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Universal Audio Arrow TB3 Audio Interface - Used From UA
UA's Popular Desktop 2 x 4 Thunderbolt 3 Audio Interface w/ Realtime UAD SOLO Core Processing for Mac and Windows.
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Manufacturer's Description from UA
Arrow is the world’s first Thunderbolt 3-powered desktop recording audio interface for Mac and Windows — delivering class-leading audio conversion, two Unison™ mic preamps, and a suite of onboard UAD plug-ins for album-quality results.
This compact 2x4 interface starts with esteemed UA conversion derived from UA’s flagship Apollo interface range, to sonically outperform anything in its class. With its Unison technology and built-in UAD-2 SOLO Core processor, you can record through classic audio tools including the UA 610-B Tube Preamp & EQ, LA-2A and 1176 compressors, and a genuine Marshall Plexi amp plug-in — at near-zero latency, regardless of your audio software buffer setting. Plus, Arrow includes LUNA Recording System, Universal Audio’s groundbreaking recording application.
Unison™ Technology for Stunning Mic and Guitar Preamp Emulations
Arrow’s Unison technology gives you the tone, touch and “feel” of the world’s most sought-after preamps. These include the bundled 610-B Tube Preamp, plus authentic mic preamp emulations from Neve® and API,® as well as guitar amp emulations from Fender® and Marshall® — complete with their signature impedance, gain stage “sweet spots,” and component-level circuit behaviors.*
The secret to Unison is its hardware-software integration between Arrow’s mic preamps and its onboard UAD-2 SOLO Core processor. Simply place a Unison preamp plug-in on your mic input in Arrow’s Console software, and it physically reconfigures Arrow’s impedance — so you can tap into the classic tube and transformer sounds of the world’s most recorded mic preamps and guitar amps.
A Full Suite of Classic Studio Processing Onboard
Right out of the box, Arrow provides a suite of incredible analog emulation plug-ins including the world’s only authentic Teletronix LA-2A, 1176LN, Pultec EQs, and the Unison-enabled UA 610-B Tube Preamp. Developed by UA’s world-renowned team of algorithm engineers, these Realtime Analog Classics plug-ins set the standard by which all other hardware emulation plug-ins are judged.
From the tube warmth of the Pultec EQ on guitars, to the gentle limiting of the LA-2A on vocals, your recordings will take a giant leap forward in rich, sonically complex analog sound.
Create with a Fast, Natural Workflow
Arrow is the ideal entry point to LUNA, UA’s groundbreaking music production application. Whether you’re exploring the analog sounds and workflow of Neve summing and Studer tape Extensions or creating with inspiring LUNA Instruments like Moog Minimoog and Ravel grand piano, LUNA transforms Arrow into a fully-integrated recording system.
Vintage Guitar and Bass Amps
For guitarists and bassists, Arrow includes Unison technology on its front panel instrument input — giving you access to dead-on emulations of amps like the Fender® '55 Tweed Deluxe, Ampeg® B-15N Bass Amplifier, Eden® WT800 Bass Amplifier, and the included Marshall® Plexi Classic — all available at near-zero latency for songwriting and recording.
Access the World of UAD Powered Plug-Ins
Beyond the included Realtime Analog Classics plug-ins, Arrow lets you tap into the full library award-winning UAD Powered Plug-Ins — including vintage EQs, Compressors, Reverbs, Tape Machines, Auto-Tune and more — in real time, and without taxing your computer’s CPU. With exclusive emulations from Neve, Ampex, Lexicon, Fender, Marshall, Antares, KORG, Moog, and more* the creative possibilities are nearly endless.
Ready to Go
With its robust all-metal construction and bus-powered Thunderbolt 3 operation, Arrow is the only "clutter-free" portable audio interface that truly delivers album-quality results. It’s like having a virtual analog studio that fits onto any desktop, and easily travels in your laptop bag.
Arrow requires a Thunderbolt 3-equipped Mac or Windows machine, and is not backward compatible with earlier versions of Thunderbolt.
About Manufacturer
Universal Audio Inc. was re-founded in 1999 by Bill's sons, James Putnam and Bill Putnam Jr., with two main goals: to faithfully reproduce classic analog recording equipment in the tradition of their father, and to design new digital recording tools with the sound and spirit of vintage analog technology. However, as Bill Jr. recounts, the genesis of "UA, part 2" is actually a bit more serendipitous.
Having grown up in the music industry, Bill Jr. and James ("Jim") Putnam naturally assumed that the music business is where they'd eventually end up. Jim, a touring musician and recording engineer, and their older brother Scott, a studio designer in Southern California, were the first to follow in Bill Sr.'s path. However, Bill Jr. took a more circuitous direction, working for a number of engineering companies before undertaking a doctorate in Electrical Engineering at Stanford University. It was at Stanford that Bill Jr. became closely involved in the Center for Computer Research in Music and Acoustics (CCRMA), specializing in signal processing. It was also at Stanford that Bill Jr. began to assemble a team of the best and brightest minds in the field — who continue to steer many of Universal Audio's engineering efforts to this day.
However, the precise event that led Bill and Jim to start (or "reinvent") Universal Audio in 1999 was unexpected. As Bill Jr. tells it, when Bill Sr. passed away in 1989, he and Jim were faced with the Herculean task of cleaning out their dad's workshop and storage areas. While going through Bill Sr.'s old test equipment, boxes of parts, bits and pieces of consoles, and half-cannibalized 1176 compressors, Jim came across their father’s old design notebook. The two spent the evening poring over his notes, realizing that this was the map to every technical problem their father had ever solved. It was at that moment that they decided to bring back Universal Audio and its classic products.
Fast forward a decade. Now with nearly 80 employees and legions of new customers worldwide, UA is headquartered near the Silicon Valley, in Scotts Valley, California — where our classic analog gear is still hand-built, one unit at a time. The lengths we go to deliver the exact sound and performance of classic analog audio gear is unparalleled; in fact, the goal is for UA's modern units to perform identically to well-maintained units built decades ago.
Of course, analog is only half the story. At Universal Audio, we employ the world's brightest DSP engineers and digital modeling authorities to develop our award-winning UAD Powered Plug-Ins platform, featuring the most authentic analog emulation plug-ins in the industry. Our DSP gurus work with the original hardware manufacturers — using their exact schematics, golden units, and experienced ears — to give UAD plug-ins warmth and harmonics in all the right places, just like analog.
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