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Heil PR-40 Microphone, from Heil

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Heil PR-40 Microphone
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Heil PR-40 Microphone

Broadcast Dynamic Microphone

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volume cleanup electric guitar bridge pickup

(click to download)

Description:

Tyler Ultimate Weapon electric guitar(bridge pickup) played into Bad Cat Lynx Head(channel 1, volume knob cleanup, gain 3pmm edge 3pm, tone 9am, ,mid 12pm, treble 12pm, mid boost open, presence 12pm, bass 12pm) into Bad Cat 4x12 Cabinet mic'd with Peluso 2247 LE(6 feet off, panned 30% right) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Heil PR-40(close, pa... (view more)

Tyler Ultimate Weapon electric guitar(bridge pickup) played into Bad Cat Lynx Head(channel 1, volume knob cleanup, gain 3pmm edge 3pm, tone 9am, ,mid 12pm, treble 12pm, mid boost open, presence 12pm, bass 12pm) into Bad Cat 4x12 Cabinet mic'd with Peluso 2247 LE(6 feet off, panned 30% right) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Heil PR-40(close, panned 30% left) into Millennia TD-1 feeding Apogee Rosetta 800. (view less)

walking up & down electric guitar neck pickup

(click to download)

Description:

Tyler Ultimate Weapon electric guitar(neck pickup) played into Bad Cat Lynx Head(channel 1, volume 9am, gain 11am edge 3pm, tone 9am, ,mid 12pm, treble 12pm, mid boost open, presence 12pm, bass 2pm) into Bad Cat 4x12 Cabinet mic'd with Peluso 2247 LE(6 feet off, panned 30% right) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Heil PR-40(close, panned 30% lef... (view more)

Tyler Ultimate Weapon electric guitar(neck pickup) played into Bad Cat Lynx Head(channel 1, volume 9am, gain 11am edge 3pm, tone 9am, ,mid 12pm, treble 12pm, mid boost open, presence 12pm, bass 2pm) into Bad Cat 4x12 Cabinet mic'd with Peluso 2247 LE(6 feet off, panned 30% right) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Heil PR-40(close, panned 30% left) into Millennia TD-1 feeding Apogee Rosetta 800. (view less)

walking loud electric guitar bridge pickup

(click to download)

Description:

Tyler Ultimate Weapon electric guitar(neck pickup) played into Bad Cat Lynx Head(channel 1, volume pm, gain 11am edge 3pm, tone 9am, ,mid 12pm, treble 12pm, mid boost open, presence 12pm, bass 2pm) into Bad Cat 4x12 Cabinet mic'd with Peluso 2247 LE(6 feet off, panned 30% right) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Heil PR-40(close, panned 30% left... (view more)

Tyler Ultimate Weapon electric guitar(neck pickup) played into Bad Cat Lynx Head(channel 1, volume pm, gain 11am edge 3pm, tone 9am, ,mid 12pm, treble 12pm, mid boost open, presence 12pm, bass 2pm) into Bad Cat 4x12 Cabinet mic'd with Peluso 2247 LE(6 feet off, panned 30% right) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Heil PR-40(close, panned 30% left) into Millennia TD-1 feeding Apogee Rosetta 800. (view less)

speed demon electric guitar bridge pickup

(click to download)

Description:

Tyler Ultimate Weapon electric guitar(bridge pickup) played into Bad Cat Lynx Head(channel 1, volume open, gain 3pmm edge 3pm, tone 9am, ,mid 12pm, treble 12pm, mid boost open, presence 12pm, bass 12pm) into Bad Cat 4x12 Cabinet mic'd with Peluso 2247 LE(6 feet off, panned 30% right) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Heil PR-40(close, panned 30%... (view more)

Tyler Ultimate Weapon electric guitar(bridge pickup) played into Bad Cat Lynx Head(channel 1, volume open, gain 3pmm edge 3pm, tone 9am, ,mid 12pm, treble 12pm, mid boost open, presence 12pm, bass 12pm) into Bad Cat 4x12 Cabinet mic'd with Peluso 2247 LE(6 feet off, panned 30% right) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Heil PR-40(close, panned 30% left) into Millennia TD-1 feeding Apogee Rosetta 800. (view less)

scream demon electric guitar bridge pickup

(click to download)

