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Collings CJ SB Acoustic guitar played by Keith Ganz

Also in this recording Lynx Aurora 16 I/O D/A and A/D Converter LaChapell Audio 992EG Dual Mono Tube Preamp

The CJ SB acoustic guitar from Collings, also refered to as Collings Jumbo or CJ is a classically shaped slope-shouldered dreadnought acoustic guitar which is ideal for acoustic blues or other similar styles. Though o... Read more

The CJ SB acoustic guitar from Collings, also refered to as Collings Jumbo or CJ is a classically shaped slope-shouldered dreadnought acoustic guitar which is ideal for acoustic blues or other similar styles. Though on the larger side, this mahogany backed and Sitka spruce guitar has a percussive bottom end. The CJ has a beautiful sunburst finish but it's available in other finishes as well! Don't hesitate to contact our guitar experts here, at Soundpure, for information on special ordering this guitar or other Collings guitar 919.682.5552

Collings 0002H SS - Keith Ganz Demos this Incredible Acoustic Guitar

Also in this recording Vintech Audio 573 500-Series Mic Preamp Lynx Aurora 16 I/O D/A and A/D Converter

The 0002H from Collings has the same general appearance as the 00, but is slightly larger and has the same width and depth as the OM. This Sitka Spruce and East Indian Rosewood Acoustic Guitar is also slightly longer, pr... Read more

The 0002H from Collings has the same general appearance as the 00, but is slightly larger and has the same width and depth as the OM. This Sitka Spruce and East Indian Rosewood Acoustic Guitar is also slightly longer, producing more bass and overall volume. The OOO2H is ideal for any guitarist looking for a lot of power, and an elegantly sized instrument. This acoustic has a slotted head stock and an nice old-timey, classic look. Call the guitar experts at Soundpure's guitar boutique today for any questions recording this guitar from Collings, or any other guitar in our huge inventory 919.682.5552.

McPherson Guitars 4.5XPH Acoustic Guitar Demo (Hybrid Flamed Redwood, Brazilian Rosewood)

Also in this recording McPherson 4.5XPH Flamed Redwood/Brazilian Rosewood #1744 Earthworks 1024 Quad Mic Pre with Zero Distortion Technology Lynx Aurora 16 I/O D/A and A/D Converter

The 4.5XPH from McPherson is a stunningly beautiful sounding and gorgeous looking guitar. The Flamed Redwood top is a perfect match for the Brazilian back and sides, both aesthetically and tonally. The bold, complex tone... Read more

The 4.5XPH from McPherson is a stunningly beautiful sounding and gorgeous looking guitar. The Flamed Redwood top is a perfect match for the Brazilian back and sides, both aesthetically and tonally. The bold, complex tone sustain and overtones will impress guitar enthusiast of all kind. This guitar is just as much a work of fine art as it is a tone monster! Generally considered the best tonewood for steel stringed instruments; Brazilian Rosewood is a highly prized choice for back and sides. Endangered and becoming very rare, Brazilian Rosewood has everything other rosewoods have to offer and more. A rich powerful sound full of overtones and depth. McPherson doesn't make many of these, so be sure to talk to a Sound Pure Guitar Department Representative today. 919.682.5552 or 888.528.9703.

Goodall OM Brazilian Rosewood Acoustic Guitar Performance

Also in this recording Goodall Traditional OM Brazilian Rosewood 5700 Acoustic Guitar Lynx Aurora 16 I/O D/A and A/D Converter Sebatron VMP 4000e 4 Channel Tube Mic Pre

This gorgeous traditional Brazilian Rosewood Goodall OM is simply a guitar that is as fine as they come. The incredible tonal balance, ease of playing, and harmonic interest and capability make this guitar one that dream... Read more

This gorgeous traditional Brazilian Rosewood Goodall OM is simply a guitar that is as fine as they come. The incredible tonal balance, ease of playing, and harmonic interest and capability make this guitar one that dreams are made of! It was recorded with a pair of Earthworks SR40 Cardioid Microphones into a Sebatron VMP 4000e Tube Mic Preamp. According to Goodall, When we string up an OM it's hard to distinguish from the Traditional Dreadnought" despite its body shape which is a bit smaller and easier to hold, still has that classic sound. This truly breathtaking instrument is available for purchase from the Sound Pure Guitar Boutique. The Sound Pure Guitar experts and recording experts are always available to help you make your next upgrade in your guitar collection, or in your recording gear lineup. They can be reached toll free at 888-528-9703.

