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GET IT NOW !The Millennia TD1 Twin Topology (tube/solid state) DI/Preamp is explored in Part 2 of this 2-part series, as a DI (with alternate impedances), EQ, Tube and Solid State modes (for the mic pre and DI), ...
The Millennia TD1 Twin Topology (tube/solid state) DI/Preamp is explored in Part 2 of this 2-part series, as a DI (with alternate impedances), EQ, Tube and Solid State modes (for the mic pre and DI), Speaker Soak function, and is also used as a straight Microphone preamp (from the world-renowned HV3 series of Millennia mic preamps) in this in depth look of the rich features of this amazing little tonal device. The Millennia TD-1's sound quality, build quality, and overall feature-set make this device a truly world-class studio workhorse piece of equipment. Please don't hesitate to call us with any questions we can answer, or to order yours today. Sound Pure is available toll free 888.528.9703.
The Millennia HV3 is known as a world class microphone preamplifier. The same great circuit design is used in a variety of Millennia preamps including the HV-3d (4 and 8 channell versions), the HV3c, ...
The Millennia HV3 is known as a world class microphone preamplifier. The same great circuit design is used in a variety of Millennia preamps including the HV-3d (4 and 8 channell versions), the HV3c, the HV3r Remote Controllable Mic Preamp with optional A/D conversion card, the Millennia STT1 Origin Channel Strip, and the TD-1 DI and Mic Pre. While Millennia Mic Preamps are definitive in the classical and jazz worlds, it is truly outstanding in all serious recording studio applications, where the sound company out of the microphone is just right, as-is. Visit our blog on the Millennia products, and be sure and check out our numerous other videos on the individual products in the line. Contact us with any questions, or to pick your next great mic preamp up- we can be reached toll free 888-528-9703.
The Millennia TD-1 DI is an extraordinary Preamp, Re-amping device, with EQ, tube or solid state signal paths, and speaker soak technology. In part 1 of this video series we focus on tracking some ele...
The Millennia TD-1 DI is an extraordinary Preamp, Re-amping device, with EQ, tube or solid state signal paths, and speaker soak technology. In part 1 of this video series we focus on tracking some electric guitar signals direct, using the DI into ProTools, and later move the Recording Studios tracking room to record through a variety of electric guitar amps including the Victoria Victorilux, and the Mojave Scorpion. Millennia is known for its clean sounds and accuracy, but here we demonstrate its versatility and tonal flexibility. A truly amazing studio or stage device that will clearly meet the needs of the most demanding studio guitarist, producer, or recording engineer. The flexibility of a world-class re-amping device such as this is endless, and we show just the tip of the iceberg here. Call Sound Pure learn more about it toll free 888.528.9703, and be sure and check out for our other videos on the TD-1.
The Millennia NSEQ2 shares the same sensation EQ as the STT1 Origin Mic Preamp channel strip. In this demonstration we take you through the tube and transformer coloration capabilities, as we engage...
The Millennia NSEQ2 shares the same sensation EQ as the STT1 Origin Mic Preamp channel strip. In this demonstration we take you through the tube and transformer coloration capabilities, as we engage and disengage these on a Jazz Grand Piano recording. We then demonstrate the capability of the EQ in a surgical fashion, by taking out some offending frequencies in a Baritone Sax. Give us a call to discuss either of these powerful products from Millennia media that we rely on in our professional work here at Sound Pure Studios. Call us anytime, anywhere in the world at 919.682.5552.
The Millennia HV-3R Microphone Preamplifier is remotely controlled using the ProTools HD Mic Preamp integrated feature, included standard within Avid Digidesign ProTools. The preamp is demonstrated ac...
The Millennia HV-3R Microphone Preamplifier is remotely controlled using the ProTools HD Mic Preamp integrated feature, included standard within Avid Digidesign ProTools. The preamp is demonstrated acoustically, and in the on-screen ProTools demo. This powerful capability enables the Millennia HV-3r a fabulous neutral and clean sounding preamp, which is able to bring out the subtleties of the instrument, room, and microphone, to be remotely controlled by any protocols workstation. The HV-3R is the same preamp design as the two-channel HV-3C and the four and eight channel HV-3D.
