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Rackmount 18 x 20 Thunderbolt audio interface with flagship elite-class Apollo X Gen 2 audio conversion, Apollo Monitor Correction, immersive audio support up to 9.1.6, Bass Management, HEXA core DSP plug-in processing, and premium software suite for Mac or Windows.
Special ends:
$4,999.00
Experience the gold-standard in audio recording.
UA’s next generation of Apollo x16 interfaces is here, for professional studios and music producers who need 16 channels of highest-resolution audio conversion and HEXA Core DSP processing for connecting to a console and mixing large sessions with world-class UAD plug-ins from Auto-Tune, Neve, Manley, Avalon, SSL, and hundreds more.
Used in the world’s most renowned recording studios, Apollo x16 puts award-winning UA sound and legendary craftsmanship right in your rack.
Key Benefits
Hear next generation audio conversion with the widest dynamic range and lowest distortion of any Apollo
Easily connect to professional studio gear with 16 x 16 analog I/O via DB-25 connections, plus switchable +24 dBu headroom settings
Access the full library of 200+ UAD DSP and Native plug-ins, including award-winning titles like Capitol Chambers, Sound City Studios, EL8 Distressor, and more
Record with a fast, natural workflow using LUNA, offering seamless integration with Apollo for big analog studio sound – in realtime
Mix with confidence in any room using Apollo Monitor Correction powered by Sonarworks®*
Hear all the low-end detail in your mixes using bass management to add a subwoofer to your monitor setup
Quickly set up low-latency cues, plug-in scenes, and immersive audio monitoring with the UAD Console app
Get thousands of dollars in award-winning UAD plug-in titles from Auto-Tune, Fairchild, Teletronix, and more with a choice of Essentials+ or Ultimate+ Editions
Elite-Class Apollo X Sound for Your Console & Outboard
Universal Audio built Apollo x16 Gen 2 for pro engineers and producers who need highest-quality sound for the professional analog studio. With the widest dynamic range and lowest distortion available, Apollo x16 effortlessly interfaces with your analog equipment and patchbays with DB-25 connections, offering +24 dBu headroom, 16 x 18 A/D and D/A conversion, and stereo AES I/O.
Hundreds of Analog Sounds, One Rack Space
Apollo x16 comes in two editions, both delivering a generous suite of UAD plug-ins right out of the box. Build your mix with classic Teletronix LA-2A and 1176 compressors, Pultec EQs, API and SSL channel strips to modern favorites from Auto-Tune, Avalon, and more.
Hear the Details Like Never Before
Apollo x16 features UA’s highest-resolution A/D and D/A converters paired with multi-channel immersive Apollo Monitor Correction powered by Sonarworks.® So you’ll not only hear the most pristine representation of your recordings, there will be no surprises when you listen to your final mix or master on any stereo or surround system.
Mix Down to Surround
Apollo x16 supports mixing formats up to 9.1.6. This allows you to easily create 16‑channel immersive audio mixes for Dolby Atmos, Auro‑3D, Sony 360 Reality Audio, and others.
Find Your Flow in the UAD Console App
Apollo x16’s powerful digital mixing engine lets you control plug-in routing and monitoring. And with the latest features like Bass Management, Immersive Audio up to Atmos 9.1.6 and Plug-In Scenes, it’s easy to find a flow that fits your needs.
A Hybrid System, Made for Your Mission
Combine Apollo x16’s HEXA Core DSP with native processing from your host computer to produce large sessions with complex plug-in chains — a powerhouse hybrid workflow that outpaces any native-only recording setup.
