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Millennia HV-3R Digital 8 Channel Mic Preamp, from Millennia

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Millennia HV-3R Digital 8 Channel Mic Preamp
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Millennia HV-3R Digital 8 Channel Mic Preamp

Remote Controled 8 Channel Microphone Preamp

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Usually ships 6-10 business days after order

5 Similar Version(s) In Stock to choose from

Retail Price (MSRP): $5,559.00

$5,002.99

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ProTools Mic Pre - Millennia HV-3R Remote Control Video Demo

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The Millennia HV-3R Microphone Preamplifier is remotely controlled using the ProTools HD Mic Preamp integrated feature, included standard within Avid Digidesign ProTools. The preamp is demonstrated ac...

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The Millennia HV-3R Microphone Preamplifier is remotely controlled using the ProTools HD Mic Preamp integrated feature, included standard within Avid Digidesign ProTools. The preamp is demonstrated acoustically, and in the on-screen ProTools demo. This powerful capability enables the Millennia HV-3r a fabulous neutral and clean sounding preamp, which is able to bring out the subtleties of the instrument, room, and microphone, to be remotely controlled by any protocols workstation. The HV-3R is the same preamp design as the two-channel HV-3C and the four and eight channel HV-3D.

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The Millennia HV3 is known as a world class microphone preamplifier. The same great circuit design is used in a variety of Millennia preamps including the HV-3d (4 and 8 channell versions), the HV3c, ...

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The Millennia HV3 is known as a world class microphone preamplifier. The same great circuit design is used in a variety of Millennia preamps including the HV-3d (4 and 8 channell versions), the HV3c, the HV3r Remote Controllable Mic Preamp with optional A/D conversion card, the Millennia STT1 Origin Channel Strip, and the TD-1 DI and Mic Pre. While Millennia Mic Preamps are definitive in the classical and jazz worlds, it is truly outstanding in all serious recording studio applications, where the sound company out of the microphone is just right, as-is. Visit our blog on the Millennia products, and be sure and check out our numerous other videos on the individual products in the line. Contact us with any questions, or to pick your next great mic preamp up- we can be reached toll free 888-528-9703.

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The Millennia TD-1 DI is an extraordinary Preamp, Re-amping device, with EQ, tube or solid state signal paths, and speaker soak technology. In part 1 of this video series we focus on tracking some ele...

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The Millennia TD-1 DI is an extraordinary Preamp, Re-amping device, with EQ, tube or solid state signal paths, and speaker soak technology. In part 1 of this video series we focus on tracking some electric guitar signals direct, using the DI into ProTools, and later move the Recording Studios tracking room to record through a variety of electric guitar amps including the Victoria Victorilux, and the Mojave Scorpion. Millennia is known for its clean sounds and accuracy, but here we demonstrate its versatility and tonal flexibility. A truly amazing studio or stage device that will clearly meet the needs of the most demanding studio guitarist, producer, or recording engineer. The flexibility of a world-class re-amping device such as this is endless, and we show just the tip of the iceberg here. Call Sound Pure learn more about it toll free 888.528.9703, and be sure and check out for our other videos on the TD-1.

Millennia NSEQ-2 STT-1 EQ Demo Video - Part 1

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The Millennia NSEQ2 shares the same sensation EQ as the STT1 Origin Mic Preamp channel strip. In this demonstration we take you through the tube and transformer coloration capabilities, as we engage...

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The Millennia NSEQ2 shares the same sensation EQ as the STT1 Origin Mic Preamp channel strip. In this demonstration we take you through the tube and transformer coloration capabilities, as we engage and disengage these on a Jazz Grand Piano recording. We then demonstrate the capability of the EQ in a surgical fashion, by taking out some offending frequencies in a Baritone Sax. Give us a call to discuss either of these powerful products from Millennia media that we rely on in our professional work here at Sound Pure Studios. Call us anytime, anywhere in the world at 919.682.5552.

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The Millennia TD1 Twin Topology (tube/solid state) DI/Preamp is explored in Part 2 of this 2-part series, as a DI (with alternate impedances), EQ, Tube and Solid State modes (for the mic pre and DI), ...

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The Millennia TD1 Twin Topology (tube/solid state) DI/Preamp is explored in Part 2 of this 2-part series, as a DI (with alternate impedances), EQ, Tube and Solid State modes (for the mic pre and DI), Speaker Soak function, and is also used as a straight Microphone preamp (from the world-renowned HV3 series of Millennia mic preamps) in this in depth look of the rich features of this amazing little tonal device. The Millennia TD-1's sound quality, build quality, and overall feature-set make this device a truly world-class studio workhorse piece of equipment. Please don't hesitate to call us with any questions we can answer, or to order yours today. Sound Pure is available toll free 888.528.9703.

gotta love jazz electric guitar

(click to download)

Description:

John Buscarino Corey Christiansen Model played into Victoria Amps Model 20112(normal channel, volume 3, tone 7) mic'd with AEA R92 into Millennia TD-1 preamp feeding Apogee Rosetta 800.

John Buscarino Corey Christiansen Model played into Victoria Amps Model 20112(normal channel, volume 3, tone 7) mic'd with AEA R92 into Millennia TD-1 preamp feeding Apogee Rosetta 800. (view less)

spectrum bright electric guitar position 4 pickup

(click to download)

Description:

Nash S-57 electric guitar (volume noon, base 3pm , treble 2pm, position 4 pickup) played into Bad Cat Mini Cat II mic'd with Peluso 2247 LE(5 feet off, panned 50% right) into Chameleon Labs 7602 MKII preamp & mic'd with AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Sennheiser MD 421 II(close, panned 50% left) into Millennia TD-1 preamp feeding Apogee Rosetta 800.

