The Aurora has been designed to provide you with the highest quality professional audio performance available, offering unequalled Analog-to-Digital and Digital-to-Analog conversion, flexible routing capabilities, I/O expansion options, external control functionality, and maximum channel capacity within a space-efficient, single rack-space chassis.
7 similar version(s) available to choose from
The Lynx Aurora A/D Converters from Lynx Studio Technology are some of the world's best Analog to Digital Converters, renown for their incredible wide-open clarity, and stunning quality. In this video...
The Lynx Aurora A/D Converters from Lynx Studio Technology are some of the world's best Analog to Digital Converters, renown for their incredible wide-open clarity, and stunning quality. In this video, the Aurora's advanced routing capabilities, in regards to the Analog and Digital Inputs/Outputs, are specifically highlighted by SoundPure's Pro Audio Expert Doug Wessling. As Doug mentions in the video, each different studio setting, whether it be at home or in a professional environment, comes with it's own individual needs and limitations, but regardless of your setup, the Lynx Aurora Converters provide universal flexibility to work with whatever system you have running. The Lynx Aurora Converters come in 8 channel or 16 channel versions, offering stellar audio quality with 192 KHz, 24-bit mastering quality A/D and D/A conversion, that far exceed the quality of the competing converters in it's price range, as well as most more expensive conversion systems. Acclaimed for it's accuracy, detail and transparency, the Lynx Aurora A/D Converter can truly be used in any setup, including on-location recordings. Just about every session we have done here at SoundPure, has been through the fantastic Lynx Aurora Converters. Call us today to talk to an expert about how these outstanding converters can work for you, or if you have any questions about their capabilities, we are ready to help! 919-682.5552. or 888.528.9703.
Lynx Aurora 8 channel or 16 channel converters offer impeccable audio quality with 24 bit, 192 kHz mastering quality A/D and D/A conversion, as well as a variety of interfacing options. The Lynx Aur...
Lynx Aurora 8 channel or 16 channel converters offer impeccable audio quality with 24 bit, 192 kHz mastering quality A/D and D/A conversion, as well as a variety of interfacing options. The Lynx Auroras have card slots for Firewire, USB, ADAT, AES, MADI, and Pro Tools HD. The Auroras from Lynx Studio Technology are extremely accurate, detailed and transparent and sound better than any other conversion system in their price class (and even better than other, more expensive conversion systems). Sound Pure uses the Lynx Auroras everyday, for every type of session. Almost every recording and demo we have ever done features them. Call SoundPure today for more info on these fantastic converters and learn how you can utilize them to make your own killer recordings. 919-682.5552. or 888.528.9703.
The Classic T from John Suhr Guitars is as smooth as butter, plays incredibly well, and is perfect for the studio, stage, or just jamming at your house! Featuring silent pickups and a Butterscotch fin...
The Classic T from John Suhr Guitars is as smooth as butter, plays incredibly well, and is perfect for the studio, stage, or just jamming at your house! Featuring silent pickups and a Butterscotch finish, this Telecaster style electric is made with a Swamp Ash body and a Maple neck. If you want more information on this rockin' machine, visit our website, or call the experts in our Guitar Boutique at 919.682.5552. or 888.528.9703. The other equipment used in this video: Vovox Sonorus Instrument Cable, Keeley Compressor Pedal, Suhr Badger 35 Watt EL84 Amplifier, Royer 121 Ribbon Mic, True Systems Precision 8 Preamp, Lynx Aurora AD Converter. Thanks to Eddie Berman for killin' it as usual.
This Standard Classic T, Tele style electric guitar from Michael Tuttle is something to behold! With a bold Fiesta Red Thin Poly finish and flawless Tuttle 60'-T pickups, this guitar looks and sounds ...
