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A Designs Pacifica Stereo Preamp, from A Designs

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A Designs Pacifica Stereo Preamp A Designs Pacifica Stereo Preamp
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A Designs Pacifica Stereo Preamp
A Designs Pacifica Stereo Preamp

TEC Award Nominated 70's Style Solid State Stereo Mic Pre- Wonderfully Versatile with detail and color.

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A Designs Pacifica Mic Preamp Tracking Killer Acoustic Guitars

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Sound Pure recording and sales experts use the A Designs Pacifica dual channel stereo microphone preamplifier, and exhibit how-to track stunning, detailed acoustic guitars, completely dry (no compress...

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Sound Pure recording and sales experts use the A Designs Pacifica dual channel stereo microphone preamplifier, and exhibit how-to track stunning, detailed acoustic guitars, completely dry (no compression, EQ, or reverb), in the Sound Pure Recording Studios, with a variety of mic choices and combinations

Eastman E20SS Addy/Rosewood Slope Acoustic Guitar

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Allen Shadd, two-time National Flatpicking Champion, plays the Eastman E20SS Addy/Rosewood Slope Acoustic Guitar 030. This beautiful instrument responds to the slightest touch and produces a very focu...

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Allen Shadd, two-time National Flatpicking Champion, plays the Eastman E20SS Addy/Rosewood Slope Acoustic Guitar 030. This beautiful instrument responds to the slightest touch and produces a very focused and satisfying tone.   Gear: Eastman E20SS Addy/Rosewood Slope Peluso P84 Solid State SDC Mic A Designs Pacifica Preamp Apogee Symphony 16 Converter

Eastman E10-OM Adirondack/Mahogany Acoustic Guitar

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Two-time National Flatpicking Champion Allen Shadd demonstrates the Eastman E10-OM Adirondack/Mahogany Acoustic Guitar. Made in the spirit of the flattop guitars from the "Golden Era," this model is d...

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Two-time National Flatpicking Champion Allen Shadd demonstrates the Eastman E10-OM Adirondack/Mahogany Acoustic Guitar. Made in the spirit of the flattop guitars from the "Golden Era," this model is deeply rooted in a tried-and true style of guitar production.    Gear: Eastman E10-OM Adirondack/Mahogany Peluso P84 Solid State SDC Mic A Designs Pacifica Preamp Apogee Symphony 16 Converter

Eastman E10-D 428 Dreadnought Acoustic Guitar

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Allen Shadd, two time National Flatpicking Champion, expertly demonstrates the Eastman E10D 428 Dreadnought Acoustic Guitar. Built in the tradition of the flattop guitars made in America's "Golden Era...

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Allen Shadd, two time National Flatpicking Champion, expertly demonstrates the Eastman E10D 428 Dreadnought Acoustic Guitar. Built in the tradition of the flattop guitars made in America's "Golden Era," this model allows for an impressive full tone that can resonate throughout a room.    Gear: Eastman E10 428 Dreadnought Peluso P84 Solid State SDC Mic A Designs Pacifica Preamp Apogee Symphony 16 Converter

Goodall TRD 6231 Dreadnought Acoustic Guitar 366

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Two time National Flatpicking Champion Allen Shadd demonstrates the Goodall TRD 6231 Dreadnought Acoustic Guitar 366.  The powerful bass and midrange tones on this guitar combine with a custom, p...

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Two time National Flatpicking Champion Allen Shadd demonstrates the Goodall TRD 6231 Dreadnought Acoustic Guitar 366.  The powerful bass and midrange tones on this guitar combine with a custom, partial scalloped bracing pattern giving it a nice 'boominess'.   Gear: Peluso P84 Solid State SDC Mic A Designs Pacifica Preamp Apogee Symphony 16 Converter   For more information about Allen Shadd, visit AllenShadd.wordpress.com   Have any questions?  Want to try this model for yourself?  Call us at (919) 682-5552 or send us an email at acoustics@soundpure.com.

