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Sound Pure's Take

With the popularity of the 500 series, Dallas is now offering his 1073 clones in the Lunchbox format.  He painstakingly designed the 573’s preamp to be as accurate to the original Neve 1073 as the rest of his preamp line.  With a front panel DI, both line and mic level inputs, and the tonal flexibility that comes with independent input and output gain control, this is one of the most versatile 500 series modules on the market.  If you have an open spot on your rack, or are in need of a few more channels of 1073 preamps, don’t miss out on the Vintech 573!

From Vintech Audio

The VA573 is a class A, all discrete, transformer balanced microphone preamplifier. It is based on the classic Neve 1073 module. The 573 features an all new discrete high impedance D.I. that goes through the input transformer. The 573 also has switchable impedance settings (selecting either 300 Ohms or 1.2 kOhms) and is also capable of accepting line level sources via a switch on the front panel.

This unit contains no IC's and no surface mount components. It is made at the Vintech shop in the USA.

Watch & listen

Vintech Audio 573 Preamp on Drums - Neve 1073 Clone

Also in this recording Pork Pie 3pc Maple Shell Pack Pocaro Blue / Curly Maple

The new "500" series of Vintech Microphone Preamplifiers, presents a modern take on the classic Neve 1073 module, and in this video we are focusing on the Vintech 573 Model used in our "OAK" sessions. SoundPure's own Pro... Read more

The new "500" series of Vintech Microphone Preamplifiers, presents a modern take on the classic Neve 1073 module, and in this video we are focusing on the Vintech 573 Model used in our "OAK" sessions. SoundPure's own Pro Audio Expert Doug Wessling details the functions, and utility of these stellar preamp's, with special attention to how we used them to track a full drum kit during our session. A transformer balanced microphone preamp, the Vintech 573 provides all discrete high impedance D.I., that passes through the input transformer. If you are interested in the individual drum track, or any other Hi-Res audio files featured in this or any of our other videos, please email preamps@soundpure.com for any questions about the recording chain or anything else you would like to know. You can also call us here at SoundPure, and speak to any of our experts to see how we can provide the perfect combination for whatever setup you are working with. 919-682.5552. or 888.528.9703.

Vintage Neve 1073 vs. Vintech 573 500-series Mic Pre Shootout

Also in this recording Vintech Audio X73i Pre/EQ Vintech Audio X73i - Special Priced Pair with Power Supply Peluso P-67 Switchable Pattern Tube Microphone Lynx Aurora 16 I/O D/A and A/D Converter

A blind shootout video between a Rupert Neve Vintage 1073 mic preamp, and Vintech Audio's 573 clone - a 500-series style of module preamp. This is similar to our first shootout video featuring a Vintage Neve 1073 vs.... Read more

A blind shootout video between a Rupert Neve Vintage 1073 mic preamp, and Vintech Audio's 573 clone - a 500-series style of module preamp. This is similar to our first shootout video featuring a Vintage Neve 1073 vs. Vintech x73i, this shootout demonstrates how to match the levels (using phase cancellation) during the setup of the shootout, and then conducting a shootout blindly. Instead of featuring Sound Pure's Steinway Concert Grand model B, we feature a short acoustic guitar passage. If you want to listen to the hi res audio files of this shootout, email us at preamps@soundpure.com and we will be happy to send them to you for a closer listen, we would be more than happy to send you the results as well. Perhaps it's best to request the results after you hear the high resolution files- the best way to compare to preamps is by comparing them blindly.

1073-Style Preamp Blind Shootout: WA273-EQ vs. Vintech X73i vs. BAE 1073 vs. Great River MP-2NV

Also in this recording Great River Electronics MP-2NV Stereo Preamp BAE 1073 Preamp/EQ Rackmount with PSU Vintech Audio X73i Pre/EQ Warm Audio WA273-EQ Stereo Channel Strip Warm Audio WA73-EQ Peluso P-67 Switchable Pattern Tube Microphone

In this BLIND 1073-style preamp shooutout video, we put the Warm Audio WA273-EQ, the Vintech X73i, the BAE 1073, and the Great River MP-2NV up against each other on acoustic guitar & male vocals. Can you tell which is wh... Read more

In this BLIND 1073-style preamp shooutout video, we put the Warm Audio WA273-EQ, the Vintech X73i, the BAE 1073, and the Great River MP-2NV up against each other on acoustic guitar & male vocals. Can you tell which is which? FOR THE RESULTS AND A COPY OF THE HIGH RES AUDIO FILES:(without YouTube compression), give us a call at (919) 682-5552 or email us at proaudio(at)soundpure.com.