John Buscarino Corey Christiansen Model played into Victoria Amps Model 20112(normal channel, volume 3, tone 7) mic'd with AEA R92 into Millennia TD-1 preamp feeding Apogee Rosetta 800.
John Buscarino Corey Christiansen Model played into Victoria Amps Model 20112(normal channel, volume 3, tone 7) mic'd with AEA R92 into Millennia TD-1 preamp feeding Apogee Rosetta 800. (view less)
Nash S-57 electric guitar (volume noon, base 3pm , treble 2pm, position 4 pickup) played into Bad Cat Mini Cat II mic'd with Peluso 2247 LE(5 feet off, panned 50% right) into Chameleon Labs 7602 MKII preamp & mic'd with AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Sennheiser MD 421 II(close, panned 50% left) into Millennia TD-1 preamp feeding Apogee Rosetta 800.
Nash S-57 electric guitar (volume noon, base 3pm , treble 2pm, position 4 pickup) played into Bad Cat Mini Cat II mic'd with Peluso 2247 LE(5 feet off, panned 50% right) into Chameleon Labs 7602 MKII preamp & mic'd with AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Sennheiser MD 421 II(close, panned 50% left) into Millennia TD-1 preamp feeding Apogee Rosetta 800. (view less)
Nash S-57 electric guitar (volume noon, base 3pm , treble 2pm, position 5 pickup) played into Bad Cat Mini Cat II mic'd with Peluso 2247 LE(5 feet off, panned 50% right) into Chameleon Labs 7602 MKII preamp & mic'd with AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Sennheiser MD 421 II(close, panned 50% left) into Millennia TD-1 preamp feeding Apogee Rosetta 800.
Nash S-57 electric guitar (volume noon, base 3pm , treble 2pm, position 5 pickup) played into Bad Cat Mini Cat II mic'd with Peluso 2247 LE(5 feet off, panned 50% right) into Chameleon Labs 7602 MKII preamp & mic'd with AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Sennheiser MD 421 II(close, panned 50% left) into Millennia TD-1 preamp feeding Apogee Rosetta 800. (view less)
Nash S-57 electric guitar (volume max, base 3pm , treble 2pm, position 1 pickup) played into Bad Cat Mini Cat II mic'd with Peluso 2247 LE(5 feet off, panned 50% right) into Chameleon Labs 7602 MKII preamp & mic'd with AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Sennheiser MD 421 II(close, panned 50% left) into Millennia TD-1 preamp feeding Apogee Rosetta 800.
Nash S-57 electric guitar (volume max, base 3pm , treble 2pm, position 1 pickup) played into Bad Cat Mini Cat II mic'd with Peluso 2247 LE(5 feet off, panned 50% right) into Chameleon Labs 7602 MKII preamp & mic'd with AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Sennheiser MD 421 II(close, panned 50% left) into Millennia TD-1 preamp feeding Apogee Rosetta 800. (view less)
John Buscarino Corey Christiansen Model played into Victoria Amps Model 20112(normal channel, volume 3, tone 7) mic'd with AEA R92 into Millennia TD-1 preamp feeding Apogee Rosetta 800.
