Millennia Origin STT-1 Channel Strip
Millennia Origin STT-1 Channel Strip
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    Name: John Buscarino Discussing the Corey Christiansen Guitar (HD)
    Description: Master Luthier John Buscarino discusses the awesome Corey Christiansen Guitar at Sound Pure. Also hear sound clips and view hi-res photos of the guitar available at Sound Pure. Played through a Victoria 20112.
    Name: Charter Oak e700 Microphone - Grand Piano (How-to Recording)
    Description:

    A Simple stereo pair of Charter Oak Acoustics e700 microphones are used to record a Steinway B 7-foot Grand Piano inside Sound Pure recording studios. They utilize a spaced pair of these incredible microphones into a Millennia HV-3R Mic Preamp, feeding a Lynx Aurora Converter- totally clean, unprocessed signal. The microphone features a particularly large diaphragm capsule and meticulously crafted signal path yielding remarkable musicality, detail, transient information on many applications from Grand Piano, and even kick drum. It is also extremely well priced among the boutique offerings on the market. Sound Pure specializes in helping you get the best studio gear with your budget, and is constantly testing and demo'ing gear in our own studios here at Sound Pure. Please give us at Sound Pure a chance to help you with your next studio upgrade, we sell some of the best products in the business, and many like this one don't have the price tag that is as high as you might think. We can be reached toll free at 888-528-9703.

    Name: McPherson 4.5 Acoustic Guitar Recording with Neumann U87 Mics - Redwood/Ebony
    Description:

    Neumann U87Ai microphones used to record this stunning McPherson 4.5 featuring a remarkable redwood top with striped Macassar Ebony backs and sides. The well-known Neumann U87Ai microphones were passed through the Millennia HV3r and a Lynx Aurora converter to create this great-sounding video with this amazing instrument. The recording was conducted inside the Sound Pure Studios in Durham, NC, and feature equipment sold by the Sound Pure Pro Audio division, and this guitar available through the Sound Pure Guitar Boutique. Don't hesitate to give the experts at Sound Pure a call toll free at 888-528-9703 with any of your gear needs. Thanks for watching and please comment and let us know what you think!

    Name: Charter Oak SA538 vs SA538B - Vocal Performance
    Description:

    The Charter Oak SA538 A and B versions are in a microphone shootout on this vocal recording and overdub, on a simple unprocessed track where we first recorded an Acoustic Guitar using the Charter Oak E700's in a spaced stereo pair configuration. The Charter Oak Microphones are Modern Multipattern Tube Microphones with amazing clarity, detail, and three-dimensionality. CharterOak owner Mike Deming, recording engineer and producer, discusses his opinions of the two microphones with this particular vocalist on this particular track. Singer Songwriter Matt Douglas performance a sensational tune, and the Charter Oak Microphones do a spectacular job of capturing the sound. The entire line of Charter Oak Acoustic Products is available from Sound Pure, and we use these great sounding mics in our studio frequently. You can reach us toll free at 888-528-9703 with any question you have about these amazing microphones.

    Name: Neumann TLM102 Acoustic Guitar Recording, Classical
    Description: The Neumann TLM102 records amazing acoustic guitars, both classical and steel strings, in an untreated lobby located at the Sound Pure facility. While the room does have some nice natural reverb, it has no acoustic treatment which demonstrates the excellent performance of these microphones even outside of a recording studio. Contact Sound Pure recording experts about your recording needs, or if you would like to pickup a pair of these dazzling little inexpensive large diaphragm microphones from Neumann by calling them toll free 888-528-9703

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    Description: John Buscarino Corey Christiansen Model played into Victoria Amps Model 20112(normal channel, volume 3, tone 7) mic'd with AEA R92 into Millennia TD-1 preamp feeding Apogee Rosetta 800.
    Description: Nash S-57 electric guitar (volume noon, base 3pm , treble 2pm, position 4 pickup) played into Bad Cat Mini Cat II mic'd with Peluso 2247 LE(5 feet off, panned 50% right) into Chameleon Labs 7602 MKII preamp & mic'd with AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Sennheiser MD 421 II(close, panned 50% left) into Millennia TD-1 preamp feeding Apogee Rosetta 800.
    Description: Nash S-57 electric guitar (volume noon, base 3pm , treble 2pm, position 5 pickup) played into Bad Cat Mini Cat II mic'd with Peluso 2247 LE(5 feet off, panned 50% right) into Chameleon Labs 7602 MKII preamp & mic'd with AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Sennheiser MD 421 II(close, panned 50% left) into Millennia TD-1 preamp feeding Apogee Rosetta 800.
    Description: Nash S-57 electric guitar (volume max, base 3pm , treble 2pm, position 1 pickup) played into Bad Cat Mini Cat II mic'd with Peluso 2247 LE(5 feet off, panned 50% right) into Chameleon Labs 7602 MKII preamp & mic'd with AEA R84(1 foot off, panned center) into A Designs Pacifica preamp & Sennheiser MD 421 II(close, panned 50% left) into Millennia TD-1 preamp feeding Apogee Rosetta 800.
    pick up jazz electric guitar (click to download)
    Description: John Buscarino Corey Christiansen Model played into Victoria Amps Model 20112(normal channel, volume 3, tone 7) mic'd with AEA R92 into Millennia TD-1 preamp feeding Apogee Rosetta 800.

