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Rackmount 18 x 20 Thunderbolt audio interface with 16 x 16 Dante I/O, elite-class Apollo X Gen 2 D/A monitor conversion, Apollo Monitor Correction, immersive audio support up to 9.1.6, Bass Management, HEXA core DSP plug-in processing, and premium software suite for Mac or Windows.
Special ends:
$2,999.00
Take UAD plug-ins from studio to stage.
Perfect for live sound venues or networked recording studios, UA’s Apollo x16D interface gives you elite-class Apollo X sound and realtime UAD plug-in processing over Thunderbolt and Dante. With Apollo x16D, you can mix and record live performances with over 200 UAD plug-ins from Neve, SSL, and Auto-Tune, plus classic LA-2A and 1176 compressors, and more.
Key Benefits
Mix studio and live performances using award-winning UAD plug-ins in realtime over Dante
Use Plug-In Scenes to recall settings instantly, even in the middle of a performance
Link up to four x16Ds for a 64-channel Dante system with network redundancy
Bring your best UAD plug-ins like Auto-Tune, Neve, and Lexicon from studio to stage
Turn any space with ethernet into a multi-room Apollo recording studio with immersive audio support
Mix with confidence in any room using Apollo Monitor Correction powered by Sonarworks®*
Get thousands of dollars in award-winning UAD plug-in titles from Auto-Tune, Fairchild, Teletronix, and more with a choice of Essentials+ or Ultimate+ Editions
Take Elite-Class Apollo X Sound on Stage
Universal Audio built Apollo x16D for both live sound engineers and networked recording studios. With its 16 channels of Dante I/O, elite-class audio conversion, and HEXA core DSP processing — the world’s most powerful system for running UAD plug-ins in realtime — Apollo x16D seamlessly connects to your digital mixing console, putting over 200 UAD plug-ins right at your fingertips.
Work Fast & Never Lose Your Settings
With its powerful digital mixing engine giving you control over inputs, outputs, and plug-in routing — Apollo x16D makes it easy to quickly build your mix and control entire effects chains in realtime. Then quickly recall your plug-in settings over MIDI, all without interrupting the performance.
Hundreds of Effects, One Rack Space
Apollo x16D comes in two editions, both delivering a generous suite of UAD plug-ins right out of the box. Build your mix with classic Teletronix LA-2A and 1176 compressors, Pultec EQs, and Neve channel strips to modern favorites from Auto-Tune, Avalon, and more.
Expand Your Studio Over Dante
Link up to four x16Ds to build a 64-channel Dante system with network redundancy. Or expand your current Thunderbolt Apollo studio over Dante — the most low-latency and scalable audio network available. This means that if you’ve been considering making the switch to a networked recording studio, or you simply want to grow to a multi-room setup, you don’t have to start from scratch.**
Mix Down to Surround
After the show, bring Apollo x16D back to the studio, where it becomes your all‑in‑one monitoring hub for mixing formats up to 9.1.6 with multi-channel immersive Apollo Monitor Correction powered by Sonarworks.® This allows you to easily create 16‑channel immersive audio mixes of live sets or studio recordings for Dolby Atmos, Auro‑3D, Sony 360 Reality Audio, and others.
A Hybrid System, Made for Your Mission
Combine Apollo x16D’s HEXA Core DSP with native processing from your host computer to produce large sessions with complex plug-in chains — a powerhouse hybrid workflow that outpaces any native-only recording setup.
