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8-channel, 24bit/96kHz AD/DA Converter with included Firewire card and two Canare DB25 to TRS snakes.

Our product photos are the actual, specific serial number for sale!

This specific item was photographed by us here in Durham, North Carolina. We are a very small team dedicated to providing you the most accurate photos possible, through our obsessive focus - individually photographing nearly everything that comes through the door. Questions about what you see? Want more information, photos, or just a friendly conversation with someone that cares and who has actually had their hands on this exact item? Contact us now!

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Sound Pure's dedication to pre-owned products is unprecedented in the industry. We are a small team of dedicated experts that buys, trades, and consigns. We are trusted by customers all over the world. Our curated collection, is thoroughly tested and inspected by some of the best in the business. Our inventory is constantly changing, ever-evolving, with some items sold before reaching the website. Looking for something specific? Have questions about this product's condition or history? Want more photos, or to simply chat with an expert who's had his hands on this actual piece? Contact us now.

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What We Think

This unit is in great shape, and would be a very affordable way to add 8 more inputs and outputs to your existing audio interface with ADAT and AES connections, or use it as a standalone 8 in, 8 out firewire interface.

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Manufacturer's Description from Apogee

The Rosetta 800 takes two of Apogee's most celebrated products and the latest in high-definition digital and combines them into one impressive package. The Rosetta 800 gives you eight channels of superior AD/DA conversion at sample rates of up to 192k, Apogees "SoftLimit", "UV22HR", and our advanced Intelliclock. The result is a premium digital recording solution that is built for the professional recording facility yet economical enough for the project studio.

SoftLimit: Maximize Levels, Minimize Overs One of the greatest difficulties in digital recording is getting an adequate level without clipping and unwanted distortion. With Apogee's SoftLimit, you can maximize digital output levels without overs.

UV22HR: Dither Down with 24-bit Detail UV22HR is Apogee's industry standard technology for reducing the word-length of a high-resolution digital signal to 16 bits for the internet and CD mastering. UV22HR is also being employed to produce dramatically improved internet and computer audio content without increased file sizes or data rates.

Intelliclock: Dual Stage Jitter Reduction Another essential for outstanding digital recording is maintaining an ultra-low-jitter, clock signal. To accomplish this, Rosetta 800 utilizes Apogee's Intelliclock. Intelliclock is really two clocks in one. A fast-responding "read" clock, with a wide locking range, fills a dedicated FIFO buffer, while an ultra-low-jitter write clock writes the data out of the buffer, and is used to clock the converters.

Legendary Apogee Conversion in High-Definition The most crucial component in the digital recording environment is high-quality conversion and the most trusted and desirable converters are made by Apogee. With up to 96k standard and optional192k sample rates, the Rosetta 800 combines Apogee's legendary conversion quality with flexibility that complements any digital audio workstation.

Firewire for Future Connectivity Rosetta 800 has room for expansion. With the Firewire card installed, you'll be able to connect the Rosetta 800 natively to any Firewire input device, without the need for additional hardware.

About Manufacturer

Apogee was founded in 1985 and initially made its name designing filters. Later, Apogee's complete conversion systems pushed the envelope of digital audio quality and solved many of the early problems with digital audio technology. Apogee converters have become regarded as the reference standard for digital audio conversion. Products such as the award-winning Rosetta 800, AD16x and DA16x have become the modern benchmark by which digital audio conversion is judged. A new generation of Apogee products including the revolutionary Symphony I/O, with its modular design and flexible connectivity, promise to extend the Apogee legacy and further advance the art of digital audio.

Specifications

- 8 channels of premium 24-bit AD/DA conversion
- Sample rates up to 96k with optional 192k upgrade
- 8 channels of AES, ADAT I/O
- Optional Firewire card for compatibility with OS X, and Windows X
- "Soft Limit" for maximum digital level without overs
- "UV22HR" for superior dither to 16-bit

*INPUTS: Analog In 1-8: Balanced, DSUB connector

*AES in: x 4, transformer balanced, DSUB connector

*Optical - ADAT/SMUX In: Toslink

*WC In: BNC 75 ohm

*OUTPUTS: *Analog: Out 1-8: Balanced, DSUB connector.

* AES Out: x 4, transformer balanced, DSUB connector

*Optical - ADAT/SMUX Out: Toslink

* WC Out: BNC 75 ohm

*Sample rates: 44.1 - 48k, 88.2 - 96k (+/-10%); 176.4 - 192k (optional)

* Frequency response: 10 ?20k (+/- 0.2 dB) at 44.1k

*Analog max levels: +6dBV, +20dBu, +24dBu max (set by internal jumper)

* Dynamic range: 114 dB A weighted (AD + DA)

* THD+N: -105 dB (AD), -103 dB (DA)

