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Schoeps CMC64 ST Acoustic Guitar Demo Stereo Microphones

Also in this recording Lynx Aurora 16 I/O D/A and A/D Converter A Designs MP-2A Stereo Tube Preamp Great River Electronics MP-2NV Stereo Preamp A Designs Pacifica Stereo Preamp Schoeps MK 4V Cardioid Capsule

The Schoeps CMC6 and MK4 combination is the classic combination for recording acoustic guitars in the recording studio. Detail, precision, accuracy and musicality typify these fantastic microphones. We utilize the Schoep... Read more

The Schoeps CMC6 and MK4 combination is the classic combination for recording acoustic guitars in the recording studio. Detail, precision, accuracy and musicality typify these fantastic microphones. We utilize the Schoeps on some fantastic acoustic guitars from Lowden and Goodall, feeding some great mic preamps from Great River, The Great River MP2NV, and A Designs (both the Pacifica and MP2A). Call us now to learn more about these truly amazing microphones, toll free 888.528.9703  

A Designs Pacifica Mic Preamp Tracking Killer Acoustic Guitars

Also in this recording A Designs Pacifica Stereo Preamp Peluso P 28 Pencil Tube Microphone Mojave Audio MA-100 Stereo Tube SDC Microphone Pair Lynx Aurora 16 I/O D/A and A/D Converter

Sound Pure recording and sales experts use the A Designs Pacifica dual channel stereo microphone preamplifier, and exhibit how-to track stunning, detailed acoustic guitars, completely dry (no compression, EQ, or reverb),... Read more

Sound Pure recording and sales experts use the A Designs Pacifica dual channel stereo microphone preamplifier, and exhibit how-to track stunning, detailed acoustic guitars, completely dry (no compression, EQ, or reverb), in the Sound Pure Recording Studios, with a variety of mic choices and combinations

Lowden 035C Spruce Bocote 15687 Guitar Demo at SoundPure Studios

Also in this recording A Designs Pacifica Stereo Preamp Lynx Aurora 16 I/O D/A and A/D Converter

Lowden O35C Spruce/ Bocote 15687 Guitar at Sound Pure Studios. Higher res audio of this beautiful boutique guitar available by e-mailing us at www.soundpure.com . Thanks to Ryan Cavanaugh for playing it so well for us!

From Schoeps Microphones

MK 2XS Capsule Features

 ♦ Diffuse-field equalized (considerable high-frequency response elevation at 0°)

 ♦ For use at relatively great distance from the sound source

 ♦ Preferred use: as a room microphone

The MK 2XS compensates for high-frequency response losses and thus has flat frequency response in the diffuse sound field. If used near a sound source, the sound is brilliant.

The MK 2XS is usually used as a room microphone beyond the reverberation radius.

The MK 2XS (formerly 3) is designed for placement in a diffuse sound field, i.e. at distances in reverberant environments where the greater portion of arriving sound has already been reflected from various room surfaces. In such placement the integrated frequency response of this capsule is essentially flat; the on-axis high-frequency response elevation shown in the graph below is not heard as such. It is remarkable how well-focused a recording can be made with omnidirectional microphones at such distances, when the microphones have been designed and placed appropriately.

If this type of microphone is used close to the sound source, the emphasis of high frequencies for on-axis sound incidence would become clearly audible, producing an overly brilliant sonic impression.

Since most recording today is miked more closely than in decades past, capsules such as the MK 2S or MK 2H are a reasonable norm for the majority of spaced-omni and “Decca Tree” applications. But if miking distances more typical of the mono and early stereo era are to be used, a capsule such as the MK 2XS, with its full diffuse-field equalization, may well offer the optimal balance of focus, depth and spaciousness – and the KA 40 accessory spheres can then add a further measure of presence to the sound at such distances, if desired.

The MK 2XS is also often used as an ambient room microphone.

Pickup pattern
Omnidirectional
Frequency range
20 Hz - 30 kHz with CMC 6 / CMR

20 Hz - 44 kHz with CMC 6xt

Sensitivity
-39 dB (V/Pa), 11 mV/Pa with CMC 6
Equivalent noise level (A-weighted)
13 dB with CMC 6
Equivalent noise level (CCIR)
25 dB with CMC 6
Signal-to-noise ratio (A-weighted)
81 dB with CMC 6
Maximum sound pressure level (THD < 0.5 %)
133 dB-SPL with CMC 6
Length
22 mm
Diameter
20 mm
Weight
17 g
Surface finish
Matte gray
Custom color
Nickel, chromagreen

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Sound Pure Studios Control Room A — Durham, NC

Sound Pure Studios · Durham, NC

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