AEA R92 Ribbon Microphone | R 92

John Buscarino Discussing the Corey Christiansen Guitar (HD)

Products used:

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Master Luthier John Buscarino discusses the awesome Corey Christiansen Guitar at Sound Pure. Also hear sound clips and view hi-res photos of the guitar available at Sound Pure. Played through a Victo...

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Master Luthier John Buscarino discusses the awesome Corey Christiansen Guitar at Sound Pure. Also hear sound clips and view hi-res photos of the guitar available at Sound Pure. Played through a Victoria 20112.

Fulltone Full Drive 2 Mosfet Pedal Demo at Sound Pure

Products used:
- Fulltone Full Drive 2 Mosfet Pedal
- Fargen Blackbird 20W Guitar Amplifier Combo
- Heil PR-30 Microphone
- AEA R92 Ribbon Microphone
- A Designs EM RED 500 series Preamp
- Lynx Aurora 16 I/O D/A and A/D Converter

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The Fulltone Full Drive 2 Mosfet Pedal - Chosen by Guitar Player Magazine as one of the all-time top 50 effects ever. Demoed by Chris Boerner playing a Stevenson Pop Classic Custom Future Guitar, ou...

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The Fulltone Full Drive 2 Mosfet Pedal - Chosen by Guitar Player Magazine as one of the all-time top 50 effects ever. Demoed by Chris Boerner playing a Stevenson Pop Classic Custom Future Guitar, out of a Fargen Blackbird 20 Watt Amp at Sound Pure Studios.

Fulltone Catalyst Pedal Demo at Sound Pure

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In the Sound Pure Studio, we take a Look at the brand new Fulltone Catalyst and it's awesome features, including fuzz, clean boost, distortion, the Flame/Spark switch and much more.

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In the Sound Pure Studio, we take a Look at the brand new Fulltone Catalyst and it's awesome features, including fuzz, clean boost, distortion, the Flame/Spark switch and much more.

Fulltone Robin Trower Overdrive with a Melancon Pro Artist Aqua

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Fulltone Robin Trower Signature Overdrive Pedal played by Chris Boerner on a Melancon Pro Artist Aqua out of a Bad Cat Panther Combo Amp.

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Fulltone Robin Trower Signature Overdrive Pedal played by Chris Boerner on a Melancon Pro Artist Aqua out of a Bad Cat Panther Combo Amp.

Fulltone Effects Mini Deja Vibe Pedal Demo - With Gadow Custom Setneck HB

Products used:

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The Mini Deja Vibe gives that vintage Leslie sound, never captured perfectly in a new pedal until Fulltone Custom Effects tried their hand and created this little wonder. Played by Chris Boerner on...

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The Mini Deja Vibe gives that vintage Leslie sound, never captured perfectly in a new pedal until Fulltone Custom Effects tried their hand and created this little wonder. Played by Chris Boerner on a Gadow Custom Setneck HB out of a Mojave Coyote Amp in Sound Pure Studios.

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speed demon electric guitar

(click to download)

Melancon Master Artist 03-1294 Electric Guitar > Mojave Ampworks Scorpion Head Guitar Amplifier > Mojave Ampworks 2x12 Guitar Speaker Cabinet Ceramic > AEA R92 Ribbon Microphone > Vintech Audio X73i (Neve 1073) Pre/EQ > Heil PR-40 Microphone > A Designs Pacifica Stereo Preamp > Neumann U87ai Microphone w/ Peluso Shockmount > A Designs EM RED 500 series Preamp > Apogee Digital Rosetta 800 8 Channel A/D/A

Description:

Melancon Master Artist electric guitar played into Mojave Ampworks Sidewinder Head(tone 10, bass volume 6, treble volume 10, high sense, mid on) to Mojave Ampworks 2x12 Cabinet Ceramic mic'd with AEA R92 into Vintech-Audio X73i preamp & mic'd with Heil PR 40 into A Designs Pacifica preamp & mic'd with Neumann U87ai into A Designs Red preamp feeding Apogee Rosetta 800.

Melancon Master Artist electric guitar played into Mojave Ampworks Sidewinder Head(tone 10, bass volume 6, treble volume 10, high sense, mid on) to Mojave Ampworks 2x12 Cabinet Ceramic mic'd with AEA R92 into Vintech-Audio X73i preamp & mic'd with Heil PR 40 into A Designs Pacifica preamp & mic'd with Neumann U87ai into A Designs Red preamp feeding Apogee Rosetta 800. (view less)

all the way up electric guitar

(click to download)

Melancon Master Artist 03-1294 Electric Guitar > Mojave Ampworks PLexi 45 2X12 Guitar Combo Amplifier > Heil PR-40 Microphone > Vintech Audio X73i (Neve 1073) Pre/EQ > AEA R92 Ribbon Microphone > A Designs EM RED 500 series Preamp > Neumann U87ai Microphone w/ Peluso Shockmount > Presonus ADL 600 Stereo Tube Mic Preamp > Apogee Digital Rosetta 800 8 Channel A/D/A

Description:

Melancon Master Artist electric guitar played into Mojave Plexi 45 2X12 ceramic combo(volume all the way up) mic'd with Heil PR-40 into Vintech X73i, AEA R92 into A Designs EM RED preamp & Neumann U87 into Presonus ADL 600 preamp feeding Apogee Rosetta 800.

