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Apogee Digital Symphony Roundtable Discussion at SoundPure Studios pt 2/2

Also in this recording Apogee Digital Symphony I/O MkI 2x6 Analog+8x8 Digital

The Apogee Digital Symphony Converter is one of the only pro level multi-channel converters that offers the customization, monitor control and headphone amps, high-quality preamps, and incredible conversion all in one ch... Read more

The Apogee Digital Symphony Converter is one of the only pro level multi-channel converters that offers the customization, monitor control and headphone amps, high-quality preamps, and incredible conversion all in one chassis. It’s modular design is smart, future proof, and also gives you the option of building your setup and channel count over time. In this video, experts from the SoundPure Pro Audio team get together to discuss the Digital Symphony and their experiences using it in the studio. The Apogee Digital Symphony is available for SoundPure's Try Before You Buy demo program, so you can you hear how it sounds in your studio with your gear. If you would like to know more about this converter or any of the other gear used in this video, check us out SoundPure.com or give us a call anytime at 919.682.5552. Thanks for watching!

Apogee Digital Symphony Roundtable Discussion at SoundPure Studios pt 1/2

Also in this recording Apogee Digital Symphony I/O MkI 2x6 Analog+8x8 Digital

The Apogee Digital Symphony Converter is one of the only pro level multi-channel converters that offers the customization, monitor control and headphone amps, high-quality preamps, and incredible conversion all in one ch... Read more

The Apogee Digital Symphony Converter is one of the only pro level multi-channel converters that offers the customization, monitor control and headphone amps, high-quality preamps, and incredible conversion all in one chassis. It’s modular design is smart, future proof, and also gives you the option of building your setup and channel count over time. In this video, experts from the SoundPure Pro Audio team get together to discuss the Digital Symphony and their experiences using it in the studio. The Apogee Digital Symphony is available for SoundPure's Try Before You Buy demo program, so you can you hear how it sounds in your studio with your gear. If you would like to know more about this converter or any of the other gear used in this video, check us out SoundPure.com or give us a call anytime at 919.682.5552. Thanks for watching!

Apogee Digital Symphony I/O Converter System Review

Also in this recording Apogee Digital Symphony I/O MkI 16x16 Analog

The Apogee Digital Symphony Converter is one of the only pro level multi-channel converters that offers the customization, monitor control and headphone amps, high-quality preamps, and incredible conversion all in one ch... Read more

The Apogee Digital Symphony Converter is one of the only pro level multi-channel converters that offers the customization, monitor control and headphone amps, high-quality preamps, and incredible conversion all in one chassis. It’s modular design is smart, future proof, and also gives you the option of building your setup and channel count over time. In this video, SoundPure Pro Audio Expert, Travis Hall, talks about the ins and outs of this incredible piece of pro audio gear. Apogee's newest flagship converter system, the Symphony I/O, continues their trend of introducing next generation converter technology with a smart and future proof modular design, plus an enhanced level of detail when compared to previous models. With their continually innovative designs and constant push for higher quality audio conversion, Apogee Digital has firmly cemented itself as one of the most recognized and industry-leading companies within the audio conversion world. If you like what you hear, check out this gear at SoundPure.com, or call us anytime at 919.682.5552. Thanks for watching!

The Bronx record and mix with Apogee Symphony I/O, Pro Tools and a MacBook Pro

Also in this recording Apogee Digital Symphony I/O MkI 16x16 Analog

During the mix of "The Bronx IV", Los Angeles based band, The Bronx, and engineer Beau Burchell hooked up an Apogee Symphony I/O to their Pro Tools HD rig and immediately knew they had to re-mix the entire record using S... Read more

During the mix of "The Bronx IV", Los Angeles based band, The Bronx, and engineer Beau Burchell hooked up an Apogee Symphony I/O to their Pro Tools HD rig and immediately knew they had to re-mix the entire record using Symphony I/O.Later in attempt to put Symphony I/O through it's paces, Beau "for fun" (as he explains in the video) connected Symphony I/O to his MacBook Pro via USB. Armed only with Symphony I/O fully loaded with an 8x8 module & 8 Mic Pre amp module, Pro Tools on a MacBook Pro, and few microphones... The Bronx re-recorded a version of the song "Knifeman" from the 2008 record "The Bronx III". Hear what they had to say about the experience.

