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From McPherson Guitars

Top: Redwood

Back and Sides: Striped Macassar Ebony

Redwood is similar to Cedar, warm, rich, and complex. It exhibits a slighly darker tone with less pronounced bass and more headroom than Cedar.

Striped Macassar Ebony is a very dense and heavy tonewood from Southeast Asia. Macassar Ebony features a robust and loud tone much like rosewood, with great clarity.

Depth
4" at block and 4" at tail block
Scale Length
25"
Upper Bout
11 1/8"
Waist
10"
Lower Bout
16"
Body Length
20 1/8"
Overall Length
41"
Neck Width
Standard 1 3/4" at nut, 2 5/32" at 12th
Neck Width
Wide 1 7/8" at nut, 2 5/32" at 12th
String Spacing
E to E 2 3/16"

Offset Sound Hole

Cantilevered Neck

Truss Rod
Non-Adjustable, unidirectional high-modulus carbon fiber

Ebony Bridge

Ebony bridge pins
unslotted with mother of pearl dot
Fingerboard
Ebony with 14" radius
Frets
All frets dressed by Plek Pro
Nut
Natural Bone
The Buzz Feiten intonation system
Three custom bone saddles set up for low, med, and tall action
Binding
Flamed Koa
Electronics
L.R. Baggs RTS2 system. Ribbon transducer pick-up, pre-amp and volume control
Tuners
Schaller M6G Gold Tuning Machines

Gold Strap Button

Case
Custom fit Ameritage case with built in humidification system
Inlay
McPherson mother of pearl inlay on head cap and mirror image on bridge plate
Finish
UV finish. An extremely durable clear finish which retains tonal integrity of the wood while protecting the guitar from harmful elements
Strings
Elixir Nanoweb medium gauge strings

Watch & listen

Matt McPherson on Bracing and Stereophonics

Also in this recording McPherson 5.0XP Port Orford Cedar/Striped Macassar Ebony #1625 McPherson 4.0XP Port Orford Cedar/Madagascar Rosewood #1637 McPherson 4.0XP Port Orford Cedar/Monterey Cypress #1629 McPherson 4.5 Redwood/Striped Macassar Ebony #1264 McPherson 3.5XP Engelmann Spruce/Flamed Walnut #1615 McPherson 4.5 Bear Claw Sitka/Flamed Black Acacia #1619

Join Matt McPherson on a discussion about acoustic guitar bracing and stereophonics. The bracing on these instruments is indeed one of the most unique and impressive aspects of these guitars, and a key part of what make... Read more

Join Matt McPherson on a discussion about acoustic guitar bracing and stereophonics. The bracing on these instruments is indeed one of the most unique and impressive aspects of these guitars, and a key part of what makes a McPherson a McPherson. 

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Sound Pure Studios Control Room A — Durham, NC

Sound Pure Studios · Durham, NC

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