Melancon Master Artist electric guitar played into Mojave Plexi 45 2X12 ceramic combo(volume all the way up) mic'd with Heil PR-40 into Vintech X73i, AEA R92 into A Designs EM RED preamp & Neumann U87 into Presonus ADL 600 preamp feeding Apogee Rosetta 800. (view less)

swelling Arpeggiated electric guitar

(click to download)

Melancon Master Artist 03-1294 Electric Guitar > Mojave Ampworks PLexi 45 2X12 Guitar Combo Amplifier > Heil PR-40 Microphone > Vintech Audio X73i (Neve 1073) Pre/EQ > AEA R92 Ribbon Microphone > A Designs EM RED 500 series Preamp > Neumann U87ai Microphone w/ Peluso Shockmount > Presonus ADL 600 Stereo Tube Mic Preamp > Apogee Digital Rosetta 800 8 Channel A/D/A

Description:

Melancon Master Artist electric guitar (volume knob swell) played into Mojave Plexi 45 2X12 ceramic combo mic'd with Heil PR-40 into Vintech X73i, AEA R92 into A Designs EM RED preamp & Neumann U87 into Presonus ADL 600 preamp feeding Apogee Rosetta 800.

Melancon Master Artist electric guitar (volume knob swell) played into Mojave Plexi 45 2X12 ceramic combo mic'd with Heil PR-40 into Vintech X73i, AEA R92 into A Designs EM RED preamp & Neumann U87 into Presonus ADL 600 preamp feeding Apogee Rosetta 800. (view less)

lead channel grunge electric guitar bridge pickup

(click to download)

McNaught Phoenix Rising sn 0706377 Electric Guitar > Rivera Knucklehead-Tre 120 Top Guitar Amplifier Head > Bad Cat 4x12 Speaker Cabinet Blk Os > Sennheiser MD 421 II Microphone > A Designs Pacifica Stereo Preamp > AEA R92 Ribbon Microphone > AEA TRP Stereo Ribbon Microphone Preamp > Apogee Digital Rosetta 800 8 Channel A/D/A

Description:

McNaught Phoenix Rising electric guitar(bridge pickup) played into Rivera Knucklehead-Tre Head(lead channel, clean rhythm, guitar volume up, bass 3, mid 10, treble 5, gain 5, presence 8, foundation 4) into Bad Cat 4x12 Cabinet mic'd with Sennheiser MD 421 II into A Designs Pacifica preamp & AEA R92 into AEA TRP preamp feeding Apogee Rosetta 800.

McNaught Phoenix Rising electric guitar(bridge pickup) played into Rivera Knucklehead-Tre Head(lead channel, clean rhythm, guitar volume up, bass 3, mid 10, treble 5, gain 5, presence 8, foundation 4) into Bad Cat 4x12 Cabinet mic'd with Sennheiser MD 421 II into A Designs Pacifica preamp & AEA R92 into AEA TRP preamp feeding Apogee Rosetta 800. (view less)

swelling Arpeggiated electric guitar

(click to download)

Melancon Master Artist 03-1294 Electric Guitar > Mojave Ampworks PLexi 45 2X12 Guitar Combo Amplifier > AEA R92 Ribbon Microphone > A Designs EM RED 500 series Preamp > Apogee Digital Rosetta 800 8 Channel A/D/A

Description:

Melancon Master Artist electric guitar played into Mojave Plexi 45 2X12 ceramic combo(volume knob swell) & mic'd with AEA R92 into A Designs EM RED Mic preamp feeding Apogee Rosetta 800.

Melancon Master Artist electric guitar played into Mojave Plexi 45 2X12 ceramic combo(volume knob swell) & mic'd with AEA R92 into A Designs EM RED Mic preamp feeding Apogee Rosetta 800. (view less)

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Specs:

Specifications:

* Polar Pattern: Native bidirectional (figure-eight)

* Frequency Response: 20 Hz to 18 kHz (+/- 3 dB)

* Maximum SPL: >135 dB SPL (C-weighted fast)

* Output Sensitivity: > -55 dBv/Pa

* Output Impedance: 270 ohms nominal

* Recommended Load: 1.2 K ohm or greater

* Powering: Not required or recommended

* Polarity: Pin 2 high

* Connector: XLR-3M wired to a 2 meter captive cable

* Includes durable plastic case with foam interior

* Operating manual for proper care and usage.

Transducer element

* Ribbon Thickness: 1.8 microns ( .0000018 meter ) of pure aluminum

* Ribbon Width: 4.7 mm

* Ribbon Length: 59.7 mm

Limited Warranty:

* One year parts and labor, shipping not included.

Description:

In the past few years AEA's acclaimed R84 Ribbon Microphone has become a new studio standard. Now AEA has once again expanded the sonic possibilities of ribbon mics with the R92 Ribbon Microphone. Reduced proximity bass boost and excellent wind blast protection make it suitable for close micing (6-12 inches) of guitar amps, vocals, percussion, etc. In addition, the smooth high frequency response of the R88 transducer has been further extended in the R92, making the R92 a unique voice in the world of ribbon mics.

AEA has designed the R92 to have slightly different tones on the front and rear pickup lobes of the microphone. The front lobe of the R92 is the "crisp" side, offering exceptionally clean and realistic high end detail. The rear lobe is the "smooth" side, which has a bit of classic ribbon high end rolloff that can help to handle harsh transients in a very refined and flattering way. Just like its bigger brothers in AEA's LRGTM microphone series, the bass reproduction of the R92 is very solid and extended to the lowest audible bass frequencies.

The R92 is designed with an integral elastic shock mount, featuring a unique mounting system that allows excellent flexibility of mic positioning. The mic ships with a two meter cable and a durable plastic carrying case.

AEA's Matt Ashman comments about the R92: 'We designed it to have a very full range sound, and to capture it all with a minimum of resonance artifacts for the ultimate in realism. It's perfect for getting FAT guitar sounds with a present and clean high end."