Perhaps the most advanced stereo A-D on the market! 2 channels of Dangerous' clean yet musical A to D conversion, Clip Guard and meter zoom features, plus optional Jensen transformer for adding the perfect amount of analog tone to your tracks!
$2,999.00
Watch a system overview and guided setup instructions for the Dangerous Music Producer Pack. Track with world-class A/D, mix and sum with mastering-grade Dangerous circuits, and reference it all with a pristine monitor path. The Dangerous Music Producer Pack is a recording and mixing system specifically packaged for artists, engineers, and producers who want to Hear Everything™ and Sacrifice Nothing™
The company’s mission is to solve the problems of the ‘hybrid studio’ by leveraging the best of both worlds: seamless integration of analog and digital equipment’s strengths and eliminating their weaknesses. Since product designer Chris Muth’s time has been spent almost exclusively designing custom equipment for many of the world’s preeminent mastering engineers and facilities, the combination of a mastering quality audio path with an intuitive feature set became the company’s baseline. It is worth noting that these designs evolved not in a vacuum but with input from some of the best ears in the business, refined in a working mastering environment instead of on paper. In the end, listening makes all the difference.
Born out of the shop at Dangerous Music recording studios, the equipment company was officially founded in 2001 with the commercial release of the Dangerous 2-Bus analog summing amplifier. Dangerous Music product designs were created to answer the sonic and ergonomic challenges presented by the changing studio environment as it moved from analog consoles and analog multi-track tape recorders to hard-disk recording and software-based digital mixer/editors, collectively known as digital audio workstations, or DAWs.
The process of recording and mixing without an analog console or tape deck created the opportunity to develop products that allowed engineers to embrace all the power and convenience of a DAWs automation, editing and recall, while continuing to work as they had, with console-style tone and headroom, hardware monitor control, metering, speaker and input source switching, and the ability to insert analog processors into the signal path easily and with the highest quality results.
Company co-founder Bob Muller says, “The ideas behind Dangerous Music products are driven by the needs of the music community, who continuously finds new ways to work in the studio. Early on we concluded that once the smoke cleared it was not going to be an all-analog or all-digital studio, but a hybrid environment. We all embrace the benefits of new technologies, but the inevitable problems that arise need to be solved. As the analog console yielded to the DAW mixer as the focal point of the control room we recognized that certain equipment was now missing that is required to actually make a studio fully functional, sonically pleasing and ergonomically sensible. When you aren’t spending all your time clicking around computer menus, you can actually concentrate on the performance, the music, and the other creative elements of what recording and mixing is supposed to be.”
Signal to Noise Ratio A-weighted, 20Hz to 20KHz: < 121dB
Signal to Noise Ratio Unweighted, 20Hz to 20KHz: < 118dB
Dynamic Range A-weighted, 20Hz to 20KHz: < 121dB
Dynamic Range Unweighted, 20Hz to 20KHz: < 118dB
THD+N:
THD+N, 1kHz, unweighted, 20Hz to 20kHz, +4dBu in: < 0.0011%
THD+N, 1kHz, unweighted, 20Hz to 20kHz, +22dBu in: < 0.00035%
IMD (SMPTE): IMD, 60Hz / 7kHz, +4 dBu in: <0.0012%
Frequency Response @ 96KHz sample rate: 20Hz to 40KHz: +0, -0.035dB
Jitter: 16ps (100Hz to 40KHz), 18ps (100Hz to 1MHz)
Crosstalk rejection: > 118dBu @ 15 Hz – 40kHz, +/- 0.04 dB
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Rating: 4.8
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