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Telefunken ELA M 260 Tube SDC Matched Stereo Pair  From TELEFUNKEN

The ELA M 260 stereo pair provides perfect stereo accuracy from two incredible sounding classical and acoustic recording microphones!

TELEFUNKEN Elektroakustik

$2,895.00

Retail:  $3,329.00

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TELEFUNKEN ELEKTROAKUSTIK Multi-Track Session with The Olympic Ass Kicking Team

Terry Anderson and The Olympic Ass Kicking Team (or The OAK Team for short) recorded their new song "Girls with Glasses" during a weekend session with Fletcher at Sound Pure Studios for TELEFUNKEN'S multitrack session mix contest. Girls with Glasses was recorded with all TFunk microphones including: M80, M81, M82 prototype, ELA M 260 with both omni and cardioid capsules, AR-51, AK-47 MkII, AR-70 Stereo mic, U48, and U47. Check out the full version of "Girls with Glasses" by watching our video of the session. The session was was engineered and mixed by Fletcher. If you have any questions about the gear used in this recording, call the engineers at Sound Pure today. Or, if you would like to enter T-Funk's mix contest, visit their website and download the multitrack files to mix the song yourself!

Manufacturer's Description from TELEFUNKEN

The small diaphragm ELA M 260 has become a staple for use in a multitude of recording applications due to its natural presence and high level of detail and clarity, especially in acoustic and classical applications. Keeping this in mind, TELEFUNKEN Elektroakustik is now offering the ELA M 260 Stereo Set.

The matched Stereo Set comes in a custom locking flight case that carries both M801 cables, M761 shock mounts, microphones, wooden boxes, and an American-made dual-channel M960S power supply unit. This newly designed power supply is fully regulated and will power one or both microphones simultaneously, and features a slow-ramping heater voltage to ensure vacuum tube longevity. The ELA M 260 Stereo Set also features two sets of 3 interchangeable capsules: the TK60 cardioid, TK61 omni, and TK62 hypercardioid, so the user can have the flexibility to record their source material in any way they wish. The microphones will also feature the same flint gray finish made popular by the R-F-T AR-51, so you will be able to know in an instant, which microphones are from your Stereo Set, and which are your individual ELA M 260 systems.

The ELA M 260 features an amplifier circuit based around a New Old Stock (NOS) EF-732 / 5840W vacuum tube and a custom output transformer that is wound to exacting specification in the United States. Each of these components is rigorously tested in our laboratory prior to installation, and hand-selected for matched pairs. The capsules have matched frequency responses, the tubes have matched gain and noise specs, and the amplifier circuits have matched gain and frequency response.

Stereo recording techniques include X/Y coincidental pairs with the microphones in cardioid, and A/B spaced pairs with either cardioid or omni-directional patterns. Using these techniques, or others, in conjunction with a pair of ELA M 260's will result in an ideal recording set up for string sections, acoustic guitar, drum overheads, or as room microphones.

The ELA M 260 Stereo Set offers the user the knowledge and comfort that the tools they are using will give identical responses for their most important stereo recording.

TELEFUNKEN Elektroakustik

About Manufacturer

TELEFUNKEN Elektroakustik of South Windsor, CT has been following the tradition of excellence and innovation set forth by the original TELEFUNKEN GmbH of Germany that began over 100 years ago.

TELEFUNKEN Elektroakustik's origins began in 2000 when owner Toni Fishman acquired the rights to the name and diamond logo for use in North America. The company began with the reverse engineering of a single microphone part: the ELA M 251 polar pattern selector. Mr. Fishman purchased an original Telefunken ELA M 251 for use in his recording studio, but when he received it he discovered that the polar pattern switch was no longer functional. Realizing that this was a common issue with the original units, the idea to recreate it was born.

The switch was reverse engineered and brought into production for other 251 owners with the same issue. With one part down, the goals were set high to successfully reverse engineer the entire microphone exactly as it was originally manufactured. The next two years were spent developing each and every part of the microphone right down to every detail. Numerous original documents and drafts from TELEFUNKEN and AKG were acquired, and coupled with thorough reverse engineering the ELA M 251 was brought back to life with meticulous accuracy.

As TELEFUNKEN moves forward, one foot is rooted in the rich history of the brand, and the other in new microphone innovations. TELEFUNKEN has evolved exponentially from a single pattern switch to one of the industry leaders in top quality microphones.