Vintech Audio 273 Neve-Style Stereo Preamp - Quick n' Dirty

Also in this recording Vintech Audio 273 (Neve 1073) 2-Channel Mic Pre

The Vintech 273 is an amazing replica of the preamps found in the original Neve 1073 modules. Both channels also offer input sensitivity adjustment allowing up to 70db of gain, an input impedance switch (300 Ohms or 1.2... Read more

The Vintech 273 is an amazing replica of the preamps found in the original Neve 1073 modules. Both channels also offer input sensitivity adjustment allowing up to 70db of gain, an input impedance switch (300 Ohms or 1.2 kOhms), a mic-line switch, an instrument input and switches for phantom power, phase reverse and eq on or off. This preamp is available for SoundPure’s Try-Before-You-Buy Program, so if you want to hear how it sounds in your studio with your gear, shoot us an email at ProAudio@SoundPure.com. If you like what you hear, you can check out all the gear used in this video at SoundPure.com or give us a call anytime at 919.682.5552. Thanks for watching!

Vintage Neve 1073 vs. Vintech X73i Mic Pre Shootout

Also in this recording Vintech Audio X73i Pre/EQ Peluso P12 Multipattern Tube Microphone Lynx Aurora 16 I/O D/A and A/D Converter

The Vintech X73i (Neve 1073) Replica is compared side-by-side an original pair of Vintage Neve 1073's in a scientific mic preamp shootout at Sound Pure recording studios.  For the shootout, The Sound Pure Steinway Concer... Read more

The Vintech X73i (Neve 1073) Replica is compared side-by-side an original pair of Vintage Neve 1073's in a scientific mic preamp shootout at Sound Pure recording studios.  For the shootout, The Sound Pure Steinway Concert grand piano was recorded using a matched pair of Peluso P12 Tube microphones (Vintage Clones of the AKG C12 microphone) spaced across the piano's strings.  Each microphones' output was split, one to the Neve and one to the Vintech X73i.  Volume output at identical levels was tested by verifying virtually complete phase cancellation between the two signals when summed together (with one preamp set to phase reverse).  The Vintage clone Vintech X73i blew the minds of the engineers at Sound Pure studios, as the differences between the Vintech and the Neve were imperceptible.  After the listening, the Sound Pure engineers discuss their impressions of the sounds that they were hearing through the studio monitors in the Sound Pure control room.  Sound Pure is a proud seller of Vintech products, and can be reached to answer any questions about the mic pre shootout, or if you'd like the high res audio files for your own listening.  Sound Pure can be reached toll free at 888-528-9703.

How to Insert & Remove 500-Series Modules - Sound Pure Gear Tip

Also in this recording API Audio 500VPR 10 space 500 Series Rack w/ L200PS PSU

In this installment of Sound Pure Gear Tips, pro audio specialist Marc Kuzio shows us how to properly insert and remove a 500 series module.

Tube vs. Solid-State Microphone Comparison: Lauten LA-320 vs Lauten LA-220 Quick n' Dirty

Also in this recording Lauten Audio LA-220 FET LDC Microphone V1

In this video, Sound Pure pro audio expert Marc Kuzio compares the Lauten LA-320 tube mic with the Lauten LA-220 solid-state mic on vocals. Additional gear used in this video includes the Warm Audio WA76 Discrete Compres... Read more

In this video, Sound Pure pro audio expert Marc Kuzio compares the Lauten LA-320 tube mic with the Lauten LA-220 solid-state mic on vocals. Additional gear used in this video includes the Warm Audio WA76 Discrete Compressor, the Bricasti Design M7 Reverb Processor, the SoundToys EchoBoy Delay Plug-in and the Vintech Audio 573 500-Series Mic Preamp.