John Buscarino Corey Christiansen Model played into Victoria Amps Model 20112(normal channel, volume 3, tone 7) mic'd with AEA R92 into Millennia TD-1 preamp feeding Apogee Rosetta 800. (view less)
MINIMUM GAIN 8.5 dB MAXIMUM GAIN (1.5 dB per step, 36 steps) 60.5 dB (up to 78 dB on rqst) FREQUENCY RESPONSE +0 / -3 dB sub 4 Hz to beyond 300 kHz FREQUENCY RESPONSE, STEREO DEVIATION < .04 dB NOISE @ 60 dB Gain, 10 Hz - 30 kHz, Inputs common -133 dB EIN NOISE @ 60 dB Gain, 10 Hz - 30 kHz, 50 Ohm Source -130 dB EIN NOISE @ 60 dB Gain, 10 Hz - 30 kHz, 150 Ohm Source -128 dB EIN TOTAL HARMONIC DISTORTION + NOISE, 35 dB Gain, 10 Hz - 20 kHz bandwidth, +27 dBu Out < .001%, Typ. < .0005% (< 5 PPM) INTERMODULATION DISTORTION (50 Hz & 7 kHz) 35 dB Gain, +27 dBu Out < .0009% PHASE RESPONSE 35 dB Gain, 50 Hz - 20 kHz bandwdth, +27 dBu Out < 2 degrees deviation PHASE RESPONSE, STEREO DEVIATION 35 dB Gain, 20 Hz - 40 kHz bandwidth, +27 dBu Out < 1/2 degree deviation COMMON MODE REJECTION RATIO 35 dB Gain, 10 Hz - 20 kHz bandwidth, 100 mV C.M. > 65 dB, Typ > 85 dB SLEW RATE 35 dB Gain, +27 dBu Out > 25 Volts per microsecond MAXIMUM INPUT LEVEL 20 Hz - 40 kHz +23 dBu* MAXIMUM OUTPUT LEVEL 20 Hz - 40 kHz +32 dBu INTERCHANNEL CROSSTALK 35 dB Gain, 1 kHz, +27 dBu All Outputs Better than -120 dB (> 20 Bits) PHANTOM INPUT IMPEDANCE @ 20 Hz 6,700 Ohms PHANTOM INPUT IMPEDANCE @ 20 kHz 6,800 Ohms OUTPUT IMPEDANCE 24.3 ohms (x2) B&K (DPA) MIC POWERING +130 VDC, max, direct (non-phantom) powered PHANTOM POWERING +48 VDC, +/- 2 VDC POWER CONSUMPTION, MAXIMUM 45 Watts, Maximum POWER REQUIREMENTS 100 to 240 VAC, 50/60 Hz DIMENSIONS 19" W x 12" D x 3.5" H
The Millennia HV-3D is a four or eight channel, fully matched microphone preamplifier of uncompromising sonic character, technical specification, and mechanical workmanship. The HV-3D offers multiple channels of HV-3B preamplifiers at significantly less per-channel cost.
With circuitry identical to Millennia's acclaimed HV-3B series high voltage microphone preamplifier, the HV-3D offers standard high resolution gain switching (36 steps @ 1.5 dB per step), optional B&K (DPA) 130V mic input option on every channel, DC-coupled input option on every channel for optimizing ribbon and other dynamic mics, a passive summing option, and future options.
Unlike preamps using vacuum tubes, IC function modules, and audio transformers (all of which lend their own audio coloration), Millennia's HV-3 micamp architecture is precisely optimized towards capturing the subtlest detail of music and ambience. With +23 dBu input headroom, the HV-3D requires no input pads or switch points as found on common "textbook" preamp designs - thus avoiding yet another source of sonic degradation. Moreover, with its +32 dBu output headroom, ultra-high dynamic stability and linearity is assured.
2000 TEC Award Nomination
HV-3D signal path from input through output is entirely balanced with a minimum amplifier topology. Uncompromising circuit design with meticulous selection and matching of critical components assures consistently transparent audio performance at all dynamic excursions and frequency extensions. Moreover, standard audio cables over 1000 feet in length have been driven from HV-3 mic preamps with no immediately detectable signal degradation.
Read what others are saying about the HV-3D.
Product Highlights
HIGH SPEED TRANSFORMERLESS DESIGN 23 dB INPUT & 32 dB OUTPUT HEADROOM (No Pads Required) ENTIRELY BALANCED AUDIO PATH OPTIONAL B&K (DPA) +130 VOLT INPUTS ON ALL CHANNELS OPTIONAL DC-COUPLED "RIBBON INPUTS" ON ALL CHANNELS LASER TRIMMED FET-BASED OUTPUT THD+N LESS TYPICALLY THAN 5 PPM (.0005%) MATCHED DISCRETE TRANSISTOR FRONT-END HIGH-RESOLUTION GAIN SWITCHES STANDARD (36 Steps) INTERCHANNEL GAIN MATCHED TO .04 dB FOUR CH. UNIT FACTORY UPGRADABLE TO EIGHT CH. FULLY SHIELDED INTERNAL TOROID POWER SUPPLY UNSURPASSED AMBIENCE RETRIEVAL EFFORTLESS, LIFELIKE MUSICAL PERFORMANCE AT ALL DYNAMIC LEVELS
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