The Strymon NightSky is a reverb processor like no other! From spacious, ambient textures to warped, pitch-shifted, sequenced effects this pedal is a true inspiration machine!
In this video, you will experience a wide variety of the sounds that can be created with NightSky Time-Warped Reverberator.
Create vast soundscapes with just a few notes from your instrument. Apply mind-bending pitch and harmonic manipulation to your reverb tails, with synth-like filter sweeps. Enter a world of new sounds that blow away the boundaries of what is possible with reverb. With pioneers and adventurous sonic explorers in mind we created a reverb pedal that can go where none have gone before.
NightSky is a reverberant synthesis workstation, and a powerful, hands-on experimental sound design platform. NightSky gives you real-time continuous control of reverb pitch/processing rate/core size, harmonics, and even a synth-like resonant filter with multiple modulation waveshapes, plus a step sequencer with variable glide. You haven’t heard a pedal like this before.
The Philosophy:
We want to build products with no compromises. We want to push the limits of technology in music. We want to redefine what is possible with music gear. We want to use exceptionally great components and ridiculously powerful processors. We want to make gear that sounds better than anything you've ever heard. We want to make our customers happy. We want you to be inspired to create amazing music.
The People:
We're a small company and we'd like to stay that way. We do this because we want to create gear that is fun to design and fun to play. We want to experiment and try new things. We don't want to work for the man. We don't like authority. We don't want to grow up. We want to work hard and have fun doing it.
The History:
Damage Control was founded in 2004 with the release of our line of tube-driven effects pedals, which earned critical acclaim and became favorites among guitarists across the globe. In 2009 we teamed up with Strymon to begin co-developing products, and the rest is history.
Three selectable reverb types offer a wide variety of ambient textures
MOD section with various waveforms to modulate the reverb or tone filters
TONE section to sculpt the high and low EQ of the reverb
VOICE section to enhance the aural spectrum of the reverb
Adjustable SHIMMER for adding pitch shifting of up to +/- 1 octave to the reverb
GLIMMER dynamically enhances high or low frequency harmonics for synth-like textures
Pre or Post DRIVE to add saturated overdriven harmonics to the reverb
Adjustable reverb core size to increase or decrease the space for reflections
Independent REVERB and DRY level controls
Step sequencer for programming rhythmic pitch variations of the reverb
Access to 16 presets from the front panel and 300 presets via MIDI
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