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Great condition used mic from the 70's with original shock mount.
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Also in this recording Shure SM57 Instrument Microphone Neumann U87Ai Set Z Microphone Royer Labs R-121 Live Series Ribbon Microphone
In this installment of Sound Pure Gear Tips, Pro Audio Specialist Marc Kuzio walks us through and demos the different types of mics you can use to record electric guitar.
Also in this recording Shure SM7B Large Diaphragm Dynamic Microphone AEA R44 CXE High Output Ribbon Microphone Manley Reference Cardioid Microphone Neumann U87Ai Microphone Millennia HV-3R Digital 8 Channel Mic Preamp
In this video, we put four different types of microphones up against each other on female vocals: the Shure SM7B (Dynamic Mic), the AEA R44 CXE (Ribbon Mic), the Manley Ref C (LDC Tube Mic), and the Neumann U87Ai (Solid State LDC Mic). Joining us for this shootout are Ayisa Adderley (vocals) and Caige Crampshee (guitar) from the band Eyes Eat Suns. Check them out at WWW.EYESEATSUNS.BAND.
Also in this recording Neumann U87Ai Microphone Neumann U87Ai Set Z Microphone Peluso P87 Multi-Pattern Solid State Microphone Warm Audio WA-87 Condenser Microphone Millennia HV-3R Digital 8 Channel Mic Preamp
In this video we present an 87-style microphone shootout on female vocals using the Warm Audio WA87, the Neumann U87Ai, and the Peluso P87. Can you tell which one's which? If you are interested in hearing the results and/or getting ahold of the audio files from this shootout, give us a shout, we'd love to hear from you!
Also in this recording Warm Audio WA-87 Condenser Microphone Peluso P87 Multi-Pattern Solid State Microphone Neumann U87Ai Microphone Millennia HV-3R Digital 8 Channel Mic Preamp
In this video we present an 87-style microphone shootout on acoustic guitar and vocals using the Warm Audio WA87, the Neumann U87Ai, and the Peluso P87. Can you tell which one's which? If you are interested in hearing the results and/or getting ahold of the audio files from this shootout, give us a shout, we'd love to hear from you!
Also in this recording Neumann U87Ai Microphone Neumann U 47 FET Collectors Edition Bock Audio iFET Condenser Microphone Soyuz 017 FET Large Diaphragm Condenser Phoenix Audio DRS8 mk2 Microphone Preamp ADL Opus-3 Solid State Opto Compressor - Mono Bricasti Design M7 Reverb Processor
In this video we present an LDC vocal microphone shootout using the Neumann U87Ai, the Neumann U47 FET, the Bock iFET and the Soyuz SU-019. Can you tell which one's which? If you are interested in hearing the results and/or getting ahold of the audio files from this shootout, give us a shout, we'd love to hear from you!
Also in this recording CharterOak E700 FET Multi-Pattern Condenser Microphone Neumann U87Ai Microphone Peluso P87 Multi-Pattern Solid State Microphone Peluso 2247 SE AMERICAN Switchable Pattern Tube Microphone Millennia HV-3R Digital 8 Channel Mic Preamp
Sound Pure Pro Audio Expert Travis Hall does a quick voiceover mic shootout between the Neumann U87 Ai, the Peluso 2247 SE, the CharterOak E700, and the Peluso P87. Think you can tell the difference? Send us your best guess! We can provide hi res audio files for a closer listen.
Also in this recording Neumann U87Ai Microphone Peluso P87 Multi-Pattern Solid State Microphone Phoenix Audio DRS8 mk2 Microphone Preamp ADL Opus-3 Solid State Opto Compressor - Stereo Pair Bricasti Design M7 Reverb Processor CharterOak SCL1 Stereo Compressor Lynx Aurora 16 I/O D/A and A/D Converter
In this blind microphone shootout, SoundPure Pro Audio Expert, David Barrett, compares three "87" style microphones: the new Peluso P-87, the Vintage Neumann U-87, and a Modern Neumann U-87ai. The Peluso P-87 is styled after the legendary classic 1970's version of Neumann's U-87 and offers just as realistic of a sound and response to the original. The U 87 presents a wide range of features and versatility that make it to one of the most desirable mics available. Well-known for its warm and well balanced characteristics it is the perfect choice as a vocal microphone for all types of music and speech. The P-87 and U-87ai are available for SoundPure's Try-Before-You-Buy Program so if you want to hear how they sound in your studio with your gear, shoot us an email at ProAudio@SoundPure.com or call us anytime at 919.682.5552. Thanks for watching!
