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Rackmount 18 x 20 Thunderbolt audio interface with 16 x 16 Dante I/O, elite-class Apollo X Gen 2 D/A monitor conversion, Apollo Monitor Correction, immersive audio support up to 9.1.6, Bass Management, HEXA core DSP plug-in processing, and premium software suite for Mac or Windows.
$3,999.00
Retail: $4,999.00
Take UAD plug-ins from studio to stage.
Perfect for live sound venues or networked recording studios, UA’s Apollo x16D interface gives you elite-class Apollo X sound and realtime UAD plug-in processing over Thunderbolt and Dante. With Apollo x16D, you can mix and record live performances with over 200 UAD plug-ins from Auto-Tune, Neve, SSL, and C-Suite, plus classic LA-2A and 1176 compressors, and more.
Key Benefits
Take Elite-Class Apollo X Sound on Stage
Universal Audio built Apollo x16D for both live sound engineers and networked recording studios. With its 16 channels of Dante I/O, elite-class audio conversion, and HEXA core DSP processing — the world’s most powerful system for running UAD plug-ins in realtime — Apollo x16D seamlessly connects to your digital mixing console, putting over 200 UAD plug-ins right at your fingertips.
Work Fast & Never Lose Your Settings
With its powerful digital mixing engine giving you control over inputs, outputs, and plug-in routing — Apollo x16D makes it easy to quickly build your mix and control entire effects chains in realtime. Then quickly recall your plug-in settings over MIDI, all without interrupting the performance.
Hundreds of Effects, One Rack Space
Apollo x16D comes in two bundle versions, both delivering a generous suite of UAD plug-ins right out of the box. Build your mix with classic Teletronix LA-2A and 1176 compressors, Pultec EQs, Neve, API and SSL channel strips to modern favorites from Avalon, Manley, C-Suite, and more.
Expand Your Studio Over Dante
Link up to four x16Ds to build a 64-channel Dante system with network redundancy, plus add network end-points with Apollo e1x and e2m using Power-over-Ethernet to form a complete stage rig with networked Unison™ preamps and personal monitoring. Or expand your current Thunderbolt Apollo studio over Dante — the most low-latency and scalable audio network available.
Mix Down to Surround
After the show, bring Apollo x16D back to the studio, where it becomes your all‑in‑one monitoring hub for mixing formats up to 9.1.6 with multi-channel immersive Apollo Monitor Correction powered by Sonarworks.® This allows you to easily create 16‑channel immersive audio mixes of live sets or studio recordings for Dolby Atmos, Auro‑3D, Sony 360 Reality Audio, and others.
A Hybrid System, Made for Your Mission
Combine Apollo x16D’s HEXA Core DSP with native processing from your host computer to produce large sessions with complex plug-in chains — a powerhouse hybrid workflow that outpaces any native-only recording setup.
Key Features
*Requires Apollo Monitor Correction Add-on and SoundID Reference licenses, available from sonarworks.com
**For full compatibility information, refer to help.uaudio.com
Universal Audio Inc. was re-founded in 1999 by Bill's sons, James Putnam and Bill Putnam Jr., with two main goals: to faithfully reproduce classic analog recording equipment in the tradition of their father, and to design new digital recording tools with the sound and spirit of vintage analog technology. However, as Bill Jr. recounts, the genesis of "UA, part 2" is actually a bit more serendipitous.
Having grown up in the music industry, Bill Jr. and James ("Jim") Putnam naturally assumed that the music business is where they'd eventually end up. Jim, a touring musician and recording engineer, and their older brother Scott, a studio designer in Southern California, were the first to follow in Bill Sr.'s path. However, Bill Jr. took a more circuitous direction, working for a number of engineering companies before undertaking a doctorate in Electrical Engineering at Stanford University. It was at Stanford that Bill Jr. became closely involved in the Center for Computer Research in Music and Acoustics (CCRMA), specializing in signal processing. It was also at Stanford that Bill Jr. began to assemble a team of the best and brightest minds in the field — who continue to steer many of Universal Audio's engineering efforts to this day.
However, the precise event that led Bill and Jim to start (or "reinvent") Universal Audio in 1999 was unexpected. As Bill Jr. tells it, when Bill Sr. passed away in 1989, he and Jim were faced with the Herculean task of cleaning out their dad's workshop and storage areas. While going through Bill Sr.'s old test equipment, boxes of parts, bits and pieces of consoles, and half-cannibalized 1176 compressors, Jim came across their father’s old design notebook. The two spent the evening poring over his notes, realizing that this was the map to every technical problem their father had ever solved. It was at that moment that they decided to bring back Universal Audio and its classic products.
Fast forward a decade. Now with nearly 80 employees and legions of new customers worldwide, UA is headquartered near the Silicon Valley, in Scotts Valley, California — where our classic analog gear is still hand-built, one unit at a time. The lengths we go to deliver the exact sound and performance of classic analog audio gear is unparalleled; in fact, the goal is for UA's modern units to perform identically to well-maintained units built decades ago.
Of course, analog is only half the story. At Universal Audio, we employ the world's brightest DSP engineers and digital modeling authorities to develop our award-winning UAD Powered Plug-Ins platform, featuring the most authentic analog emulation plug-ins in the industry. Our DSP gurus work with the original hardware manufacturers — using their exact schematics, golden units, and experienced ears — to give UAD plug-ins warmth and harmonics in all the right places, just like analog.
Payments as low as $90/mo.