Apogee Symphony I/O with Nathan Chapman and Joe West

Also in this recording Apogee Digital Symphony I/O MkI 16x16 Analog

A few months ago, two of Nashville's top producer/songwriters Nathan Chapman and Joe West got together at Sony Tree Studio to put Apogee's newest interface, Symphony I/O, through its paces and A/B it. As you will see in... Read more

A few months ago, two of Nashville's top producer/songwriters Nathan Chapman and Joe West got together at Sony Tree Studio to put Apogee's newest interface, Symphony I/O, through its paces and A/B it. As you will see in the video, both were really amazed by its performance, and even more telling of their impression is that both Nathan and Joe now have Symphony I/O in their personal studios.Nathan Chapman has produced, written, and engineered records with artists such as Taylor Swift, Sara Evans, The Band Perry, Jewel, and K'Jon. Joe West has produced, written, and engineered with Warren Zevon, Emmylou Harris, Toby Keith, and Keith Urban.

Apogee Symphony I/O with Dave Tozer

Also in this recording Apogee Digital Symphony I/O MkI 16x16 Analog

Producer and songwriter Dave Tozer, whose Grammy-winning work with John Legend catapulted his career back in 2004, shows Symphony I/O's versatility in 3 different, real-life recording situations. First at his New York Ci... Read more

Producer and songwriter Dave Tozer, whose Grammy-winning work with John Legend catapulted his career back in 2004, shows Symphony I/O's versatility in 3 different, real-life recording situations. First at his New York City studio, Dave records synth parts with his Symphony System and Logic, then we move to JSM Music in New York to record drums with Symphony I/O as a front end to Pro Tools. Finally, on a third track, he records acoustic guitar with Symphony I/O connected to the Symphony 64 card into Logic.Dave Tozer has produced, performed, and written with artists such as Kanye West, John Legend, Free Sol, Musiq Soulchild, Jazmine Sullivan, Bridget Kelley, and Emile Sande.

Apogee Symphony I/O - Recording Jazz with new Mic Preamp module

Also in this recording Apogee Digital Symphony 8x8 Analog/AES/Optical I/O+8 Mic Pre Apogee Digital Symphony I/O MkIl 8 Mic Preamp Module

Symphony I/O has already set a new standard for sound quality, features, and expandability in the professional audio world. Right out of the box you are ready to connect to Pro Tools HD. You can also connect Symphony I/O... Read more

Symphony I/O has already set a new standard for sound quality, features, and expandability in the professional audio world. Right out of the box you are ready to connect to Pro Tools HD. You can also connect Symphony I/O to your laptop's USB port giving you 16 channels to record anywhere you like. Connect to a Symphony 64 card for incredibly low latency native recording in Logic, Cubase, Abelton, or the native version of Pro Tools. You can also connect to light pipe or AES in Symphony I/O's stand alone mode. So when it was time to design a Mic Preamp module for Symphony I/O, the Apogee engineers really pushed the limits to design a Mic Pre Amp that was good enough to be a Symphony I/O module. In this video you will hear The Symphony I/O Mic Preamp and converter capture the true tone of Vibes, B3, Guitar, and Drums.

Apogee Symphony I/O - Ultimate Sound Quality

Also in this recording Apogee Digital Symphony I/O MkI 16x16 Analog

Apogee Symphony I/O has already gained a reputation as setting a new level for sound quality. In this video, you will hear Apogee's own Senior Design engineer Lucas van der Mee and Roger Robindore talk about how the desi... Read more

Apogee Symphony I/O has already gained a reputation as setting a new level for sound quality. In this video, you will hear Apogee's own Senior Design engineer Lucas van der Mee and Roger Robindore talk about how the design of Symphony I/O sets it apart from other audio interfaces. Also Grammy award winning Producer, Songwriter, Engineer Nathan Chapman talks about the sound quality difference when he switched to Symphony I/O. Nathan has produced and co-wrote some of Taylor Swifts biggest hits.. along with a number of other artists including Sara Evans, The Band Perry, Jewel, and K'Jon.Mark Sherman is a music professor at Juilliard, and an accomplished musician and composer as well.