Also in this recording Coles 4038 Factory Matched Pair Ribbon Microphones Neumann U87Ai Microphone Neumann KM 184 Microphone (Nickel Finish) Shure Beta 52A Kick Drum Microphone Shure Beta 181/S Ultra-Compact Side-Address Microphone Canopus 6.5x14 The Brass Polished Shell Snare Drum-Die Cast
This microphone shootout illustrates the differences between three different microphone types on drum overheads, Large Diaphragm Condenser, Small Diaphragm Condenser, and Ribbon. The selected mics do an excellent job representing the general characteristics of each class, among those are the Neumann U87ai LDC, the Neumann SKM184 SDC, and the Coles 4038 Ribbon. All three mic pairs were run through our Phoenix DRS-8 Mic Preamp. Snare and toms were miked using Shure Beta 181/C side-address microphones, a Shure Beta 52 was used on the kick, and all four drums were recorded through our Vintech 573 Preamp Modules. All tracks were recorded through our Apogee Symphony Converter. First you'll hear the overhead pairs solo'd, then we'll bring in the close mics for an example in context. This is the first video of our Drum Overhead Shootout Series, so be sure to check out the other videos where we go much more in depth with each type of microphone and compare some of our favorite mics within each class. Some of these mics are available for Sound Pure's Try-Before-You-Buy Demo Program, so if you'd like more info on how you can experience one of these mics for yourself or just have questions about which mic style would be best for your recordings, give us a call anytime at 919.682.5552 and we'd be happy to talk more with you. Thanks for watching!
Also in this recording Miktek C7e Large Diaphragm Multi-Pattern FET Condenser Mic Lauten Audio Atlantis FC-387 Multi-Voiced Microphone Neumann U87Ai Microphone Bock Audio iFET Condenser Microphone Phoenix Audio DRS8 mk2 Microphone Preamp Apogee Digital Symphony I/O MkI 16x16 Analog
In this blind microphone shootout on female vocals we compare four of our favorite large diaphragm solid state condenser mics: the Miktek C7, the Lauten Atlantis, the Neumann U87 Ai, and the Bock iFET. First you'll hear the four mics solo'd and completely dry, then we'll bring them into a mix for some context. All four mics were run through our Phoenix Audio DRS-8 mic preamp and our Apogee Symphony converter. If you'd like to know which mic was which and get the full length hi-res audio performances to compare for yourself shoot us a quick email to mics(at)soundpure.com. Additionally all four of these mics are eligible for our Try-Before-You-Buy demo program, so if you'd like to experience one for yourself with your gear in your studio please give us a call and we'd be happy to send one out for you to demo. We would like to extend a huge thank you to Jennifer Claude for helping us make this video. Check her out at www.jenniferclaude.com. If you like what you hear, check out this gear at SoundPure.com or give us a call anytime at 919.682.5552. Thanks for watching!
Also in this recording Victoria Amps Regal II 1x15 Combo Amp Lauten Audio Horizon Tube Microphone Phoenix Audio DRS8 mk2 Microphone Preamp Lynx Aurora 16 I/O D/A and A/D Converter Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ A Designs Pacifica Stereo Preamp Zemaitis SU201-FM 112704 - SOLD!
The Regal II from Victoria Amplifiers is an amp that stands in a class of its own. The Regal II has a 15 inch Eminence Legend speaker that produces a wide rage of tones, from thunderous lows, to pleasantly chimey highs. The Regal II also gives you the ability to switch out and mix and match tubes to get a gritty or custom sound that is difficult for another to match, and the fact that you can switch your tubes without rebiasing is an amazing feature. The top of the line design of the Regal II gives you tweed sponginess, coupled with overtones and touch sensitivity that will be sure to satisfy any style of guitar playing. You can use one 6V6 for 5 watts of output or go to the full 35 watts with two EL-34's. Along with the feature of switching tubes, this amplifier comes with a reverb and tremelo pedal, that gives you an amazingly vintage sound. This is a fantastic amp for small gigs and recording. You can get nice warm jazz tones as well as great classic rock and blues tones. Go to SoundPure.com and check out all of our audio clips featuring the Regal II from Victoria, as well as the entire line of Victoria Amplifiers that we offer. Give us a call here at Sound Pure if you have any questions that we can help you with.