Description:

Tyler Ultimate Weapon electric guitar(bridge pickup) played into Bad Cat Lynx Head(channel 1, volume knob cleanup, gain 3pmm edge 3pm, tone 9am, ,mid 12pm, treble 3pm, mid boost open, presence 3pm, bass 12pm) into Bad Cat 4x12 Cabinet mic'd with Peluso 2247 LE(6 feet off, panned 30% right) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Heil PR-40(close, pann... (view more)

Tyler Ultimate Weapon electric guitar(bridge pickup) played into Bad Cat Lynx Head(channel 1, volume knob cleanup, gain 3pmm edge 3pm, tone 9am, ,mid 12pm, treble 3pm, mid boost open, presence 3pm, bass 12pm) into Bad Cat 4x12 Cabinet mic'd with Peluso 2247 LE(6 feet off, panned 30% right) into Chameleon Labs 7602 MKII Preamp & AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Heil PR-40(close, panned 30% left) into Millennia TD-1 feeding Apogee Rosetta 800. (view less)

Description:

The Heil PR 40 represents completely new dynamic microphone technology designed for a wide range of professional applications such as sophisticated recording, live sound, and commercial broadcast. Producing the widest frequency range available in a dynamic microphone, the PR 40 outperforms most condenser microphones, and can withstand huge amounts of SPL. At the same time, it maintains the 25 year Heil Sound tradition of superbly natural voice articulation.

Since 1982, Heil Sound has been the leading manufacturer of communications microphones and has a paramount understanding of phasing. When properly applied, this knowledge creates outstanding cardioid patterns with unbelievable rear rejection that removes unwanted sounds that try to enter from the off axis rear. The pattern control of the Heil PR 40 is outstanding. This exceptional performance is achieved by using the ideal combination of materials for the large low mass diaphragm and a special mixture of neodymium, iron, and boron that gives the PR 40 the strongest magnet structure available. These features allow the microphone to achieve magnificent dynamic range. A unique screen system using two different diameter mesh screens and an internal breath blast filter allow the user to talk closely to the microphone with little worry of pops or excessive sibilance. The large diameter dynamic element is mounted in a unique shock mount atop a non-resonant fixture, decoupling the element from the massive steel body. This body and the internal hum bucking coil removes any worry of using the PR 40 near monitor screens or noisy lighting fixtures and controls. The new technology of the Heil PR 40 has redefined the dynamic microphone with superior wide frequency response, the lowest presence of noise in the industry, flawless design, and elite quality expected by an innovator and leader in the field. Welcome to the new standard.

The PR 40 is supplied with a leatherette carrying bag.

Specs:

See Product Sheet for detailed specifications
  • Absolute most natural voice response for talk show hosts, voice over applications
  • Large low-mass aluminum voice coil
  • Properly positioned hum bucking coil and heavy steel case insure maximum shielding
  • Four rear ports exhibit excellent rear rejection and minimum proximity effect
  • Widest frequency response
  • Best kick drum microphone ever
  • Assembled and tested in Illinois
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Three of our GCS-1 archtop guitars, made by Comins, are sampled in this video by a jazz trio. Recorded here at Soundpure Studios, Jared Wofford plays Vintage Blonde, Bigsby Autumn, and Tangerine Burst...

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Three of our GCS-1 archtop guitars, made by Comins, are sampled in this video by a jazz trio. Recorded here at Soundpure Studios, Jared Wofford plays Vintage Blonde, Bigsby Autumn, and Tangerine Burst variations of the versatile archtop crafted by Bill Comins. Listen and watch to see the smooth, clean jazz tone these guitars are able to produce - and this is just a sample of their capabilities and versatility. Weighing in at a very reasonable price, the GCS-1 remains one of the best deals in guitarland. Talk to our guitar experts for more information regarding the Comins GCS-1 or other archtop guitars from our wide selection. Call Sound Pure today at 888.528.9703. or 919.682.5552. Signal Paths:  Comins GCS-1 Blonde/Autumn Burst - Victoria Amps Golden Melody - Mojave MA-201 FET microphone - Chandler TG2 mic pre - Lynx Aurora Comins GCS-1ES Tangerine Burst - Victoria Amps Victoriette - Royer 122v ribbon mic and Heil PR40 mic blended - LaChapell 992 mic pre - Vertigo VS2 Compressor - Lynx Aurora

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The Royer 101 Ribbon Microphone is a great, affordable ribbon mic for live as well as studio applications. Jason Richmond, SoundPure Studios Head Engineer, demonstrates how to how he records electric ...

