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Stereo tube microphone preamplifier designed to be articulate and clean, but still have tube warmth
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The A Designs MP2A Dual Channel Vacuum Tube Microphone Preamplifier is a wonderfully detailed and open-sounding tube microphone preamp that has a very clean sound, with very subtle tube color, warmth,...
The A Designs MP2A Dual Channel Vacuum Tube Microphone Preamplifier is a wonderfully detailed and open-sounding tube microphone preamp that has a very clean sound, with very subtle tube color, warmth, and three-dimensionality. It is not heavy, colored, or conjested in the mids and low-mids. This makes it a great choice on acoustic instruments including guitar, piano, orchestra, percussion- wherever you are looking for articulation, detail without the heavy, sluggish, and sometimes muddy response you sometimes get from vacuum tubes. This a seriously high-end piece, that should be given a serious listen.
Ryan Cavanaugh plays a Santa Cruz DH Custom Acoustic Guitar, expertly recorded in the Sound Pure Studios live room. Mahogany body and Sitka Spruce top with Brazillian rosewood overlay.
Ryan Cavanaugh plays a Santa Cruz DH Custom Acoustic Guitar, expertly recorded in the Sound Pure Studios live room. Mahogany body and Sitka Spruce top with Brazillian rosewood overlay.
Ryan Cavanaugh plays a MJ Franks "Triple-O" Acoustic Guitar - a short-scale version of the OM-S and extremely playable. Perfect for songwriters. Demoed in the Sound Pure Studios live room.
Ryan Cavanaugh plays a MJ Franks "Triple-O" Acoustic Guitar - a short-scale version of the OM-S and extremely playable. Perfect for songwriters. Demoed in the Sound Pure Studios live room.
Ryan Cavanaugh plays a Goodall Koa AKP-14 Parlor sn 5528 Acoustic Guitar in the Sound Pure Studios live room. Recorded with: Neumann KM184 Matched Pair Mics A-Designs MP-2A Lynx Aurora 16 A/D Converte...
Ryan Cavanaugh plays a Goodall Koa AKP-14 Parlor sn 5528 Acoustic Guitar in the Sound Pure Studios live room. Recorded with: Neumann KM184 Matched Pair Mics A-Designs MP-2A Lynx Aurora 16 A/D Converter
At Sound Pure Recording Studios, the amazing stereo kit of Peluso CEMC6 Microphones deliver transparent and detailed sound quality, versatility, and performance. Watch excellent acoustic guitar and ex...
At Sound Pure Recording Studios, the amazing stereo kit of Peluso CEMC6 Microphones deliver transparent and detailed sound quality, versatility, and performance. Watch excellent acoustic guitar and expert recording demonstration, utilizing a simple, standard x-y recording technique and achieving wonderful results, with this extremely inexpensively priced professional small diaphragm mic setup.
We got our hand on an MP series mic pre early on in late 2002 when the name A Designs Audio was virtually unheard of, and lined the MP in A/B tests and recording sessions with over 20 of the hottest mic pres on the market. The MP runs 6NI-P and EF86 tubes with a Jensen input transformer on the front-end and a custom-wound output transformer, which yields stunning sound quality with serious bass response and a warm, airy top end typical of great tube mic pres.
We don't find the MP to be overly colored. In tracking sessions, any source that sounded too thin has gotten the MP treatment. The introduction of a good tube design adds even-order harmonics mostly in the area of seconds and fourths. This occurs in nature and is what makes ours ears define a sound as "pleasing." In DI listening sessions with a Lakland Bass through over 20 pres, the MP rose to the top of the pack and was among the favorite of several engineers and was chosen as the best pre by the bass player. On synth/workstation sessions, the MP was used to thicken otherwise thin piano and pad sounds. The MP has also become a first choice for vocals. In our reviewing the MP series mic pres we wanted to see the 1/4" DI on the front rather than in the back. A Designs honored our request and all their mic pres since 2003 include DI jacks on the front. We sounded the word about A Designs Audio early and loud, and have been as pleased to see these great all-tube mic pres growing in popularity - and getting the recognition they deserve.
Peter has added some key features such as: a -20dB Pad Switch, selectable tone switches, which allows you to create 4 different tones per channel. Also, the new output gain standard of the MP1-A and MP-2A Series is now 60 dB! Perfect for the new generation of Ribbon Microphones.
The MP2A has all of the great clean sounds achieveable with the original MP2, but also adds sine significant tonal variation, and the ability to make the preamp more colored, bigger, and rounder by utilizing the tone switches mentioned above.
*Input Impedance: 1.4k Ohm
*Gain Range: 60 dB
*Noise (EIN): -128 dB
*Mic Phantom Power: 48 Volt, Switchable
*Mic Input Phase: 0-180? Switchable
*Instrument Jack Input: dual XLR rear plus dual 1/4" front
*Input Impedance: Min > 100k Ohm
*Balanced Output: dual XLR
*Output Impedance: 600 Ohm Switchable to 10k
*Maximum Level: +22 dBu
*Output: Low-Z, transformer-balanced
*Frequency Response: 28 Hz - 60k Hz
*Distortion (THD): .08 @ 1 Khz
*Power Requirements: 100/120/230 VAC - 42 Watts
*Dimensions: (W x H x D) 19" x 3.5" x 10" 482 x 89 x 254 mm
*Weight: 18 lbs. (6.8 kg)
The MP-2A is a true tube-in, tube-out stereo microphone pre-amplifier based on the celebrated MP-2 from A-Designs Audio.
The new "A" series has many modifications incorporated from the original MP Series. Some of the newer features include a -20dB Pad Switch, selectable tone switches, which allows you to create 4 different tones per channel. Also, the new output gain standard of the MP1-A and MP-2A Series is now 60 dB! Perfect for the new generation of Ribbon Microphones.
Utilizing world class input transformers by Jensen and custom designed output transformers for the lowest noise level and highest quality sound, the MP-2A brings the warmth and richness of analog to your recordings while maintaining a crystal clear spectrum of sound. The MP-2 is a professional class preamp for use on a variety of sources, and includes rear panel instrument and front panel line level inputs.
It delivers warmth, transparency, and a quality sound with a clean and airy high end like only a high quality all-tube pre-amp can