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Caroline Guitar Company's Classic Wave Cannon OD!
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This was the pedal that got us started in 2010, and it’s based on a classic 1970s DOD OD-250/ Proco Rat style frame: single op-amp pushed really hard, hard clipping to ground, and a discrete transistor buffer between the tone and volume control. We incorporated a variation of a known mod to these kinds of pedals courtesy of Phillip Ruetz that we called the Shape control (named that way because I once saw the actual shape of some treble frequencies I played go from square to sine as we changed the values), and added the feedback loop we called the Havoc control after I did it by accident on the breadboard.
The long story short is that this thing is an unrepentant, unapologetic distortion pedal that is totally nasty and fun. This Cannon comes pre-loaded with balls (pun alert!) and is capable of going from cranked, lightly dirty amp tones to the sound of a furry Godzilla devouring a junkyard full of broken a/c window units.
It’s different than the original, which was based on the classic ’70s fuzzstortions we grew up playing. It’s different from our Haymaker™, which is a wide range drive pedal based around the rotation of a clipping network into different locations in the circuit, and which is intended to respond and feel like an extension of your amp. This pedal is really about rocking your socks off.
While it can do some extremely cool mild-to-medium crunch tones, Wave Cannon II is really capable of overwhelming your amp. The focus (mids) and tone controls are different from what we’ve done before and can give you a really broad range of textures and voicings. There is a LOT of gain and volume on tap, as we’d been infuriated in the past by great sounding classic distortion pedals we’ve owned that didn’t go far enough with clean amps, or were quieter than unity gain or the bypass signal. The rumble switch allows more low end if you want it, or lets you tighten things up if you don’t need it.
We care because we know you do. The innovative music industry companies of the 1970s and ’80s hand crafted products that could last forever, were easy to maintain, could survive the hazards of the road, and sounded great. Now, imagine if one of those companies opened a satellite office in Columbia, S.C. and never bothered to tell that office that they went out of business or decided to offshore everything. Your pedal is built by touring and former pros at our “small batch distortery” who are crazy about classic pedals and the great work of our competitors. That being said, we love ours even more. Everything we have designed and will design begins as something we wished was out there for our own setups. After a LOT of revising, it becomes worthy of yours.
We had a million reasons to decide against doing this, just like you have a million excuses not to rock out. The same bravery that motivated you to take up playing is what motivated us to start building our first prototypes. Like you, we believe in genuine rock and roll fun, danger, courage, passion, commitment, and the thrill of hearing and seeing what you have dared to dream made real. These are the values that we share with our customers, and we are committed to doing our part towards getting you the most out of that experience. The rest is up to you.
While we are often asked if our start-up will become a success, we believe that every pedal we get to make for our customers is a success. Our work is dreamed, designed, and created in Columbia, South Carolina. We are proud that every pedal is hand-wired here in the USA, and we are also proud to say that we are committed to top-notch customer service and getting you fired up to play music.
Caroline Guitar Company is a proud member of the USC/Columbia Technology Incubator. Since its inception in November 1998, the USCCTI has provided opportunities for entrepreneurs to commercialize their ideas, produced successful, financially viable and freestanding businesses, and created hundreds of additional jobs in the community.