Peluso LDC Shootout on Female Vocals: P12 v. 2247 SE v. P67 v. 22 251

Also in this recording Peluso 22 251 Switchable Pattern Tube Microphone Peluso P-67 Switchable Pattern Tube Microphone Peluso P12 Multipattern Tube Microphone Peluso 2247 SE AMERICAN Switchable Pattern Tube Microphone Phoenix Audio DRS8 mk2 Microphone Preamp Apogee Digital Symphony I/O MkI 16x16 Analog

In this blind microphone shootout on female vocals we compare four of John Peluso's large diaphragm tube condenser mics: the P12, the 2247 SE, the P67, and the 22 251. These four mics are clones of the venerable C12, U47... Read more

In this blind microphone shootout on female vocals we compare four of John Peluso's large diaphragm tube condenser mics: the P12, the 2247 SE, the P67, and the 22 251. These four mics are clones of the venerable C12, U47, U67 and 251 respectively, which are four of the most sought after microphones for vocal recordings and many other studio applications. First you'll hear the four mics solo'd and completely dry, then we'll bring them into a loose mix for some context. All four mics were run through our Phoenix DRS8 preamp modules and our Apogee Symphony converter. If you'd like to know which mic was which and get the full length hi-res audio performances to compare for yourself shoot us a quick email to mics(at)soundpure.com. Additionally all four of these mics are eligible for our Try-Before-You-Buy demo program, so if you'd like to experience one for yourself with your gear in your studio please give us a call and we'd be happy to send one out for you to demo. 

LDC Solid State Shootout on Female Vocals: Miktek C7 v. Lauten Atlantis v. Neumann U87Ai v.Bock iFET

Also in this recording Miktek C7e Large Diaphragm Multi-Pattern FET Condenser Mic Lauten Audio Atlantis FC-387 Multi-Voiced Microphone Neumann U87Ai Microphone Bock Audio iFET Condenser Microphone Phoenix Audio DRS8 mk2 Microphone Preamp Apogee Digital Symphony I/O MkI 16x16 Analog

In this blind microphone shootout on female vocals we compare four of our favorite large diaphragm solid state condenser mics: the Miktek C7, the Lauten Atlantis, the Neumann U87 Ai, and the Bock iFET. First you'll hear... Read more

In this blind microphone shootout on female vocals we compare four of our favorite large diaphragm solid state condenser mics: the Miktek C7, the Lauten Atlantis, the Neumann U87 Ai, and the Bock iFET. First you'll hear the four mics solo'd and completely dry, then we'll bring them into a mix for some context. All four mics were run through our Phoenix Audio DRS-8  mic preamp and our Apogee Symphony converter. If you'd like to know which mic was which and get the full length hi-res audio performances to compare for yourself shoot us a quick email to mics(at)soundpure.com. Additionally all four of these mics are eligible for our Try-Before-You-Buy demo program, so if you'd like to experience one for yourself with your gear in your studio please give us a call and we'd be happy to send one out for you to demo.   We would like to extend a huge thank you to Jennifer Claude for helping us make this video. Check her out at www.jenniferclaude.com.   If you like what you hear, check out this gear at SoundPure.com or give us a call anytime at 919.682.5552. Thanks for watching!

Maag PreQ4-500 Mic Preamp Demo

Also in this recording Maag Audio PreQ4 - 500 series Preamp Apogee Digital Symphony I/O MkI 16x16 Analog Shure KSM313/NE Dual-Voice Ribbon Mic with Roswellite Ribbon

The Maag PreQ4-500 is a single channel 500 series mic pre featuring the legendary AIR BAND. The AIR BAND is a variable frequency shelf boost ranging from 2.5 to 40kHz with an incredibly gentle curve, resulting in increas... Read more

The Maag PreQ4-500 is a single channel 500 series mic pre featuring the legendary AIR BAND. The AIR BAND is a variable frequency shelf boost ranging from 2.5 to 40kHz with an incredibly gentle curve, resulting in increased signal "openness." The Maag PreQ4 is an excellent mic pre for nearly every recording application. It provides transparency and top end presence that is second to none while maintaining the clear, detailed and full bodied sound behind the mic. This fantastic preamp is available for SoundPure's exclusive Try Before You Buy program, so you can see how the Maag PreQ4 sounds in your studio with your gear. If you like what you hear, check out the gear used to make this video at SoundPure.com, or give us a call anytime at 919.682.5552. Thanks for watching!

