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GET IT NOW !The Millennia TD-1 DI is an extraordinary Preamp, Re-amping device, with EQ, tube or solid state signal paths, and speaker soak technology. In part 1 of this video series we focus on tracking some ele...
The Millennia TD-1 DI is an extraordinary Preamp, Re-amping device, with EQ, tube or solid state signal paths, and speaker soak technology. In part 1 of this video series we focus on tracking some electric guitar signals direct, using the DI into ProTools, and later move the Recording Studios tracking room to record through a variety of electric guitar amps including the Victoria Victorilux, and the Mojave Scorpion. Millennia is known for its clean sounds and accuracy, but here we demonstrate its versatility and tonal flexibility. A truly amazing studio or stage device that will clearly meet the needs of the most demanding studio guitarist, producer, or recording engineer. The flexibility of a world-class re-amping device such as this is endless, and we show just the tip of the iceberg here. Call Sound Pure learn more about it toll free 888.528.9703, and be sure and check out for our other videos on the TD-1.
The Millennia TD1 Twin Topology (tube/solid state) DI/Preamp is explored in Part 2 of this 2-part series, as a DI (with alternate impedances), EQ, Tube and Solid State modes (for the mic pre and DI), ...
The Millennia TD1 Twin Topology (tube/solid state) DI/Preamp is explored in Part 2 of this 2-part series, as a DI (with alternate impedances), EQ, Tube and Solid State modes (for the mic pre and DI), Speaker Soak function, and is also used as a straight Microphone preamp (from the world-renowned HV3 series of Millennia mic preamps) in this in depth look of the rich features of this amazing little tonal device. The Millennia TD-1's sound quality, build quality, and overall feature-set make this device a truly world-class studio workhorse piece of equipment. Please don't hesitate to call us with any questions we can answer, or to order yours today. Sound Pure is available toll free 888.528.9703.
The Millennia HV3 is known as a world class microphone preamplifier. The same great circuit design is used in a variety of Millennia preamps including the HV-3d (4 and 8 channell versions), the HV3c, ...
The Millennia HV3 is known as a world class microphone preamplifier. The same great circuit design is used in a variety of Millennia preamps including the HV-3d (4 and 8 channell versions), the HV3c, the HV3r Remote Controllable Mic Preamp with optional A/D conversion card, the Millennia STT1 Origin Channel Strip, and the TD-1 DI and Mic Pre. While Millennia Mic Preamps are definitive in the classical and jazz worlds, it is truly outstanding in all serious recording studio applications, where the sound company out of the microphone is just right, as-is. Visit our blog on the Millennia products, and be sure and check out our numerous other videos on the individual products in the line. Contact us with any questions, or to pick your next great mic preamp up- we can be reached toll free 888-528-9703.
The Millennia NSEQ2 shares the same sensation EQ as the STT1 Origin Mic Preamp channel strip. In this demonstration we take you through the tube and transformer coloration capabilities, as we engage...
The Millennia NSEQ2 shares the same sensation EQ as the STT1 Origin Mic Preamp channel strip. In this demonstration we take you through the tube and transformer coloration capabilities, as we engage and disengage these on a Jazz Grand Piano recording. We then demonstrate the capability of the EQ in a surgical fashion, by taking out some offending frequencies in a Baritone Sax. Give us a call to discuss either of these powerful products from Millennia media that we rely on in our professional work here at Sound Pure Studios. Call us anytime, anywhere in the world at 919.682.5552.
The Millennia HV-3R Microphone Preamplifier is remotely controlled using the ProTools HD Mic Preamp integrated feature, included standard within Avid Digidesign ProTools. The preamp is demonstrated ac...
The Millennia HV-3R Microphone Preamplifier is remotely controlled using the ProTools HD Mic Preamp integrated feature, included standard within Avid Digidesign ProTools. The preamp is demonstrated acoustically, and in the on-screen ProTools demo. This powerful capability enables the Millennia HV-3r a fabulous neutral and clean sounding preamp, which is able to bring out the subtleties of the instrument, room, and microphone, to be remotely controlled by any protocols workstation. The HV-3R is the same preamp design as the two-channel HV-3C and the four and eight channel HV-3D.
John Buscarino Corey Christiansen Model played into Victoria Amps Model 20112(normal channel, volume 3, tone 7) mic'd with AEA R92 into Millennia TD-1 preamp feeding Apogee Rosetta 800.
