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Avid MTRX HD Audio Interface - Base Unit  From Avid

The Highest Standard in Premium Studio-Quality Sound. Base Unit with 16-ch AES I/O, Coaxial MADI I/O Pair, 2 Mini-DigiLink Ports, Pro | Mon 2 Eucon Monitoring, and DADman Remote Control App



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Manufacturer's Description from Avid

Upgrade the quality of your music and audio post production with a versatile interface that delivers the most pristine sound possible. Designed for Pro Tools® | HDX, HD Native, and other pro audio systems, Pro Tools | MTRX offers the superior sonic quality of DAD’s legendary AD/DA converters, plus extensive, flexible routing and monitor control when used standalone or with Avid® Pro Mixing surfaces. And because the interface can be customized with the analog and digital I/O you need, you can connect your entire studio together to take on the largest, most demanding music and post productions with ease.


Developed in partnership with Digital Audio Denmark (DAD), Pro Tools | MTRX delivers the cleanest, most transparent AD and DA conversion of any audio interface. Capture audio without any coloring—exactly as the sources sound—and monitor your mix through the highest quality audio converters in the industry.


Pro Tools | MTRX comes with built-in I/O, including 64 MADI channels, 64 DigiLink™ channels, and 16 AES3 channels. But it’s also modular, enabling you to configure eight card slots with additional I/O to suit your workflow. From analog inputs, outputs, and high-quality mic pres, to Dante, MADI, DigiLink, AES3, 3G-SDI, and more, you have the connection versatility you need to support every music and audio post workflow.


In conjunction with Pro Tools | Ultimate and Pro Tools | HDX, Pro Tools | MTRX delivers the most comprehensive end-to-end solution for immersive audio, streamlining the entire workflow with less hardware, less complication, and lower costs. Connect a multi-card HDX system—or even a multi-workstation system—to a single MTRX interface and route all playback sources, stems, Dolby Atmos rendering, and monitoring outputs all through one 2U device.


Remotely control up to 48 mic pres and all monitoring directly from Pro Tools | Ultimate or any EUCON-enabled control surface. Pro Tools | MTRX puts complete monitoring, talkback, summing, and fold-down control at your fingertips, whether you’re mixing in stereo, surround, or immersive audio.



Not only does Pro Tools | MTRX expand the capabilities of your existing Pro Tools | HD system, it enables you to consolidate other single-format I/O and monitor interfaces taking up valuable space in your racks.


Pro Tools | MTRX enables you to route, split, and patch audio quickly and extensively, with a matrix capacity of up to 1,500 x 1,500 cross points. This digital patchbay lets you feed any input to any output, or even send audio to multiple outputs simultaneously, giving you nearly unlimited workflow possibilities.


With Pro Tools | MTRX, you can distribute audio between rooms and devices across your facility over Ethernet. Not only is Ethernet economical—especially where long cable runs are required—it allows for a more versatile workflow that leverages your existing Ethernet infrastructure.



♦ Capture and play back audio in the highest audio quality possible—up to 384 kHz PCM and DSD

♦ Configure all eight card slots with the analog and/or digital I/O you need

♦ Choose from a wide variety of I/O, including mic pres, Dante, MADI, AES3, and 3G-SDI

♦ Get the versatility you need to connect with the widest array of gear, devices, and environments

♦ Use as a 64-channel interface to Pro Tools | HD or standalone

♦ Gain flexible routing and monitoring control with the included DADman software and Pro | Mon 2

♦ Use one interface for multiple applications, including music recording, Dolby Atmos®, live sound, multi Pro Tools post workflows, monitor control, and more

♦ Remotely control up to 48 mic preamps per interface from both DADman and Pro Tools | S6

♦ Handle the largest productions from a single interface, with up to 1,088 Dante audio channels or 1,216 MADI channels

♦ Route one or more multi-card HDX systems to a single MTRX interface by adding one or more DigiLink I/O Cards

♦ Configure your monitor section as you need it with multiple speaker sets

♦ Build custom fold-down templates to instantly switch between monitor formats

♦ Sum stems and sources to feed monitor outputs using Pro | Mon as a 256 x 32 summing mixer

♦ Switch multichannel audio formats for the project at hand, from stereo and 7.1, up to 64-channel Dolby Atmos

♦ Get a quick glimpse into your signal status and session activity on the front-panel display




About Manufacturer

From award-winning producers, of music and film, to producers of personal at home productions, Avid creates technology that people use for their music to be heard or videos to be seen on any platform. The shows, commercials, and news programs you watch on TV. The entertaining video and film stories you see on the web and on the big screen.  The personal audio and video treasures that people make at home to preserve their favorite moments in life. Avid has a myriad of products to fill your production needs.


AES/EBU I/O Eight AES pairs (16 mono) via two D25 connectors

MADI I/O Coaxial interface with 64 I/O channels via BNC connectors

Option card slots Eight available for I/O customization (see options below); up to six slots can be used to mix and match analog

(AD/DA) cards, providing up to 48 analog channels per MTRX interface

System sync Word Clock/video black burst (VBB) I/O via BNC connectors; AES11 input

Pro Tools interface Two 32-channel DigiLink Mini connectors (64 channels total)

Sample rate Supports 44.1 kHz–384 kHz, as well as DSD 64/DSD 128 with high precision internal clock and PLL

Power Dual power supplies (internal)

Chassis 2U 19-inch rack-mountable unit (482.6 mm)

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