Avid Pro Tools HD Omni  From Avid

Get the sound quality you’ve always wanted. With HD OMNI, you can connect your mics, instruments, line-level gear, and digital devices, capture every audio nuance they deliver in stunning clarity, and choose how you want to monitor your mix.

Avid

$2,995.00

"Experience the Difference"

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Manufacturer's Description from Avid

Track, mix, and monitor in one

No need to route signals through multiple interfaces—with HD OMNI, you can do everything in one single-space rack, so you save money and space. As the hub of any music studio, you can use HD OMNI to record high-quality instrument and vocal performances, while providing dedicated cue mixes for artists, and monitor the performance through a discrete mix. For post production, not only do you have overdub and Foley recording capabilities at your disposal, you can use HD OMNI to monitor mixes with up to 7.1 channels—and fold down mixes from 7.1 to almost any channel configuration subset.

 

Hear what you’ve been missing

Raising the bar on audio performance, HD OMNI features premium A/D and D/A converters, so you can achieve higher audio fidelity, extensive dynamic range, super-low jitter. and the absolute lowest possible latency in your sessions. You also get built-in sample rate conversion and a soft clip feature for worry-free performance. And using Curv, a new built-in soft-knee limiter that catches even the fastest transients, you can track hotter signals and be assured that any unexpected peaks in your input won’t put you in the red.

 

Full monitoring flexibility

Whether you want to listen in stereo or surround, monitor sound personally or set up a personal mix for someone else, or hear your work in headphones or on the big speakers, you can do it all with HD OMNI. Mix and monitor up to 7.1 surround (with fold down to stereo). Hear how your mix sounds on different speakers using the Main and ALT speaker selections. Set up an integrated cue mix for artists to monitor. Or isolate yourself with your own headphone mix. And if you don't feel like launching Pro Tools—or even turning on your computer—HD OMNI features a built-in, customizable, 14-input persistent monitor mixer, so you can continue to monitor external sources, such as keyboards, drum machines, and digital music players, independently from your recording setup.

 

Work with Pro Tools and more

HD OMNI and all other Pro Tools HD Series interfaces completely integrate with Pro Tools|HD, so you get maximum performance, dependability, and control of your inputs, outputs, routing, and monitoring right from your Pro Tools software interface. You'll also get higher production quality and greater workflow flexibility than with previous Pro Tools interfaces. And if you want to use your interface and Pro Tools|HD hardware with other DAW software, you can do that too, as all Pro Tools|HD systems support Core Audio and ASIO drivers.

Avid

About Manufacturer

From award-winning producers, of music and film, to producers of personal at home productions, Avid creates technology that people use for their music to be heard or videos to be seen on any platform. The shows, commercials, and news programs you watch on TV. The entertaining video and film stories you see on the web and on the big screen.  The personal audio and video treasures that people make at home to preserve their favorite moments in life. Avid has a myriad of products to fill your production needs.

Specifications

 

HD OMNI specifications

 

Analog Inputs

4

Analog Outputs

8

Mic / Instrument Inputs

4 (2 simultaneous inputs at a time)

Mic Pre Gain

65 dB

Headphone Output

1

Monitoring Formats

7.1, 7.0, 6.1, 6.0, 5.1, 5.0, QUAD, LCRS, LCR, 2.1, Stereo, Mono

Speaker Selection

2 sets

Persistent Mixer

14 input channels to 2 multichannel monitoring paths, each with its own fold-down configuration

AES/EBU I/O

2 × 8

AES Single-Wire (192 kHz)

Yes

S/PDIF I/O

2

ADAT I/O

8

AES/EBU I/O

2 × 8

AES Single-Wire (192 kHz)

Yes

S/PDIF I/O

2

ADAT I/O

8

S/MUX

S/MUX II and IV

SRC

S/PDIF I/O

Word Clock I/O

1 In + 1 Out

Loop Sync I/O

1 In + 1 Out

Curv

Yes

Soft Clip

Yes

Digital Interface

DigiLink Mini

Chassis

1U rack-mountable chassis

Mic Inputs

 

Frequency Response

20 Hz – 20 kHz (± .05 dB)

Gain Range

65 dB

EIN

-128 dB

THD+N

-107 dB (0.00045%)

CMRR

-93 dB

Line Inputs

 

Frequency Response

20 Hz – 20 kHz (± .03 dB)

Dynamic Range

118 dB (A-weighted)

THD+N

-111 dB (0.00028%)

Line Outputs

 

Frequency Response

20 Hz – 20 kHz (± .03 dB)

Dynamic Range

120 dB (A-weighted)

THD+N

-108 dB (0.00039%)

Line Output Level / Trim

+10 dBu or +24 dBu/-40dB to +10dB (0.1dB steps)

Headphone Outputs

 

Frequency Response

20 Hz – 20 kHz (± .03 dB)

Dynamic Range

118 dB (A-weighted)

THD+N

-107 dB (0.00045%)