Maag Audio EQ2-500 2 band EQ w/ AIR Band pt. 1: Tracking Electric/Acoustic Guitars

Also in this recording Maag Audio EQ2 - 500 series Equalizer Shure Beta 181/C Ultra-Compact Side-Address Microphone Royer Labs R-121 Ribbon Microphone Carr Amplifiers Sportsman 19W 1x12 Combo Amp--Black Lynx Aurora 16 I/O D/A and A/D Converter

The Maag Audio EQ2-500 is a no compromise one channel 2 band equalizer that provides unparalleled transparency and top end presence. EQ adjustments are obtained with minimal phase shift and detent controls allow for easy... Read more

The Maag Audio EQ2-500 is a no compromise one channel 2 band equalizer that provides unparalleled transparency and top end presence. EQ adjustments are obtained with minimal phase shift and detent controls allow for easy recallable settings. In this video, SoundPure Pro Audio Expert, Travis Hall, discusses tracking electric and acoustic guitars using the Maag EQ2. This 2 band EQ is available for SoundPure’s exclusive Try-Before-You-Buy program, so if you want to hear how this gear sounds in your studio with your gear, shoot us an email at ProAudio@SoundPure.com. If you like what you hear, check out this gear at SoundPure.com, or call us anytime at 919.682.5552. Thanks for watching!

Maag Audio EQ2-500 2 band EQ w/ AIR Band pt. 3: Final Mix Mastering

Also in this recording Maag Audio EQ2 - 500 series Equalizer Peluso P84 Solid State SDC Microphone Peluso P12 Multipattern Tube Mic, Factory Matched Pair Bricasti Design M7 Reverb Processor Lynx Aurora 16 I/O D/A and A/D Converter

The Maag Audio EQ2-500 is a no compromise one channel 2 band equalizer that provides unparalleled transparency and top end presence. EQ adjustments are obtained with minimal phase shift and detent controls allow for easy... Read more

The Maag Audio EQ2-500 is a no compromise one channel 2 band equalizer that provides unparalleled transparency and top end presence. EQ adjustments are obtained with minimal phase shift and detent controls allow for easy recallable settings. In this video, SoundPure Recording Engineer, Allen Palmer, demonstrates how to use the Maag EQ2 to master your full mix. This 2 band EQ is available for SoundPure’s exclusive Try-Before-You-Buy program, so if you want to hear how this gear sounds in your studio with your gear, shoot us an email at ProAudio@SoundPure.com. If you like what you hear, check out this gear at SoundPure.com, or call us anytime at 919.682.5552. Thanks for watching!

LDC Tube Shootout on Small and Large Body Acoustic Guitars

Also in this recording Lauten Audio Oceanus LT-381 Microphone Miktek CV4 Large Diaphragm Multi-Pattern Tube Condenser Peluso P12 Multipattern Tube Mic, Factory Matched Pair

  This blind shootout focuses on four of our favorite large diaphragm tube mics, the Lauten Oceanus, CharterOak SA538B, Peluso P12, and the Miktek CV4. First we'll hear them on a small body guitar using a finger style t... Read more

  This blind shootout focuses on four of our favorite large diaphragm tube mics, the Lauten Oceanus, CharterOak SA538B, Peluso P12, and the Miktek CV4. First we'll hear them on a small body guitar using a finger style technique, then we switch it up to showcase how they sound using a flat pick technique on a large body guitar. All four of these mics were run through our Vintech 573 preamps and Apogee Symphony converter. If you want to know which mic is which and/or want to get the full length high resolution files for yourself, send us a quick email at mics@soundpure.com. Additionall all four of these mics are available for SoundPure's unique Try-Before-You-Buy program, so if you would like to hear how one of these mics will sound in your studio with your gear, give us a call and we'd be happy to talk more with you. If you like what you hear, check out this gear at SoundPure.com or give us a call anytime at 919.682.5552. Thanks for watching

