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Royer Labs R-121 Ribbon Microphone, from Royer

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Royer Labs R-121 Ribbon Microphone
Royer Labs R-121 Ribbon Microphone Royer Labs R-121 Ribbon Microphone Royer Labs R-121 Ribbon Microphone

The R-121 gives all of the warmth and natural sound that experienced engineers have long turned to ribbon mics for, but in a compact, light-weight, high output and tough-as-nails package that was unheard of in a ribbon mic before the R-121.

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This blind Ribbon Microphone shootout features the Shure KSM 313, Royer R121, Coles 4038, and AEA R84 - all four of which are eligible for our three-year extended warranty. In addition to providing au...

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This blind Ribbon Microphone shootout features the Shure KSM 313, Royer R121, Coles 4038, and AEA R84 - all four of which are eligible for our three-year extended warranty. In addition to providing audio clips of each microphone, we explain the importance of mic placement during more precise A/B comparisons. If you'd like the results of the shootout and full length hi-res audio clips, want to set up a demo period with one of the mics, or just want to talk more about gear or plan your next studio upgrade, feel free to shoot us a quick email at mics@soundpure.com or give us a call at anytime. Thanks for watching!

Royer 101 and Royer 121 Comparison Demo at Sound Pure Studios

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This Royer Labs 121 Ribbon Microphone and Royer 101 mic video demonstration compares and contrasts some of the differences between the two microphones on an electric guitar amplifier. Jason Richmond, ...

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This Royer Labs 121 Ribbon Microphone and Royer 101 mic video demonstration compares and contrasts some of the differences between the two microphones on an electric guitar amplifier. Jason Richmond, SoundPure Studio's head engineer, discusses the differences between the tones, frequency spectrums, and possible applications. The Royer 101 is great for live applications as well as studio applications. Thanks to Guitarist Scott Sawyer for his great playing. Call SoundPure today to learn more about these great ribbon microphones, or to learn about techniques and other great gear that we carry. 919.682.5552. or 888.528.9703.

Lowden F32 Acoustic Guitar Demo Royer R121 Ribbons, AEA RPQ

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Royer R121 Ribbon microphones capture a gorgeous George Lowden F32 Acoustic guitar featuring Sitka Spruce Top with Indian Rosewood backs and sides. It is recorded using a spaced matched pair of Royer ...

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Royer R121 Ribbon microphones capture a gorgeous George Lowden F32 Acoustic guitar featuring Sitka Spruce Top with Indian Rosewood backs and sides. It is recorded using a spaced matched pair of Royer R121 Ribbon Microphones (reversed), through an AEA RPQ Ribbon Microphone Preamp with polarity reversed, and EQ shelf engaged. Royer R121s are a world standard ribbon mic, most famous for recording electric guitar amps, but in this demo, their versatility is demonstrated impressively with an acoustic guitar (not your typical ribbon microphone choice). They were perfectly paired with one of the most ideal preamps, an AEA RPQ which has the just the right amount of tonal/EQ control, which we used to dial in the traditional fall-off of a ribbon microphone in the high frequency area by boosting 50% at 6Khz. This result gave us a really natural interpretation of the guitar, which was beautifully captured by the microphones, just a little lacking in top-end presence. While the ribbons have a smooth character which can take quite a bit of EQing, and this preamps EQ shelf is wonderfully transparent in nature, the two combined to produce an accurate sound of this instrument- it is an articulate, harmonically complex medium-bodied guitar with extraordinary punch and sustain. Another George Lowden Acoustic Guitar masterpiece. Call us at Sound Pure anytime to discuss this guitar, our recording techniques, or the recording gear that we sell, toll free 888-528-9703

Recording Electric Guitar - Session 4 Microphone Placement with Ross Hogarth

  • Products used:
    • Royer Labs R-121 Ribbon Microphone
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Grammy Award winning Producer/Engineer Ross Hogarth explains his critical microphone positioning technique using a Royer R-121 and Shure SM57 on a guitar cab.

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Grammy Award winning Producer/Engineer Ross Hogarth explains his critical microphone positioning technique using a Royer R-121 and Shure SM57 on a guitar cab.

Recording Electric Guitar with Ross Hogarth & Tim Pierce - Session 1

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Producer/Engineer Ross Hogarth and session guitarist Tim Pierce demonstrate blending a Royer Labs R-121 ribbon microphone with a Shure SM57 dynamic mic on electric guitar.Divided by 13 amplifier into ...

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Producer/Engineer Ross Hogarth and session guitarist Tim Pierce demonstrate blending a Royer Labs R-121 ribbon microphone with a Shure SM57 dynamic mic on electric guitar.Divided by 13 amplifier into a Marshall 4-12 cabinet.

