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The SR40 40kHz High Definition Microphone™ offers an extended high frequency response, extremely fast impulse response, short diaphragm settling time, exceptional cardioid polar pattern, and high rejection of sounds from the rear of the microphone.
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GET IT NOW !The new Earthworks SR40 Cardioid Microphones record dazzling Acoustic Guitars in the recording studio, and then in an untreated space in this great video demo. In this video we utilize a variety of pr...
The new Earthworks SR40 Cardioid Microphones record dazzling Acoustic Guitars in the recording studio, and then in an untreated space in this great video demo. In this video we utilize a variety of preamps including Earthworks own 1024 Mic Preamp, the Sebatron 4000e VU, and then the Vintech X73i (in the untreated space). The near perfect cardioid pattern provides some off-axis control of reflections in both the studio and the untreated Sound Pure Guitar showroom, but is completely flat and neutral in each quadrant of its near-perfect cardioid pattern, meaning that the off axis sounds and reflections picked up by the microphone remain as neutral, flat and beautiful, yielding a truly detailed and accurate overall picture. Call us today to discuss this dazzling new microphone from Earthworks, or any of their other amazing equipment, toll free at 888-528-9703.
The Earthworks SR40V Microphone is a revolutionary vocal mic with groundbreaking circuitry and fast impulse response, allowing it to be the first High Definition Vocal Microphone for both live and s...
The Earthworks SR40V Microphone is a revolutionary vocal mic with groundbreaking circuitry and fast impulse response, allowing it to be the first High Definition Vocal Microphone for both live and studio settings. The SR40V is designed with a extended flat frequency response in addition to the fastest transient response of any mic on the market. It's hyper-cardioid pattern allows for minimum feedback during live performances and also allows for more volume and detail when you need it. This fantastic performance by Kate McGarry and Keith Ganz highlights the numerous qualities of this outstanding microphone from Earthworks. If you have any questions regarding this microphone, other vocal microphones, or general gear inquiries, feel free to contact the expert engineers and sales associates at Sound Pure today.
The McPherson 4.5XPH #1744 Brazilian Rosewood Guitar with a highly flamed Redwood top is one of the most stunning acoustic guitars we've seen at Sound Pure. The Rosewood and the Flamed Redwood creat...
The McPherson 4.5XPH #1744 Brazilian Rosewood Guitar with a highly flamed Redwood top is one of the most stunning acoustic guitars we've seen at Sound Pure. The Rosewood and the Flamed Redwood create complex and bold tones, incredible sustain, and astounding overtones. The intonation is even throughout the entire neck. Thanks again to Keith Ganz for his outstanding playing. Check out his website! You don't want to miss out on this piece of art, call Sound Pure today or visit our website to view more videos, images, and sound clips of this guitar and many more.
The Earthworks 1021, 1022, and 1024 Zero Distortion Preamps are completely free of noise and distortion, and are really a lot like "wire and gain." Such transparency, accuracy and detail in a mic p...
The Earthworks 1021, 1022, and 1024 Zero Distortion Preamps are completely free of noise and distortion, and are really a lot like "wire and gain." Such transparency, accuracy and detail in a mic preamp are extremely useful when the sound of the instrument coupled with an amazing microphone should not be compromised. The Earthworks preamp will not add its own coloration and artifacts like just about every other preamp on the market. It is designed to delver the sound coming out of the microphone exactly that way, as if there is no preamp in the signal path whatsoever. In this video we demonstrate this performance through a variety of microphones and sources including recording acoustic guitar, piano, jazz archtop guitar, and electric guitars. Give us a call to discuss this amazing distortion-free preamp, toll free 888.528.9703.
The Sebatron VMP-series Tube microphone preamps are used to track acoustic guitars in a recording studio with a variety of microphones including Earthworks, Mojave, and Telefunken Microphones. While w...
The Sebatron VMP-series Tube microphone preamps are used to track acoustic guitars in a recording studio with a variety of microphones including Earthworks, Mojave, and Telefunken Microphones. While we use the Sebatron VMP4000e preamp, it utilized the identical tube pre circuitry as in the 2000e and 2000e VU mic preamps. Each preamp's impressive warmth is attainable without a loss in detail typical of most preamps. Additionally the preamp features some excellent EQ functionality, and the creative ability to drive the unit in different ways to move from transparent more subtle tube coloration to much greater saturation and color (by engaging the pad circuit which exists prior to the tube gain stage). We use and love the Sebatron mic preamps in the Sound Pure recording studios, and are glad to talk to you about all of our experiences. We can be reached toll free 888.528.9703, or international 919.682.5552.
To see the full specs of the SR40, please view the images for the specs, polar pattern and impulse response
The excellent performance characteristics of the SR40 allow it to be utilized for a very wide range of applications. In the studio or on the stage the SR40 is an ideal choice for a variety of instruments including sax, flute, trumpet, guitar, piano, and percussion. It is superior for vocals or choir because it doesn’t spotlight. Rather, it uniformly picks up an entire section. The SR40 is popular among concert tapers because of its open uncolored sound and among jazz enthusiasts for its ability to capture explosive performances while retaining the subtle nuances of artistic expression.
The SR40 offers a 30Hz – 40kHz frequency response, revealing subtleties in the sound that are non-existent from microphones with less high frequency range, and enabling musical performances to exhibit greater depth and realism. Equally significant, the SR40 offers an extremely fast impulse response that enables the microphone to acquire fast transients far more accurately. The exceptionally short diaphragm setting time allows the SR40 to reveal subtle low level nuances in sound that other microphones mask. The SR40’s near-perfect cardioid polar pattern ensures that the microphone will not beam or spotlight and provides significantly more gain before feedback than conventional microphones. The polar response also enables vocalists or instruments at the sides of the microphone (at 45- or 90-degrees) to have the same pristine sound quality as those at the front of the microphone, and in addition, it facilitates the use of fewer microphones with closer placement to the source, enabling yet additional gain before feedback in live sound applications. The SR40’s high SPL handling and rear rejection are additional noteworthy attributes. With an acoustic input rating of 145 dB SPL, the new SR40 is a first-rate performer when it comes to capturing loud sound sources. Be it a guitar cabinet or a close miked trumpet or saxophone, the SR40 is ideally suited to handle challenging instruments. Similarly, the exceptional rear rejection performance enables the SR40 to easier isolate instruments in a recording or live performance setting, thus minimizing acoustic bleed.