This Standard Classic T, Tele style electric guitar from Michael Tuttle is something to behold! With a bold Fiesta Red Thin Poly finish and flawless Tuttle 60'-T pickups, this guitar looks and sounds like butter. Unplugged, it thinks it's an acoustic. Once the electricity starts running, however, it remembers why it was brought in being...to rock, to strut, to spank, to comp, to cover all the musical ground it possibly can. Made with an Alder body and Maple neck, this tele style electric will be a true asset in your guitar arsenal. If you want more information on this stunning guitar, visit our website or call our guitar experts in the SoundPure boutique at 919.682.5552. or 888.528.9703. The other equipment used in this video: Vovox Sonorus Instrument Cable, Suhr Badger 35 Watt EL84 Amplifier, Royer 121 Ribbon Mic, True Systems Precision 8 Preamp, Lynx Aurora AD Converter. Thanks to our guitarist Eddie Berman for his fantastic playing.
This Short T Classic, Tele style electric guitar from Tom Anderson is sure to rock your world! With a sexy Translucent White finish and SC1 TF3 pickups, this guitar looks as good as it sounds. The fre...
This Short T Classic, Tele style electric guitar from Tom Anderson is sure to rock your world! With a sexy Translucent White finish and SC1 TF3 pickups, this guitar looks as good as it sounds. The fretwork is so smooth on this gorgeous swamp ash body that you instantly feel at home and the short scale makes playing just about anything feel effortless. The 3 pickup configuration and 5-way switch adds another dimension of tonal possibility to the standard tele setup. If you want more information on this sweet guitar, visit our website or call our guitar experts in the SoundPure boutique at 919.682.5552. or 888.528.9703. The other equipment used in this video: Vovox Sonorus Instrument Cable, Suhr Badger 35 Watt EL84 Amplifier, Royer 121 Ribbon Mic, True Systems Precision 8 Preamp, Lynx Aurora AD Converter. Thanks to our guitarist Eddie Berman for doing what he does so damn well.
Tom Ribbecke Halfling archtop guitar playing "Stella By Starlight" into AER Alpha amp(all controls 12 o'clock) mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8.
Tom Ribbecke Halfling archtop guitar playing "Stella By Starlight" into AER Alpha amp(all controls 12 o'clock) mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8. (view less)
Tom Ribbecke Halfling archtop guitar played into AER Alpha amp(all controls 12 o'clock) mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8.
Tom Ribbecke Halfling archtop guitar played into AER Alpha amp(all controls 12 o'clock) mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8. (view less)
Jimmy Foster Basin Street 7 String Cremona Burst guitar played into AER Alpha amp(all controls 12 o'clock) mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8.
Jimmy Foster Basin Street 7 String Cremona Burst guitar played into AER Alpha amp(all controls 12 o'clock) mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8. (view less)
Jimmy Foster Basin Street 7 String Cremona Burst guitar played into AER Alpha amp(all controls 12 o'clock) mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8.
Jimmy Foster Basin Street 7 String Cremona Burst guitar played into AER Alpha amp(all controls 12 o'clock) mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8. (view less)
Jimmy Foster Basin Street 7 String Cremona Burst guitar played into AER Alpha amp(all controls 12 o'clock) mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8.
Jimmy Foster Basin Street 7 String Cremona Burst guitar played into AER Alpha amp(all controls 12 o'clock) mic'd with Peluso 22 251 into A Designs Pacifica feeding Lynx Aurora 8. (view less)
The Aurora™ line of digital audio converters from Lynx Studio Technology offers unprecedented audio quality and control in single-rack space eight and sixteen channel models. The Aurora 8™ and Aurora 16™ feature 192 kHz analog to digital and digital to analog conversion with front panel control of all routing and sample rate options. Extended functions in Aurora are accessible via computer with the Lynx AES16 or by infrared using compatible laptops and handheld Pocket PCs. The rear panel has Clock and MIDI In and Out connectors and an LSlot bay, for the optional use of other audio interfaces.
Several interfaces allow Aurora to be used in a number of different configurations. LT-HD allows Aurora to be recognized by and controlled from a ProTools|HD® system. FireWire access is easy using the LT-FW. 16 channels of ADAT Lightpipe I/O is made available with the LT-ADAT. LT-MADI allows up to four Aurora converters to send and receive up to 64 MADI channels. The LT-USB is a USB 2.0 device for up to 16 I/O channels. And Lynx AES16 and AES16e allow interface with a wide range of Windows and Macintosh computers.
