Watch & listen

Victoria Regal II Amplifier Demo on Electric Guitar

Also in this recording Victoria Amps Regal II 1x15 Combo Amp Lauten Audio Horizon Tube Microphone Phoenix Audio DRS8 mk2 Microphone Preamp Lynx Aurora 16 I/O D/A and A/D Converter Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ A Designs Pacifica Stereo Preamp Zemaitis SU201-FM 112704 - SOLD!

The Regal II from Victoria Amplifiers is an amp that stands in a class of its own. The Regal II has a 15 inch Eminence Legend speaker that produces a wide rage of tones, from thunderous lows, to pleasantly chimey highs.... Read more

The Regal II from Victoria Amplifiers is an amp that stands in a class of its own. The Regal II has a 15 inch Eminence Legend speaker that produces a wide rage of tones, from thunderous lows, to pleasantly chimey highs. The Regal II also gives you the ability to switch out and mix and match tubes to get a gritty or custom sound that is difficult for another to match, and the fact that you can switch your tubes without rebiasing is an amazing feature. The top of the line design of the Regal II gives you tweed sponginess, coupled with overtones and touch sensitivity that will be sure to satisfy any style of guitar playing. You can use one 6V6 for 5 watts of output or go to the full 35 watts with two EL-34's. Along with the feature of switching tubes, this amplifier comes with a reverb and tremelo pedal, that gives you an amazingly vintage sound. This is a fantastic amp for small gigs and recording. You can get nice warm jazz tones as well as great classic rock and blues tones. Go to SoundPure.com and check out all of our audio clips featuring the Regal II from Victoria, as well as the entire line of Victoria Amplifiers that we offer. Give us a call here at Sound Pure if you have any questions that we can help you with.

Recorded with this gear

Royer Labs recording of Holly Cole's "Waters of March"

Also in this recording Royer Labs SF - 24 Active Stereo Ribbon Microphone Royer Labs R-122 MKII Active Ribbon Microphone Neumann U87Ai Microphone DW Fearn VT-2 Tube Dual Mic Preamp API Audio 212L 200 series Preamplifier

Sample of Holly Cole's "Waters of March" recorded with a Royer SF-24 on piano and a Royer R-122 on the acoustic guitar. The SF-24 is placed at the curve of the piano and pointed towards the middle. Also miking the piano... Read more

Sample of Holly Cole's "Waters of March" recorded with a Royer SF-24 on piano and a Royer R-122 on the acoustic guitar. The SF-24 is placed at the curve of the piano and pointed towards the middle. Also miking the piano is two Neumann U-87's miked close and spaced low and high over the strings with all mics going into API 212L mic Preamps and into an Apogee AD16 A/D converter. The guitar is miked with an Royer R-122 on the neck and is going into the DW Fearn VT-2 Preamp. This sample is presented here at 192 kbps and at a sample rate of 44,100. Enjoy!

rapido arpeggio electric guitar position 5 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

hyped up electric guitar position 4 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'... Read more

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

mad max electric guitar position 2 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

hyped up electric guitar position 5 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'... Read more

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

mad max electric guitar position 1 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

mad max electric guitar position 5 & 4 pickups

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 5 & 4) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & m... Read more

Nash S-57 electric guitar (position 5 & 4) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

ace of distortion electric guitar position 4 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

mellow harmonix electric guitar position 4 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

ace of distortion electric guitar position 2 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

hyped up electric guitar position 2 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'... Read more

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

ace of distortion electric guitar position 3 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

hyped up electric guitar position 3 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'... Read more

Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

mad max electric guitar position 3 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 3) played into Fargen Blackbird 20W(volume max, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

ace of distortion electric guitar position 5 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

friendly devil electric guitar position 2 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 2) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

ace of distortion electric guitar position 1 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd... Read more

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume 3pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

hyped up electric guitar position 1 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo Sennheiser MD 421 II Cardioid Dynamic Microphone Vintech Audio X73i Pre/EQ AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'... Read more

Nash S-57 electric guitar (position 1) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

rapido arpeggio electric guitar position 5 pickup

Also in this recording Fargen Blackbird 20W Guitar Amplifier Combo AEA R92 Ribbon Microphone A Designs Pacifica Stereo Preamp

