacifica preamp feeding Lynx Aurora A/D converters.

From A Designs Audio

Two-channel, solid-state preamp with custom, “ear-tested” transformers for the “Big Iron” sound of the ’70s

The A-Designs Audio Pacifica harkens back to the golden age of recording, when consoles were spec’d out by studio engineers and custom-built to provide a sound like no other. Designed, built, “ear tested,” and beta tested by long-time recording industry veterans, the Pacifica takes its sonic cues from the mythic Quad Eight console, a recording desk that easily stood toe-to-toe with API and Neve. However, the A-Designs Pacifica is by no means a vintage reissue—it has a sound and character all its own. Said by top professionals to have the depth of a Neve, the midrange of an API and the high-end of a Massenburg, the Pacifica has quickly established itself as the go-to preamp for numerous Grammy-winning and platinum-selling engineers and producers.

In keeping with A-Designs Audio’s mission of sound quality above all, the features of the Pacifica are just what an audio professional needs to record high-quality tracks and no more. Sonically compromising extra switches and components of dubious features are eliminated from the signal path. Plus, with 72dB gain and extremely low-noise operation (-128dB EIN) the ribbon mic-friendly Pacifica ensures clarity and fidelity—whether you’re going for transparency or plenty of punch and character.

Paying homage to the color scheme of the Quad Eight Pacifica console, the hand-crafted Pacifica sports a rich, cream-colored finish with solid-feeling, red metal gain knobs; a red +48V phantom-power push button with red LED indicator—both for easy identification if ribbon mics are involved; plus grey push buttons for phase reverse and –20dB pad—all giving the Pacifica a look reminiscent of California girls, beach boys, and classic Woodies.

It also has two front-panel Hi-Z instrument inputs, but just like a classic Woodie, it’s what’s under the Pacifica’s hood that gives the DIs a special kick. Unlike other preamps, the Pacifica’s DIs are routed through the input transformer, which puts signal through two transformers for added depth and richer tone. And these aren’t just any transformers. Key to the Pacifica’s sound, they’re custom-designed input and output transformers built by Tom Reichenbach of Cinemag (whose father, Ed, built the transformers for the original Quad Eight desks). The output transformers are custom wound and share the same design as those found in the original Quad Eight. Input transformers are pure, proprietary A-Designs.

But transformers don’t tell the whole story. Another key factor to the Pacifica’s sound is its wide-bandwidth design, which ranges from 9Hz to 101kHz with less than 1% distortion. Along with its custom transformers, the linear response down below 10Hz provides the big, punchy sound that the Pacifica has become famous for. It also provides harmonic content well above the range of human hearing, which reduces in-band phase shift for more realism, along with the added benefit of more harmonic information to work with at mixdown—turning your EQ into a creative tool rather than a corrective one.
While some may believe the glory days of recording are over, The Pacifica is “living” proof that those days have never left us, and better days are still ahead. Put an A-Designs Audio Pacifica in your rack in hear the difference.

PACIFICA FEATURES:

♦ Two-channel, solid state preamp with two front-panel Hi-Z inputs
♦ Captures the sound quality of the legendary Quad Eight Pacifica console with even more presence and high-end
♦ Very warm and full tone without being dark; wide bandwidth with a sweet top end.
♦ Custom-wound Cinemag input and output transformers
♦ Input transformer: A-Designs proprietary input transformer with unique winding
♦ Output Transformer: A-Designs proprietary alloy using the same massive design as the original Quad Eight.
♦ 72dB of quiet gain, great for use with ribbon mics.
♦ Unique DI design sends signal through the input transformer for two transformers in the signal path.
♦ Balanced XLR I/O
♦ Phase reversal (each channel)
♦ -20dB pad (each channel)
♦ +48V phantom power (each channel)
♦ Solid construction, handmade in the USA


Frequency response
9Hz-101KHz
Input impedance
1500 ohm
Gain range
72dB
Noise (EIN)
-128dB
Phantom power
Switchable 48V
Mic input phase
Switchable 0 -180°
Instrument Input Jack
1/4″ Phono
Output
Balanced XLR
Distortion
Less than 1%
Power requirements
100/120/230 VAC – 23W
Dimensions
19″ x 1-3/4″ x 10″
Weight
11 lb.
Shipping weight
12.5 lb.

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