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16-Channel Summing Mixer with AIR and Attitude Controls
$2,899.00
Following on from the phenomenal success of The Fat Bustard summing mixer whose features include Attitude, EQ, stereo width, and of course a big fat sound, we find there’s a demand for a similar warm sounding summing mixer with more channels at a lower price, keeping the unique Attitude control. Enter The Purple Bustard.
This new unit utilises the same input circuit and Attitude section as the Fat Bustard, using the same type twin triode valves.
Instead of having eqs and Stereo Spread, etc., there is only the “AIR” control which works on the very high end. Because the unit contains no solid state in the audio path, the use of this control will enhance the sound with a lovely velvety sheen typical of the best all-valve equipment with none of the harshness found in some solid state units.
The output stage is very similar to that of The Fat Bustard, except that for reasons of space and heat, smaller double triodes are employed. All valves are “mil spec” NOS types. The max output level is still well above +20 dBv, adequate for any DAW.
All inputs and outputs are on XLRs, with inputs “semi floating” and outputs unbalanced. A balancing box containing 2 Sowter transformers is available if required at additional cost.
Front panel:
There are 8 toggle switches to switch in pairs of channels, and 2 more toggles to switch channels 13,14,15 & 16 to make 4 mono channels. AIR, a rotary pot, ATTITUDE, a 6 position switch, and a matched pair of pots controlling output levels. There’s also a mains power switch and of course The Purpl Bustard’s eyes light up and go bloodshot as the sound gets louder!
The frequency response goes well above and below audio range until the Attitude is set to at or near max, similarly other specs are practically the same as The Fat Bustard, except cross-talk, phase shift and signal to noise are slightly better as there is no eq. etc.
♦ All valve 16 input summing mixer;
♦ Each pair of inputs has its own on/off switch;
♦ Inputs 13 to 16 can be switched to centre;
♦ Attitude control adds musical 2nd harmonics;
♦ Air control increases high top end without solid state harshness;
♦ Frequency response extends well above and below audio range;
♦ Easily enough output to drive your DAW and very low noise;
♦ All inputs are “semi-floating” on XLRs;
♦ Outputs are unbalanced. A separate Balancing Box is an optional extra;
♦ Shares the same natural warmth as the Fat Bustard;
♦ Extremely low distortion (< 0.1%) before Attitude is added.
The owners/key people involved at Thermionic Culture are totally dedicated to valve audio equipment, all having many years experience in recording and working with valves. Company founder and designer Vic Keary built his first studio in the late 50's and went onto building Maximum Sound Studios which was later bought by Manfred Mann and renamed The Workhouse, Chalk Farm Studios, and the all valve based studio Chiswick Reach.
Jon Bailes, Thermionic Culture's co-founder is responsible for the mechanical design & visual appearance. Jon has a wealth of experience as a Chief Designer in the electronic manufacturing industry .
Nick Terry engineers on many current albums and singles working recently with artists such as McAlmont & Butler, The Libertines. All this 'real world' experience is an invaluable aid to creating all valve equipment that other artists will no doubt appreciate.
Audio amplification, compression, mixing and equalisation took a backward step when solid-state technology was introduced. Valves are much more real and natural when amplifying and processing audio. We use no transistors or ICs in the signal path. Solid state is relegated to where it works best - in power supplies, although we do use a valve voltage regulator in The Culture Vulture's HT supply.
Some of our circuits take ideas from the 1940s to '60s and refine and update them to produce the low noise and distortion which are expected now. Other circuits are really original! To achieve high standards we use modern components such as 1% metal oxide resistors and polypropylene capacitors where their use is a positive advantage, but we avoid Hi-Fi type gimmicks such as gold plated XLR connectors. We take pride in the construction and reliability of our equipment. To date it is all hand wired using the best quality components. We give a 2-year guarantee against manufacturing defects, though we can only guarantee valves for 1 year. Many valves we use, are Military/Industrial grade. Also, we select and match (where necessary) all of the valves that we supply so a far longer life span can be expected