Also in this recording Bricasti Design M7 Reverb Processor Lynx Aurora 16 I/O D/A and A/D Converter Neumann U87Ai Microphone API Audio 3124+ 4-Channel Microphone Preamp
Bricasti M7 Reverb used to process vocals. They listen to some vocal tracks and demonstrate how amazing reverbs can be acheived easily through the use of several presets on the Bricasti M7. V1 and V2 presets are demonstrated on tracks of singer/songwriter Cassie Taylor and Matt Douglass. The M7 has proven to be the go-to reverb processor of engineers all over the world. The results are astonishing. All of the detail and harmonic content is preserved while added natural reverbs to your track. Check out our series of discussion videos as well as processing videos on the Bricasti M7. If you have any questions about the Bricasti, please give us a call and we would be happy to answer any questions. Call toll free 888-528-9703.
Also in this recording Andrew Manson Kingfisher Custom Model Acoustic Guitar- NICE!!!!! Neumann U87Ai Microphone Vintech Audio X73i Pre/EQ Lynx Aurora 16 I/O D/A and A/D Converter
The Andrew Manson Kingfisher Custom Acoustic Guitar is demo'd in the Sound Pure Acoustic Guitar showroom. The instrument is recorded utilizing a pair of Neumann U87Ai Microphones into a Vintech X73i preamp. The recording was made completely dry (no EQ, no effects), and was made in a non-treated acoustic room in the Sound Pure facility, proving that this great guitar and great recording gear can produce gorgeous sounding results even in spaces that weren't designed to make recordings. This gently used instrument is available from the Sound Pure Guitar collection, as is all of the recording gear used. Call a Sound Pure recording or Guitar Expert toll free at 888-528-9703 with any question that you might have.
Recorded with this gear
Also in this recording Royer Labs SF - 24 Active Stereo Ribbon Microphone Royer Labs R-122 MKII Active Ribbon Microphone Neumann U87Ai Microphone Apogee Digital AD-16x 16 Channel A/D converter DW Fearn VT-2 Tube Dual Mic Preamp API Audio 212L 200 series Preamplifier
Sample of Holly Cole's "Waters of March" recorded with a Royer SF-24 on piano and a Royer R-122 on the acoustic guitar. The SF-24 is placed at the curve of the piano and pointed towards the middle. Also miking the piano is two Neumann U-87's miked close and spaced low and high over the strings with all mics going into API 212L mic Preamps and into an Apogee AD16 A/D converter. The guitar is miked with an Royer R-122 on the neck and is going into the DW Fearn VT-2 Preamp. This sample is presented here at 192 kbps and at a sample rate of 44,100. Enjoy!
Also in this recording Trussart Steelcaster Deluxe sn 06207 SOLD!!! Mojave Ampworks Scorpion Head Guitar Amplifier Mojave Ampworks 2x12 Guitar Speaker Cabinet Ceramic AEA R92 Ribbon Microphone Vintech Audio X73i Pre/EQ Heil PR-40 Microphone A Designs Pacifica Stereo Preamp
Trussart Steelcaster Deluxe electric guitar played into Mojave Ampworks Sidewinder Head(tone 8, bass volume 4, treble volume 8 mid on, High sensitivity on) to Mojave Ampworks 2x12 Cabinet Ceramic mic'd with AEA R92 into Vintech-Audio X73i preamp & mic'd with Heil PR 40 into A Designs Pacifica preamp & mic'd with Neumann U87ai into A Designs Red preamp feeding Apogee Rosetta 800.
