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Universal Audio Apollo x6 Gen 2 TB3 with Analog Classics  From UA

Rackmount 16 x 22 Thunderbolt audio interface with two Unison mic preamps, elite-class Apollo X Gen 2 audio conversion, Auto-Gain, Apollo Monitor Correction, up to 5.1 surround sound with Bass Management, HEXA core DSP plug-in processing, and premium software suite for Mac or Windows.

Universal Audio

$2,499.00

No Sales Tax in OH!
No Sales Tax in 45 States. Learn More.

Retail:  $3,124.00

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Manufacturer's Description from UA

The centerpiece of your next music production.

UA’s next generation of Apollo x6 interfaces is here, giving producers and project studios highest-resolution audio conversion, two Unison™ mic preamps, and HEXA Core DSP processing for writing and producing with world-class UAD plug-ins from Auto-Tune, Neve, Manley, Avalon, SSL, and hundreds more.

Trusted by top producers and engineers around the globe who need elite-class Apollo X sound and DSP power, but without the added hardware channels of larger models, Apollo x6 levels up your production space with timeless sound and legendary UA craftsmanship.

Key Benefits

  • Hear next generation audio conversion with the widest dynamic range and lowest distortion of any Apollo
  • Experience analog tones with Unison™ preamps, letting you record in realtime through authentic emulations of Neve, API, Avalon, Manley, Fender, and more
  • Access the full library of 200+ Apollo DSP and UAD Native plug-ins, including award-winning titles like Capitol Chambers, UAD Sound City Studios, EL8 Distressor, and more 
  • Mix with confidence in any room or through headphones using Apollo Monitor Correction powered by Sonarworks®* 
  • Use Auto-Gain to set your levels across multiple inputs in seconds and never miss the take
  • Hear all the low-end detail in your mixes using bass management to add a subwoofer to your monitor setup
  • Quickly set up low-latency cues, plug-in scenes, and immersive audio monitoring with the UAD Console app
  • Get included software worth thousands with either UAD Analog Classics or UAD Analog Classics Pro versions. Plus enjoy special upgrade pricing on even more UAD plug-ins with your purchase

The New Centerpiece of Your Rack

Universal Audio built Apollo x6 for producers who need the highest-quality audio, without the additional analog preamps found in larger rackmount models. With unprecedented dynamic range and elite-class 24-bit / 192 kHz audio conversion — now with enhanced D/A monitoring — Apollo x6 puts the sound of the stars right in your rack.

All the Inputs You Need

With two Unison™ preamps and front panel Hi‑Z instrument inputs, Apollo x6 lets you track in realtime with the sound of classic gear from Neve, Manley, API, Fender, and dozens more. And with an additional six line inputs, it’s easy to connect your hardware synths, keyboards, and other outboard gear.

Unlock Authentic Analog Sounds 

Right out of the box, Apollo x6 gives you the plug-ins used by the world’s best engineers. Along with included Teletronix LA-2A and 1176 compressors, UA 610, Century, and LA-6176 tube channel strips, plus UAD guitar amps like Showtime ’64 and Lion ’68 — you can tap into the entire UAD library of over 200 titles to unlock proven hit-making sounds. 

Hear the Details Like Never Before

Now in its Gen 2 design, Apollo x6 features UA’s highest-resolution D/A converters ever paired with Apollo Monitor Correction powered by Sonarworks.® This means that when you playback your audio through monitors or headphones, you’ll not only hear the most pristine representation of your recordings, there will be no surprises when you listen to your final mix or master.

Find Your Flow in the UAD Console App

Just like an analog studio, where a console is the heart of the workflow, Apollo x6 has a powerful digital mixing engine where you control plug-in routing and monitoring. And with the latest features like Auto-Gain, Bass Management, 5.1 Surround Sound and Plug-In Scenes, it’s easy to find a flow that fits your needs.

A Hybrid System, Made for Your Mission

Combine Apollo x6’s HEXA Core DSP with native processing from your host computer to produce large sessions with complex plug-in chains — a powerhouse hybrid workflow that outpaces any native-only recording setup. 

Expand Your Studio as You Grow

Build your studio by linking up to four Thunderbolt Apollo interfaces with up to 128 channels of premium I/O to your DAW, and control it all from your desktop using Apollo Twin or x4. So no matter how far your music takes you, an Apollo will always be in reach.  