Miktek CV3 vs CV4 Microphone Shootout on Male Vocals

Also in this recording Miktek CV4 Large Diaphragm Multi-Pattern Tube Condenser Miktek CV3 Large Diaphragm Multi-Pattern Tube Condenser Apogee Digital Symphony I/O MkI 16x16 Analog

In this video we conduct a blind shootout between two of Miktek's excellent large diaphragm condenser microphones, the CV3 and the CV4. First we'll hear the mics solo'd and completely dry, then we'll hear them once more... Read more

In this video we conduct a blind shootout between two of Miktek's excellent large diaphragm condenser microphones, the CV3 and the CV4. First we'll hear the mics solo'd and completely dry, then we'll hear them once more in the context of a mix with acoustic guitars and a touch of reverb on the vocal. If you'd like to know which is which and get the hi-res audio files to compare for yourself, give us a ring or shoot us an email to mics(at)soundpure.com and we'd be happy to provide you with them. Additionally both the CV4 and CV3 are eligible for our Try-Before-You-Buy demo program, so if you like what you hear and would like to experience one of these mics for yourself, give us a call at anytime for more information.    We want to extend a huge thank you to our performers George and Danny of the NC roots rock band Jack the Radio! Make sure to check them and their tunes out at www.JacktheRadio.com.    If you like what you hear, check this gear out at SoundPure.com or give us a call anytime at 919.682.5552. Thanks for watching!

Peluso Tube LDC Microphone Shootout: P12, 2247 SE, P67, 22 251

Also in this recording Peluso 22 251 Switchable Pattern Tube Microphone Peluso P12 Multipattern Tube Microphone Peluso 2247 SE AMERICAN Switchable Pattern Tube Microphone Peluso P-67 Switchable Pattern Tube Microphone Apogee Digital Symphony I/O MkI 16x16 Analog Peluso P-84 SK Solid State SDC Microphone Stereo Kit Bricasti Design M7 Reverb Processor

In this blind microphone shootout on male vocals we compare four of John Peluso's large diaphram tube condenser mics: the P12, the 2247 SE, the P67, and the 22 251. These four mics are clones of the venerable C12, U47, U... Read more

In this blind microphone shootout on male vocals we compare four of John Peluso's large diaphram tube condenser mics: the P12, the 2247 SE, the P67, and the 22 251. These four mics are clones of the venerable C12, U47, U67 and 251 respectively, which are four of the most sought after microphones for vocal recordings and many other studio applications. First you'll hear the four mics solo'd and completely dry, then we'll bring them into a loose mix with mandolin and drobro as well as some reverb from our Bricasti M7 for some context. All four mics were run through our Vintech 573 preamp moules and our Apogee Symphony converter. If you'd like to know which mic was which and get the full length hi-res audio performances to compare for yourself shoot us a quick email to mics(at)soundpure.com. Additionally all four of these mics are eligible for our Try-Before-You-Buy demo program, so if you'd like to experience one for yourself with your gear in your studio please give us a call and we'd be happy to send one out for you to demo.    We'd like to extend a huge thank you to George and Danny of the local roots rock band Jack The Radio! Definitely check them and their tunes out at www.JackTheRadio.com.   If you like what you hear, check this gear out at SoundPure.com or give us a call anytime at 919.682.5552. Thanks for watching!

Recorded with this gear

rapido arpeggio electric guitar position 5 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

hyped up electric guitar position 4 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'... Read more

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

mad max electric guitar position 2 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

hyped up electric guitar position 5 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'... Read more

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

mad max electric guitar position 1 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

mad max electric guitar position 5 & 4 pickups

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 5 & 4) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & m... Read more

Nash S-57 electric guitar (position 5 & 4) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

ace of distortion electric guitar position 4 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

mellow harmonix electric guitar position 4 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

ace of distortion electric guitar position 2 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

hyped up electric guitar position 2 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'... Read more

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

ace of distortion electric guitar position 3 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

hyped up electric guitar position 3 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'... Read more

Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

mad max electric guitar position 3 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

ace of distortion electric guitar position 5 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

friendly devil electric guitar position 2 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

ace of distortion electric guitar position 1 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

hyped up electric guitar position 1 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'... Read more