Key Features
18 x 20 audio interface featuring Dante I/O (supports AES67 mode @ 48 kHz)
Onboard HEXA Core Processing for mixing with UAD plug-ins at near-zero latency
Recall plug-in settings over MIDI, even in the middle of a performance
Two RJ45 Ethernet Dante® connections for switched or redundant network modes
Two monitor outs (XLR), stereo AES I/O (XLR), word clock I/O (BNC) for connection to professional digital outboard hardware
Elite-class Apollo X Gen 2 D/A converter with 24-bit / 192 kHz resolution featuring Dual-Crystal Clocking for ultra-low jitter at all sample rates
Flagship D/A for critical monitoring and playback with 133 dB dynamic range and astonishingly low THD of -129 dB
Calibrate your main monitor outputs (stereo or immersive) with Apollo Monitor Correction powered by Sonarworks®*
Create 16-channel immersive audio mixes for Dolby Atmos, Auro-3D, Sony 360 Reality Audio, and others
Fully-featured monitor controller with alternate speaker switching and integrated talkback for easy communication with talent
ALT monitoring support in all monitor modes (2 x ALT mon for stereo, 1 x ALT mon for immersive)
Includes up to 100+ UAD plug-ins with Essentials+ or Ultimate+ Editions
Compatible with LUNA, Logic Pro, Pro Tools, Cubase, Ableton Live, and more**
Expand systems over Dante with compatible Thunderbolt Apollo interfaces**
Free industry-leading technical support from knowledgeable audio engineers
*Requires Apollo Monitor Correction Add-on and SoundID Reference licenses, available from sonarworks.com
**For full compatibility information, refer to help.uaudio.com
Included Plug-Ins in Ultimate+ Edition
Channel Strips & Preamps (19)
API Preamp
API Vision Channel Strip
API Vision Legacy Channel Strip
Avalon VT-737sp Channel Strip
Century Tube Channel Strip
CS-1 Channel Strip
Helios Type 69 Preamp & EQ
LA-6176 Signature Channel Strip
Manley Reference Microphone Preamp
Manley VOXBOX Channel Strip
Neve 1073 Preamp & EQ
Neve 88RS Channel Strip
Neve 88RS Legacy Channel Strip
Precision Channel Strip
SSL E Series Channel Strip
SSL E Series Channel Strip Legacy
UA 610-A Preamp & EQ
UA 610-B Preamp & EQ
V76 Preamplifier
Compressors / Limiters (22)
API 2500 Stereo Bus Compressor
dbx 160 Compressor / Limiter
Empirical Labs Distressor
Fairchild 660 Compressor
Fairchild 670 Compressor
Fairchild 670 Legacy Compressor
Manley Variable-Mu Limiter Compressor
Precision Buss Compressor
SSL G Series Bus Compressor
SSL G Series Bus Compressor Legacy
Teletronix LA-2A Classic Leveler
Teletronix LA-2A Gray Classic Leveler
Teletronix LA-2A Silver Classic Leveler
Teletronix LA-2A Legacy Leveling Amplifier
Teletronix LA-3A Classic Leveler
UA 1176 Rev A Classic Limiter
UA 1176AE Classic Limiter
UA 1176LN Rev E Classic Limiter
UA 1176LN Legacy Limiting Amplifier
UA 1176SE Legacy Limiting Amplifier
UA 175B Classic Limiter
UA 176 Classic Limiter
Equalizers (17)
API 550A Parametric EQ
API 560 Graphic EQ
Cambridge EQ
Harrison 32C Channel EQ
Harrison 32C SE Channel EQ
Helios Type 69 Legacy EQ
Hitsville EQ
Manley Massive Passive EQ
Neve 1073 Legacy Classic Console EQ
Neve 1073SE Legacy Classic Console EQ
Precision Equalizer
Pultec EQP-1A Legacy EQ
Pultec EQP-1A Passive EQ
Pultec HLF-3C Passive EQ
Pultec MEQ-5 Passive EQ
Pultec-Pro Legacy EQ
Trident A-Range Classic Console EQ
Special Processing (21)
Auto-Tune Realtime Access
Auto-Tune Realtime Advanced
Auto-Tune Realtime X
Ampex ATR-102 Mastering Tape Recorder
Empirical Labs FATSO Jr. Tape Sim. & Compressor
Empirical Labs FATSO Sr. Tape Sim. & Compressor
Little Labs IBP Phase Alignment Tool
Little Labs Voice Of God Bass Resonance
Moog Multimode Filter
Moog Multimode Filter SE
Moog Multimode Filter XL
Oxide Tape Recorder
Precision De-Esser
Precision Enhancer Hz
Precision Enhancer kHz
Studer A800 Multichannel Tape Recorder
Thermionic Culture Vulture
Topline Key Finder
Topline Vocal Suite
Verve Analog Machines
Verve Analog Machines Essentials
Instruments (6)
Electra 88 Vintage Keyboard Studio
Moog Minimoog
Opal Morphing Synth
PolyMAX Polyphonic Synth
Ravel Grand Piano
Waterfall B3 Organ
Delay & Modulation (10)
