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Lynx Aurora 16-VT Variable Trim Model D/A and A/D Converter, from Lynx

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Lynx Aurora 16-VT Variable Trim Model D/A and A/D Converter
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Lynx Aurora 16-VT Variable Trim Model D/A and A/D Converter

New Aurora 16 Variable Trim Model from Lynx

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Lynx Aurora Digital Audio Converters from Lynx Studio Technology - Overview

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Lynx Aurora 8 channel or 16 channel converters offer impeccable audio quality with 24 bit, 192 kHz mastering quality A/D and D/A conversion, as well as a variety of interfacing options. The Lynx Aur...

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Lynx Aurora 8 channel or 16 channel converters offer impeccable audio quality with 24 bit, 192 kHz mastering quality A/D and D/A conversion, as well as a variety of interfacing options. The Lynx Auroras have card slots for Firewire, USB, ADAT, AES, MADI, and Pro Tools HD. The Auroras from Lynx Studio Technology are extremely accurate, detailed and transparent and sound better than any other conversion system in their price class (and even better than other, more expensive conversion systems). Sound Pure uses the Lynx Auroras everyday, for every type of session. Almost every recording and demo we have ever done features them. Call SoundPure today for more info on these fantastic converters and learn how you can utilize them to make your own killer recordings. 919-682.5552. or 888.528.9703.

Eddie's Corner - Alternate Approaches to a I-iii-IV-V Chord Change in E - Guitar Lesson

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SoundPure's Eddie Berman teaches an abridged approach to playing a 1-3-4-5 chord change in the key of E. Using a John Suhr Pro Series C1 3 Tone Sunburst guitar linked to an Oldfield Custom Head and 1x...

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SoundPure's Eddie Berman teaches an abridged approach to playing a 1-3-4-5 chord change in the key of E. Using a John Suhr Pro Series C1 3 Tone Sunburst guitar linked to an Oldfield Custom Head and 1x12 Cab by a Vovox Sonorus Instrument Cable, Eddie demonstrates the chord change in both the classic "bar chord" fingering and in a condensed method. This lesson shows the viewer the sonic flexibility a guitarist can gain from learning both progressions, and opens up the player to a wide range of possibilities on the fretboard. If you want to learn more about the gear used in this lesson, or if you have any questions concerning the techniques used, don't hesitate to call our expert guitar department here at Sound Pure Studios. 919.682.5552. or 888.528.9703.

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Blues Legend Alvin Youngblood Hart plays a McInturff Carolina Standard Lemon Burst electric guitar through a Victoria Amps Model 20112 in our Sound Pure Studios.

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Blues Legend Alvin Youngblood Hart plays a McInturff Carolina Standard Lemon Burst electric guitar through a Victoria Amps Model 20112 in our Sound Pure Studios.

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Guest jazz guitarist Chris Wagner and our own Chris Boerner show off the perfect sound of the Buscarino Chameleon Speakers, demoed with a Buscarino Virtuoso Archtop guitar in out studio.

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Guest jazz guitarist Chris Wagner and our own Chris Boerner show off the perfect sound of the Buscarino Chameleon Speakers, demoed with a Buscarino Virtuoso Archtop guitar in out studio.

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Alvin Youngblood Hart plays a Duesenberg Starplayer TV+ electric guitar at Sound Pure Studios in Durham, NC. Part of Sound Pure's mission to document legendary musicians of all styles while putting o...

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Alvin Youngblood Hart plays a Duesenberg Starplayer TV+ electric guitar at Sound Pure Studios in Durham, NC. Part of Sound Pure's mission to document legendary musicians of all styles while putting our beautiful collection of rare guitars in the hands of real masters.

mighty distorted electric guitar position 5 pickup

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Description:

Nash S-57 electric guitar (position 5 pickup) played into Rivera Amps Venus 6 1x12(channel 2, volume 6, bass 5, mid 7, treble 7, master 4, reverb 3, presence 10, focus 10, add boost) mic'd with AEA R84 into A Designs silver Preamp feeding Lynx Aurora 8.

