Tim Pierce's Top 5 Guitars by Tom Anderson
In this video, legendary session guitarist Tim Pierce presents 5 of his favorite Tom Anderson guitars!
Monstrous Anderson Cobra with P90s that push your tone into Paradise!
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Condition: Used, Excellent
SP Luthier Notes: Some of the frets were coming out of the fretboard, and our luthier reseated them and glued them into place. All of the frets were polished, recrowned and leveled. The truss rod and bridge were fully adjusted. No further work was required.
Immerse yourself in the captivating charm of the Cobra S, a guitar that's not just an instrument, but a sonic adventure waiting to unfold! Its stunning Flame Maple top on Okoume body, finished in a vibrant Teal WakeSurf with Binding, promises a visual feast, while the transparent light brown back adds a touch of classic elegance. This isn't merely a purchase; it's an investment in unparalleled craftsmanship. Our expert luthier meticulously reseated, polished, recrowned, and leveled the frets, ensuring supremely playable perfection. With its Mahogany neck and Rosewood fingerboard, smooth Happy Medium back shape, and a pair of powerful PQ1 PQ3 pickups, this Cobra S is a truly unique specimen, rock solid and ready to roar. Experience the exquisite playability and rich, articulate tones of this magnificent machine—it absolutely sings!
Cobra and Coba S have been an Anderson favorite for a long time now. In 1996, Cobra S took its rightful place alongside the renown Cobra, to add the same Cobra crush to the "S" body style. Taking over the (musical) world with an "S" just got a lot easier. Cobra S is:Short Scale - 24 3/4-inch strings length.
Focused mids, easier reaching and bending.Mahogany Construction: a powerful mahogany foundation of body and neck backs up all Cobra S has to say with midrange muscle.Sleek and svelte, non pickguard "S" delineation.
Twin P90s - other Anderson pickup options available as well. Simple and versatile switching to access all viable sounds available. Bridge - fully functional vintage-type tremolo or fixed bridge, both with string-through-the-body design for increased saddle tension, offering low-end vibrancy and a bit of a bite, tonally speaking.
As we have said for over 28 years (and that's longer than Leo Fender was at Fender), “We are a small American Company dedicated to creating the world's finest feeling, playing and sounding electric guitar—period!”
Also, we love it when our guitars look good—
and they certainly do that—but, without sacrificing any playability or sonic depth. That's one of the keys: no frills or trendy gismos before tone and flawless function.
Everything has to flow with excellence and grace—all working in “concert” for the whole, bringing forth the best playing experience imaginable.
With great honor and reverence to traditions of the past, we want your new Anderson Guitar to be your best guitar, by far—no comparison.
How it's done:
We can maximize all of these desirable attributes by not making giant hordes of guitars but by making a smaller number and taking the time to do it all just right.
Each and every guitar is a special individual to us because we are making each and every guitar for a very special individual—you.
With this process, all details of every guitar gets the attention it, and you, deserve—from start to finish—no exceptions—whether you're Keith Richards or you're not Keith Richards—it's all good.
Everyone is equally important.
Isn't that the way it should be?
Just a few of the many Anderson assets include:
Necks: carved to your specifications (one of our 14+ available neck shapes) and then allowed to acclimate to the environment in their new form for a month (at least, no rushing here either) before the precision fingerboard radius is finalized and your choice of Anderson stainless steel frets installed.
The result is a neck of unparalleled stability and playability.
Stainless Steel frets:
Each body and neck are specifically made for one another and then precisely “fit” together.
A–Wedgie neck joint is vastly superior, sonically as well as structurally.
(You will have to smash the body to bits to move this neck out of position—certainly not recommended—although we did have one whose girlfriend tried this out in the streets of New York. Even though the body was in two pieces, the neck and body were still in perfect alignment. Really makes you love getting A–Wedgie—the Anderson kind, of course. And because A–Wedgie is a revolutionary bolt–on design, parts could be replaced and the guitar ended up as good as new.)
Finishes:
Paint is meticulously applied—a proprietary ultraviolet light process that always yields an ultra thin and breathable finish so the instrument's resonance is never impaired but always imparted.
Hardware is hand selected and many parts are Anderson–modified and assembled to insure superior function in every way. There are no compromises here either. Want some for instances:
Our vintage tremolo bridge is assembled in-house from four different, specially selected components for superior function, tone and feel.All Bigsby bridges are modified and play wonderfully in tune. You can jump on this like a diving board.Each and every Floyd Rose bridge is individually radius-calibrated to perfectly match neck radius.Tuner buttons are specifically selected to give a vintage look while underneath is a high level tuning machine.
Anderson Advantage: Twin Rear Strap Buttons ensure your guitar will not topple over during a quick break in your playing action, while equally comfortable to strap on with greater adjustment.
The process is such a fun one here at Anderson Guitarworks:
We spend countless hours listening, testing, and playing our instruments and our pickups (we really do this, and we like it…a lot).
The process begins with the creation of the most precise and comfortable bodies and necks possible. We accomplish this by choosing only the finest and most beautiful woods from select lumber mills. Our design and manufacturing process utilizes the best of both old and new world craftsmanship. Ground breaking computer-aided technology is used to achieve the most exacting tolerances found in the guitar industry, while the fine-detail woodwork and beautiful finish-sanding are done by the hands of a master.
Guitar Model: Cobra S
Body Wood: Flame Maple Top on Okoume
Body Finish: Teal WakeSurf with Binding, Transparent Light Brown Back
Finishing Options: Gloss: Beautiful High Gloss Finish
Neck Wood: Mahogany, Rosewood Fingerboard
Neck Finish: Satin Natural Headstock, Satin Natural Back, Custom Light (Surf) Green Logo
Neck Back Shape: Happy Medium
Nut Width: 1 11/16-inch
Frets: Medium-Jumbo
Hardware Color: Chrome
Bridge: Vintage Tremolo
Pickups: PQ1 PQ3
Switching: 5-Way for 2 pickups: 3 = Series, Split
Strings: .010-.046 Elixir® Strings
Buzz Feiten Tuning System: Yes
In this video, legendary session guitarist Tim Pierce presents 5 of his favorite Tom Anderson guitars!