Also in this recording Trussart Steelcaster Deluxe sn 06207 SOLD!!! Mojave Ampworks Scorpion Head Guitar Amplifier Mojave Ampworks 2x12 Guitar Speaker Cabinet Ceramic AEA R92 Ribbon Microphone Vintech Audio X73i Pre/EQ Heil PR-40 Microphone A Designs Pacifica Stereo Preamp
Trussart Steelcaster Deluxe electric guitar played into Mojave Ampworks Sidewinder Head(tone 10, bass volume 5, treble volume 8 mid off) to Mojave Ampworks 2x12 Cabinet Ceramic mic'd with AEA R92 into Vintech-Audio X73i preamp & mic'd with Heil PR 40 into A Designs Pacifica preamp & mic'd with Neumann U87ai into A Designs Red preamp feeding Apogee Rosetta 800.
Also in this recording Bad Cat Cub II 2x10 Grn/Crm Guitar Amplifier Combo Heil PR-40 Microphone Chandler Limited TG2 Abbey Road SE Stereo Pre AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp
Duesenberg Carl Carlton 2-Tone Sunburst (neck pickup) played into Bad Cat Cub II(volume noon, tone 5) mic'd with Heil PR-40( close on the back of amp, panned 50%,right) into Chandler TG2 Preamp & Neumann U87ai(5 feet off, panned 50%, left) into A Designs Gold Mic Preamp & AEA R92 Mic (6 inches off, panned center) into A Designs Pacifica feeding Apogee Rosetta 800.
Also in this recording Bad Cat Cub II 2x10 Grn/Crm Guitar Amplifier Combo Heil PR-40 Microphone Chandler Limited TG2 Abbey Road SE Stereo Pre AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp
Duesenberg Carl Carlton 2-Tone Sunburst (neck pickup) played into Bad Cat Cub II(volume noon, tone 3) mic'd with Heil PR-40( close on the back of amp, panned 50%,right) into Chandler TG2 Preamp & Neumann U87ai(5 feet off, panned 50%, left) into A Designs Gold Mic Preamp & AEA R92 Mic (6 inches off, panned center) into A Designs Pacifica feeding Apogee Rosetta 800.
Also in this recording Bad Cat Cub II 2x10 Grn/Crm Guitar Amplifier Combo Heil PR-40 Microphone Chandler Limited TG2 Abbey Road SE Stereo Pre AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp
Duesenberg Carl Carlton 2-Tone Sunburst (bridge pickup) played into Bad Cat Cub II(volume noon, tone 3) mic'd with Heil PR-40( close on the back of amp, panned 50%,right) into Chandler TG2 Preamp & Neumann U87ai(5 feet off, panned 50%, left) into A Designs Gold Mic Preamp & AEA R92 Mic (6 inches off, panned center) into A Designs Pacifica feeding Apogee Rosetta 800.
Also in this recording Bad Cat Cub II 2x10 Grn/Crm Guitar Amplifier Combo Heil PR-40 Microphone Chandler Limited TG2 Abbey Road SE Stereo Pre AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp
Duesenberg Carl Carlton 2-Tone Sunburst (neck pickup) played into Bad Cat Cub II(volume noon, tone 2) mic'd with Heil PR-40( close on the back of amp, panned 50%,right) into Chandler TG2 Preamp & Neumann U87ai(5 feet off, panned 50%, left) into A Designs Gold Mic Preamp & AEA R92 Mic (6 inches off, panned center) into A Designs Pacifica feeding Apogee Rosetta 800.
Also in this recording Bad Cat Cub II 2x10 Grn/Crm Guitar Amplifier Combo Heil PR-40 Microphone Chandler Limited TG2 Abbey Road SE Stereo Pre AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp
Duesenberg Carl Carlton 2-Tone Sunburst (neck pickup) played into Bad Cat Cub II(volume noon, tone 1) mic'd with Heil PR-40( close on the back of amp, panned 50%,right) into Chandler TG2 Preamp & Neumann U87ai(5 feet off, panned 50%, left) into A Designs Gold Mic Preamp & AEA R92 Mic (6 inches off, panned center) into A Designs Pacifica feeding Apogee Rosetta 800.
Also in this recording Bad Cat Cub II 2x10 Grn/Crm Guitar Amplifier Combo Heil PR-40 Microphone Chandler Limited TG2 Abbey Road SE Stereo Pre AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp
Duesenberg Carl Carlton 2-Tone Sunburst (neck pickup) played into Bad Cat Cub II(volume noon, tone 1) mic'd with Heil PR-40( close on the back of amp, panned 50%,right) into Chandler TG2 Preamp & Neumann U87ai(5 feet off, panned 50%, left) into A Designs Gold Mic Preamp & AEA R92 Mic (6 inches off, panned center) into A Designs Pacifica feeding Apogee Rosetta 800.