Nash S-57 electric guitar (position 5 pickup) played into Rivera Amps Venus 6 1x12(channel 2, volume 6, bass 5, mid 7, treble 7, master 4, reverb 3, presence 10, focus 10, add boost) mic'd with AEA R84 into A Designs silver Preamp feeding Lynx Aurora 8. (view less)

cross country electric guitar position 1 pickup

(click to download)

Description:

Nash S-57 electric guitar (position 1 pickup) played into Rivera Amps Venus 6 1x12(channel 1, volume 8, bass 5, mid 8, treble 6, master 4, reverb 3, presence 10, focus 10) mic'd with AEA R84 into A Designs silver Preamp feeding Lynx Aurora 8.

Nash S-57 electric guitar (position 1 pickup) played into Rivera Amps Venus 6 1x12(channel 1, volume 8, bass 5, mid 8, treble 6, master 4, reverb 3, presence 10, focus 10) mic'd with AEA R84 into A Designs silver Preamp feeding Lynx Aurora 8. (view less)

mighty distorted electric guitar position 1 pickup

(click to download)

Description:

Nash S-57 electric guitar (position 1 pickup) played into Rivera Amps Venus 6 1x12(channel 2, volume 6, bass 5, mid 7, treble 7, master 4, reverb 3, presence 10, focus 10, add boost) mic'd with AEA R84 into A Designs silver Preamp feeding Lynx Aurora 8.

Nash S-57 electric guitar (position 1 pickup) played into Rivera Amps Venus 6 1x12(channel 2, volume 6, bass 5, mid 7, treble 7, master 4, reverb 3, presence 10, focus 10, add boost) mic'd with AEA R84 into A Designs silver Preamp feeding Lynx Aurora 8. (view less)

blues lick electric guitar neck pickup

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Description:

(view less)

distorted electric guitar position 1 pickup

(click to download)

Description:

Nash S-57 electric guitar (position 1 pickup) played into Rivera Amps Venus 6 1x12(channel 1, volume 8, bass 5, mid 8, treble 6, master 4, reverb 3, presence 10, focus 10, add boost) mic'd with AEA R84 into A Designs silver Preamp feeding Lynx Aurora 8.

Nash S-57 electric guitar (position 1 pickup) played into Rivera Amps Venus 6 1x12(channel 1, volume 8, bass 5, mid 8, treble 6, master 4, reverb 3, presence 10, focus 10, add boost) mic'd with AEA R84 into A Designs silver Preamp feeding Lynx Aurora 8. (view less)

Description:


Expanding its line of Aurora 192 kHz AD/DA converters, Lynx Studio Technology has announced the Aurora 16-VT model. Aurora 16-VT allows users to manually set the analog input and output levels within a range of +8.5 dBu to +24 dBu. 32 miniature trim pots are mounted on the primary circuit board to allow the adjustments. Since 2005, Aurora has established its position as one of leading high end converters for recording studios around the world. Some studios who want the advantage of Aurora's pristine audio quality and versatility, also require the ability to manually set analog levels for optimum performance. The Aurora 16-VT provides this capability,while preserving Aurora's other features, specifications and signature transparent sound. The standard Aurora 16 and Aurora 8 continue to be available.

KEY SPECIFICATIONS AND FEATURES
-Internal manual trim controls on all analog input and analog output channels
-Analog levels are continuously variable between +8 dBu and +24 dBu
-Aurora 16: Simultaneous 16 Channel Analog I/O and 16 Channel AES/EBU I/O
-24 Bit / 192 kHz Mastering Quality A/D and D/A Conversion
-192 kHz AES/EBU I/O Supporting Single and Dual Wire Modes
-Single Rack Space Configuration
-Extensive Remote Control Capability via Lynx AES16, IrDA and MIDI
-LSlot Expansion Slot for ADAT, Pro Tools|HD, FireWire, MADI
-On-board Digital Mixer Provides Flexible I/O Routing
-Word clock I/O with Lynx SynchroLock Sample Clock Technology
-Aurora 16-VT available February 2009