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LDC Kick Drum Mic Shootout: Neumann U47 FET vs Bock iFET vs Soyuz SU-019

Also in this recording Neumann U 47 FET Collectors Edition Bock Audio iFET Condenser Microphone Soyuz 017 FET Large Diaphragm Condenser Millennia HV-3R Digital 8 Channel Mic Preamp Shure Beta 181/C Ultra-Compact Side-Address Microphone AEA R88 MKII Stereo Ribbon Microphone Dunnett Classic 8x14 Magnesium Snare Drum

In this video we present an LDC kick drum microphone shootout using the Neumann U47 FET, the Bock iFET and the Soyuz SU-019. Can you tell which one's which? If you are interested in hearing the results and/or getting aho... Read more

In this video we present an LDC kick drum microphone shootout using the Neumann U47 FET, the Bock iFET and the Soyuz SU-019. Can you tell which one's which? If you are interested in hearing the results and/or getting ahold of the audio files from this shootout, give us a shout, we'd love to hear from you!

Miktek C7 vs. Lauten Atlantis vs. Neumann TLM 107: LDC Drum Overhead Shootout

Also in this recording Miktek C7e Large Diaphragm Muti-Pattern Matched Pair Lauten Audio Atlantis FC-387 Multi-Voiced Microphone Neumann TLM 107 (Nickel) Multi-pattern LDC Microphone Shure Beta 181/C Ultra-Compact Side-Address Microphone

LDC Mic Drum Overhead Shootout featuring the Miktek C7, the Lauten Atlantis, and the Neumann TLM 107. In the final video of our drum overhead series, SoundPure Pro Audio Expert, Travis Hall, showcases just a few of our f... Read more

LDC Mic Drum Overhead Shootout featuring the Miktek C7, the Lauten Atlantis, and the Neumann TLM 107. In the final video of our drum overhead series, SoundPure Pro Audio Expert, Travis Hall, showcases just a few of our favorite LDC microphones. All three mics were run through our Phoenix DRS8 mic pre and our Apogee Symphony Converter. These mics are also available for SoundPure's Try Before You Buy program, so if you want to hear how these mics sound in your studio with your gear, shoot us an email at mics@soundpure.com. If you like what you hear, check out this gear at SoundPure.com or give us a call anytime at 919.682.5552. Thanks for watching!

Miktek C5 vs. Schoeps CMC6 vs. Neumann KM184 vs. Peluso P84 - SDC Mic Drum Overheads Shootout

Also in this recording Miktek C5MP Small Diaphragm Condenser Matched Pair Schoeps Colette Mono Set CMC 6 + MK 4 Neumann KM 184 Microphone (Nickel Finish) Peluso P-84 SK Solid State SDC Microphone Stereo Kit Shure Beta 181/C Ultra-Compact Side-Address Microphone

SDC Mic Drum Overhead Shootout comparing the Miktek C5, Schoeps CMC 6, Neumann KM 184 and the Peluso P-84. All four of these mics were recorded through the Phoenix DRS8 Mic Pre and into the Apogee Digital Symphony conver... Read more

SDC Mic Drum Overhead Shootout comparing the Miktek C5, Schoeps CMC 6, Neumann KM 184 and the Peluso P-84. All four of these mics were recorded through the Phoenix DRS8 Mic Pre and into the Apogee Digital Symphony converter. SoundPure Pro Audio Expert, Travis Hall, continues our series on drum overheads by going a little more in depth on SDC microphones. Be sure to check out the upcoming videos where we discuss Ribbon and LDC mics in more detail. If you like what you hear, check out this gear at SoundPure.com or give us a call anytime at 919.682.5552. Thanks for watching!  

Royer R121 vs. Shure KSM 313 vs. Coles 4038 vs. AEA R84 - Ribbon Mic Drum Overhead Shootout

Also in this recording Royer Labs R-121 Ribbon Microphone Matched Pair Shure KSM313/NE Dual-Voice Ribbon Mic with Roswellite Ribbon Coles 4038 Factory Matched Pair Ribbon Microphones Shure Beta 181/C Ultra-Compact Side-Address Microphone Canopus 6.5x14 The Brass Polished Shell Snare Drum-Die Cast

Ribbon Mic Drum Overhead Shootout featuring the Royer R121, Shure KSM 313, Coles 4038, and the AEA R84.  SoundPure Pro Audio Expert, Travis Hall, talks more about using ribbon mics as drum overheads in the third installm... Read more