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  • The Origin STT-1 is a single channel music recording system offering a selection of Millennia's core vacuum tube -or- solid state circuits, including mic preamps, line input with gain, opto-compressor/limiters, parametric equalizers, DI instrument input with gain, and opto-inductive de-essers.

    Virtually every audio function is available with 100% Class A, all-discrete J-FET solid state topology or 100% Class A, all triode vacuum tube topology, each topology selectable with the touch of a button. The Origin also offers a choice of colorful transformer-coupled or transformerless audio paths, all switch selectable.

    ORIGIN has been called the Mambo Combo* of all-in-one recording channels and could very quickly become among the only front-end analog paths you'll ever need. With 134 different product combinations in one 2U rack chassis, and the associated range of sonic possibilities, STT-1 is designed for the producer/engineer/musician who doesn't have large blocks of time to spend patching and repatching racks of analog front-end gear trying to achieve "that sound." Now, in one chassis, it's possible to easily and quickly patch Class-A vacuum tube equipment with Class A discrete solid state equipment, transformer-coupling and non-transformer coupling, various inputs and outputs; it's -all- here in one compact chassis. The STT-1 vastly expands the range of every artist's sonic palette at a price/performance level previously unknown in professional audio.

    For example, select the transformerless M-2 vacuum tube mic preamp feeding the NSEQ discrete solid state parametric EQ. Or select the transformerless solid state line level input feeding the vacuum tube gain amplifier, routed into the vacuum tube TCL compressor and vacuum tube NSEQ parametric EQ. Or plug an electronic instrument (guitar, bass, etc..) into the vacuum tube DI input and feed this to the solid state gain amplifier, and compress it with the TCL solid state opto-compressor. Or use the acclaimed HV-3 solid state mic amplifier, the choice of top audio professionals worldwide, routed via transformer-coupling to both the direct mic preamp output and NSEQ solid state parametric EQ and solid state de-essing circuits.

    2001 TEC Award Nomination

    -Studio Sound (UK) Reader's Choice

    -PAR "Reviewers Pick" Award

    -PAR Excellence Award

    To select the tube mic preamp, tube line input gain stage, tube EQ, tube compressor/limiter, or tube de-esser, simply press the appropriate front panel switch(es). To use the solid-state mic preamp, s/s line input gain stage, s/s EQ, s/s compressor/limiter, or s/s de-esser, press the switch(es) again. Twin Topology! To use the input transformer, press the associated switch. For transformerless operation, press the switch again. All circuit topologies are designed to deliver a musical optimization of their inherent character. A special collection of vintage vacuum tubes (old Telefunkens & Mullards) are also available for greatly enhanced euphonic character.

    Twin Topology products also sport new cosmetics. The ORIGIN offers unique illuminated push-button switches, hand-machined solid aluminum knobs, extruded and radiused 3/8" thick face plate which is processed in an artistic 'platinum-crackle' finish (optional) looking something like an aged spruce guitar top. There's even a stylish "TT" (Twin Topology) logo deeply engraved into every panel. A standard "laquer-look" gloss black cosmetic finish is also available at standard cost. * thanks to Robert Freidrich at Telarc International

    Product Highlights

    TWIN MIC PREAMP PATHS: M-2b VACUUM TUBE & HV-3 SOLID STATE

    TWIN OPTO-COMPRESSOR PATHS:TCL VACUUM TUBE & DISCRETE SOLID STATE (& PASSIVE)

    TWIN PARAMETRIC EQUALIZER PATHS: NSEQ TUBE & DISCRETE SOLID STATE

    TWIN DE-ESSER PATHS:VACUUM TUBE & DISCRETE SOLID STATE (& PASSIVE)

    TWIN LINE LEVEL PATHS (XLR in): TUBE & DISCRETE SOLID STATE GAIN

    TWIN INPUT COUPLING WITH & WITHOUT "COLORFUL" AUDIO TRANSFORMER VACUUM TUBE INSTRUMENT "DI" INPUT (1/4? high impedance): ROUTE VIA TUBE & S/S

    -GAIN CLASS-A, 100% DISCRETE, DC-COUPLED LINE OUTPUT AMPLIFIER STAGE EFFORTLESS, LIFELIKE MUSICAL PERFORMANCE AT ALL DYNAMIC LEVELS
    -CONSTRUCTED FOR LIFE, COSMETICALLY APPEALING
    -HIGH VOLTAGE, CLASS-A, DISCRETE
    -MINIMALIST DESIGN
    -GOLD CONNECTORS, SWITCHES, TUBE SOCKETS, AND RELAYS
    -SILVER / TEFLON POWER WIRING, NEGLEX OXYGEN-FREE AUDIO WIRING

  • Action Name Description
    Download Millennia Media AD-D96/AD-R96 A/D converter TEC Award
 
 

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