Also in this recording Bad Cat Cub II 2x10 Grn/Crm Guitar Amplifier Combo Heil PR-40 Microphone Chandler Limited TG2 Abbey Road SE Stereo Pre AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp
Duesenberg Carl Carlton 2-Tone Sunburst (neck pickup) played into Bad Cat Cub II(volume noon, tone 4) mic'd with Heil PR-40( close on the back of amp, panned 50%,right) into Chandler TG2 Preamp & Neumann U87ai(5 feet off, panned 50%, left) into A Designs Gold Mic Preamp & AEA R92 Mic (6 inches off, panned center) into A Designs Pacifica feeding Apogee Rosetta 800.
Also in this recording Bad Cat Cub II 2x10 Grn/Crm Guitar Amplifier Combo Heil PR-40 Microphone Chandler Limited TG2 Abbey Road SE Stereo Pre AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp
Duesenberg Carl Carlton 2-Tone Sunburst (neck pickup) played into Bad Cat Cub II(volume pm, tone 3) mic'd with Heil PR-40( close on the back of amp, panned 50%,right) into Chandler TG2 Preamp & Neumann U87ai(5 feet off, panned 50%, left) into A Designs Gold Mic Preamp & AEA R92 Mic (6 inches off, panned center) into A Designs Pacifica feeding Apogee Rosetta 800.
Also in this recording Trussart Steelcaster Deluxe sn 06207 SOLD!!! Jule Amps Brenda K. Head 23W Guitar Amplifier Mojave Ampworks 2x12 Guitar Speaker Cabinet Ceramic AEA R92 Ribbon Microphone Chandler Limited TG2 Abbey Road SE Stereo Pre
Trussart Steelcaster Deluxe electric guitar (bridge pickup) played into Jule Brenda K. Head into Mojave Ceramic 2X12 Cabinet mic'd with Neumann U87ai (cardioid pattern) 4ft. off speaker into Presonus ADL 600 preamp & AEA R92 (figure-eight pattern) 6in. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.
Also in this recording Trussart Steelcaster Deluxe sn 06207 SOLD!!! Jule Amps Brenda K. Head 23W Guitar Amplifier Mojave Ampworks 2x12 Guitar Speaker Cabinet Ceramic AEA R92 Ribbon Microphone Chandler Limited TG2 Abbey Road SE Stereo Pre
Trussart Steelcaster Deluxe electric guitar (bridge pickup) played into Jule Brenda K. Head into Mojave Ceramic 2X12 Cabinet mic'd with Neumann U87ai (cardioid pattern) 4ft. off speaker into Presonus ADL 600 preamp & AEA R92 (figure-eight pattern) 6in. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.
Also in this recording Trussart Steelcaster Deluxe sn 06207 SOLD!!! Jule Amps Brenda K. Head 23W Guitar Amplifier Mojave Ampworks 2x12 Guitar Speaker Cabinet Ceramic AEA R92 Ribbon Microphone Chandler Limited TG2 Abbey Road SE Stereo Pre
Trussart Steelcaster Deluxe electric guitar (volume 12 o'clock, bright on, boost off, tone 12 o'clock, neck pickup) played into Jule Brenda K. Head into Mojave Ceramic 2X12 Cabinet mic'd with Neumann U87ai (cardioid pattern) 4ft. off speaker into Presonus ADL 600 preamp & AEA R92 (figure-eight pattern) 6in. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.
Also in this recording Trussart Steelcaster Deluxe sn 06207 SOLD!!! Jule Amps Brenda K. Head 23W Guitar Amplifier Mojave Ampworks 2x12 Guitar Speaker Cabinet Ceramic AEA R92 Ribbon Microphone Chandler Limited TG2 Abbey Road SE Stereo Pre
Trussart Steelcaster Deluxe electric guitar (neck pickup) played into Jule Brenda K. Head into Mojave Ceramic 2X12 Cabinet mic'd with Neumann U87ai (cardioid pattern) 4ft. off speaker into Presonus ADL 600 preamp & AEA R92 (figure-eight pattern) 6in. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.