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

swelling blues electric guitar

Also in this recording Trussart Steelcaster Deluxe sn 06207 SOLD!!! Mojave Ampworks Scorpion Head Guitar Amplifier Mojave Ampworks 2x12 Guitar Speaker Cabinet Ceramic AEA R92 Ribbon Microphone Vintech Audio X73i Pre/EQ

Trussart Steelcaster Deluxe electric guitar played into Mojave Ampworks Sidewinder Head(tone 10, bass volume 5, treble volume 8 mid off) to Mojave Ampworks 2x12 Cabinet Ceramic mic'd with AEA R92 into Vintech-Audio X73... Read more

Trussart Steelcaster Deluxe electric guitar played into Mojave Ampworks Sidewinder Head(tone 10, bass volume 5, treble volume 8 mid off) to Mojave Ampworks 2x12 Cabinet Ceramic mic'd with AEA R92 into Vintech-Audio X73i preamp feeding Apogee Rosetta 800.

jazzy clean electric guitar neck pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ

McNaught Vintage Single Cut electric guitar (neck pickup) played into Fargen Blackbird 20W (volume 9am, reverb 11am, treble 12pm, mid 3pm bass 1pm) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio... Read more

McNaught Vintage Single Cut electric guitar (neck pickup) played into Fargen Blackbird 20W (volume 9am, reverb 11am, treble 12pm, mid 3pm bass 1pm) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp feeding Apogee Rosetta 800.

bluesy electric guitar neck & bridge pickup

Also in this recording McInturff Carolina Custom Brock-Burst Electric Guitar AEA R84 Ribbon Microphone Vintech Audio X73i Pre/EQ Sennheiser MD 421 II Cardioid Dynamic Microphone A Designs Pacifica Stereo Preamp Lynx Aurora 8 I/O D/A and A/D Converter

McInturff Carolina Custom electric guitar (neck & bridge pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardi... Read more

McInturff Carolina Custom electric guitar (neck & bridge pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid pattern) into Vintech Audio x73i preamp & Sennheiser 421 (cardioid pattern) into A-Designs Pacifica preamp feeding Lynx Aurora A/D converters.

bluesy riff electric guitar bridge pickup

Also in this recording McInturff Carolina Custom Brock-Burst Electric Guitar AEA R84 Ribbon Microphone Vintech Audio X73i Pre/EQ Sennheiser MD 421 II Cardioid Dynamic Microphone A Designs Pacifica Stereo Preamp Lynx Aurora 8 I/O D/A and A/D Converter

McInturff Carolina Custom electric guitar (bridge pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid pat... Read more

McInturff Carolina Custom electric guitar (bridge pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid pattern) into Vintech Audio x73i preamp & Sennheiser 421 (cardioid pattern) into A-Designs Pacifica preamp feeding Lynx Aurora A/D converters.

walking blues electric guitar neck pickup

Also in this recording McInturff Carolina Custom Brock-Burst Electric Guitar AEA R84 Ribbon Microphone Vintech Audio X73i Pre/EQ Sennheiser MD 421 II Cardioid Dynamic Microphone A Designs Pacifica Stereo Preamp Lynx Aurora 8 I/O D/A and A/D Converter

McInturff Carolina Custom electric guitar (neck pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid patte... Read more

McInturff Carolina Custom electric guitar (neck pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid pattern) into Vintech Audio x73i preamp & Sennheiser 421 (cardioid pattern) into A-Designs Pacifica preamp feeding Lynx Aurora A/D converters.

strumming electric guitar neck pickup

Also in this recording McInturff Carolina Custom Brock-Burst Electric Guitar AEA R84 Ribbon Microphone Vintech Audio X73i Pre/EQ Sennheiser MD 421 II Cardioid Dynamic Microphone A Designs Pacifica Stereo Preamp Lynx Aurora 8 I/O D/A and A/D Converter

McInturff Carolina Custom electric guitar (neck pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid patte... Read more

