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GET IT NOW !The Millennia STT-1 Origin channel strip from Millennia Media is an all-in-one recording channel. It offers Class-A vacuum tube circuitry, Class A, discrete, J-FET solid state topology, as well as a c...
The Millennia STT-1 Origin channel strip from Millennia Media is an all-in-one recording channel. It offers Class-A vacuum tube circuitry, Class A, discrete, J-FET solid state topology, as well as a colorful choice of transformer-coupled or transformerless audio paths. The Origin utilizes Millennia's fantastic NSEQ, TCL compressor, DI, HV-3 solid state mic pre, and de-esser. A pair of STT-1s can be linked in order to use them as a mix bus/stereo pair - perfect for mastering. In this video we use a pair of STT-1s to master an indie rock song by Peter Bergquist, a simple, four mic drum track, and a big band tune written by Tony Mazzella and performed by the UNC Jazz Band here at Sound Pure Studios. Listen to the differences between the before and after settings. If you are interested in the Millennia STT-1 Origin or any other recording gear, please don't hesitate to call or email us hear at Sound Pure.
Millennia Media's STT-1 Origin contains their clean/transparent preamp, a four band parametric EQ, Compressor, De-esser, and both vacuum tube and solid state signal path options. It is also possible t...
Millennia Media's STT-1 Origin contains their clean/transparent preamp, a four band parametric EQ, Compressor, De-esser, and both vacuum tube and solid state signal path options. It is also possible to link a pair of STT-1s in order to use them as a mix bus/stereo pair - great for mastering. This video provides an overview of the Origin, and covers all of the features. This is also the last video in our Millennia Media video series. Check out all of our other videos featuring Millennia's products.
The Millennia NSEQ2 shares the same sensation EQ as the STT1 Origin Mic Preamp channel strip. In this demonstration we take you through the tube and transformer coloration capabilities, as we engage...
The Millennia NSEQ2 shares the same sensation EQ as the STT1 Origin Mic Preamp channel strip. In this demonstration we take you through the tube and transformer coloration capabilities, as we engage and disengage these on a Jazz Grand Piano recording. We then demonstrate the capability of the EQ in a surgical fashion, by taking out some offending frequencies in a Baritone Sax. Give us a call to discuss either of these powerful products from Millennia media that we rely on in our professional work here at Sound Pure Studios. Call us anytime, anywhere in the world at 919.682.5552.
The Millennia HV3 is known as a world class microphone preamplifier. The same great circuit design is used in a variety of Millennia preamps including the HV-3d (4 and 8 channell versions), the HV3c, ...
The Millennia HV3 is known as a world class microphone preamplifier. The same great circuit design is used in a variety of Millennia preamps including the HV-3d (4 and 8 channell versions), the HV3c, the HV3r Remote Controllable Mic Preamp with optional A/D conversion card, the Millennia STT1 Origin Channel Strip, and the TD-1 DI and Mic Pre. While Millennia Mic Preamps are definitive in the classical and jazz worlds, it is truly outstanding in all serious recording studio applications, where the sound company out of the microphone is just right, as-is. Visit our blog on the Millennia products, and be sure and check out our numerous other videos on the individual products in the line. Contact us with any questions, or to pick your next great mic preamp up- we can be reached toll free 888-528-9703.
The Millennia TD-1 DI is an extraordinary Preamp, Re-amping device, with EQ, tube or solid state signal paths, and speaker soak technology. In part 1 of this video series we focus on tracking some ele...
The Millennia TD-1 DI is an extraordinary Preamp, Re-amping device, with EQ, tube or solid state signal paths, and speaker soak technology. In part 1 of this video series we focus on tracking some electric guitar signals direct, using the DI into ProTools, and later move the Recording Studios tracking room to record through a variety of electric guitar amps including the Victoria Victorilux, and the Mojave Scorpion. Millennia is known for its clean sounds and accuracy, but here we demonstrate its versatility and tonal flexibility. A truly amazing studio or stage device that will clearly meet the needs of the most demanding studio guitarist, producer, or recording engineer. The flexibility of a world-class re-amping device such as this is endless, and we show just the tip of the iceberg here. Call Sound Pure learn more about it toll free 888.528.9703, and be sure and check out for our other videos on the TD-1.