Ribbon Mic Drum Overhead Shootout featuring the Royer R121, Shure KSM 313, Coles 4038, and the AEA R84.  SoundPure Pro Audio Expert, Travis Hall, talks more about using ribbon mics as drum overheads in the third installment of our Drum Overhead Series. All four mics were recorded in our pro studio with the Phoenix DRS 8 mic pre and our Apogee Digital Symphony converter. Check out our other drum overhead videos, where we discuss SDC and LDC mics in more detail. If you like what you hear, check out this gear at SoundPure.com or call us anytime at 919.682.5552. Thanks for watching!  

Neumann U87 vs. Coles 4038 vs. Neumann KM184 - Studio Drum Overheads Comparison

Also in this recording Coles 4038 Factory Matched Pair Ribbon Microphones Neumann U87Ai Microphone Neumann KM 184 Microphone (Nickel Finish) Shure Beta 181/S Ultra-Compact Side-Address Microphone Canopus 6.5x14 The Brass Polished Shell Snare Drum-Die Cast

This microphone shootout illustrates the differences between three different microphone types on drum overheads, Large Diaphragm Condenser, Small Diaphragm Condenser, and Ribbon. The selected mics do an excellent job rep... Read more

This microphone shootout illustrates the differences between three different microphone types on drum overheads, Large Diaphragm Condenser, Small Diaphragm Condenser, and Ribbon. The selected mics do an excellent job representing the general characteristics of each class, among those are the Neumann U87ai LDC, the Neumann SKM184 SDC, and the Coles 4038 Ribbon. All three mic pairs were run through our Phoenix DRS-8 Mic Preamp. Snare and toms were miked using Shure Beta 181/C side-address microphones, a Shure Beta 52 was used on the kick, and all four drums were recorded through our Vintech 573 Preamp Modules. All tracks were recorded through our Apogee Symphony Converter. First you'll hear the overhead pairs solo'd, then we'll bring in the close mics for an example in context. This is the first video of our Drum Overhead Shootout Series, so be sure to check out the other videos where we go much more in depth with each type of microphone and compare some of our favorite mics within each class. Some of these mics are available for Sound Pure's Try-Before-You-Buy Demo Program, so if you'd like more info on how you can experience one of these mics for yourself or just have questions about which mic style would be best for your recordings, give us a call anytime at 919.682.5552 and we'd be happy to talk more with you. Thanks for watching!  

From Shure


The Shure Beta 52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch", and delivers studio quality sound even at extremely high sound pressure levels.

The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.

Features

  • Frequency response shaped specifically for kick drums and bass instruments 
  • Builtýin dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum 
  • Studio quality performance, even at extremely high sound pressure levels 
  • Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise 
  • Hardened steel mesh grille that resists wear and abuse 
  • Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration 
  • Neodymium magnet for high signalýtoýnoise ratio output 
  • Low sensitivity to varying load impedance 
  • Legendary Shure quality and reliability
Type
Dynamic (moving coil)
Frequency Response
20 to 10,000 Hz
Frequency Response
NOTE: The curve in the graph shows on-axis response at a distance of 2 feet from a uniform sound source. Your response may vary, depending on microphone position.
Polar Pattern
Supercardioid, rotationally symmetrical about microphone axis
Output Level (at 1,000 Hz)
Open Circuit Voltage: -64 dBV/Pa* (0.6 mV)
Output Level (at 1,000 Hz)
*1 Pa = 94 dB SPL
Impedance
Rated impedance is 150 ohms (45 ohms actual) for connection to microphone inputs rated low Z
Phasing
Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3
Maximum SPL
174 dB at 1000 Hz (calculated)
Connector
Three-pin professional audio connector (male XLR type)
Case
Silver blue enamel-painted die cast metal with hardened, matte-finished steel grille
Adjustable, Locking Stand Adapter
Integral, dynamic locking, adjustable through 180 degrees, with standard 5/8"-27 thread
Net Weight
605 grams (21.6 oz)

Free 3-Year Warranty

Sound Pure stands behind our products. Free three-year warranty on this item. Coverage exclusions live in Terms & Conditions, Section 27.

Level of support and expertise that simply isn't available at big-box megastores. Read the warranty →

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Sound Pure Studios Control Room A — Durham, NC

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