*Power: 90-250 VAC, 50-60Hz, 45Watt

Victoria Regal II Amplifier Demo on Electric Guitar

The Regal II from Victoria Amplifiers is an amp that stands in a class of its own. The Regal II has a 15 inch Eminence Legend speaker that produces a wide rage of tones, from thunderous lows, to pleasantly chimey highs. The Regal II also gives you the ability to switch out and mix and match tubes to get a gritty or custom sound that is difficult for another to match, and the fact that you can switch your tubes without rebiasing is an amazing feature. The top of the line design of the Regal II gives you tweed sponginess, coupled with overtones and touch sensitivity that will be sure to satisfy any style of guitar playing. You can use one 6V6 for 5 watts of output or go to the full 35 watts with two EL-34's. Along with the feature of switching tubes, this amplifier comes with a reverb and tremelo pedal, that gives you an amazingly vintage sound. This is a fantastic amp for small gigs and recording. You can get nice warm jazz tones as well as great classic rock and blues tones. Go to SoundPure.com and check out all of our audio clips featuring the Regal II from Victoria, as well as the entire line of Victoria Amplifiers that we offer. Give us a call here at Sound Pure if you have any questions that we can help you with.

Signal Chain
- Victoria Amps Regal II 1x15 Combo Amp
- Lauten Audio Horizon Tube Microphone
- Phoenix Audio DRS8 mk2 Microphone Preamp
- Lynx Aurora 16 I/O D/A and A/D Converter
- Nash Aged Gibson SG-61 NGSG-002
- Sennheiser MD 421 II Cardioid Dynamic Microphone
- Vintech Audio X73i Pre/EQ
- Neumann U87ai Microphone w/ Peluso Shockmount
- A Designs Pacifica Stereo Preamp
- Apogee Digital Rosetta 800 8 Channel A/D/A
- Zemaitis SU201-FM 112704 - SOLD!
- Nash S-62 Black/Tortoise - SOLD!

Sound Clips

Royer Labs recording of Holly Cole's "Waters of March"

1. Royer Labs SF - 24 Active Stereo Ribbon Microphone 2. Royer Labs R-122 MKII Active Ribbon Microphone 3. Neumann U87Ai Microphone 4. Apogee Digital AD-16x 16 Channel A/D converter 5. DW Fearn VT-2 Tube Dual Mic Preamp 6. API Audio 212L 200 series Preamplifier

Sample of Holly Cole's "Waters of March" recorded with a Royer SF-24 on piano and a Royer R-122 on the acoustic guitar. The SF-24 is placed at the curve of the piano and pointed towards the middle. Also miking the piano is two Neumann U-87's miked close and spaced low and high over the strings with all mics going into API 212L mic Preamps and into an Apogee AD16 A/D converter. The guitar is miked with an Royer R-122 ... (view more)

Jazz Quartet

1. Neumann TLM 193 Microphone 2. DW Fearn VT-2 Tube Dual Mic Preamp 3. Apogee Digital Rosetta 200 2 Channel A/D/A

Jazz Quartet Recorded with a pair of TLM193's through a DW Fearn VT-2, Joe Meek SC2 Compressor, and an Apogee Rosetta 48K Converter

Jazz Quartet Recorded with a pair of TLM193's through a DW Fearn VT-2, Joe Meek SC2 Compressor, and an Apogee Rosetta 48K Converter (view less)

String Quartet (Ravel Second Movement)

1. Neumann TLM 193 Microphone 2. Avalon AD-2022 Dual Mono Microphone Preamplifier 3. Apogee Digital Rosetta 200 2 Channel A/D/A

String Quartet (Ravel Second Movement). TLM193 through an Avalon 2022-2044-2055-Apogee Rosetta 48K (with UV22)

String Quartet (Ravel Second Movement). TLM193 through an Avalon 2022-2044-2055-Apogee Rosetta 48K (with UV22) (view less)

String Quartet (Ravel Fourth Movement)

1. Neumann TLM 193 Microphone 2. Avalon AD-2022 Dual Mono Microphone Preamplifier 3. Apogee Digital Rosetta 200 2 Channel A/D/A

String Quartet (Ravel Fourth Movement). TLM193 through an Avalon 2022-2044-2055-Apogee Rosetta 48K (with UV22)

String Quartet (Ravel Fourth Movement). TLM193 through an Avalon 2022-2044-2055-Apogee Rosetta 48K (with UV22) (view less)

Quiet High Sax Accompanied by Piano in Concert Hall

1. Peluso 22 251 Switchable Pattern Tube Microphone 2. A Designs Pacifica Stereo Preamp 3. Apogee Digital Rosetta 200 2 Channel A/D/A

Quiet High Sax Accompanied by Piano in Concert Hall, Peluso 22 251 Pair into Pacifica then Apogee Rosetta UV22HR 16-bit

Quiet High Sax Accompanied by Piano in Concert Hall, Peluso 22 251 Pair into Pacifica then Apogee Rosetta UV22HR 16-bit (view less)

Thunderous Steinway D Piano and Sax in Concert Hall

1. Peluso 22 251 Switchable Pattern Tube Microphone 2. A Designs Pacifica Stereo Preamp 3. Apogee Digital Rosetta 200 2 Channel A/D/A