Key Features

  • 16 x 22 Thunderbolt audio interface with HEXA Core DSP plug-in processing
  • Two Unison™ mic preamps, two Hi-Z instrument inputs, six 1/4" line inputs, two optical Toslink I/O (ADAT S/MUX), RCA coaxial I/O (S/PDIF), word clock I/O (BNC)
  • Two 1/4" monitor outs, six 1/4" line outs (ALT / 5.1 surround), two 1/4" TRS headphone outs
  • Elite-class Apollo X Gen 2 converters with 24-bit / 192 kHz resolution featuring Dual-Crystal Clocking for ultra-low jitter at all sample rates
  • Enhanced D/A for critical monitoring and playback with 130 dB dynamic range and astonishingly low THD of -127 dB
  • Calibrate your main monitor and headphone outputs with Apollo Monitor Correction powered by Sonarworks®* 
  • Fully-featured monitor controller with alternate speaker switching and integrated talkback for easy communication with talent
  • Updated UAD Console app featuring Auto-Gain, Plug-In Scenes, subwoofer integration with Bass Management, immersive audio support, and more
  • Onboard DSP supports over 200 UAD plug-ins via VST, AU, and AAX 64 formats in all major DAWs
  • Includes up to 80+ UAD plug-ins with UAD Analog Classics or UAD Analog Classics Pro
  • Compatible with LUNA, Logic Pro, Pro Tools, Cubase, Ableton Live, and more**
  • Expandable with Thunderbolt Apollo interfaces or select models over Dante
  • Free industry-leading technical support from knowledgeable audio engineers

*Requires Apollo Monitor Correction Add-on and SoundID Reference licenses, available from sonarworks.com

**For full compatibility information, refer to help.uaudio.com

Over 30 Included Plug-Ins in UAD Analog Classics
  • Channel Strips & Preamps (6) 
    • Century Tube Channel Strip
    • CS-1 Channel Strip
    • LA-6176 Signature Channel Strip
    • Precision Channel Strip
    • UA 610-A Preamp & EQ
    • UA 610-B Preamp & EQ
  • Compressors / Limiters (7) 
    • Fairchild 670 Legacy Compressor
    • Teletronix LA-2A Legacy Leveling Amplifier
    • Teletronix LA-2A Tube Compressor
    • Precision Buss Compressor
    • UA 1176 FET Compressor
    • UA 1176LN Legacy 
    • UA 1176SE Legacy
  • Equalizers (3)
    • Precision Equalizer
    • Pultec EQP-1A Legacy EQ 
    • Pultec Pro Legacy EQ 
  • Special Processing (5)
    • Oxide Tape Recorder
    • Precision De-Esser
    • Precision Enhancer Hz
    • Precision Enhancer kHz
    • Vibe Analog Machines Essentials
  • Instruments (1)
    • PolyMAX Polyphonic Synth
  • Delay & Modulation (3)
    • Galaxy Tape Echo
    • Precision Delay Mod
    • Precision Delay Mod L
  • Reverbs & Rooms (2)
    • Precision Reflection Engine
    • Pure Plate Reverb
  • Mastering (3)
    • Precision Limiter
    • Precision Maximizer
    • Precision Multiband
  • Guitar & Bass (5)
    • Bermuda Triangle
    • Raw Distortion
    • TS Overdrive Pedal
    • UAD Lion ’68 Super Lead Amp
    • UAD Showtime ’64 Tube Amp
Universal Audio

About Manufacturer

Universal Audio Inc. was re-founded in 1999 by Bill's sons, James Putnam and Bill Putnam Jr., with two main goals: to faithfully reproduce classic analog recording equipment in the tradition of their father, and to design new digital recording tools with the sound and spirit of vintage analog technology. However, as Bill Jr. recounts, the genesis of "UA, part 2" is actually a bit more serendipitous.

Having grown up in the music industry, Bill Jr. and James ("Jim") Putnam naturally assumed that the music business is where they'd eventually end up. Jim, a touring musician and recording engineer, and their older brother Scott, a studio designer in Southern California, were the first to follow in Bill Sr.'s path. However, Bill Jr. took a more circuitous direction, working for a number of engineering companies before undertaking a doctorate in Electrical Engineering at Stanford University. It was at Stanford that Bill Jr. became closely involved in the Center for Computer Research in Music and Acoustics (CCRMA), specializing in signal processing. It was also at Stanford that Bill Jr. began to assemble a team of the best and brightest minds in the field — who continue to steer many of Universal Audio's engineering efforts to this day.

However, the precise event that led Bill and Jim to start (or "reinvent") Universal Audio in 1999 was unexpected. As Bill Jr. tells it, when Bill Sr. passed away in 1989, he and Jim were faced with the Herculean task of cleaning out their dad's workshop and storage areas. While going through Bill Sr.'s old test equipment, boxes of parts, bits and pieces of consoles, and half-cannibalized 1176 compressors, Jim came across their father’s old design notebook. The two spent the evening poring over his notes, realizing that this was the map to every technical problem their father had ever solved. It was at that moment that they decided to bring back Universal Audio and its classic products. 

Fast forward a decade. Now with nearly 80 employees and legions of new customers worldwide, UA is headquartered near the Silicon Valley, in Scotts Valley, California — where our classic analog gear is still hand-built, one unit at a time. The lengths we go to deliver the exact sound and performance of classic analog audio gear is unparalleled; in fact, the goal is for UA's modern units to perform identically to well-maintained units built decades ago. 

Of course, analog is only half the story. At Universal Audio, we employ the world's brightest DSP engineers and digital modeling authorities to develop our award-winning UAD Powered Plug-Ins platform, featuring the most authentic analog emulation plug-ins in the industry. Our DSP gurus work with the original hardware manufacturers — using their exact schematics, golden units, and experienced ears — to give UAD plug-ins warmth and harmonics in all the right places, just like analog.

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