Also in this recording Trussart Steelcaster Deluxe sn 06207 SOLD!!! Jule Amps Brenda K. Head 23W Guitar Amplifier Mojave Ampworks 2x12 Guitar Speaker Cabinet Ceramic AEA R92 Ribbon Microphone Chandler Limited TG2 Abbey Road SE Stereo Pre
Trussart Steelcaster Deluxe electric guitar (volume 12 o'clock, bright on, boost on, tone 12 o'clock, bridge pickup) played into Jule Brenda K. Head into Mojave Ceramic 2X12 Cabinet mic'd with Neumann U87ai (cardioid pattern) 4ft. off speaker into Presonus ADL 600 preamp & AEA R92 (figure-eight pattern) 6in. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.
Also in this recording Trussart Steelcaster Deluxe sn 06207 SOLD!!! Jule Amps Brenda K. Head 23W Guitar Amplifier Mojave Ampworks 2x12 Guitar Speaker Cabinet Ceramic AEA R92 Ribbon Microphone Chandler Limited TG2 Abbey Road SE Stereo Pre
Trussart Steelcaster Deluxe electric guitar (neck pickup) played into Jule Brenda K. Head into Mojave Ceramic 2X12 Cabinet mic'd with Neumann U87ai (cardioid pattern) 4ft. off speaker into Presonus ADL 600 preamp & AEA R92 (figure-eight pattern) 6in. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.
Also in this recording Trussart Steelcaster Deluxe sn 06207 SOLD!!! Jule Amps Brenda K. Head 23W Guitar Amplifier Mojave Ampworks 2x12 Guitar Speaker Cabinet Ceramic AEA R92 Ribbon Microphone Chandler Limited TG2 Abbey Road SE Stereo Pre
Trussart Steelcaster Deluxe electric guitar (bridge pickup) played into Jule Brenda K. Head into Mojave Ceramic 2X12 Cabinet mic'd with Neumann U87ai (cardioid pattern) 4ft. off speaker into Presonus ADL 600 preamp & AEA R92 (figure-eight pattern) 6in. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.
Also in this recording Trussart Steelcaster Deluxe sn 06207 SOLD!!! Jule Amps Brenda K. Head 23W Guitar Amplifier Mojave Ampworks 2x12 Guitar Speaker Cabinet Ceramic AEA R92 Ribbon Microphone Chandler Limited TG2 Abbey Road SE Stereo Pre
Trussart Steelcaster Deluxe electric guitar (volume 12 o'clock, bright on, boost on, tone 12 o'clock, bridge pickup) played into Jule Brenda K. Head into Mojave Ceramic 2X12 Cabinet mic'd with Neumann U87ai (cardioid pattern) 4ft. off speaker into Presonus ADL 600 preamp & AEA R92 (figure-eight pattern) 6in. off speaker into Chandler TG2 preamp feeding Apogee Rosetta 800.
Also in this recording Trussart Steelcaster Deluxe sn 06207 SOLD!!! Mojave Ampworks Scorpion Head Guitar Amplifier Mojave Ampworks 2x12 Guitar Speaker Cabinet Ceramic
Trussart Steelcaster Deluxe electric guitar played into Mojave Ampworks Sidewinder Head(tone 10, bass volume 5, treble volume 8 mid off) to Mojave Ampworks 2x12 Cabinet Ceramic mic'd with Neumann U87ai into A Designs Red preamp feeding Apogee Rosetta 800.
Also in this recording Victoria Amps Regal II 1x15 Combo Amp Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ A Designs Pacifica Stereo Preamp
Nash S-62 electric guitar(position 5 pickup) played into Victoria Amps Model Regal (bass 6.9, treble 9, volume 5, reverb 3.5) mic'd with Sennheiser MD 421 II into Vintech-Audio X73i preamp & Neumann U87ai into A Designs Pacifica preamp feeding Apogee Rosetta 800.
Also in this recording Victoria Amps Regal II 1x15 Combo Amp Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ A Designs Pacifica Stereo Preamp
Nash S-62 electric guitar(position 1 pickup) played into Victoria Amps Model Regal (bass 4, treble 7, volume 9, reverb 3.5) mic'd with Sennheiser MD 421 II into Vintech-Audio X73i preamp & Neumann U87ai into A Designs Pacifica preamp feeding Apogee Rosetta 800.