Ply Shell Snare Drum Shootout: Brady vs. Sonor Prolite vs. Pork Pie Percussion

Also in this recording Brady 6.5x14 Silver Silky Oak Gloss Jarrah Ply Snare Drum Miktek C7e Large Diaphragm Multi-Pattern FET Condenser Mic Miktek C5MP Small Diaphragm Condenser Matched Pair Josephson e22S Side-Address Condenser Microphone Shure SM57 Instrument Microphone Phoenix Audio DRS8 mk2 Microphone Preamp Apogee Digital Symphony I/O MkI 16x16 Analog

SoundPure Drum Expert, Barry Knain, compares three different ply shell snare drums in a blind shootout. In this video, we will showcase Brady, Sonor Prolite, and Pork Pie Percussion snare drums in a full kit setup. Each... Read more

SoundPure Drum Expert, Barry Knain, compares three different ply shell snare drums in a blind shootout. In this video, we will showcase Brady, Sonor Prolite, and Pork Pie Percussion snare drums in a full kit setup. Each snare was recorded using a Josephson E22s mic on top and a Shure SM57 mic on bottom. All mics used in this shootout were processed through our Phoenix DRS8 Preamp and Apogee Symphony converter. To get the results, or the high res files to compare for yourself, shoot us an email at Drums@soundpure.com. If you like what you hear, check out this gear at SoundPure.com, or give us a call anytime at 919.682.5552. Thanks for watching!

From Apogee Digital

NOW OPTIMIZED FOR ATMOS

Mixing for Dolby Atmos and other immersive 3D formats is rapidly becoming an essential skill for the modern creator and engineer.  As streaming services highlight immersive content and record companies require immersive audio deliverables, you may be asking yourself “how do I get started”?

With Symphony I/O Mk II Thunderbolt’s Monitor Workflows, you’ll effortlessly configure and operate your monitoring system for Dolby Atmos, Sony 360 Reality Audio and other immersive audio systems with control of up to 32 Speaker outputs. 

Optimize Your Workflow

Within each Monitor Workflow, you design the audio flow from your DAW outputs, Symphony internal mixers and hardware inputs to your expanded speaker array. Use these features to customize your Workflow:

  • Source Routing - Choose Playback (from your DAW), Mixer or Hardware inputs sources for each Speaker output pair.
  • Speaker Sets - Create up to 3 Speaker Sets, then instantly toggle between them from Symphony Control software
  • Speaker Level Trim - Creating the perfect level balance between all your speakers
  • Speaker Mute/Solo - Resolve issues in your configuration quickly with mute and solo buttons
  • Speaker Status Icon- Color coded icons let you see your active speakers at a glance
  • Easily Configure and Access up to 16 Monitor Workflows

In the modern production environment, you need to be able to completely reconfigure your monitoring system at the touch of a button. Symphony I/O Mk II allows you to create up to 16 Monitor Workflows, then instantly toggle between them from Symphony Control software, the front panel touchscreen, or the Apogee Control hardware remote.

Plug and Play Atmos with Logic Pro X

Getting started with Dolby Atmos has never been easier using Logic Pro 10.7 and Symphony I/O Thunderbolt! In the past, setting up your Dolby Atmos studio was a multi-day affair, but now it’s plug and play with the latest from Apple and Apogee.

Get Started Right Away

With such flexible monitor controller functionality incorporated at no extra cost for current and future owners, Symphony I/O Mk II Thunderbolt makes the best cornerstone of your Dolby Atmos or other immersive audio studio.

Symphony I/O Mk II is a multi-channel audio interface featuring Apogee’s newest flagship AD/DA conversion, modular I/O (up to 32 inputs and outputs), intuitive touchscreen display and optional world-class microphone preamps. Designed to deliver professional sound quality for audio recording, mixing and mastering, Symphony I/O Mk II is the ultimate music production centerpiece for any modern studio.

The new Symphony I/O Mk II comes with direct connectivity to one of three different platforms – Thunderbolt™, Pro Tools® HD or Waves SoundGrid® network.