John Buscarino Corey Christiansen Model played into Victoria Amps Model 20112(normal channel, volume 3, tone 7) mic'd with AEA R92 into Millennia TD-1 preamp feeding Apogee Rosetta 800. (view less)
Nash S-57 electric guitar (volume noon, base 3pm , treble 2pm, position 4 pickup) played into Bad Cat Mini Cat II mic'd with Peluso 2247 LE(5 feet off, panned 50% right) into Chameleon Labs 7602 MKII preamp & mic'd with AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Sennheiser MD 421 II(close, panned 50% left) into Millennia TD-1 preamp feeding Apogee Rosetta 800.
Nash S-57 electric guitar (volume noon, base 3pm , treble 2pm, position 4 pickup) played into Bad Cat Mini Cat II mic'd with Peluso 2247 LE(5 feet off, panned 50% right) into Chameleon Labs 7602 MKII preamp & mic'd with AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Sennheiser MD 421 II(close, panned 50% left) into Millennia TD-1 preamp feeding Apogee Rosetta 800. (view less)
Nash S-57 electric guitar (volume noon, base 3pm , treble 2pm, position 5 pickup) played into Bad Cat Mini Cat II mic'd with Peluso 2247 LE(5 feet off, panned 50% right) into Chameleon Labs 7602 MKII preamp & mic'd with AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Sennheiser MD 421 II(close, panned 50% left) into Millennia TD-1 preamp feeding Apogee Rosetta 800.
Nash S-57 electric guitar (volume noon, base 3pm , treble 2pm, position 5 pickup) played into Bad Cat Mini Cat II mic'd with Peluso 2247 LE(5 feet off, panned 50% right) into Chameleon Labs 7602 MKII preamp & mic'd with AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Sennheiser MD 421 II(close, panned 50% left) into Millennia TD-1 preamp feeding Apogee Rosetta 800. (view less)
Nash S-57 electric guitar (volume max, base 3pm , treble 2pm, position 1 pickup) played into Bad Cat Mini Cat II mic'd with Peluso 2247 LE(5 feet off, panned 50% right) into Chameleon Labs 7602 MKII preamp & mic'd with AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Sennheiser MD 421 II(close, panned 50% left) into Millennia TD-1 preamp feeding Apogee Rosetta 800.
Nash S-57 electric guitar (volume max, base 3pm , treble 2pm, position 1 pickup) played into Bad Cat Mini Cat II mic'd with Peluso 2247 LE(5 feet off, panned 50% right) into Chameleon Labs 7602 MKII preamp & mic'd with AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Sennheiser MD 421 II(close, panned 50% left) into Millennia TD-1 preamp feeding Apogee Rosetta 800. (view less)
John Buscarino Corey Christiansen Model played into Victoria Amps Model 20112(normal channel, volume 3, tone 7) mic'd with AEA R92 into Millennia TD-1 preamp feeding Apogee Rosetta 800.
John Buscarino Corey Christiansen Model played into Victoria Amps Model 20112(normal channel, volume 3, tone 7) mic'd with AEA R92 into Millennia TD-1 preamp feeding Apogee Rosetta 800. (view less)
MINIMUM GAIN 8.5 dB MAXIMUM GAIN 65 dB (*up to 85 dB on rqst) FREQUENCY RESPONSE (Active) +0 / -3 dB sub 3 Hz to beyond 300 kHz (varies with topology) FREQUENCY RESPONSE, DIT-01 TRANSFORMER sub 3 Hz to beyond 300 kHz (+/- 3 dB) NOISE @ 60 dB Gain, Mic Input -129 dB EIN, common inputs NOISE @ 10 dB Gain, Line Input -105 dBu NOISE @ 10 dB Gain, DI Input -90 dBu (s/s) TOTAL HARMONIC DISTORTION + NOISE, 35 dB Gain, 10 Hz - 20 kHz bandwidth, +27 dBu Out < .001%, Typ. < .0005% (< 5 PPM) INTERMODULATION DISTORTION (50 Hz & 7 kHz) 35 dB Gain, +27 dBu Out < .0009% Typ. PHASE RESPONSE 35 dB Gain, 50 Hz - 20 kHz bandwdth, +27 dBu Out < Less than 5 degrees deviation COMMON MODE REJECTION RATIO 35 dB Gain, 10 Hz - 20 kHz bandwidth, 