Factory Matched Pair of Switchable Pattern Tube Microphone (9 Patterns) based off the ELAM 251 vintage microphone
Special ends:
$3,143.30
Retail: $4,116.00
Born out of decades of experience with vintage microphones, John Peluso brings us this recreation of a classic that is as faithful as it is functional. The 22 251 was crafted with the old vintage Telefunken ELA M 251 in mind and presents itself with a similar boldness, top-end, and openness that lovers of the original have come to expect. The 22 251 bears a clean and pleasantly detailed top-end while simultaneously maintaining robust and full-sounding low/low-mids. The magic of the vintage 251s lie in their ability to accentuate those low-mids when utilizing the proximity effect. The 22 251 reproduces this magic with the added ability to further increase proximity effect by pushing the polar pattern into a more hyper-cardioid position. This microphone comes complete with 9 switchable polar patterns that range from Omni to Cardioid to Bi-Directional. Unlike the original which only has 3 polar patterns and a switch built directly into the body of the microphone itself, the 22 251 features its polar pattern switching on the power supply unit that comes with the microphone. With careful construction and attention to detail, this finely contrived ode to a classic is well worthy of becoming a staple in studios everywhere.
Peluso Microphone Lab 101Produced by Beehive ProductionsInterview filmed and recorded live at Peluso in Willis, VA.Performances recorded live at the Floyd Country Store and Peluso.Captured with Peluso Microphones.
High-quality, yet surprisingly affordable microphones hand-built at Peluso Labs in Virgina, USA. Peluso Microphone Lab, featuring the new and exciting line of Tube and Solid State Peluso microphones, hand-made in the USA. Peluso has a full service repair lab, twenty-six years experience repairing and restoring all brands of vintage and modern microphones.
Quiet High Sax Accompanied by Piano in Concert Hall, Peluso 22 251 Pair into Pacifica then Apogee Rosetta UV22HR 16-bit
Quiet High Sax Accompanied by Piano in Concert Hall, Peluso 22 251 Pair into Pacifica then Apogee Rosetta UV22HR 16-bit (view less)
Thunderous Steinway D Piano and Sax in Concert Hall - Peluso 22 251 Pair into Pacifica then Apogee Rosetta UV22HR 16-bit
Thunderous Steinway D Piano and Sax in Concert Hall - Peluso 22 251 Pair into Pacifica then Apogee Rosetta UV22HR 16-bit (view less)
Tom Ribbecke Halfling archtop guitar playing "Stella By Starlight" into AER Alpha amp(all controls 12 o'clock) mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8.
Tom Ribbecke Halfling archtop guitar playing "Stella By Starlight" into AER Alpha amp(all controls 12 o'clock) mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8. (view less)
Tom Ribbecke Halfling archtop guitar played into AER Alpha amp(all controls 12 o'clock) mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8.
Tom Ribbecke Halfling archtop guitar played into AER Alpha amp(all controls 12 o'clock) mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8. (view less)
Jimmy Foster Basin Street 7 String Cremona Burst guitar played into AER Alpha amp(all controls 12 o'clock) mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8.
Jimmy Foster Basin Street 7 String Cremona Burst guitar played into AER Alpha amp(all controls 12 o'clock) mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8. (view less)
Jimmy Foster Basin Street 7 String Cremona Burst guitar played into AER Alpha amp(all controls 12 o'clock) mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8.
Jimmy Foster Basin Street 7 String Cremona Burst guitar played into AER Alpha amp(all controls 12 o'clock) mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8. (view less)
Jimmy Foster Basin Street 7 String Cremona Burst guitar played into AER Alpha amp(all controls 12 o'clock) mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8.
Jimmy Foster Basin Street 7 String Cremona Burst guitar played into AER Alpha amp(all controls 12 o'clock) mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8. (view less)
Jimmy Foster Basin Street 7 String electric guitar played into AER Compact 60 mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8.
Jimmy Foster Basin Street 7 String electric guitar played into AER Compact 60 mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8. (view less)
Jimmy Foster Basin Street 7 String electric guitar played into AER Compact 60 mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8.
Jimmy Foster Basin Street 7 String electric guitar played into AER Compact 60 mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8. (view less)
Jimmy Foster Basin Street 7 String electric guitar played into AER Compact 60 mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8.
Jimmy Foster Basin Street 7 String electric guitar played into AER Compact 60 mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8. (view less)
Benedetto Bambino Deluxe electric guitar(neck pickup) played into Acoustic Image Clarus 2R Head into Raezer's Edge Stealth 10ER cabinet mic'd with Peluso 22 251(i foot off) into A Designs Pacifica preamp feeding Lynx Aurora A/D converters.
Benedetto Bambino Deluxe electric guitar(neck pickup) played into Acoustic Image Clarus 2R Head into Raezer's Edge Stealth 10ER cabinet mic'd with Peluso 22 251(i foot off) into A Designs Pacifica preamp feeding Lynx Aurora A/D converters. (view less)
682-Peluso_22_251_Switchable_Pattern_Tube_Microphone-1272880e258-3b.mp3
Thunderous Steinway D Piano and Sax in Concert Hall - Peluso 22 251 Pair into Pacifica then Apogee Rosetta UV22HR 16-bit
682-Peluso_22_251_Switchable_Pattern_Tube_Microphone-1272880e290-47.mp3
Quiet High Sax Accompanied by Piano in Concert Hall, Peluso 22 251 Pair into Pacifica then Apogee Rosetta UV22HR 16-bit
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