Aurora converters are preconfigured for three voltages. Aurora 115 volt models are available in the US, Canada, Mexico and Brazil. The 100 volt models are available in Japan only. 230 volt units are available throughout the rest of the world through authorized distributors and retailers.
LYNX AURORA 16 AND AURORA 8 SPECIFICATIONS
ANALOG I/O
Aurora 8 Eight inputs and eight outputs
Aurora 16 Sixteen inputs and sixteen outputs
Type Electronically balanced or unbalanced
Level +4 dBu nominal/ +20 dBu max, or -10 dBv nominal / +6 dBv max
Input Impedance Balanced mode: 24k Ω
Unbalanced mode: 12k Ω
Output Impedance Balanced mode: 100 Ω
Unbalanced mode: 50 Ω
Output Drive 600 Ω impedance, 0.2 µF capacitance
A/D and D/A Type 24-bit multi-level, delta sigma
ANALOG IN PERFORMANCE
Frequency Response 20Hz - 20kHz, +0/-0.1 dB
Dynamic Range 117 dB, A-weighted
Channel Crosstalk -120 dB maximum, 1 kHz signal, -1 dBFS
THD + N -108 dB (0.0004%)@-1DBFS
-104 db (0.0006%)@-6DBFS
1 kHz signal, 22Hz-22kHz BW
ANALOG OUT PERFORMANCE
Frequency Response 20Hz - 20kHz, +0/-0.1 dB
Dynamic range 117 dB, A-weighted
Channel crosstalk -120 dB maximum, 1 kHz signal, -1 dBFS
THD + N -107 dB (0.00045%)@-1DBFS
-106 dB (0.00050%)@-6DBFS
1 kHz signal, 22 Hz-22kHz BW
DIGITAL I/O
Number/Type Aurora 8:8 inputs and 8 outputs
Aurora 16: 16 inputs and 16 outputs
24 bit AES/EBU format, transformer coupled
Channels Aurora 8: * in/out in single wire mode
4 in/out in dual wire mode
Aurora 16: 16 in/out in single wire mode
8 in/out in dual wire mode
Sample Rates All standard rates and variable rates up to
192 kHZ in both single-wire and dual-wire modes
ON-BOARD DIGITAL MIXER (VIA AES16/AES16e)
Type Hardware based, low latency
Routing Ability to route any input to any or multiple outputs
Mixing Up to four input or playback signals mixed to any
output, 40-bit precision
Status Peak levels to -114dB on all inputs and outputs
CONNECTIONS
Digital I/O Ports 25-pin female D-sub connectors
Port A: channels 1-8 I/O
PortB: channels 9-16 I/O (aurora 16 only)
Yamaha pinout standard
Analog I/O Ports 25-pin female D-sub connectors
Analog in 1-8
Analog in 9-16 (Aurora 16 only)
Analog out 1-8
Analog out 9-16 (Aurora 16 only)
Tascam Pinout standard
External Clock 75-ohm BNC word clock input and output
MIDI One input and one output, standard opto-isolated
5-pin female DIN connecters
REMOTE CONTROL OPTIONS
Function Controls all I/O, levels, monitoring, routing and setting recall
Method AES16-AES16e: with PC or Mac IrDA: For compatible Pocket
PCs and laptops
MIDI: Selected MIDI devices
GENERAL
AC Power 110/115/230 VAC, 70 watts
Size 1.75" H x 19"W x 9"D
Shipping Weight 12lbs
Certifications CE and FCC Class B EMI, CE Product Safety
LSLOT™ EXPANSION PORT
Compatibility Supports Lynx Lslot expansion cards
Channels Up to 16 input and 16 output simultaneously at up to
192 kHz sample rate
OPTIONAL INTERFACE CARDS FOR LSLOT
LT-ADAT Provides ADAT Optical I/O
LT-HD For ProTools/HD/Native
LT-FW Provides up to 16 channels via FireWire 400
LT-MADI Provides up to 64 MADI I/O channels
LT-USB Provides up to 16 I/O channels, USB 2.0
Retail: $2,195.00
$1,995.00
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