100 mV C.M. > 60 dB, Typ. > 80 dB SLEW RATE DI INPUT, 35 dB Gain, +27 dBu Out Minimum 40 Volts per microsecond MAXIMUM INPUT LEVEL, MIC +23 dBu unpadded MAXIMUM INPUT LEVEL, LINE +23 dBu unpadded (+43 dBu with pad = 110 Volts RMS or 300 Volts Peak to Peak) MAXIMUM INPUT LEVEL, TUBE DI +18 dBu unpadded (+25 dBu with pad = 14 Volts RMS or 39 Volts Peak to Peak) MAXIMUM INPUT LEVEL, FET DI +18 dBu unpadded (+26 dBu with pad = 15.5 Volts RMS or 44 Volts Peak to Peak) MAXIMUM OUTPUT LEVEL, ACTIVE BALANCED +32 dBu MAXIMUM OUTPUT LEVEL, ACTIVE UNBALANCED +26 dBu MAXIMUM OUTPUT LEVEL, DIT-01 TRANSFORMER Nominal Mic Level PHANTOM INPUT IMPEDANCE @ 20 Hz 6,700 Ohms PHANTOM INPUT IMPEDANCE @ 20 kHz 6,800 Ohms LINE INPUT IMPEDANCE, NOMINAL 6,900 Ohms DI INPUT IMPEDANCE, NOMINAL Switch Selectable @ 470K, 2M, and 10M OUTPUT IMPEDANCE, ACTIVE BALANCED 24.3 ohms (x2) OUTPUT IMPEDANCE, ACTIVE UNBALANCED 49.9 ohms OUTPUT IMPEDANCE, DIT-01 TRANSFORMER 150 ohms PHANTOM POWERING +48 VDC, +/- 2 VDC EQUALIZER MAXIMUM BOOST & CUT +/- 15 dB (21 Step Detent) EQUALIZER "Q" ADJUSTMENT RANGE Q = 0.4 to 4.0, sweepable EQUALIZER LF SWEEP FREQUENCIES 20 Hz to 220 Hz ~or~ 200 Hz to 2.2 kHz (Switch Selectable) EQUALIZER HF SWEEP FREQUENCIES 250 Hz to 2.5 kHz ~or~ 2.5 kHz to 25 kHz (Switch Selectable) BYPASS SELECTION SWITCH FOR EACH E.Q. BAND? YES PARAMETRIC E.Q. IN / OUT SWITCH? YES POWER REQUIREMENTS 100 to 240 VAC, User Selectable (50-60 Hz), 40W nominal DIMENSIONS 8.5" W x 13" D x 3.5" H (21.6 cm W x 33 cm D x 8.9 cm H) WEIGHT 15 Pounds (6.8 kg)
Introducing the TD-1 TWIN DIRECT Recording Channel. TWIN DIRECT is a compact yet sophisticated analog "channel strip" for microphones, electric guitars and basses, acoustic instrument transducers, keyboards, DAWs, and all MIDI systems. TWIN DIRECT includes Millennia's acclaimed HV-3 microphone preamplifier, making TD-1 an uncompromised front-end for virtually any audio recording application. Some have called TD-1 a Mini-Origin (view comparison). Audio engineers no longer need to chose between tube front-end or solid state front-end. TWIN DIRECT's instrument input employs Twin Topology? ~ Millennia's innovative merging of vacuum tube and solid state circuit topologies. TWIN DIRECT offers a high voltage 100% vacuum tube instrument amplifier -or- transparent 100% discrete F.E.T. solid state instrument amplifier in the same indestructable military-grade chassis. Both topologies can be switch selected and musically tuned via three selectable input impedances (470K / 2M / 10M). Up to 65 dB of adjustable microphone and instrument gain is available via front-panel control. View TD-1 "TWIN DIRECT" Block Diagram (200 kB) A simultaneous pair of patented REAMP? outputs allow TD-1 to emulate both Les Paul and Strat pickups (Les Paul himself plays through a Millennia Origin). REAMP causes the guitar amplifier to think it's connected to a high impedance passive guitar pickup, instead of a very low impedance (and much too clean) active tape recorder or digital workstation output. Millennia's uncompromised DIT-01 mic-level DI output transformer (Frequency Response -3 dB @ 3 Hz & 300 kHz) is also included. 