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87-Style Female Vocal Mic Shootout: Neumann U87Ai vs Warm Audio WA87 vs Peluso P87, Quick n' Dirty

Also in this recording Neumann U87Ai Microphone Neumann U87Ai Set Z Microphone Peluso P87 Multi-Pattern Solid State Microphone Warm Audio WA-87 Condenser Microphone Millennia HV-3R Digital 8 Channel Mic Preamp

In this video we present an 87-style microphone shootout on female vocals using the Warm Audio WA87, the Neumann U87Ai, and the Peluso P87. Can you tell which one's which? If you are interested in hearing the results and... Read more

In this video we present an 87-style microphone shootout on female vocals using the Warm Audio WA87, the Neumann U87Ai, and the Peluso P87. Can you tell which one's which? If you are interested in hearing the results and/or getting ahold of the audio files from this shootout, give us a shout, we'd love to hear from you!

Warm Audio WA87 Condenser Microphone Quick n' Dirty

Also in this recording Warm Audio WA-87 Condenser Microphone

In this video, Sound Pure pro audio specialist Chuck Giardino runs us through the Warm Audio WA87 Condenser Microphone, and we hear some demo clips of this mic in action on acoustic guitar and vocals.

87-Style Mic Shootout: Warm Audio WA87 vs Neumann U87Ai vs Peluso P87

Also in this recording Warm Audio WA-87 Condenser Microphone Peluso P87 Multi-Pattern Solid State Microphone Neumann U87Ai Microphone Millennia HV-3R Digital 8 Channel Mic Preamp

In this video we present an 87-style microphone shootout on acoustic guitar and vocals using the Warm Audio WA87, the Neumann U87Ai, and the Peluso P87. Can you tell which one's which? If you are interested in hearing th... Read more

In this video we present an 87-style microphone shootout on acoustic guitar and vocals using the Warm Audio WA87, the Neumann U87Ai, and the Peluso P87. Can you tell which one's which? If you are interested in hearing the results and/or getting ahold of the audio files from this shootout, give us a shout, we'd love to hear from you!

From Warm Audio

Coming this December...

The classic ‘87 is arguably the most widely-used large diaphragm condenser microphone in pop recording history.  Rather than base our WA-87 circuit on current incarnations of this mic, we decided to closely follow the early circuit designs that date back nearly half a century.  As is true with many classic microphones, engineers who have worked with different versions of these microphones often prefer the warmer, more forgiving nature of the earlier commercially available models.  The desire to re-introduce the warm tone of this classic mic at an affordable price to an all new generation of recording artists was the inspiration behind the WA-87.

Quality components make a better mic.

The WA-87 features all discrete, premium components such as Fairchild FETs, tantalum, polystyrene, and WIMA film capacitors, and is rounded off with a Cinemag USA output transformer.  The WA-87 proudly uses our own Lens Kondensator custom reproduction of the classic K-87 dual backplate/dual diaphragm capsule, as found in early ‘87 mics. 

It all starts with the microphone.

The importance of a good microphone cannot be understated; but unfortunately, finding a truly great microphone within a budget has always been a challenge for aspiring engineers. There are very usable microphones available for those on a budget; but top shelf, classic studio microphones have simply been out of reach for most people.  We applied all that we know about bridging this barrier into crafting a microphone that reaches the level of quality and sonics mostly found only in top-shelf products, yet sells for a price that is down to earth. 

The microphone includes shock mount, hard mount, and wood box.

Microphone type
condenser
Polar patterns
cardioid, figure of eight, and omnidirectional
Capsule
LK-87-B-50V reproduction of classic dual backplate (four wire termination) K87 capsule
Diaphragm
6 micron thickness, 1 inch diameter, gold sputtered membrane
Frequency Response
20hz - 20khz
SPL
.5% THD at 120db (without pad) or 130db (with pad)
Pad
-10db
Output
150 ohms, 24k gold plated, 3 pin XLR (pin 1 = gnd, pin 2 = +, pin 3 = -), Cinemag USA mic output transformer
High Pass Filter
80hz
Noise
15db self noise, 80db s/n ratio
Color
nickel (painted)

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Sound Pure Studios Control Room A — Durham, NC

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