Nash S-57 electric guitar (position 5 pickup) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 12pm, mid 3pm, bass 1pm) mic'd with AEA R92 (6 inch off speaker) into A designs Pacifica preamp feeding Apoge... Read more

Nash S-57 electric guitar (position 5 pickup) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 12pm, mid 3pm, bass 1pm) mic'd with AEA R92 (6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

honkey tonk electric guitar middle pickup

Also in this recording Zion Fifty Electric Guitar Jule Amps Brenda K. Head 23W Guitar Amplifier Mojave Ampworks 4x12 Guitar Speaker Cabinet Heil PR-30 Microphone Peluso R14 Ribbon Microphone

Zion Fifty electric guitar (neck & bridge pickup) played into Jule Brenda K. Head(boost on, bright on, tone 12 noon, volume 11am) into Mojave 4X12 Cabinet mic'd with Heil PR-30 into A Designs EM RED Mic preamp & Peluso... Read more

Zion Fifty electric guitar (neck & bridge pickup) played into Jule Brenda K. Head(boost on, bright on, tone 12 noon, volume 11am) into Mojave 4X12 Cabinet mic'd with Heil PR-30 into A Designs EM RED Mic preamp & Peluso R14 into A Designs EM BLUE Mic preamp feeding Apogee Rosetta 800.

maxed transitions electric guitar bridge pickup

Also in this recording Zion Fifty Electric Guitar Jule Amps Brenda K. Head 23W Guitar Amplifier Mojave Ampworks 4x12 Guitar Speaker Cabinet Heil PR-30 Microphone Peluso R14 Ribbon Microphone

Zion Fifty electric guitar (bridge pickup) played into Jule Brenda K. Head(boost on, bright on, tone 12 noon, volume max) into Mojave 4X12 Cabinet mic'd with Heil PR-30 into A Designs EM RED Mic preamp & Peluso R14 into... Read more

Zion Fifty electric guitar (bridge pickup) played into Jule Brenda K. Head(boost on, bright on, tone 12 noon, volume max) into Mojave 4X12 Cabinet mic'd with Heil PR-30 into A Designs EM RED Mic preamp & Peluso R14 into A Designs EM BLUE Mic preamp feeding Apogee Rosetta 800.

to the point electric guitar bridge pickup

Also in this recording Zion Fifty Electric Guitar Jule Amps Brenda K. Head 23W Guitar Amplifier Mojave Ampworks 4x12 Guitar Speaker Cabinet Heil PR-30 Microphone Peluso R14 Ribbon Microphone

Zion Fifty electric guitar (bridge pickup) played into Jule Brenda K. Head(boost on, bright on, tone 12 noon, volume max) into Mojave 4X12 Cabinet mic'd with Heil PR-30 into A Designs EM RED Mic preamp & Peluso R14 into... Read more

Zion Fifty electric guitar (bridge pickup) played into Jule Brenda K. Head(boost on, bright on, tone 12 noon, volume max) into Mojave 4X12 Cabinet mic'd with Heil PR-30 into A Designs EM RED Mic preamp & Peluso R14 into A Designs EM BLUE Mic preamp feeding Apogee Rosetta 800.

bright electric guitar neck pickup

Also in this recording Zion Fifty Electric Guitar Jule Amps Brenda K. Head 23W Guitar Amplifier Mojave Ampworks 4x12 Guitar Speaker Cabinet Heil PR-30 Microphone Peluso R14 Ribbon Microphone

Zion Fifty electric guitar (neck pickup) played into Jule Brenda K. Head(boost on, bright on, tone 12 noon, volume 11am) into Mojave 4X12 Cabinet mic'd with Heil PR-30 into A Designs EM RED Mic preamp & Peluso R14 into... Read more

Zion Fifty electric guitar (neck pickup) played into Jule Brenda K. Head(boost on, bright on, tone 12 noon, volume 11am) into Mojave 4X12 Cabinet mic'd with Heil PR-30 into A Designs EM RED Mic preamp & Peluso R14 into A Designs EM BLUE Mic preamp feeding Apogee Rosetta 800.