2003 Blue Ribbon Award TD-1 Twin Direct Recording directly from any guitar amplifier is now possible with Millennia's Speaker Soak[TM] technology. Simply connect any speaker output and start recording the authentic character of your guitar amplifier output under true dynamic speaker loading. An audiophile-grade headphone output with separate level control is also provided for pre-auditioning. A fully sweepable NSEQ-style parametric equalizer (20 Hz - 25 kHz) provides an unlimited range of adjustable tonality. NSEQ is the same equalizer used by top mastering facilities around the globe. Ultra-transparent NSEQ bands are provided for high-resolution audio sculpting of instruments such as guitars, bass, and keyboards, or artistic and corrective work ~ adding "air" and "punch," removing "mud," and so forth ~ all with the smooth and artifact-free audio qualities that NSEQ is well known for. TD-1 Product Highlights HV-3 DISCRETE HYBRID MICROPHONE & INSTRUMENT PREAMPLIFIER (+65 dB Gain) HIGH VOLTAGE 100% VACUUM TUBE INSTRUMENT INPUT + VARIABLE IMPEDANCE (470K to 10M) 100% DISCRETE SOLID-STATE INSTRUMENT INPUT + VARIABLE IMPEDANCE (470K to 10M) CLASS-A, 100% DISCRETE, DC-COUPLED LINE OUTPUT AMPLIFIER STAGE (-105 dB NOISE) NSEQ-STYLE FULLY PARAMETRIC DUAL BAND EQUALIZER (FULL SWEEP 20 Hz - 25 kHz) MILLENNIA DIT-01 DI OUTPUT TRANSFORMER (-3 dB @ 3 Hz & 300 kHz) PATENTED REAMP? LES PAUL? & STRATOCASTER? GUITAR SIMULATION OUTPUTS (2) SPEAKER SOAK[TM] DIRECT GUITAR AMPLIFIER INPUT TECHNOLOGY INTERNAL 50V & 200V HIGH VOLTAGE AUDIO PATH RAILS (LESS THAN .0005% THD) AUDIOPHILE-GRADE 1/4" HEADPHONE OUTPUT WITH INDIVIDUAL LEVEL CONTROL INPUT / OUTPUT / POWER GROUND-LIFT SWITCHES ~ TOTAL HUM ELIMINATION INDESTRUCTABLE STEEL CHASSIS WITH (removable) LEATHER CARRYING HANDLE EFFORTLESS, LIFELIKE MUSICAL PERFORMANCE AT ALL DYNAMIC LEVELS (+32 dB OUTPUT) OVERSIZE RUBBER FEET (removable) ~ TAKES BIG ABUSE ON STAGE & STUDIO FLOOR BUILT-IN COUPLING HARDWARE FOR TD-1 STEREO PAIR IN 19" RACK WORLDWIDE INTERNAL TOROID POWER, SWITCHABLE 100 / 120 / 220 / 240 VAC GOLD CONNECTORS, GOLD TUBE SOCKETS, 100,000,000 CYCLE GOLD RELAYS SILVER / TEFLON POWER WIRING, NEGLEX OXYGEN-FREE AUDIO WIRING COMPONENTRY SOURCED FROM THE WORLD'S FINEST MANUFACTURERS GLOVE FITTED, PADDED CORDURA NYLON LOGO GIG BAG AVAILABLE CONSTRUCTED FOR VINTAGE LONGEVITY, COSMETICALLY APPEALING Use as much or as little signal processing as you desire. TWIN DIRECT's main signal path employs 100% discrete circuitry from input to output for critical sonic transparency and wide dynamic range. Switch in any number of additional processing features for enhanced utility and innovative functionality. Useful features such as polarity reversal (on all inputs), relay controlled -20 dB auto-balanced PAD (on all inputs), three ground lift switches + isolations (power / input / output), logic-controlled switch mutes, and worldwide internal toroidal power supply (user selectable 100V - 240V) provide enhanced versatility. The TD-1 TWIN DIRECT has four available audio inputs: Line Input (XLR) HV-3 Mic Preamp Input (XLR) DI Instrument Input (1/4") Power Amplifier / Speaker Soak[TM] Input (1/4") All inputs are followed by the NSEQ parametric equalizer. Numerous routing, output, and grounding options round out the TD-1, including nine simultaneous audio outputs and distribution points: REAMP Stratocaster Guitar Simulation (1/4" phone) REAMP Les Paul Guitar Simulation (1/4" phone) Balanced Line Level Output (XLR) Unbalanced Line Level Output (XLR) Balanced Mic Level Output (XLR transformer-coupled) Balanced Line Level Output (1/4" phone) Unbalanced Line Level Output (1/4" phone) Headphone Output (1/4" phone with gain control) Direct "pass-through" Output (1/4" phone) TWIN DIRECT remains absolutely faithful to Millennia's reputation for sonic accuracy and broad audio functionality ~ the consummate solution to virtually any front-end stage, broadcast, or recording studio application.
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