Earthworks 1021 1022 1024 Mic Preamp Video Demo

Also in this recording Earthworks 1024 Quad Mic Pre with Zero Distortion Technology Earthworks QTC40 mp Time Coherent Omnidirectional Microphone (Pair) Earthworks PM40 Piano Microphone System Peluso P-67 Switchable Pattern Tube Microphone Telefunken Elektroakustik AR-51 Microphone Evans RE200 Guitar Amplifier Combo

The Earthworks 1021, 1022, and 1024 Zero Distortion Preamps are completely free of noise and distortion, and are really a lot like "wire and gain." Such transparency, accuracy and detail in a mic preamp are extremely... Read more

The Earthworks 1021, 1022, and 1024 Zero Distortion Preamps are completely free of noise and distortion, and are really a lot like "wire and gain." Such transparency, accuracy and detail in a mic preamp are extremely useful when the sound of the instrument coupled with an amazing microphone should not be compromised. The Earthworks preamp will not add its own coloration and artifacts like just about every other preamp on the market. It is designed to delver the sound coming out of the microphone exactly that way, as if there is no preamp in the signal path whatsoever. In this video we demonstrate this performance through a variety of microphones and sources including recording acoustic guitar, piano, jazz archtop guitar, and electric guitars. Give us a call to discuss this amazing distortion-free preamp, toll free 888.528.9703.

Sebatron Tube Mic Pre Demo - Acoustic Guitar

Also in this recording Lynx Aurora 16 I/O D/A and A/D Converter Sebatron VMP 4000e 4 Channel Tube Mic Pre Mojave Audio MA-201 FET LDC Microphone Earthworks QTC40 mp Time Coherent Omnidirectional Microphone (Pair) Mojave Audio MA-101 FET SDC Microphone

The Sebatron VMP-series Tube microphone preamps are used to track acoustic guitars in a recording studio with a variety of microphones including Earthworks, Mojave, and Telefunken Microphones. While we use the Sebatron V... Read more

The Sebatron VMP-series Tube microphone preamps are used to track acoustic guitars in a recording studio with a variety of microphones including Earthworks, Mojave, and Telefunken Microphones. While we use the Sebatron VMP4000e preamp, it utilized the identical tube pre circuitry as in the 2000e and 2000e VU mic preamps. Each preamp's impressive warmth is attainable without a loss in detail typical of most preamps. Additionally the preamp features some excellent EQ functionality, and the creative ability to drive the unit in different ways to move from transparent more subtle tube coloration to much greater saturation and color (by engaging the pad circuit which exists prior to the tube gain stage). We use and love the Sebatron mic preamps in the Sound Pure recording studios, and are glad to talk to you about all of our experiences. We can be reached toll free 888.528.9703, or international 919.682.5552.

McPherson 3.5XP Acoustic Guitar Demo Engelmann Spruce/Walnut #1615

Also in this recording McPherson 3.5XP Engelmann Spruce/Flamed Walnut #1615 Vintech Audio X73i Pre/EQ Lynx Aurora 16 I/O D/A and A/D Converter

Another stunning beauty from McPherson Acoustic Guitars, this time shot in the untreated Guitar Showroom at Sound Pure Guitar Boutique. It was recorded meticulously with Earthworks SR40 Microphones and Vintech X73i Mic P... Read more

Another stunning beauty from McPherson Acoustic Guitars, this time shot in the untreated Guitar Showroom at Sound Pure Guitar Boutique. It was recorded meticulously with Earthworks SR40 Microphones and Vintech X73i Mic Pres. This McPherson features an Engelmann Spruce top with Flamed Walnut back and sides. Engelmann Spruce is light in color with rich, complex tone. This wood best suits a more gentle touch. Great for fingerpicking with warm bass and complex overtones. Flamed Claro Walnut has a strong fundamental, with warmth and balance. Walnut has less depth and projection than rosewood and slightly darker tone than Mahogany. The Depth is 4" at block and 3.5" at tail block with a Scale Length of 25". It has a Standard McPherson Neck Width of 1 3/4" at nut, 2 5/32" at 12th. This guitar and the rest of the McPherson line is available from Sound Pure Guitar Boutique.