sweet transitions electric guitar bridge pickup

Also in this recording Zion Fifty Electric Guitar Jule Amps Brenda K. Head 23W Guitar Amplifier Mojave Ampworks 4x12 Guitar Speaker Cabinet Heil PR-30 Microphone Peluso R14 Ribbon Microphone

Zion Fifty electric guitar (bridge pickup) played into Jule Brenda K. Head(boost on, bright on, tone 12 noon, volume 11am) into Mojave 4X12 Cabinet mic'd with Heil PR-30 into A Designs EM RED Mic preamp & Peluso R14 int... Read more

Zion Fifty electric guitar (bridge pickup) played into Jule Brenda K. Head(boost on, bright on, tone 12 noon, volume 11am) into Mojave 4X12 Cabinet mic'd with Heil PR-30 into A Designs EM RED Mic preamp & Peluso R14 into A Designs EM BLUE Mic preamp feeding Apogee Rosetta 800.

dragon distortion electric guitar bridge pickup

Also in this recording Trussart Steeltop Dragon Engraved sn 06-233 - SOLD! Mojave Ampworks Scorpion Head Guitar Amplifier Mojave Ampworks 2x12 Guitar Speaker Cabinet Ceramic Peluso R14 Ribbon Microphone Chandler Limited TG2 Abbey Road SE Stereo Pre

Trussart Steeltop Dragon electric guitar (bridge pickup) played into Mojave Ampworks Scorpion Head( bass 1, low mid 6, high mid 7, treble 6, treble volume 7, bvol 4, high sensitivity on) to Mojave Ampworks 2x12 Cabinet... Read more

Trussart Steeltop Dragon electric guitar (bridge pickup) played into Mojave Ampworks Scorpion Head( bass 1, low mid 6, high mid 7, treble 6, treble volume 7, bvol 4, high sensitivity on) to Mojave Ampworks 2x12 Cabinet Ceramic mic'd with Peluso R14 into Chandler TG2 preamp feeding Apogee Rosetta 800.

From Apogee Digital


The AD-16X and the DA-16X, Apogee's latest and most advanced conversion systems, take the legendary quality of Apogee a huge step forward. Features such as a redesigned power supply, standard 192kHz sampling rates, the C777 clocking technology found in Big Ben, and optional Pro Tools HD and FireWire expansion cards, make the AD & DA-16X the most powerful and flexible conversion combination ever. And, not only does the X-Series hardware offer unequaled, groundbreaking technology but it makes it available at a fraction of the cost associated with previous, premium Apogee gear.

Advanced High-Definition Conversion The most critical component in the digital recording environment is proper, high-quality conversion and since the dawn of digital recording the most desired converters have been made by Apogee. With up to 192k standard sample rates, the AD & DA-16X combine Apogee's legendary conversion quality with the very latest in high-definition digital to provide unrivaled flexibility and quality.

Redesigned Power Supply Enabling optimum conversion requires a state of the art power supply. The fully redesigned power system of the AD & DA-16X incorporates a specially designed Synchronous Switching power supply that works in conjunction with Apogee's very stable low jitter clock and filtering technology to provide superior heat and noise performance and an improved transient response over our previous linear power supply. This creates a power system that delivers total efficiency and provides an ideal environment for premium conversion.

Redesigned Analog Section Incorporated in the AD & DA-16X are the very latest developments in Apogee's groundbreaking analog circuit design. Through sophisticated implementation and optimal configuration, the selection of premium, contemporary opamps allows the X-Series to deliver conversion performance never before heard, while maintaining the signature Apogee sound: Clear, transparent, focused and punchy.

C777 Clocking used by Big Ben The AD & DA 16-X use Apogee's C777 clocking technology. Famous for keeping Big Ben on time, the C777 utilizes an entirely digital process that Apogee has developed with the most advanced Direct Digital Synthesis (DDS) technology and DSP-based digital filtering. With a stable, crystal based digital PLL handling the clocking, AD-16X and DA-16X are able to intelligently manipulate incoming signals and adapt to them accordingly. The result... The most aggressive jitter reduction ever and an astonishing and noticeable difference in sound quality.