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The Royer 101 Ribbon Microphone is a great, affordable ribbon mic for live as well as studio applications. Jason Richmond, SoundPure Studios Head Engineer, demonstrates how to how he records electric guitars using a ribbon mic like the Royer R-101 or the Royer 121 with a dynamic mic like the Heil PR40 or a standard Shure SM57. This technique works wonderfully for a variety of playing styles - rock, jazz, clean, distorted, you name it. Jason also discusses the benefits and drawbacks from using this technique. Thanks to Eddie Berman and Scott Sawyer for their fantastic playing. Call Sound Pure today with any questions regarding the gear or techniques in any of our videos. 919.682.5552. or 888.528.9703.

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SoundPure's Eddie Berman teaches an approach to playing over dominant chord in the key of A minor/C major. Using a Tom Anderson Classic Tobacco Burst guitar linked to an Oldfield Custom Head and 1x12 ...

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SoundPure's Eddie Berman teaches an approach to playing over dominant chord in the key of A minor/C major. Using a Tom Anderson Classic Tobacco Burst guitar linked to an Oldfield Custom Head and 1x12 Cab by a Vovox Sonorus Instrument Cable, Eddie demonstrates how adding a B-flat to the A minor/C major pentatonic scale expands the player's sonic possibilities. Everywhere from smooth jazzy sounds to twangy country blues, this lesson will help bring your playing to life. If you want to learn more about the gear used in this lesson, or if you have any questions concerning the techniques used, don't hesitate to call our expert guitar department here at Sound Pure Studios. 919.682.5552. or 888.528.9703.

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The Comins GCS1 is a versatile, road-worthy guitar that features a laminated flamed maple top and Sapele back, for balanced and even articulation and tone. This GCS 1 from master luthier Bill Comins b...

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The Comins GCS1 is a versatile, road-worthy guitar that features a laminated flamed maple top and Sapele back, for balanced and even articulation and tone. This GCS 1 from master luthier Bill Comins boasts a gorgeous Autumn Burst on the top as well as U.S. Bigsby vibrato, Kent Armstrong Humbucking pickups, as well as a coil-tapping feature to convert the pickups to a single coil mode. Thanks to the incredible musicians Mark Wells on Organ, Devin Fuller on Drums, and Jared Wofford on Guitar. Comins GCS-1 Signal Path: Victoria Victoriette Amplifier - Royer 122v and Heil PR-40 microphones - LaChapell 992 EG Preamp - Vertigo VSC-2 Compressor - Lynx Aurora AD ConverterCall SoundPure today for any questions regarding the equipment or techniques used in this video. 919.682.5552. or 888.528.9703.

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SoundPure's Eddie Berman teaches an abridged approach to playing a 1-3-4-5 chord change in the key of E. Using a John Suhr Pro Series C1 3 Tone Sunburst guitar linked to an Oldfield Custom Head and 1x...

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SoundPure's Eddie Berman teaches an abridged approach to playing a 1-3-4-5 chord change in the key of E. Using a John Suhr Pro Series C1 3 Tone Sunburst guitar linked to an Oldfield Custom Head and 1x12 Cab by a Vovox Sonorus Instrument Cable, Eddie demonstrates the chord change in both the classic "bar chord" fingering and in a condensed method. This lesson shows the viewer the sonic flexibility a guitarist can gain from learning both progressions, and opens up the player to a wide range of possibilities on the fretboard. If you want to learn more about the gear used in this lesson, or if you have any questions concerning the techniques used, don't hesitate to call our expert guitar department here at Sound Pure Studios. 919.682.5552. or 888.528.9703.

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PR-40 Product Sheet

"experience the difference"

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Retail: $375.00

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