McPherson 4.5 Acoustic Guitar Demo - Bear-Claw-Sitka/Black-Acacia

Also in this recording McPherson 4.5 Bear Claw Sitka/Flamed Black Acacia #1619 Earthworks 1024 Quad Mic Pre with Zero Distortion Technology Lynx Aurora 16 I/O D/A and A/D Converter

McPherson Guitars don't disappoint, and this extraordinary beauty is no exception. It features a remarkable Bear Claw Sitka Spuce top, with flamed Black Acacia backs and sides. The guitar is beautifully played by flat-pi... Read more

McPherson Guitars don't disappoint, and this extraordinary beauty is no exception. It features a remarkable Bear Claw Sitka Spuce top, with flamed Black Acacia backs and sides. The guitar is beautifully played by flat-picking legend, John Garris in the Sound Pure Recording Studios, and recorded using a simple minimalist microphone setup including the Earthworks SR40 Cardioid Microphones, and the Earthworks 1024 4-channel microphone preamp, feeding a Lynx Aurora 16 A/D converter. No special processing was done to make this recording. The guitar, and all the equipment used in making the recording are all available for purchase from Sound Pure. They can be reached toll free at 888-528-9703. The instrument specs include the following: Depth: 4" at block and 4.5" at tail block; Scale Length: 25"; Overall Length: 41" ;Neck Width: Standard 1 3/4" at nut, 2 5/32" at 12th; Neck Width: Wide 1 7/8" at nut, 2 5/32" at 12th; Electronics: L.R. Baggs RTS2 system. Ribbon transducer pick-up, pre-amp and volume control; Tuners: Schaller M6G Gold Tuning Machines; Gold Strap Button; Case: Custom fit Ameritage case with built in humidification system; Inlay: McPherson mother of pearl inlay on head cap and mirror image on bridge plate.

Brazilian Rosewood McPherson Guitar 4.5XPH - Acoustic Guitar Demo

Also in this recording McPherson 4.5XPH Flamed Redwood/Brazilian Rosewood #1744 Earthworks Audio SR40 High Definition Microphone

The McPherson 4.5XPH #1744 Brazilian Rosewood Guitar with a highly flamed Redwood top is one of the most stunning acoustic guitars we've seen at Sound Pure. The Rosewood and the Flamed Redwood create complex and bold... Read more

The McPherson 4.5XPH #1744 Brazilian Rosewood Guitar with a highly flamed Redwood top is one of the most stunning acoustic guitars we've seen at Sound Pure. The Rosewood and the Flamed Redwood create complex and bold tones, incredible sustain, and astounding overtones. The intonation is even throughout the entire neck. Thanks again to Keith Ganz for his outstanding playing. Check out his website! You don't want to miss out on this piece of art, call Sound Pure today or visit our website to view more videos, images, and sound clips of this guitar and many more.

From Earthworks

Earthworks cardioid microphones are unlike all the rest, as they have patented near-perfect cardioid patterns. The sound across the entire front hemisphere is remarkably uniform and is flatter at 90 degrees than most microphones are on-axis. This results in uncolored off-axis rejection for recording and greater gain before feedback for live sound. They effortlessly handle up to 145dB SPL while simultaneously revealing subtle details that other microphones mask. All SR models are a superb value and will provide excellent results for both live performance and recording applications.

You’ll love what the Earthworks SR40 high-definition cardioid mic does for your recordings and live performances. Its 30Hz-40kHz frequency response means you’re capturing a far wider range than most mics can touch. The result? Better depth and a truer sound that includes more high-frequency overtone content. You’ll also appreciate how well the SR40′s true cardioid pickup pattern rejects outside sources, and how it gives you impressive gain before feedback.

Features:

  • Extended frequency response to 40kHz
  • Multi-purpose directional microphone
  • More gain before feedback than other microphones
  • Less leakage
  • Textbook perfect cardioid polar pattern with natural on- and off-axis performance
  • Provides excellent results for both live performance and recording applications
  • Extreme accuracy in the time domain for faithful reproduction and no smearing or distortion
  • Transparent sound quality
  • Shorter diaphragm settling time to prevent quieter attacks from being blurred by earlier louder attacks
  • 30Hz – 40kHz frequency response, revealing subtleties in the sound that are non-existent from microphones with less high frequency range, and enabling musical performances to exhibit greater depth and realism
  • The exceptional rear rejection performance enables the SR40 to easily isolate instruments in a recording or live performance setting, thus minimizing acoustic bleed
Frequency Response
30Hz – 40kHz ±2dB at 6 inches (15cm)
Polar Pattern
Cardioid or Hypercardioid
Sensitivity
10mV/Pa (-40dBV/Pa)
Power Requirements
48V Phantom, 10mA
Max Acoustic Input
145dB SPL
Output
Male XLR-3 balanced (pin 2+)
Output Impedance
100Ω, balanced (50Ω ea. pin 2 & 3)
Min Output Load
600Ω between pins 2 & 3
Noise
22dB SPL equivalent (A weighted)
Dimensions L x D
250mm x x 22mm (9.84 x .860 inches)
Weight
.5 lb (225g)

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Sound Pure Studios Control Room A — Durham, NC

Sound Pure Studios · Durham, NC

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