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Universal Audio SP-1 Pencil Microphones  From UA

Expertly record instruments, live performances, and more with our natural-sounding, small-diaphragm condenser stereo microphone pair.

Universal Audio

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$349.00

Price:  $399.00

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Manufacturer's Description from UA

Features:

  •  Small-diaphragm condenser stereo mic pack for studio and live use
  •  Cardioid polar pattern rejects off‑axis sounds and room noise
  •  Perfectly matched pair for accurate stereo recordings
  •  Shape drums, guitars, and more with SP‑1 Apollo Channel Strip Presets
  •  Includes mic clips, foam windscreens, stereo T‑bar mount, and travel case
  •  Quality UA craftsmanship and stylish, rugged build

 

The perfect pair for stereo recording.

With the SP‑1 Standard Pencil Microphone Pair, you can record acoustic instruments, drums and percussion, and live performances in stereo, with pristine fidelity for instant album‑quality sound.

 

Get Album-Ready Stereo Sound

As a matched stereo pair, SP‑1s add clarity, width, and dimension to your recordings. Whether it’s tight X/Y patterns or spaced pairs, combine them how you want and hear the detail in your instrument like never before.

 

Capture Your Best Recordings, Anywhere

The SP-1’s classic cardioid design, high SPL tolerance, and smooth, clear top-end deliver consistently clean capture of acoustic guitars, drum overheads, percussion, horns, and more — at any volume, in any environment.

 

Find Your Sound, with Style

We engineered the SP-1 pair to be your everyday choice for stereo recording. With a retro finish and road‑worthy build, these stylish condensers are a serious studio upgrade, with vintage elegance for days.

 

Sound Like the Pros with Apollo Interface Presets

Take the guesswork out of getting professional sounds with Apollo's custom SP‑1 mic presets. Get the perfect preamp, EQ, and compression settings for adding shimmer to cymbals, or bolstering horns and stringed instruments with rich stereo sound.

 

Universal Audio

About Manufacturer

Universal Audio Inc. was re-founded in 1999 by Bill's sons, James Putnam and Bill Putnam Jr., with two main goals: to faithfully reproduce classic analog recording equipment in the tradition of their father, and to design new digital recording tools with the sound and spirit of vintage analog technology. However, as Bill Jr. recounts, the genesis of "UA, part 2" is actually a bit more serendipitous.

Having grown up in the music industry, Bill Jr. and James ("Jim") Putnam naturally assumed that the music business is where they'd eventually end up. Jim, a touring musician and recording engineer, and their older brother Scott, a studio designer in Southern California, were the first to follow in Bill Sr.'s path. However, Bill Jr. took a more circuitous direction, working for a number of engineering companies before undertaking a doctorate in Electrical Engineering at Stanford University. It was at Stanford that Bill Jr. became closely involved in the Center for Computer Research in Music and Acoustics (CCRMA), specializing in signal processing. It was also at Stanford that Bill Jr. began to assemble a team of the best and brightest minds in the field — who continue to steer many of Universal Audio's engineering efforts to this day.

However, the precise event that led Bill and Jim to start (or "reinvent") Universal Audio in 1999 was unexpected. As Bill Jr. tells it, when Bill Sr. passed away in 1989, he and Jim were faced with the Herculean task of cleaning out their dad's workshop and storage areas. While going through Bill Sr.'s old test equipment, boxes of parts, bits and pieces of consoles, and half-cannibalized 1176 compressors, Jim came across their father’s old design notebook. The two spent the evening poring over his notes, realizing that this was the map to every technical problem their father had ever solved. It was at that moment that they decided to bring back Universal Audio and its classic products. 

Fast forward a decade. Now with nearly 80 employees and legions of new customers worldwide, UA is headquartered near the Silicon Valley, in Scotts Valley, California — where our classic analog gear is still hand-built, one unit at a time. The lengths we go to deliver the exact sound and performance of classic analog audio gear is unparalleled; in fact, the goal is for UA's modern units to perform identically to well-maintained units built decades ago. 

Of course, analog is only half the story. At Universal Audio, we employ the world's brightest DSP engineers and digital modeling authorities to develop our award-winning UAD Powered Plug-Ins platform, featuring the most authentic analog emulation plug-ins in the industry. Our DSP gurus work with the original hardware manufacturers — using their exact schematics, golden units, and experienced ears — to give UAD plug-ins warmth and harmonics in all the right places, just like analog.

Specifications

  • Microphone Type:Condenser
  • Mono/Stereo:Stereo Pair
  • Polar Pattern:Cardioid
  • Frequency Range:20Hz-20kHz
  • Max SPL:142dB SPL (1% THD)
  • Output Impedance:200 ohms
  • Sensitivity:12.6mV/Pa (-38dB)
  • Color:Nickel
  • Connector:XLR
  • Power Source:48V phantom power
  • Dimensions:5" x 0.93"
  • Weight:0.28 lbs.
  • Included Accessories:2 x Mic Stand Mounts, Stereo T-bar, 2 x Foam Windscreens, 2 x Mic Thread Adapters