  • Best AD/DA conversion of any Thunderbolt™ audio interface
  • Up to 32 channels of modular analog I/O with optional 8 mic preamps
  • Original Symphony I/O modules are compatible with new Mk II chassis
  • Best per-channel value of any interface in its category
  • Choice of Thunderbolt, Pro Tools® HD (Mac/PC) or Waves SoundGrid® connectivity
    -Dante connectivity coming soon
  • Ultra-low latency performance – 1.35 ms with Thunderbolt and Logic Pro X
  • All new, highly customizable Symphony Control software provides easy access to all I/O parameters
  • Intuitive touchscreen display and front panel control
  • Designed in California, Built in the U.S.A.

Input and Output Flexibility

There is a Symphony I/O Mk II solution for everyone; the home studio, project studio, commercial recording studio and scoring stage. Choose from four base I/O configurations, 2×6, 8×8, 16×16, or 8×8 with 8 mic preamps and easily expand as your studio grows. With two module slots and the capacity for up to 32 inputs and outputs of A/D & D/A conversion per unit, Symphony I/O Mk II offers the best per-channel value of any interface in its category.

Legendary Sound Quality

Apogee engineers have made it their passion to improve every new flagship product by using the latest in electrical components and designing optimized circuitry that often exceeds the expectations of the component manufacturer. This is the Apogee Advantage. Symphony I/O Mk II is the culmination of this 30 year commitment and raises the bar on all Apogee products before it with even better audio clarity and sonic transparency. In fact, when equipped with either the new 8×8 or 16×16 Mk II I/O modules, Symphony I/O Mk II outperforms all other multi-channel audio interfaces available for Pro Tools HD or Thunderbolt based systems, making it the flagship audio interface for the entire professional audio industry and the obvious choice for countless GRAMMY winning artists, producers, songwriters and engineers.

INPUTS

Analog IN
2 balanced inputs on 2 female XLR connectors
AES IN
Stereo input on 1 female XLR connector
Optical IN
  • Supports ADAT, SMUX & S/PDIF
  • ADAT: 8 channels 44.1-48 kHz on 1 Toslink connector
  • SMUX: 4 channels 88.2-96 kHz on 1 Toslink connector
  • S/PDIF: 2 channels, up to 96 kHz on 1 Toslink connector
S/PDIF Coax IN
2 channels, up to 192 kHz on 1 RCA connector

A/D

THD+N of -116dB @23dBu (0.00016%) unweighted

Dynamic range
124 dB (A) of dynamic range
Maximum input levels
  • +4dB setting: +24dBu
  • 10dB setting: +6dBV
Frequency response at 44.1kHz
1-20,000 Hz (+/- 0.05dB)
Input impedance
10K

OUTPUTS

Analog OUT
6 balanced outputs on 1 DSUB 25-pin connector
AES OUT
Stereo output on 1 male XLR connector
Optical OUT
  • Supports ADAT, SMUX & S/PDIF
  • ADAT: 8 channels 44.1-48 kHz on 1 Toslink connector
  • SMUX: 4 channels 88.2-96 kHz on 1 Toslink connector
  • S/PDIF: 2 channels, up to 96 kHz on 1 Toslink connector
S/PDIF Coax OUT
2 channels, up to 192 kHz on 1 RCA connector

D/A

THD+N of -118dB @ 22dBu (0.00013%) unweighted

Dynamic range
131dB (A) dynamic range

Max output levels – ∞ to +24dBu

Frequency response at 44.1 kHz
dc to 20kHz (+/- 0.05dB)
Output impedance
25 Ohm

Connection

Pro Tools HD Core card

Pro Tools Accel PCI card

Pro Tools HD Native PCI card

Pro Tools HD Native Thunderbolt

Pro Tools HDX PCI card

Performance

44.1kHz – 192kHz

Sample accurate compatibility with Pro Tools Delay Compensation

Computer

Mac or PC

Control

Front panel touchscreen

Compatible Software

Pro Tools HD 9 or greater

Free 3-Year Warranty

Sound Pure stands behind our products. Free three-year warranty on this item. Coverage exclusions live in Terms & Conditions, Section 27.

Level of support and expertise that simply isn't available at big-box megastores. Read the warranty →

Returns

Not eligible for Try Before You Buy or the 48-hour approval period. Standard return policy applies — see Terms & Conditions, Section 18 for details.

Sound Pure Studios Control Room A — Durham, NC

Sound Pure Studios · Durham, NC

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Sound Pure is a working studio in Durham, NC — a 1,000 sq ft live room and two pro control rooms. Book a session to audition gear in a world-class acoustic space before you buy.