Brigade Chorus Pedal
Cooper Time Cube MkII Delay
EP-34 Tape Echo
Galaxy Tape Echo
KORG SDD-3000 Digital Delay
MXR Flanger/Doubler
Precision Delay Modulation
Precision Delay Modulation Long
Studio D Chorus
Waterfall Rotary Speaker
Reverbs & Rooms (13)
AKG BX 20 Spring Reverb
Capitol Chambers
DreamVerb Room Modeler
EMT 140 Classic Plate Reverb
EMT 250 Classic Electronic Reverb
Hitsville Reverb Chambers
Lexicon 224 Digital Reverb
Lexicon 480L Digital Reverb and Effects
Ocean Way Studios
Precision Reflection Engine
Pure Plate Reverb
RealVerb Pro Custom Room Modeler
UAD Sound City Studios
Mastering (7)
Capitol Mastering Compressor
Hitsville Mastering EQ
Manley Massive Passive Mastering EQ
Precision K-Stereo Ambience Recovery
Precision Maximizer
Precision Multiband
Precision Limiter
Guitar (9)
Ampeg SVT-VR Classic Bass Amplifier
Bermuda Triangle
Fender ’55 Tweed Deluxe
Marshall Plexi Classic Amplifier
Raw Distortion
TS Overdrive Pedal
UAD Dream '65 Reverb Amplifier
UAD Lion '68 Super Lead Amp
UAD Ruby '63 Top Boost Amplifier
LUNA Extensions (4)
LUNA API Summing Extension
LUNA API Vision Console Emulation Extension
LUNA Ampex ATR-102 Mastering Tape Extension
LUNA Studer A800 Multichannel Tape Extension
Universal Audio Inc. was re-founded in 1999 by Bill's sons, James Putnam and Bill Putnam Jr., with two main goals: to faithfully reproduce classic analog recording equipment in the tradition of their father, and to design new digital recording tools with the sound and spirit of vintage analog technology. However, as Bill Jr. recounts, the genesis of "UA, part 2" is actually a bit more serendipitous.
Having grown up in the music industry, Bill Jr. and James ("Jim") Putnam naturally assumed that the music business is where they'd eventually end up. Jim, a touring musician and recording engineer, and their older brother Scott, a studio designer in Southern California, were the first to follow in Bill Sr.'s path. However, Bill Jr. took a more circuitous direction, working for a number of engineering companies before undertaking a doctorate in Electrical Engineering at Stanford University. It was at Stanford that Bill Jr. became closely involved in the Center for Computer Research in Music and Acoustics (CCRMA), specializing in signal processing. It was also at Stanford that Bill Jr. began to assemble a team of the best and brightest minds in the field — who continue to steer many of Universal Audio's engineering efforts to this day.
However, the precise event that led Bill and Jim to start (or "reinvent") Universal Audio in 1999 was unexpected. As Bill Jr. tells it, when Bill Sr. passed away in 1989, he and Jim were faced with the Herculean task of cleaning out their dad's workshop and storage areas. While going through Bill Sr.'s old test equipment, boxes of parts, bits and pieces of consoles, and half-cannibalized 1176 compressors, Jim came across their father’s old design notebook. The two spent the evening poring over his notes, realizing that this was the map to every technical problem their father had ever solved. It was at that moment that they decided to bring back Universal Audio and its classic products.
Fast forward a decade. Now with nearly 80 employees and legions of new customers worldwide, UA is headquartered near the Silicon Valley, in Scotts Valley, California — where our classic analog gear is still hand-built, one unit at a time. The lengths we go to deliver the exact sound and performance of classic analog audio gear is unparalleled; in fact, the goal is for UA's modern units to perform identically to well-maintained units built decades ago.
Of course, analog is only half the story. At Universal Audio, we employ the world's brightest DSP engineers and digital modeling authorities to develop our award-winning UAD Powered Plug-Ins platform, featuring the most authentic analog emulation plug-ins in the industry. Our DSP gurus work with the original hardware manufacturers — using their exact schematics, golden units, and experienced ears — to give UAD plug-ins warmth and harmonics in all the right places, just like analog.