John Buscarino Corey Christiansen Model played into Victoria Amps Model 20112(normal channel, volume 3, tone 7) mic'd with AEA R92 into Millennia TD-1 preamp feeding Apogee Rosetta 800.
John Buscarino Corey Christiansen Model played into Victoria Amps Model 20112(normal channel, volume 3, tone 7) mic'd with AEA R92 into Millennia TD-1 preamp feeding Apogee Rosetta 800. (view less)
Nash S-57 electric guitar (volume noon, base 3pm , treble 2pm, position 4 pickup) played into Bad Cat Mini Cat II mic'd with Peluso 2247 LE(5 feet off, panned 50% right) into Chameleon Labs 7602 MKII preamp & mic'd with AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Sennheiser MD 421 II(close, panned 50% left) into Millennia TD-1 preamp feeding Apogee Rosetta 800.
Nash S-57 electric guitar (volume noon, base 3pm , treble 2pm, position 4 pickup) played into Bad Cat Mini Cat II mic'd with Peluso 2247 LE(5 feet off, panned 50% right) into Chameleon Labs 7602 MKII preamp & mic'd with AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Sennheiser MD 421 II(close, panned 50% left) into Millennia TD-1 preamp feeding Apogee Rosetta 800. (view less)
Nash S-57 electric guitar (volume noon, base 3pm , treble 2pm, position 5 pickup) played into Bad Cat Mini Cat II mic'd with Peluso 2247 LE(5 feet off, panned 50% right) into Chameleon Labs 7602 MKII preamp & mic'd with AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Sennheiser MD 421 II(close, panned 50% left) into Millennia TD-1 preamp feeding Apogee Rosetta 800.
Nash S-57 electric guitar (volume noon, base 3pm , treble 2pm, position 5 pickup) played into Bad Cat Mini Cat II mic'd with Peluso 2247 LE(5 feet off, panned 50% right) into Chameleon Labs 7602 MKII preamp & mic'd with AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Sennheiser MD 421 II(close, panned 50% left) into Millennia TD-1 preamp feeding Apogee Rosetta 800. (view less)
Nash S-57 electric guitar (volume max, base 3pm , treble 2pm, position 1 pickup) played into Bad Cat Mini Cat II mic'd with Peluso 2247 LE(5 feet off, panned 50% right) into Chameleon Labs 7602 MKII preamp & mic'd with AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Sennheiser MD 421 II(close, panned 50% left) into Millennia TD-1 preamp feeding Apogee Rosetta 800.
Nash S-57 electric guitar (volume max, base 3pm , treble 2pm, position 1 pickup) played into Bad Cat Mini Cat II mic'd with Peluso 2247 LE(5 feet off, panned 50% right) into Chameleon Labs 7602 MKII preamp & mic'd with AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Sennheiser MD 421 II(close, panned 50% left) into Millennia TD-1 preamp feeding Apogee Rosetta 800. (view less)
John Buscarino Corey Christiansen Model played into Victoria Amps Model 20112(normal channel, volume 3, tone 7) mic'd with AEA R92 into Millennia TD-1 preamp feeding Apogee Rosetta 800.
John Buscarino Corey Christiansen Model played into Victoria Amps Model 20112(normal channel, volume 3, tone 7) mic'd with AEA R92 into Millennia TD-1 preamp feeding Apogee Rosetta 800. (view less)
The Origin STT-1 is a single channel music recording system offering a selection of Millennia's core vacuum tube -or- solid state circuits, including mic preamps, line input with gain, opto-compressor/limiters, parametric equalizers, DI instrument input with gain, and opto-inductive de-essers.
Virtually every audio function is available with 100% Class A, all-discrete J-FET solid state topology or 100% Class A, all triode vacuum tube topology, each topology selectable with the touch of a button. The Origin also offers a choice of colorful transformer-coupled or transformerless audio paths, all switch selectable.