Jazz Drum Overheads

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Description:

Peluso P28 Tube Microphones used for drum overheads

Peluso P28 Tube Microphones used for drum overheads (view less)

Quiet High Sax Accompanied by Piano in Concert Hall

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Peluso 22 251 Switchable Pattern Tube Microphone > A Designs Pacifica Stereo Preamp > Apogee Rosetta 200 2 Channel A/D/A

Description:

Quiet High Sax Accompanied by Piano in Concert Hall, Peluso 22 251 Pair into Pacifica then Apogee Rosetta UV22HR 16-bit

Quiet High Sax Accompanied by Piano in Concert Hall, Peluso 22 251 Pair into Pacifica then Apogee Rosetta UV22HR 16-bit (view less)

Thunderous Steinway D Piano and Sax in Concert Hall

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Peluso 22 251 Switchable Pattern Tube Microphone > A Designs Pacifica Stereo Preamp > Apogee Rosetta 200 2 Channel A/D/A

Description:

Thunderous Steinway D Piano and Sax in Concert Hall - Peluso 22 251 Pair into Pacifica then Apogee Rosetta UV22HR 16-bit

Thunderous Steinway D Piano and Sax in Concert Hall - Peluso 22 251 Pair into Pacifica then Apogee Rosetta UV22HR 16-bit (view less)

rapido arpeggio electric guitar position 5 pickup

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Nash S-57 Black - SOLD! > Fargen Blackbird 20W Guitar Amplifier Combo > Sennheiser MD 421 II Microphone > Vintech Audio X73i (Neve 1073) Pre/EQ > AEA R92 Ribbon Microphone > A Designs Pacifica Stereo Preamp > Apogee Digital Rosetta 800 8 Channel A/D/A

Description:

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

Nash S-57 electric guitar (position 5) played into Fargen Blackbird 20W(volume 9am, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800. (view less)

hyped up electric guitar position 4 pickup

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Nash S-57 Black - SOLD! > Fargen Blackbird 20W Guitar Amplifier Combo > Sennheiser MD 421 II Microphone > Vintech Audio X73i (Neve 1073) Pre/EQ > AEA R92 Ribbon Microphone > A Designs Pacifica Stereo Preamp > Apogee Digital Rosetta 800 8 Channel A/D/A

Description:

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800.

Nash S-57 electric guitar (position 4) played into Fargen Blackbird 20W(volume 12pm, reverb 11am, treble 1pm, mid 4pm, bass 10am) mic'd with Sennheiser MD 421 II (22 degrees on axis) into Vintech-Audio X73i preamp & mic'd with AEA R92 6 inch off speaker) into A designs Pacifica preamp feeding Apogee Rosetta 800. (view less)

What we think:

We at Sound Pure have been huge advocates of what Peter Montessi and the A-Designs crew have been creating for the past several years. Phenomenal gear priced below the market price of comparable equipment. The Pacifica is indeed something special- don't let its price tag fool you. This thing is a deal. The Pacifica has smoothness and richness without over saturation, nor over-coloration, and as a result retains a spectacular amount of detail and high end openness. While it is true to its 1970's heritage, this preamp has a much more usable modern transparency, detail, and noise floor. We tested it on many applications with great success, and really loved how its subtle character warmed up acoustic guitars without sacrificing character, and how detail and richness was revealed in vocals whether you were running tube or solid state mics. Its amazing how much warmth they have retained without sacrificing on the detail end of the spectrum. Additionally, a lot of our users have reported wonderful results using the Pacifica as a DI and line level through the 1/4" jacks on the 2-buss. Again, nice warmth, but still very refined detail. Honestly, this thing is a great every day preamp- the kind of thing that you can use all over the studio, in countless applications, and never feel like you were getting too much color, too much muddiness, or to much Pacifica. Much like the MP-2 has accomplished in the tube domain, the Pacifica is a solid state preamp that strikes an incredible balance of warmth, and clarity, and yet still is delivered at an extremely well built and affordable price point. Sonic Polish without the cloudiness and greatness without the obscene price tag. Congrats to Peter Montessi and A-Designs audio on their recent 2006 nomination- this preamp deserves every bit of it. We have been behind the thing since we originally tested it on its product release, and are pleased to see others have recognized the Pacifica's brilliance. Whether or not you are building a preamp collection where the Pacifica can round out the solid state mic pre line-up, or you are looking to purchase a high-end performing preamp that works in just about every situation, no studio should be without a Pacifica.

