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Universal Audio Apollo Solo USB 3 Interface - Refurbished From UA
Apollo Solo USB is a desktop recording audio interface for Windows — delivering class-leading audio conversion, two Unison™ mic preamps, and a suite of onboard UAD plug-ins for recording album-quality results, in real time.
$450.00
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Rating: 4.8
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Manufacturer's Description from UA
This compact 2x4 interface starts with esteemed Apollo A/D and D/A conversion to sonically outperform anything in its class. And with its Unison technology and built-in UAD‑2 processing, you can record through classic studio tools including the UA 610‑B Tube Preamp & EQ, LA‑2A and 1176 compressors, and more — with near‑zero latency.
Unison™ Technology for Stunning Mic and Guitar Preamp Emulations
Apollo Solo USB's Unison technology gives you the tone, touch, and “feel” of the world's most sought‑after preamps. These include the bundled UA 610‑B Tube Preamp, plus authentic mic preamp emulations from Neve® and API,® plus guitar amp emulations from Fender® and Marshall® — complete with their signature impedance, gain stage “sweet spots,” and component‑level circuit behaviors.*
The secret to Unison is its hardware‑software integration between Apollo Solo USB's mic preamps and its onboard UAD-2 processing. Simply place a Unison preamp plug-in on your mic input in Apollo's Console software, and it physically reconfigures Apollo’s impedance and gain staging — giving you the classic tube and transformer sounds of the world’s most recorded mic preamps and guitar amps.
Realtime UAD Plug-In Processing for Recording with Near-Zero Latency
Derived from Universal Audio’s award-winning Apollo interfaces, Apollo Solo opens up a range of classic analog color via its Realtime UAD Processing. Featuring an onboard UAD-2 SOLO Core processor, Apollo Solo lets you monitor and record through the full library of UAD Powered Plug-Ins— at near-zero latency, regardless of your audio software buffer setting. It’s like having a virtual analog studio that fits in a laptop bag. The UAD library features more than 100 titles and offers everything from classic Moog filters to Ampex tape to Lexicon reverbs—with more being added every few months.*
These are the exact same UAD plug-ins used on hit records by Billie Eilish, Kendrick Lamar, Dr. Dre, Foo Fighters, and many more.
A Full Suite of Classic Studio Processing Onboard
Right out of the box, Apollo Solo USB provides a suite of incredible analog emulation plug‑ins including the world’s only authentic Teletronix LA‑2A and 1176LN compressors, Pultec EQs, and much more. From the tube warmth of the Pultec EQ on guitars, to the gentle limiting of the LA‑2A on vocals, your recordings will take a giant leap forward in rich, sonically complex analog sound.
• UA 610-B Tube Preamp and EQ
• Marshall Plexi Classic Guitar Amp
• Ampeg SVT-VR Classic Bass Amp
• Raw Distortion Guitar Pedal
• Teletronix ® LA-2A Compressor Legacy
• UA 1176LN ® Compressor Legacy
• UA 1176SE Compressor Legacy
• Pultec ® EQP -1A EQ Legacy
• Pultec ® Pro EQ Legacy
• Precision Delay Modulation
• Precision Delay Modulation L
• Precision Reflection Engine
• Precision Channel Strip
• Realverb Pro
* All other UAD Powered Plug-Ins sold separately at www.uaudio.com. All trademarks are property of their respective owners.
About Manufacturer
Universal Audio Inc. was re-founded in 1999 by Bill's sons, James Putnam and Bill Putnam Jr., with two main goals: to faithfully reproduce classic analog recording equipment in the tradition of their father, and to design new digital recording tools with the sound and spirit of vintage analog technology. However, as Bill Jr. recounts, the genesis of "UA, part 2" is actually a bit more serendipitous.
Having grown up in the music industry, Bill Jr. and James ("Jim") Putnam naturally assumed that the music business is where they'd eventually end up. Jim, a touring musician and recording engineer, and their older brother Scott, a studio designer in Southern California, were the first to follow in Bill Sr.'s path. However, Bill Jr. took a more circuitous direction, working for a number of engineering companies before undertaking a doctorate in Electrical Engineering at Stanford University. It was at Stanford that Bill Jr. became closely involved in the Center for Computer Research in Music and Acoustics (CCRMA), specializing in signal processing. It was also at Stanford that Bill Jr. began to assemble a team of the best and brightest minds in the field — who continue to steer many of Universal Audio's engineering efforts to this day.
However, the precise event that led Bill and Jim to start (or "reinvent") Universal Audio in 1999 was unexpected. As Bill Jr. tells it, when Bill Sr. passed away in 1989, he and Jim were faced with the Herculean task of cleaning out their dad's workshop and storage areas. While going through Bill Sr.'s old test equipment, boxes of parts, bits and pieces of consoles, and half-cannibalized 1176 compressors, Jim came across their father’s old design notebook. The two spent the evening poring over his notes, realizing that this was the map to every technical problem their father had ever solved. It was at that moment that they decided to bring back Universal Audio and its classic products.
Fast forward a decade. Now with nearly 80 employees and legions of new customers worldwide, UA is headquartered near the Silicon Valley, in Scotts Valley, California — where our classic analog gear is still hand-built, one unit at a time. The lengths we go to deliver the exact sound and performance of classic analog audio gear is unparalleled; in fact, the goal is for UA's modern units to perform identically to well-maintained units built decades ago.
Of course, analog is only half the story. At Universal Audio, we employ the world's brightest DSP engineers and digital modeling authorities to develop our award-winning UAD Powered Plug-Ins platform, featuring the most authentic analog emulation plug-ins in the industry. Our DSP gurus work with the original hardware manufacturers — using their exact schematics, golden units, and experienced ears — to give UAD plug-ins warmth and harmonics in all the right places, just like analog.
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