Sound Pure's Take

The Wolff Audio FREQ 500 is an exceptionally flexible 500 Series equalizer that handles both delicate tone polishing and surgical problem-solving with equal finesse. Designed by one of modern audio's most celebrated circuit engineers, it provides high-headroom transformer punch, intuitive proportional-Q response, and indispensable secondary filter modes in a single slot.

From Other (Miscellanous Used/Vintage/Consign)

The Wolff Audio FREQ is a sweepable, 4-band proportional-Q parametric equalizer designed by industry legend Paul Wolff for the 500 Series format. Engineered to offer intuitive, musical control with ultra-low distortion and high-headroom clarity, the FREQ combines classic console-style tone shaping with modern utility. Its flexible layout allows engineers to make fast, broad-stroke tonal moves or precise surgical cuts across any tracking, mixing, or mastering application.

At the core of the FREQ's architecture is a custom Cinemag nickel and steel output transformer, carefully chosen to deliver high headroom (clipping onset above $+28\text{ dBu}$) and pristine signal transparency with subtle, musically rich low-end harmonic weight. Each of the four sweepable frequency bands provides $\pm 15\text{ dB}$ of boost or cut with a proportional-Q response—where the bandwidth automatically narrows as gain is increased or decreased—ensuring natural, phase-coherent adjustments.

To expand its operational versatility, the FREQ features secondary modes on every band. The High-Frequency (HF) and Low-Frequency (LF) bands include dedicated Wide mode switches that shift the response into a gentle 3-octave fixed curve for broad shelving and air/sub adjustments. Meanwhile, the Low-Mid (LM) and High-Mid (HM) bands offer a 1/3 Octave mode, overriding the proportional-Q behavior to lock the filter into a narrow, predictable bandwidth for surgical notch filtering and resonance cleanup. Complete with sealed relay switches, color-coded backlit status indicators, and a true hardwire bypass, the FREQ delivers versatile 500 Series equalization built for decades of reliable performance.

Key Features

  • 4 Sweepable Proportional-Q Bands: Four fully parametric bands ($\pm 15\text{ dB}$ boost/cut) with overlapping ranges for total spectral control:

    • HF Band:$2\text{ kHz to } 20\text{ kHz}$ (with Wide 3-octave mode)

    • HM Band:$350\text{ Hz to } 10\text{ kHz}$ (with 1/3 Octave mode)

    • LM Band:$75\text{ Hz to } 2.2\text{ kHz}$ (with 1/3 Octave mode)

    • LF Band:$25\text{ Hz to } 700\text{ Hz}$ (with Wide 3-octave mode)

  • Custom Cinemag Output Transformer: Nickel and steel core blend delivers ultra-low distortion ($<0.03\%$) and transparent performance with subtle low-end harmonic enhancement.

  • Wide & 1/3-Octave Secondary Curves: Selectable modes convert high/low bands into smooth broad-stroke shelves, and mid bands into tight 1/3-octave surgical notch filters.

  • Massive Analog Headroom: High-voltage design provides pristine dynamic performance with clipping onset occurring above $+28\text{ dBu}$.

  • Hardwire Relay Bypass: Sealed gold-contact relays ensure completely uncolored signal pass-through when bypassed, along with noise-free mode switching.

  • Single-Slot 500 Series Design: High-density control layout with backlit LED push-buttons and continuous potentiometers fits into any standard 500 Series enclosure.

Module Type
500 Series (Single-slot)
Circuit Architecture
Sweepable 4-band proportional-Q parametric EQ
Filter Bands
4 (HF, HM, LM, LF) with individual band-mode switches
Gain Control Range
$\pm 15\text{ dB}$ per band (center-detented)
Frequency Coverage
$25\text{ Hz to } 20\text{ kHz}$ (continuous sweep per band)
Output Stage
Custom Cinemag nickel/steel balanced transformer
Maximum Output Level
$+28\text{ dBu}$ at clipping onset
Total Harmonic Distortion (THD)
$<0.03\%$ ($100\text{ Hz and higher}$)
Bypass
True hardwire relay bypass switch
Current Draw
$<100\text{ mA}$ per rail ($\pm 16\text{V DC}$)
Construction
Precision metal chassis with sealed relay switches and backlit controls
Weight
$0.67\text{ kg}$ ($1.48\text{ lbs}$)
Sound Pure Studios Control Room A — Durham, NC

Sound Pure Studios · Durham, NC

Come hear it in our control rooms.

Sound Pure is a working studio in Durham, NC — a 1,000 sq ft live room and two pro control rooms. Book a session to audition gear in a world-class acoustic space before you buy.

$550