ORIGIN has been called the Mambo Combo* of all-in-one recording channels and could very quickly become among the only front-end analog paths you'll ever need. With 134 different product combinations in one 2U rack chassis, and the associated range of sonic possibilities, STT-1 is designed for the producer/engineer/musician who doesn't have large blocks of time to spend patching and repatching racks of analog front-end gear trying to achieve "that sound." Now, in one chassis, it's possible to easily and quickly patch Class-A vacuum tube equipment with Class A discrete solid state equipment, transformer-coupling and non-transformer coupling, various inputs and outputs; it's -all- here in one compact chassis. The STT-1 vastly expands the range of every artist's sonic palette at a price/performance level previously unknown in professional audio.
For example, select the transformerless M-2 vacuum tube mic preamp feeding the NSEQ discrete solid state parametric EQ. Or select the transformerless solid state line level input feeding the vacuum tube gain amplifier, routed into the vacuum tube TCL compressor and vacuum tube NSEQ parametric EQ. Or plug an electronic instrument (guitar, bass, etc..) into the vacuum tube DI input and feed this to the solid state gain amplifier, and compress it with the TCL solid state opto-compressor. Or use the acclaimed HV-3 solid state mic amplifier, the choice of top audio professionals worldwide, routed via transformer-coupling to both the direct mic preamp output and NSEQ solid state parametric EQ and solid state de-essing circuits.
2001 TEC Award Nomination
-Studio Sound (UK) Reader's Choice
-PAR "Reviewers Pick" Award
-PAR Excellence Award
To select the tube mic preamp, tube line input gain stage, tube EQ, tube compressor/limiter, or tube de-esser, simply press the appropriate front panel switch(es). To use the solid-state mic preamp, s/s line input gain stage, s/s EQ, s/s compressor/limiter, or s/s de-esser, press the switch(es) again. Twin Topology! To use the input transformer, press the associated switch. For transformerless operation, press the switch again. All circuit topologies are designed to deliver a musical optimization of their inherent character. A special collection of vintage vacuum tubes (old Telefunkens & Mullards) are also available for greatly enhanced euphonic character.
Twin Topology products also sport new cosmetics. The ORIGIN offers unique illuminated push-button switches, hand-machined solid aluminum knobs, extruded and radiused 3/8" thick face plate which is processed in an artistic 'platinum-crackle' finish (optional) looking something like an aged spruce guitar top. There's even a stylish "TT" (Twin Topology) logo deeply engraved into every panel. A standard "laquer-look" gloss black cosmetic finish is also available at standard cost. * thanks to Robert Freidrich at Telarc International
Product Highlights
TWIN MIC PREAMP PATHS: M-2b VACUUM TUBE & HV-3 SOLID STATE
TWIN OPTO-COMPRESSOR PATHS:TCL VACUUM TUBE & DISCRETE SOLID STATE (& PASSIVE)
TWIN PARAMETRIC EQUALIZER PATHS: NSEQ TUBE & DISCRETE SOLID STATE
TWIN DE-ESSER PATHS:VACUUM TUBE & DISCRETE SOLID STATE (& PASSIVE)
TWIN LINE LEVEL PATHS (XLR in): TUBE & DISCRETE SOLID STATE GAIN
TWIN INPUT COUPLING WITH & WITHOUT "COLORFUL" AUDIO TRANSFORMER VACUUM TUBE INSTRUMENT "DI" INPUT (1/4? high impedance): ROUTE VIA TUBE & S/S
-GAIN CLASS-A, 100% DISCRETE, DC-COUPLED LINE OUTPUT AMPLIFIER STAGE EFFORTLESS, LIFELIKE MUSICAL PERFORMANCE AT ALL DYNAMIC LEVELS
-CONSTRUCTED FOR LIFE, COSMETICALLY APPEALING
-HIGH VOLTAGE, CLASS-A, DISCRETE
-MINIMALIST DESIGN
-GOLD CONNECTORS, SWITCHES, TUBE SOCKETS, AND RELAYS
-SILVER / TEFLON POWER WIRING, NEGLEX OXYGEN-FREE AUDIO WIRING
© Sound Pure LLC 2012. All Rights Reserved.
