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Coles 4038 Ribbon Microphone, from Coles

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Coles 4038 Ribbon Microphone
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Coles 4038 Ribbon Microphone

The most well known Ribbon microphone in existance

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IN STOCK! Ships immediately after order processed!

1 Similar Version(s) In Stock to choose from

Retail Price (MSRP): $1,495.00

$1,399.00

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Ribbecke Halfling sn 1089 Archtop Guitar > Henriksen JazzAmp 10R Guitar Amplifier Combo > Coles 4038 Ribbon Microphone > AEA TRP Stereo Ribbon Microphone Preamp > Apogee Digital Rosetta 800 8 Channel A/D/A

Description:

Tom Ribbecke Halfling guitar played into Henriksen JazzAmp 10R(all EQs 12pm, Reverb 11am) mic'd with Coles 4038 into AEA TRP preamp feeding Apogee Rosetta 800.

Tom Ribbecke Halfling guitar played into Henriksen JazzAmp 10R(all EQs 12pm, Reverb 11am) mic'd with Coles 4038 into AEA TRP preamp feeding Apogee Rosetta 800. (view less)

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Ribbecke Halfling sn 1089 Archtop Guitar > Henriksen JazzAmp 10R Guitar Amplifier Combo > Coles 4038 Ribbon Microphone > AEA TRP Stereo Ribbon Microphone Preamp > Apogee Digital Rosetta 800 8 Channel A/D/A

Description:

Tom Ribbecke Halfling guitar played into Henriksen JazzAmp 10R(all EQs 12pm, Reverb 9am) mic'd with Coles 4038 into AEA TRP preamp feeding Apogee Rosetta 800.

Tom Ribbecke Halfling guitar played into Henriksen JazzAmp 10R(all EQs 12pm, Reverb 9am) mic'd with Coles 4038 into AEA TRP preamp feeding Apogee Rosetta 800. (view less)

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Description:

Nash TC-72 electric guitar(bridge pickup) played into Victoria Amps Victoriette(reverb 4, bass 4, treble 9, volume 12) mic'd with Peluso VTB into Chandler Germanium preamp(2 feet off) & Coles 4038 into A Designs MP-2A preamp(8 inches off) feeding Lynx Aurora 8.

Nash TC-72 electric guitar(bridge pickup) played into Victoria Amps Victoriette(reverb 4, bass 4, treble 9, volume 12) mic'd with Peluso VTB into Chandler Germanium preamp(2 feet off) & Coles 4038 into A Designs MP-2A preamp(8 inches off) feeding Lynx Aurora 8. (view less)

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Description:

Nash TC-72 electric guitar(neck pickup) played into Victoria Amps Victoriette(reverb 4, bass 6.5, treble 6.5, volume 4) mic'd with Peluso VTB into Chandler Germanium preamp(2 feet off) & Coles 4038 into A Designs MP-2A preamp(8 inches off) feeding Lynx Aurora 8.

Nash TC-72 electric guitar(neck pickup) played into Victoria Amps Victoriette(reverb 4, bass 6.5, treble 6.5, volume 4) mic'd with Peluso VTB into Chandler Germanium preamp(2 feet off) & Coles 4038 into A Designs MP-2A preamp(8 inches off) feeding Lynx Aurora 8. (view less)

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Ribbecke Halfling sn 1089 Archtop Guitar > Henriksen JazzAmp 10R Guitar Amplifier Combo > Coles 4038 Ribbon Microphone > AEA TRP Stereo Ribbon Microphone Preamp > Apogee Digital Rosetta 800 8 Channel A/D/A

Description:

Tom Ribbecke Halfling guitar played into Henriksen JazzAmp 10R(all EQs 12pm, Reverb 9am) mic'd with Coles 4038 into AEA TRP preamp feeding Apogee Rosetta 800.

Tom Ribbecke Halfling guitar played into Henriksen JazzAmp 10R(all EQs 12pm, Reverb 9am) mic'd with Coles 4038 into AEA TRP preamp feeding Apogee Rosetta 800. (view less)

What we think:


A modern and historic favorite among ribbon microphones, the Coles 4038 is still manufactured with the same quality that it has been manufactured with for 40 years. Characterized by it's incredibly smooth sound reproduction, the 4038 has become a massive favorite with famous recording engineers for everything from rock and roll applications like drum overheads, and electric guitars, to jazz applications including brass and upright bass, to classical orchestral applications. It is one hell of a great sounding and versatile classic ribbon mic. The microphones ship with their foam lined hard-plastic case, the XLR/standmount adapter, and the velet "Crown-Royal" style microphone bag. Most buy these in factory pairs, so be sure and consider that option.

Check out the New Coles 4038 Sound Clip at the bottom of this page from the Recent Ribbon Microphone Shoot Out!

Specs:

Features Substantially flat frequency response from 30 to 15,000 c/s Extremely low (non-linear) distortion Exceptionally low hum pick-up Bi-directional (figure of eight) polar curve shape accurately maintained in both horizontal and vertical planes Excellent transient response Natural clear balanced response to sound signal Body shape to enhance acoustic performance Clear natural high fidelity sound reproduction Smooth sonic textured response 4038 High Fidelity Pressure gradient transducer ribbon microphone Ribbon Low mass damped ribbon to control transient response Polar Response Bi-directional Magnetic Fields By use of hum neutralising wiring and magnetic shielding of the toroidal ribbon to line transformer 30 to 40 dB reduction is achieved in response to stray disturbing magnetic fields Frequency Response 30 Hz to 15,000 Hz All microphones factory tested in free field conditions Impedance 300 ohm Sensitivity -65 dB W.R.T. IV/Pa Distortion Less than 1% at 125 dB SPL Connection By means of 4069 3 pin jack plug. Pin 1 positive - Pin 2 negative - Pin 3 screen Body Housing Made of heavy gauge perforated brass backed by finely woven monel mesh. Rotating hinge connection allows microphone to tilt through 90? and turned in any direction when either suspended or free standing Dimensions 7?" (197 mm) x 3?" (83 mm) x (61 mm). Weight 2 lb. 6 oz. (1.08 Kg). Finish Black stove enamel textured paint Packaging Each microphone comes in a foam lined rigid plastic carrying case with 4069 jack plug, and soft cloth protective bag, for safe keeping. Accessories 4071B Mic to stand adaptor with XLR 4069 to XLR 4072 Antivibration mic to stand adaptor Soft cloth protective bag Foam lined rigid plastic carrying case

Description:


The 4038 Studio Ribbon Microphone is of British Broadcasting design (BBC) and used for broadcasting and recording such sounds where a clear smooth wide range frequency response, absent of transient distortion and relatively high sensitivity is essential.

The 4038 has a proven reliable performance capability, being since its introduction, used by broadcasting networks throughout the world such as the BBC.

The frequency response of the 4038 is exceptionally flat from 30 to 15,000 c/s and throughout this range the shape of the bi-directional (figure of eight) polar response is maintained substantially constant both in the horizontal and vertical planes, giving a natural smooth sonic quality textured response to sound signal being picked up.

Studio microphones have now achieved a remarkable fidelity of reproduction. If the microphone is not close to perfection, there is no point in having expensive systems to take the sound the rest of the way to the audience's ears.

In the world of sound, the BBC has always been the leader, and is still regarded as the 'setter of standards'.

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