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Martin OM built with sustainable spruce and cherry
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Condition: Used, Very Good
This Martin OM was built using tonewoods that are not currently endangered and were responsibly harvested and sounds great if you want a warm, woody tone in a comfortable OM size. Rather than Mahogany we've got Cherry on the back and sides which still gives you a warm and fundamental tone, but it is a bit less bass focused and sweeter sounding. The look of this instrument is very nice as well, and the cherry looks beautiful next to the faux tortoise binding if you want a classy look without being over the top. If you want a sustainably crafted instrument or are trying to get a wonderful dry sound out of an OM that'll sound a bit different to your listeners then check out this Martin SWOMGT!
Built in accordance with our responsible guitar building practices, the SWOMGT SUSTAINABLE WOOD model provides a combination of great tone and attractive appointments at an extremely good value. The majority of wood utilized in this instrument originated in forests managed in an ecologically responsible manner.
For well over a century and a half, The Martin Guitar Company has been continuously producing acoustic instruments that are acknowledged to be the finest in the world. The Martin Guitar Company has, through the years, managed to survive with each succeeding generation from C. F. Martin, Sr.?s Stauffer influenced creations of the 1830s to recent developments introduced by C. F. Martin IV. Continuous operation under family management is a feat bordering on the remarkable, reflecting six generations of dedication to the guitarmaker?s craft. In or out of the music industry, C. F. Martin has few rivals for sheer staying power. Throughout its colorful history, the company has adapted successfully to continual changes in product design, distribution systems, and manufacturing methods. In spite of the many changes, C. F. Martin has never veered away from its initial commitment to quality. The concern for producing the finest instruments possible in 1833 is especially evident today at Martin?s expanded facility in Nazareth, Pennsylvania. The story behind one of America?s most famous guitars began on January 31, 1796, in Markneukirchen, Germany, with the birth of Christian Frederick Martin, Sr. Born into a long line of cabinet makers, Christian Frederick took up the family craft at the early age of 15, when he left his hometown and traveled to Vienna to apprentice with Johann Stauffer, a renowned guitar maker.
Serial Number: 1120126
BODY SIZE: 000-14 Fret
FINISH TOP: Gloss
CONSTRUCTION: Simple Dovetail Neck Joint
BACK & SIDE FINISH: Satin
BRACING PATTERN: X Brace
SCALE LENGTH: 25.4"
BRACE SHAPE: Non-Scalloped
FINGERBOARD WIDTH AT NUT: 1 3/4''
TOP MATERIAL: Sitka Spruce
NECK SHAPE: Modified Low Oval
BACK MATERIAL: Cherry
NECK TAPER: Standard Taper
SIDE MATERIAL: Cherry
TOP COLOR: Aging Toner
BRIDGE STYLE: 1 Style Belly
BINDING: Faux Tortoise
BRIDGE STRING SPACING: 2 1/4''
TOP INLAY MATERIAL: Multi-Stripe
BRIDGE MATERIAL: FSC® Certified Katalox
TOP DETAIL: N/A
BRIDGE PIN MATERIAL: White Plastic
PICKGUARD: Faux Tortoise
BRIDGE PIN DOTS: Faux Tortoise
PICKGUARD INLAY: N/A
SADDLE: Compensated White Tusq
ROSETTE: Faux Tortoise Multi-Stripe
SADDLE RADIUS: 16"
BRACE MATERIAL: Sitka Spruce
BACK & SIDES COLOR: Light Mahogany
BRACE SIZE: 5/16"
BACK DETAIL: FSC® Certified Wood
BACK PURFLING/STRIP: Faux Tortoise
BACK INLAY MATERIAL: N/A
HEELCAP: Faux Tortoise
SIDE DETAIL: FSC® Certified Wood
ENDPIECE: Faux Tortoise
NECK MATERIAL: Sustainable Cherry
FINGERBOARD MATERIAL: FSC® Certified Katalox
FINISH NECK: Satin
FINGERBOARD WIDTH AT 12TH FRET: 2 1/4''
NECK COLOR: Light Mahogany
FINGERBOARD INLAY STYLE: Style 28
NUMBER OF FRETS TOTAL: 20
FINGERBOARD INLAY MATERIAL: Faux Pearl
NECK JOINS BODY AT: 14th Fret
SIDE DOTS: White
HEADSTOCK SHAPE: Solid with Square Taper
TUNING MACHINES: Gold Enclosed Gear
HEADPLATE MATERIAL: Faux Tortoise
KNOB: Small
HEADPLATE LOGO STYLE: Script Overlay
NUT MATERIAL: White Corian
Hardshell Case