Also in this recording Victoria Amps Regal II 1x15 Combo Amp Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ A Designs Pacifica Stereo Preamp
Nash S-62 electric guitar(position 1 pickup) played into Victoria Amps Model Regal (bass 4, treble 7, volume 9, reverb 3.5) mic'd with Sennheiser MD 421 II into Vintech-Audio X73i preamp & Neumann U87ai into A Designs Pacifica preamp feeding Apogee Rosetta 800.
Also in this recording Victoria Amps Regal II 1x15 Combo Amp Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ A Designs Pacifica Stereo Preamp
Nash S-62 electric guitar(position 5 pickup) played into Victoria Amps Model Regal (bass 4, treble 7, volume max, reverb 3.5,** gradual increase in pick attack to show touch sensitivity of amp) mic'd with Sennheiser MD 421 II into Vintech-Audio X73i preamp & Neumann U87ai into A Designs Pacifica preamp feeding Apogee Rosetta 800.
Also in this recording Victoria Amps Regal II 1x15 Combo Amp Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ A Designs Pacifica Stereo Preamp
Nash S-62 electric guitar(position 2 pickup) played into Victoria Amps Model Regal (bass 6.9, treble 7, volume 5, reverb 3.5) mic'd with Sennheiser MD 421 II into Vintech-Audio X73i preamp & Neumann U87ai into A Designs Pacifica preamp feeding Apogee Rosetta 800.
Also in this recording Victoria Amps Regal II 1x15 Combo Amp Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ A Designs Pacifica Stereo Preamp
Nash S-62 electric guitar(position 4 pickup) played into Victoria Amps Model Regal (bass 4, treble 7, volume 9, reverb 3.5) mic'd with Sennheiser MD 421 II into Vintech-Audio X73i preamp & Neumann U87ai into A Designs Pacifica preamp feeding Apogee Rosetta 800.
Also in this recording Victoria Amps Regal II 1x15 Combo Amp Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ A Designs Pacifica Stereo Preamp
Nash S-62 electric guitar(position 4 pickup) played into Victoria Amps Model Regal (bass 6.9, treble 9, volume 5, reverb 3.5) mic'd with Sennheiser MD 421 II into Vintech-Audio X73i preamp & Neumann U87ai into A Designs Pacifica preamp feeding Apogee Rosetta 800.
Also in this recording Victoria Amps Regal II 1x15 Combo Amp Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ A Designs Pacifica Stereo Preamp
Nash S-62 electric guitar(position 2 pickup) played into Victoria Amps Model Regal (bass 4, treble 7, volume 9, reverb 3.5) mic'd with Sennheiser MD 421 II into Vintech-Audio X73i preamp & Neumann U87ai into A Designs Pacifica preamp feeding Apogee Rosetta 800.
Also in this recording Victoria Amps Regal II 1x15 Combo Amp Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ A Designs Pacifica Stereo Preamp
Nash S-62 electric guitar(position 1 pickup) played into Victoria Amps Model Regal (bass 4, treble 7, volume 9, reverb 3.5) mic'd with Sennheiser MD 421 II into Vintech-Audio X73i preamp & Neumann U87ai into A Designs Pacifica preamp feeding Apogee Rosetta 800.
Also in this recording Victoria Amps Regal II 1x15 Combo Amp Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ A Designs Pacifica Stereo Preamp
Nash S-62 electric guitar(position 5 pickup) played into Victoria Amps Model Regal (bass 6.9, treble 7, volume 5, reverb 3.5) mic'd with Sennheiser MD 421 II into Vintech-Audio X73i preamp & Neumann U87ai into A Designs Pacifica preamp feeding Apogee Rosetta 800.
This item is sold without the Sound Pure 3-year warranty (used / B-stock / dealer-exempt). Coverage terms for items in this category live in Terms & Conditions, Section 27.
Try Before You Buy: take it home, commit only when it's right. Program details →
Sound Pure Studios · Durham, NC
Sound Pure is a working studio in Durham, NC — a 1,000 sq ft live room and two pro control rooms. Book a session to audition gear in a world-class acoustic space before you buy.