Description:

Released in 1998, the award-winning R-121 is our flagship microphone; the world's first radically reengineered ribbon microphone and the model that reintroduced ribbon mics to engineers around the world. We did away with the large, heavy, fragile "classic" approach to ribbon microphones and went in a completely new direction. The R-121 gives all of the warmth and natural sound that experienced engineers have long turned to ribbon mics for, but in a compact, light-weight, high output and tough-as-nails package that was unheard of in a ribbon mic before the R-121. In its 10+ years in the market, thousands of R-121's have been sold around the world and it's well established as a standard for tracking electric guitar and brass.

The R-121 accurately reproduces what you hear at the sound source. Most microphones add their own characteristics; some have hyped highs and lows with scooped out mids, some are extremely sizzly in the highs, some accentuate midrange, some respond to nothing but low end... They all serve a purpose and have their place in the studio. But if your goal is to capture something the way it really sounds - that unbelievable electric guitar, that wailing trumpet, that full kit - and you've found that recording that sound was next to impossible, put up an R-121 and get ready. The R-121's response is flat and well balanced, with a deep, non-boomy low end, well defined and realistic mids, and a smooth and natural sounding high end response that's never edgy or sibilant.

When it's time to mix, push up the faders on your ribbon-recorded tracks and you'll see why so many of today's engineers rely on R-121's. When your tracks sound real, fitting them into the mix is a breeze.

On playback you'll find the sound is natural and alive, with a panoramic, ambient feel much like what you heard when you were standing in the room with the instruments(s) you were recording.

The R-121 redefined ribbon microphones so completely that Recording Magazine wrote "...the Royer R-121 is destined to become one of the classic microphones of the 21st century."

Like many of the best classic ribbon mics, the R-121 has a figure-8 pattern, output level comparable to a dynamic mic, and a warm, realistic tone and flat frequency response. But that's where the similarities end. By using advanced materials and a blend of cutting edge and old-school, hand-build construction techniques, the R-121 is an extremely versatile and user-friendly ribbon mic that can stand up to the most demanding tasks. Cranked up electric guitars, close up brass, drums - you name it, the R-121 will help you record it with realism you have to hear to believe.

The R-121's maximum SPL rating is 135dB at 20 Hz and it can handle that for years. In practical terms, that means you can put your R-121 directly in front of a souped up 100-watt Marshall and open it up without microphone distortion or damage to the ribbon. We don't recommend trying this with other ribbon mics, but the R-121 was built to take it.

We build the R-121 solid enough to give it a lifetime warranty. We expect you to own it for as long as you record, and we'll stand behind it the whole way.

The R-121's proprietary offset ribbon transducer (Patent # 6,434,252) is the first of its kind, positioning the ribbon element closer to the front (logo) side of the microphone. This arrangement gives the ribbon more room to move within the prime magnetic field while maintaining full frequency response during high SPL recordings. It's an integral piece of the magic of all Royer R-series microphones.

At distances of three feet and closer, the back of the R-121 records slightly brighter than the front side. This can be extremely useful when recording acoustic guitars, vocals, and other sound sources that you may need a slightly brighter response on.

 

Features

  • High SPL Capabilities

  • No internal active electronics to overload or produce distortion up to maximum SPL rating

  • Extremely low residual noise

  • Ribbon element is not affected by heat or humidity

  • Absence of high frequency phase distortion

  • Equal sensitivity from front or back of element

  • Consistent frequency response regardless of distance

 

Applications

  • Electric Guitar Amps

  • Brass Instruments

  • Horn Sections

  • Drum Rooms

  • Kick Drum

  • Woodwinds

  • Percussion Instruments

  • Acoustic Piano

  • Acoustic Guitar

  • String Instruments & Sections

  • Choirs & Orchestras

  • Commercial Broadcast

Specs:

  • Acoustic Operating Principle: Electrodynamic pressure gradient

  • Polar Pattern: Figure-8

  • Generating Element: 2.5-micron aluminum ribbon

  • Magnets: Rare Earth Neodymium

  • Frequency Response: 30 -15,000 Hz +/- 3dB

  • Sensitivity: -50 dBv Re. 1v/pa

  • Output Impedance: 300 Ohms @ 1K (nominal)

  • Rated Load Impedance: >1500 Ohms @ 300 Ohms

  • Maximum SPL: >135dB @ 20 Hz

  • Output Connector: Male XLR 3 pin (Pin 2 Hot)

  • Dimensions: 155.7mm L, 25mm W (6.13" L, 1" W) Weight: 244g (8.6 oz) Finish: Dull Satin Nickel/Matte Black Chrome optional

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