Expand Your Studio as You Grow
Link up to four Apollo x16’s for 64 channels of elite-class A/D and D/A conversion, perfect for interfacing with large format recording consoles, or stack one x16 with other Thunderbolt Apollo rackmount units and control it all from your desktop using Apollo Twin or x4. So no matter how far your music takes you, an Apollo will always be in reach.**
Key Features
18 x 20 Thunderbolt audio interface with HEXA Core DSP plug-in processing
Two DB-25 inputs (line 1-16), stereo AES I/O (XLR), word clock I/O (BNC)
Two monitor outs (XLR), two DB-25 outputs (line 1-16 or ALT / 9.1.6 surround)
Elite-class Apollo X Gen 2 converters with 24-bit / 192 kHz resolution featuring Dual-Crystal Clocking for ultra-low jitter at all sample rates
Flagship D/A for critical monitoring and playback with 133 dB dynamic range and astonishingly low THD of -129 dB
Calibrate your main monitor outputs (stereo or immersive) with Apollo Monitor Correction powered by Sonarworks®*
Fully-featured monitor controller with alternate speaker switching and integrated talkback for easy communication with talent
ALT monitoring support in all monitor modes (2 x ALT mon for stereo, 1 x ALT mon for immersive)
Updated UAD Console app featuring Plug-In Scenes, subwoofer integration with Bass Management, immersive audio support, and more
Onboard DSP supports over 200 UAD plug-ins via VST, AU, and AAX 64 formats in all major DAWs
Includes up to 100+ UAD plug-ins with Essentials+ or Ultimate+ Editions
Compatible with LUNA, Logic Pro, Pro Tools, Cubase, Ableton Live, and more**
Expandable with Thunderbolt Apollo interfaces or select models over Dante
Free industry-leading technical support from knowledgeable audio engineers
*Requires Apollo Monitor Correction Add-on and SoundID Reference licenses, available from sonarworks.com
**For full compatibility information, refer to help.uaudio.com
Included Plug-Ins in Ultimate+ Edition
Channel Strips & Preamps (19)
API Preamp
API Vision Channel Strip
API Vision Legacy Channel Strip
Avalon VT-737sp Channel Strip
Century Tube Channel Strip
CS-1 Channel Strip
Helios Type 69 Preamp & EQ
LA-6176 Signature Channel Strip
Manley Reference Microphone Preamp
Manley VOXBOX Channel Strip
Neve 1073 Preamp & EQ
Neve 88RS Channel Strip
Neve 88RS Legacy Channel Strip
Precision Channel Strip
SSL E Series Channel Strip
SSL E Series Channel Strip Legacy
UA 610-A Preamp & EQ
UA 610-B Preamp & EQ
V76 Preamplifier
Compressors / Limiters (22)
API 2500 Stereo Bus Compressor
dbx 160 Compressor / Limiter
Empirical Labs Distressor
Fairchild 660 Compressor
Fairchild 670 Compressor
Fairchild 670 Legacy Compressor
Manley Variable-Mu Limiter Compressor
Precision Buss Compressor
SSL G Series Bus Compressor
SSL G Series Bus Compressor Legacy
Teletronix LA-2A Classic Leveler
Teletronix LA-2A Gray Classic Leveler
Teletronix LA-2A Silver Classic Leveler
Teletronix LA-2A Legacy Leveling Amplifier
Teletronix LA-3A Classic Leveler
UA 1176 Rev A Classic Limiter
UA 1176AE Classic Limiter
UA 1176LN Rev E Classic Limiter
UA 1176LN Legacy Limiting Amplifier
UA 1176SE Legacy Limiting Amplifier
UA 175B Classic Limiter
UA 176 Classic Limiter
Equalizers (17)
API 550A Parametric EQ
API 560 Graphic EQ
Cambridge EQ
Harrison 32C Channel EQ
Harrison 32C SE Channel EQ
Helios Type 69 Legacy EQ
Hitsville EQ
Manley Massive Passive EQ
Neve 1073 Legacy Classic Console EQ
Neve 1073SE Legacy Classic Console EQ
Precision Equalizer
Pultec EQP-1A Legacy EQ
Pultec EQP-1A Passive EQ
Pultec HLF-3C Passive EQ
Pultec MEQ-5 Passive EQ
Pultec-Pro Legacy EQ
Trident A-Range Classic Console EQ
Special Processing (21)
Auto-Tune Realtime Access
Auto-Tune Realtime Advanced
Auto-Tune Realtime X
Ampex ATR-102 Mastering Tape Recorder
Empirical Labs FATSO Jr. Tape Sim. & Compressor
Empirical Labs FATSO Sr. Tape Sim. & Compressor
Little Labs IBP Phase Alignment Tool
Little Labs Voice Of God Bass Resonance
Moog Multimode Filter
Moog Multimode Filter SE
Moog Multimode Filter XL
Oxide Tape Recorder
Precision De-Esser
Precision Enhancer Hz
Precision Enhancer kHz
Studer A800 Multichannel Tape Recorder
Thermionic Culture Vulture
Topline Key Finder
Topline Vocal Suite
Verve Analog Machines
Verve Analog Machines Essentials
Instruments (6)