Connect Directly to Pro Tools HD or any FireWire Enabled Computer Like their cousin the Rosetta 800, the AD & DA-16X offer an expansion card slot that greatly increases connectivity possibilities. Add an optional X-Series HD card and connect AD & DA-16X directly to your computer via your HD Core Card. Using Logic, Nuendo or any of the many native DAW's Add an X-FireWire card to your X-Series hardware and enjoy a direct, extremely low latency connection that supports FireWire 800 standards and has backwards compatibility with 400 standards. And, if you are buying multiple units, you can daisy chain up to a whopping 120 channels with incredibly low latency.

SoftLimit: Maximize Levels, Minimize Overs One of the greatest difficulties in digital recording is getting an adequate level without clipping and unwanted distortion. Soft Limit is an analog peak limiter that enables the capture of an additional 4-6 dB of level without going into an 'over' condition. Short of purchasing a very expensive stand-alone compressor/limiter, there is currently no product on the market that handles this process better than SoftLimit.

UV22HR: Dither Down with 24-bit Detail UV22HR is Apogee's industry standard technology for reducing the word-length of a high-resolution digital signal to 16 bits for the CD mastering. UV22HR is also being employed to produce dramatically improved internet and computer audio content without increased file sizes or data rates. It is estimated that 8 out of 10 hit records are mastered using Apogee's UV22HR technology.

High Performance Output The DA-16X uses Apogee's newly developed electronically balanced line drivers. Originally designed for the Mini-DAC, these line drivers are able to simulate true transformer behavior. The circuitry is an ultra low output impedance, high current driver, capable of running levels up to 26 dBu to the most complex or low impedance loads. Recording studios utilizing vintage audio-equipment will find this particularly valuable. Ultimately, the output performance of the DA-16X achieves perfect symmetry when used in balanced mode (even with an unsymmetrical load) and no increased distortion when used unbalanced.

16 channels of premium 24-bit AD conversion

Sample rates up to 192k

16 channels of AES, ADAT/SMUX Output

Word Clock I/O

Optional HD card for direct connection to ProTools HD

Optional S800 FireWire card capable of sample rates up to 192k, compatible with OS X/Windows XP and all popular DAW's

All option cards (X-FireWire and X-HD) facilitate connection of multiple units

"Soft Limit" for maximum digital level without overs (can be applied to a single channel or all channels)

"UV22HR" for superior dither of high resolution audio to 16-bit (can be applied to a channel pair or all channels)

Direct Digital Synthesis (DDS) using Big Ben's C777 Clock Technology up to 192kHz

Adaptive Loop Filtering (ALF) for optimum clock performance and minimum jitter

Support for AES double wire and SMUX formats

Post A/D conversion level monitoring

Intuitive front panel calibration

Word Clock termination switch

INPUTS
Analog in 1-8 Balanced, DSUB 25pin connector Analog in 9-16 Balanced, DSUB 25pin connector
WC in
BNC 75 ohm with switchable termination
OUTPUTS
AES-EBU out x 8, transformer balanced, DSUB 25pin connector (192k single wide compatible)
Optical
toslink x 4, supporting ADAT and SMUX protocol WC out: BNC 75 ohm
OPTION SLOT
One x-type card can be installed, for Firewire, HD and or other future format connectivity.
Sample rates internal
44.1/48/88.2/96/176.4/192k *Sample rates external: 44.1/48/88.2/96/176.4/192k +/- 10%
Frequency response at 44.1 k
5 - 20.000 Hz (+/- .2 dB)
Analog levels
6 to 24dBu max through digital gain adjustment. (Compatible with -10dBV levels)
THD+N
-110 dB
Dynamic range
120 dB A weighted
Power
100 -240 VAC, 50 - 60 Hz, 65 Watt

Free 3-Year Warranty

Sound Pure stands behind our products. Free three-year warranty on this item. Coverage exclusions live in Terms & Conditions, Section 27.

Level of support and expertise that simply isn't available at big-box megastores. Read the warranty →

Returns

Not eligible for Try Before You Buy or the 48-hour approval period. Standard return policy applies — see Terms & Conditions, Section 18 for details.

Sound Pure Studios Control Room A — Durham, NC

Sound Pure Studios · Durham, NC

Come hear it in our control rooms.

Sound Pure is a working studio in Durham, NC — a 1,000 sq ft live room and two pro control rooms. Book a session to audition gear in a world-class acoustic space before you buy.