Nash S-57 electric guitar (volume noon, base 3pm , treble 2pm, position 4 pickup) played into Bad Cat Mini Cat II mic'd with Peluso 2247 LE(5 feet off, panned 50% right) into Chameleon Labs 7602 MKII preamp & mic'd with AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Sennheiser MD 421 II(close, panned 50% left) into Millennia TD-1 preamp feeding Apogee Rosetta 800. (view less)

groovy electric guitar position 5 pickup

(click to download)

Description:

Nash S-57 electric guitar (volume noon, base 3pm , treble 2pm, position 5 pickup) played into Bad Cat Mini Cat II mic'd with Peluso 2247 LE(5 feet off, panned 50% right) into Chameleon Labs 7602 MKII preamp & mic'd with AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Sennheiser MD 421 II(close, panned 50% left) into Millennia TD-1 preamp feeding Apogee Rosetta 800.

Nash S-57 electric guitar (volume noon, base 3pm , treble 2pm, position 5 pickup) played into Bad Cat Mini Cat II mic'd with Peluso 2247 LE(5 feet off, panned 50% right) into Chameleon Labs 7602 MKII preamp & mic'd with AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Sennheiser MD 421 II(close, panned 50% left) into Millennia TD-1 preamp feeding Apogee Rosetta 800. (view less)

stimulating electric guitar position 1 pickup

(click to download)

Description:

Nash S-57 electric guitar (volume max, base 3pm , treble 2pm, position 1 pickup) played into Bad Cat Mini Cat II mic'd with Peluso 2247 LE(5 feet off, panned 50% right) into Chameleon Labs 7602 MKII preamp & mic'd with AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Sennheiser MD 421 II(close, panned 50% left) into Millennia TD-1 preamp feeding Apogee Rosetta 800.

Nash S-57 electric guitar (volume max, base 3pm , treble 2pm, position 1 pickup) played into Bad Cat Mini Cat II mic'd with Peluso 2247 LE(5 feet off, panned 50% right) into Chameleon Labs 7602 MKII preamp & mic'd with AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Sennheiser MD 421 II(close, panned 50% left) into Millennia TD-1 preamp feeding Apogee Rosetta 800. (view less)

pick up jazz electric guitar

(click to download)

Description:

John Buscarino Corey Christiansen Model played into Victoria Amps Model 20112(normal channel, volume 3, tone 7) mic'd with AEA R92 into Millennia TD-1 preamp feeding Apogee Rosetta 800.

John Buscarino Corey Christiansen Model played into Victoria Amps Model 20112(normal channel, volume 3, tone 7) mic'd with AEA R92 into Millennia TD-1 preamp feeding Apogee Rosetta 800. (view less)

Specs:

Minimum Gain 8.5 dB
Maximum Gain  

(1 dB per step, 65 steps)

(1 dB per step, 65 steps)
Frequency Response  

+0 / -3 dB

sub 3 Hz to beyond 300 kHz
Noise  

60 dB Gain, 10 Hz - 30 kHz, Inputs common

-133 dB EIN
Total Harmonic Distortion + Noise  

35 dB Gain, 10 Hz - 20 kHz bandwidth, +27 dBu Out

< .001%, Typ. < .0005% (< 5 ppm)
Intermodulation Distortion  

(50 Hz & 7 kHz) 35 dB Gain, +27 dBu Out

< .0009%
Phase Response  

35 dB Gain, 50 Hz - 20 kHz bandwidth, +27 dBu Out

< 2 degrees deviation
Common Mode Rejection Ratio  

35 dB Gain, 10 Hz - 20 kHz bandwidth, 100 mV C.M.

> 65 dB, Typ > 85 dB
Slew Rate  

35 dB Gain, +27 dBu Out

> 25 Volts per microsecond
Maximum Input Level  

20 Hz - 40 kHz

+23 dBu (no attenuator pads required)
Maximum Output Level  

20 Hz - 40 kHz

+32 dBu
Phantom Input Impedance  

1 kHz

6,750 ohms
Output Impedance 24.3 Ohms (x2)
DPA (B&K) Mic Powering +130 V dc max, (non-phantom)
Phantom Powering +48 V dc, +/- 2 V dc
Power Consumption 45 watts maximum
Power Requirements Selectable: 100-120, 200-240 V ac, 50/60 Hz
Dimensions/Shipping Weight 19” W x 3.5” H x 16” D, xx lbs.
 

Description:



-Control up to 792 channels (99 units) at once via Ethernet: TCP/IP addressing allows control via the Internet
-Plug ?n play Pro Tools interface via MIDI
-AE-logic Windows/OS X software offers total control
-Hi-definition meters, unlimited groups, scene management, voltage/temperature monitoring...
-Gain control via ultra-quiet gold contact relays
-Transformerless design with matched hi-speed discrete transistor octet has 23 dB input headroom: no "pads" needed
-Entirely balanced audio path with precision components maintains signal integrity: THD under 5 PPM (.0005%)
-Effortless, vividly realistic musical performance
-Laser-trimmed FET-based output stage has 32 dB headroom: drives 1000 foot (300m) cable runs with ease
-Gain controls (1 dB per step) are stereo-matched to .08 dB
-Ultra-clean toroid power supply
-Mogami Neglex OFC audio wiring, silver Teflon power wiring
-Aluminum 16 gauge rack chassis

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Millennia Media AD-D96/AD-R96 A/D converter TEC Award

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