Description:

Two-channel, solid-state preamp with custom, “ear-tested” transformers for the “Big Iron” sound of the ’70s

The A-Designs Audio Pacifica harkens back to the golden age of recording, when consoles were spec’d out by studio engineers and custom-built to provide a sound like no other. Designed, built, “ear tested,” and beta tested by long-time recording industry veterans, the Pacifica takes its sonic cues from the mythic Quad Eight console, a recording desk that easily stood toe-to-toe with API and Neve. However, the A-Designs Pacifica is by no means a vintage reissue—it has a sound and character all its own. Said by top professionals to have the depth of a Neve, the midrange of an API and the high-end of a Massenburg, the Pacifica has quickly established itself as the go-to preamp for numerous Grammy-winning and platinum-selling engineers and producers.

In keeping with A-Designs Audio’s mission of sound quality above all, the features of the Pacifica are just what an audio professional needs to record high-quality tracks and no more. Sonically compromising extra switches and components of dubious features are eliminated from the signal path. Plus, with 72dB gain and extremely low-noise operation (-128dB EIN) the ribbon mic-friendly Pacifica ensures clarity and fidelity—whether you’re going for transparency or plenty of punch and character.

Paying homage to the color scheme of the Quad Eight Pacifica console, the hand-crafted Pacifica sports a rich, cream-colored finish with solid-feeling, red metal gain knobs; a red +48V phantom-power push button with red LED indicator—both for easy identification if ribbon mics are involved; plus grey push buttons for phase reverse and –20dB pad—all giving the Pacifica a look reminiscent of California girls, beach boys, and classic Woodies.

It also has two front-panel Hi-Z instrument inputs, but just like a classic Woodie, it’s what’s under the Pacifica’s hood that gives the DIs a special kick. Unlike other preamps, the Pacifica’s DIs are routed through the input transformer, which puts signal through two transformers for added depth and richer tone. And these aren’t just any transformers. Key to the Pacifica’s sound, they’re custom-designed input and output transformers built by Tom Reichenbach of Cinemag (whose father, Ed, built the transformers for the original Quad Eight desks). The output transformers are custom wound and share the same design as those found in the original Quad Eight. Input transformers are pure, proprietary A-Designs.

But transformers don’t tell the whole story. Another key factor to the Pacifica’s sound is its wide-bandwidth design, which ranges from 9Hz to 101kHz with less than 1% distortion. Along with its custom transformers, the linear response down below 10Hz provides the big, punchy sound that the Pacifica has become famous for. It also provides harmonic content well above the range of human hearing, which reduces in-band phase shift for more realism, along with the added benefit of more harmonic information to work with at mixdown—turning your EQ into a creative tool rather than a corrective one.
While some may believe the glory days of recording are over, The Pacifica is “living” proof that those days have never left us, and better days are still ahead. Put an A-Designs Audio Pacifica in your rack in hear the difference.

PACIFICA FEATURES:

• Two-channel, solid state preamp with two front-panel Hi-Z inputs
• Captures the sound quality of the legendary Quad Eight Pacifica console with even more presence and high-end
• Very warm and full tone without being dark; wide bandwidth with a sweet top end.
• Custom-wound Cinemag input and output transformers
• Input transformer: A-Designs proprietary input transformer with unique winding
• Output Transformer: A-Designs proprietary alloy using the same massive design as the original Quad Eight.
• 72dB of quiet gain, great for use with ribbon mics.
• Unique DI design sends signal through the input transformer for two transformers in the signal path.
• Balanced XLR I/O
• Phase reversal (each channel)
• -20dB pad (each channel)
• +48V phantom power (each channel)
• Solid construction, handmade in the USA

Specs:

PACIFICA SPECIFICATIONS:

• Frequency response: 9Hz-101KHz
• Input impedance: 1500 ohm
• Gain range: 72dB
• Noise (EIN): -128dB
• Phantom power: Switchable 48V
• Mic input phase: Switchable 0 -180°
• Instrument Input Jack 1/4″ Phono
• Output: Balanced XLR
• Distortion: Less than 1%
• Power requirements: 100/120/230 VAC – 23W
• Dimensions: 19″ x 1-3/4″ x 10″
• Weight: 11 lb.
• Shipping weight: 12.5 lb.

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