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Condition: Used, Excellent
The first and, given the rarity, likely the last! All of Martin's nylon models, past and present, are great for folks who love the feel and tone of nylon strings without necessarily wanting to dive head on into the distinct voicing/bracing you'd find on a classical guitar. This rare bird has that same play-it-like-an-OM vibe but, thanks to that sophisticated tonewood combo, offers a nice level of sensitivity and clarity, too.
SP Luthier Notes: Setup Confirmed, Restring
For well over a century and a half, The Martin Guitar Company has been continuously producing acoustic instruments that are acknowledged to be the finest in the world. The Martin Guitar Company has, through the years, managed to survive with each succeeding generation from C. F. Martin, Sr.?s Stauffer influenced creations of the 1830s to recent developments introduced by C. F. Martin IV. Continuous operation under family management is a feat bordering on the remarkable, reflecting six generations of dedication to the guitarmaker?s craft. In or out of the music industry, C. F. Martin has few rivals for sheer staying power. Throughout its colorful history, the company has adapted successfully to continual changes in product design, distribution systems, and manufacturing methods. In spite of the many changes, C. F. Martin has never veered away from its initial commitment to quality. The concern for producing the finest instruments possible in 1833 is especially evident today at Martin?s expanded facility in Nazareth, Pennsylvania. The story behind one of America?s most famous guitars began on January 31, 1796, in Markneukirchen, Germany, with the birth of Christian Frederick Martin, Sr. Born into a long line of cabinet makers, Christian Frederick took up the family craft at the early age of 15, when he left his hometown and traveled to Vienna to apprentice with Johann Stauffer, a renowned guitar maker.
Model: CS N-20 Custom
Serial: 1938291
Body Size: N-Style Classic
Construction: Standard; Mahogany Blocks/Dovetail Neck Joint
Bracing Pattern: Classic Bracing
Brace Shape: Non-Scalloped
Top Material: Engelmann Spruce
Back Material: Solomon Padauk
Side Material: Solomon Padauk
Finish Top: Non-Catalyzed Gloss/Clear
Back & Side Finish: Non-Catalyzed Gloss/Rosewood Filler
Scale Length: 26.440"
Fingerboard Width at Nut: 2 1/8"
Neck Shape: Classic
Neck Taper: None
Electronics: EMG Piezo / Internal Microphone
Top Color: Natural
Binding: Black Boltaron
Top Inlay Material: .070" B/W/B/W/B
Top Detail: None
Pickguard: None
Pickguard Inlay: None
Rosette: Wood Mosaic - N Style
Bridge Style: Classic
Bridge String Spacing: 2 5/16"
Bridge Material: Black Ebony
Bridge Pin Material: None
Bridge Pin Dots: None
Saddle: Bone
Saddle Radius: 16"
Brace Material: Sitka Spruce
Back Purfling/Strip: Style 35 w/ Black Fiber Strip on Each Side
Heelcap: Black Ebony w .049" B/W/B
Endpiece: Style 35 Backstrip
Endpiece Inlay: None
Back & Sides Color: None
Back Detail: None
Back Inlay Material: .049" B/WB Boltaron
Side Detail: None
Side Inlay Material: .049" B/WB Boltaron
Neck Material: Mahogany
Finish Neck: Cat. 15 Sheen Satin
Neck Color: Dark Mahogany / RW Filler
Number of Frets: 19
Neck Joins Body at: 12
Side Dots: White Boltaron
Fingerboard Material: Black Ebony / Fingerboard End Rounded to Fit Soundhole
Fingerboard width at 12th Fret: 2 3/8"
Fingerboard Inlay Style: None
Fingerboard Inlay Material: None
Fingerboard Binding Material: None
Headstock Shape: Classic Head Profile / Slotted - Round slots / 6-String / No-Diamond-N-20
Headplate Material: Solomon Padauk
Headplate Logo Style: Small Old Style
Headplate Binding Material: None
Tuning Machines: Sloan Bronze Classic 6705 Side Mnt w/ Lg Ivoroid Btn (Drill in MR)
Knob: None
Nut Material: Bone
Case: Hardshell