Thunderous Steinway D Piano and Sax in Concert Hall - Peluso 22 251 Pair into Pacifica then Apogee Rosetta UV22HR 16-bit

Thunderous Steinway D Piano and Sax in Concert Hall - Peluso 22 251 Pair into Pacifica then Apogee Rosetta UV22HR 16-bit (view less)

rapido arpeggio electric guitar position 5 pickup

1. Nash S-57 Black - SOLD! 2. Fargen Blackbird 20W Guitar Amplifier Combo 3. Sennheiser MD 421 II Cardioid Dynamic Microphone 4. Vintech Audio X73i Pre/EQ 5. AEA R92 Ribbon Microphone 6. A Designs Pacifica Stereo Preamp 7. Apogee Digital Rosetta 800 8 Channel A/D/A

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

hyped up electric guitar position 4 pickup

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

mad max electric guitar position 2 pickup

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

hyped up electric guitar position 5 pickup

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

mad max electric guitar position 1 pickup

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

mad max electric guitar position 5 & 4 pickups

Nash S-57 electric guitar (position 5 & 4) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

ace of distortion electric guitar position 4 pickup

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

mellow harmonix electric guitar position 4 pickup

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

ace of distortion electric guitar position 2 pickup

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

hyped up electric guitar position 2 pickup

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

ace of distortion electric guitar position 3 pickup

Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

hyped up electric guitar position 3 pickup

Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

mad max electric guitar position 3 pickup

Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

ace of distortion electric guitar position 5 pickup

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

friendly devil electric guitar position 2 pickup

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

ace of distortion electric guitar position 1 pickup

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

hyped up electric guitar position 1 pickup

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

rapido arpeggio electric guitar position 5 pickup

1. Nash S-57 Black - SOLD! 2. Fargen Blackbird 20W Guitar Amplifier Combo 3. AEA R92 Ribbon Microphone 4. A Designs Pacifica Stereo Preamp 5. Apogee Digital Rosetta 800 8 Channel A/D/A

Nash S-57 electric guitar (position 5 pickup) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 12pm, mid 3pm, bass 1pm) mic'd with AEA R92 (6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

honkey tonk electric guitar middle pickup

1. Zion Fifty Electric Guitar 2. Jule Amps Brenda K. Head 23W Guitar Amplifier 3. Mojave Ampworks 4x12 Guitar Speaker Cabinet 4. Heil PR-30 Microphone 5. A Designs EM Red 500-Series Preamp 6. Peluso R14 Ribbon Microphone 7. A Designs EM Blue 500-Series Preamp 8. Apogee Digital Rosetta 800 8 Channel A/D/A

Zion Fifty electric guitar (neck & bridge pickup) played into Jule Brenda K. Head(boost on, bright on, tone 12 noon, volume 11am) into Mojave 4X12 Cabinet mic'd with Heil PR-30 into A Designs EM RED Mic preamp & Peluso R14 into A Designs EM BLUE Mic preamp feeding Apogee Rosetta 800.

maxed transitions electric guitar bridge pickup

Zion Fifty electric guitar (bridge pickup) played into Jule Brenda K. Head(boost on, bright on, tone 12 noon, volume max) into Mojave 4X12 Cabinet mic'd with Heil PR-30 into A Designs EM RED Mic preamp & Peluso R14 into A Designs EM BLUE Mic preamp feeding Apogee Rosetta 800.

to the point electric guitar bridge pickup

bright electric guitar neck pickup

Zion Fifty electric guitar (neck pickup) played into Jule Brenda K. Head(boost on, bright on, tone 12 noon, volume 11am) into Mojave 4X12 Cabinet mic'd with Heil PR-30 into A Designs EM RED Mic preamp & Peluso R14 into A Designs EM BLUE Mic preamp feeding Apogee Rosetta 800.

sweet transitions electric guitar bridge pickup

Zion Fifty electric guitar (bridge pickup) played into Jule Brenda K. Head(boost on, bright on, tone 12 noon, volume 11am) into Mojave 4X12 Cabinet mic'd with Heil PR-30 into A Designs EM RED Mic preamp & Peluso R14 into A Designs EM BLUE Mic preamp feeding Apogee Rosetta 800.

dragon distortion electric guitar bridge pickup

1. Trussart Steeltop Dragon Engraved sn 06-233 - SOLD! 2. Mojave Ampworks Scorpion Head Guitar Amplifier 3. Mojave Ampworks 2x12 Guitar Speaker Cabinet Ceramic 4. Peluso R14 Ribbon Microphone 5. Chandler Limited TG2 Abbey Road SE Stereo Pre 6. Apogee Digital Rosetta 800 8 Channel A/D/A

Trussart Steeltop Dragon electric guitar (bridge pickup) played into Mojave Ampworks Scorpion Head( bass 1, low mid 6, high mid 7, treble 6, treble volume 7, bvol 4, high sensitivity on) to Mojave Ampworks 2x12 Cabinet Ceramic mic'd with Peluso R14 into Chandler TG2 preamp feeding Apogee Rosetta 800.