McInturff Carolina Custom electric guitar (neck pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid pattern) into Vintech Audio x73i preamp & Sennheiser 421 (cardioid pattern) into A-Designs Pacifica preamp feeding Lynx Aurora A/D converters.

blues riff electric guitar bridge pickup

Also in this recording McInturff Carolina Custom Brock-Burst Electric Guitar AEA R84 Ribbon Microphone Vintech Audio X73i Pre/EQ Sennheiser MD 421 II Cardioid Dynamic Microphone A Designs Pacifica Stereo Preamp Lynx Aurora 8 I/O D/A and A/D Converter

McInturff Carolina Custom electric guitar (bridge pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid pat... Read more

McInturff Carolina Custom electric guitar (bridge pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid pattern) into Vintech Audio x73i preamp & Sennheiser 421 (cardioid pattern) into A-Designs Pacifica preamp feeding Lynx Aurora A/D converters.

picking elecrtic guitar neck & bridge pickup

Also in this recording McInturff Carolina Custom Brock-Burst Electric Guitar AEA R84 Ribbon Microphone Vintech Audio X73i Pre/EQ Sennheiser MD 421 II Cardioid Dynamic Microphone A Designs Pacifica Stereo Preamp Lynx Aurora 8 I/O D/A and A/D Converter

McInturff Carolina Custom electric guitar (neck & bridge pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardi... Read more

McInturff Carolina Custom electric guitar (neck & bridge pickup) played into Blockhead 1963 Split-Front 45(presence 8 bass 2 middle 9 treble 4 volume 1 at 5) into Blockhead 4X12 Model 84 Cabinet mic'd with AEA R84 (cardioid pattern) into Vintech Audio x73i preamp & Sennheiser 421 (cardioid pattern) into A-Designs Pacifica preamp feeding Lynx Aurora A/D converters.

riff raff electric guitar neck & bridge pickup

Also in this recording Zion Fifty Electric Guitar Mojave Ampworks PLexi 45 2X12 Guitar Combo Amplifier Heil PR-40 Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone

Zion 50 electric guitar (neck & bridge pickup) played into Mojave Plexi 45 2X12 ceramic combo(presence 4 bass 2, mid 8, treble 5, tone volume 2) & mic'd with Heil PR-40 into Vintech X73i & AEA R92 into A Designs EM RED p... Read more

Zion 50 electric guitar (neck & bridge pickup) played into Mojave Plexi 45 2X12 ceramic combo(presence 4 bass 2, mid 8, treble 5, tone volume 2) & mic'd with Heil PR-40 into Vintech X73i & AEA R92 into A Designs EM RED preamp feeding Apogee Rosetta 800.

speed blues electric guitar bridge pickup

Also in this recording Zion Fifty Electric Guitar Mojave Ampworks PLexi 45 2X12 Guitar Combo Amplifier Heil PR-40 Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone

Zion 50 electric guitar (bridge pickup) played into Mojave Plexi 45 2X12 ceramic combo(presence 6 bass 2, mid 10, treble 6, tone volume 5) & mic'd with Heil PR-40 into Vintech X73i & AEA R92 into A Designs EM RED preamp... Read more

Zion 50 electric guitar (bridge pickup) played into Mojave Plexi 45 2X12 ceramic combo(presence 6 bass 2, mid 10, treble 6, tone volume 5) & mic'd with Heil PR-40 into Vintech X73i & AEA R92 into A Designs EM RED preamp feeding Apogee Rosetta 800.

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In addition to the standard included manufacturer warranty, virtually all new products carry our exclusive, industry-leading, absolutely free Sound Pure 3-Year Warranty, which includes parts and labor. It's our way of adding real value to the personal touch our small, dedicated team brings to every purchase.

Coverage exclusions live in Terms & Conditions, Section 27. Read the warranty →

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Sound Pure Studios Control Room A — Durham, NC

Sound Pure Studios · Durham, NC

Come hear it in our control rooms.

Sound Pure is a working studio in Durham, NC — a 1,000 sq ft live room and two pro control rooms. Book a session to audition gear in a world-class acoustic space before you buy.

Call 888-528-9703