Electra 88 Vintage Keyboard Studio
Moog Minimoog
Opal Morphing Synth
PolyMAX Polyphonic Synth
Ravel Grand Piano
Waterfall B3 Organ
Delay & Modulation (10)
Brigade Chorus Pedal
Cooper Time Cube MkII Delay
EP-34 Tape Echo
Galaxy Tape Echo
KORG SDD-3000 Digital Delay
MXR Flanger/Doubler
Precision Delay Modulation
Precision Delay Modulation Long
Studio D Chorus
Waterfall Rotary Speaker
Reverbs & Rooms (13)
AKG BX 20 Spring Reverb
Capitol Chambers
DreamVerb Room Modeler
EMT 140 Classic Plate Reverb
EMT 250 Classic Electronic Reverb
Hitsville Reverb Chambers
Lexicon 224 Digital Reverb
Lexicon 480L Digital Reverb and Effects
Ocean Way Studios
Precision Reflection Engine
Pure Plate Reverb
RealVerb Pro Custom Room Modeler
UAD Sound City Studios
Mastering (7)
Capitol Mastering Compressor
Hitsville Mastering EQ
Manley Massive Passive Mastering EQ
Precision K-Stereo Ambience Recovery
Precision Maximizer
Precision Multiband
Precision Limiter
Guitar (9)
Ampeg SVT-VR Classic Bass Amplifier
Bermuda Triangle
Fender ’55 Tweed Deluxe
Marshall Plexi Classic Amplifier
Raw Distortion
TS Overdrive Pedal
UAD Dream '65 Reverb Amplifier
UAD Lion '68 Super Lead Amp
UAD Ruby '63 Top Boost Amplifier
LUNA Extensions (4)
LUNA API Summing Extension
LUNA API Vision Console Emulation Extension
LUNA Ampex ATR-102 Mastering Tape Extension
LUNA Studer A800 Multichannel Tape Extension
Universal Audio Inc. was re-founded in 1999 by Bill's sons, James Putnam and Bill Putnam Jr., with two main goals: to faithfully reproduce classic analog recording equipment in the tradition of their father, and to design new digital recording tools with the sound and spirit of vintage analog technology. However, as Bill Jr. recounts, the genesis of "UA, part 2" is actually a bit more serendipitous.
Having grown up in the music industry, Bill Jr. and James ("Jim") Putnam naturally assumed that the music business is where they'd eventually end up. Jim, a touring musician and recording engineer, and their older brother Scott, a studio designer in Southern California, were the first to follow in Bill Sr.'s path. However, Bill Jr. took a more circuitous direction, working for a number of engineering companies before undertaking a doctorate in Electrical Engineering at Stanford University. It was at Stanford that Bill Jr. became closely involved in the Center for Computer Research in Music and Acoustics (CCRMA), specializing in signal processing. It was also at Stanford that Bill Jr. began to assemble a team of the best and brightest minds in the field — who continue to steer many of Universal Audio's engineering efforts to this day.
However, the precise event that led Bill and Jim to start (or "reinvent") Universal Audio in 1999 was unexpected. As Bill Jr. tells it, when Bill Sr. passed away in 1989, he and Jim were faced with the Herculean task of cleaning out their dad's workshop and storage areas. While going through Bill Sr.'s old test equipment, boxes of parts, bits and pieces of consoles, and half-cannibalized 1176 compressors, Jim came across their father’s old design notebook. The two spent the evening poring over his notes, realizing that this was the map to every technical problem their father had ever solved. It was at that moment that they decided to bring back Universal Audio and its classic products.
Fast forward a decade. Now with nearly 80 employees and legions of new customers worldwide, UA is headquartered near the Silicon Valley, in Scotts Valley, California — where our classic analog gear is still hand-built, one unit at a time. The lengths we go to deliver the exact sound and performance of classic analog audio gear is unparalleled; in fact, the goal is for UA's modern units to perform identically to well-maintained units built decades ago.
Of course, analog is only half the story. At Universal Audio, we employ the world's brightest DSP engineers and digital modeling authorities to develop our award-winning UAD Powered Plug-Ins platform, featuring the most authentic analog emulation plug-ins in the industry. Our DSP gurus work with the original hardware manufacturers — using their exact schematics, golden units, and experienced ears — to give UAD plug-ins warmth and harmonics in all the right places, just like analog.