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$169.00
Retail: $214.00
Introduced in 1967, the Universal Audio 1176 remains the king of audio limiting, heard on more classic records than any other compressor. Built on the powerful UAFX engine, the 1176 Studio Compressor delivers the same punchy, expressive tones of the world-renowned hardware, now in a compact stompbox.
Get Three World-Famous Sounds in a Single Pedal
From the subtle squeeze of a single 1176 to the endless sustain of two units in parallel à la Lowell George or the compressed crunch of Led Zeppelin IV, you can get the same iconic tones and effects heard on thousands of classic records with a trio of legendary 1176 setups.
Punch up and Elevate your Clean Tones
From slithery ’70s slide to chicking picking and funk, 1176 Studio Compressor gives you iconic squeeze for any genre. With simple Attack and Release controls, plus infinite Ratio settings and infamous “all buttons in” for smashed sounds, you’ll get classic tones, and tons more.
Pack Classic Compression from Stage to Studio
Built for decades of dependable performance on stage and in studio, 1176 Studio Compressor gives you switchable true/buffered bypass and a parallel compression mode in a compact pedalboard-friendly enclosure — so you can elevate your effects chain in a snap.
Universal Audio Inc. was re-founded in 1999 by Bill's sons, James Putnam and Bill Putnam Jr., with two main goals: to faithfully reproduce classic analog recording equipment in the tradition of their father, and to design new digital recording tools with the sound and spirit of vintage analog technology. However, as Bill Jr. recounts, the genesis of "UA, part 2" is actually a bit more serendipitous.
Having grown up in the music industry, Bill Jr. and James ("Jim") Putnam naturally assumed that the music business is where they'd eventually end up. Jim, a touring musician and recording engineer, and their older brother Scott, a studio designer in Southern California, were the first to follow in Bill Sr.'s path. However, Bill Jr. took a more circuitous direction, working for a number of engineering companies before undertaking a doctorate in Electrical Engineering at Stanford University. It was at Stanford that Bill Jr. became closely involved in the Center for Computer Research in Music and Acoustics (CCRMA), specializing in signal processing. It was also at Stanford that Bill Jr. began to assemble a team of the best and brightest minds in the field — who continue to steer many of Universal Audio's engineering efforts to this day.
However, the precise event that led Bill and Jim to start (or "reinvent") Universal Audio in 1999 was unexpected. As Bill Jr. tells it, when Bill Sr. passed away in 1989, he and Jim were faced with the Herculean task of cleaning out their dad's workshop and storage areas. While going through Bill Sr.'s old test equipment, boxes of parts, bits and pieces of consoles, and half-cannibalized 1176 compressors, Jim came across their father’s old design notebook. The two spent the evening poring over his notes, realizing that this was the map to every technical problem their father had ever solved. It was at that moment that they decided to bring back Universal Audio and its classic products.
Fast forward a decade. Now with nearly 80 employees and legions of new customers worldwide, UA is headquartered near the Silicon Valley, in Scotts Valley, California — where our classic analog gear is still hand-built, one unit at a time. The lengths we go to deliver the exact sound and performance of classic analog audio gear is unparalleled; in fact, the goal is for UA's modern units to perform identically to well-maintained units built decades ago.
Of course, analog is only half the story. At Universal Audio, we employ the world's brightest DSP engineers and digital modeling authorities to develop our award-winning UAD Powered Plug-Ins platform, featuring the most authentic analog emulation plug-ins in the industry. Our DSP gurus work with the original hardware manufacturers — using their exact schematics, golden units, and experienced ears — to give UAD plug-ins warmth and harmonics in all the right places, just like analog.
Power requirements (power supply sold separately) |
Isolated 9VDC, center-negative, 250 mA minimum |
Input | ¼” unbalanced TS |
Output | ¼” unbalanced TS |
Input impedance | 1 Megohm |
Output impedance | 500 Ohms |
Maximum input level | 12.2 dBu |
Maximum output level | 12.2 dBu |
Frequency response | 20 Hz to 20 kHz, ±1 dB |
USB Type-C | For registration and firmware updates via computer |
Dimensions (with knobs and protrusions) |
Height: 2.29 inches, 5.81 cm Width: 2.58 inches, 6.55 cm Depth: 4.75 inches, 12.07 cm |
Weight (unboxed) |
0.66 lbs 0.299 kg |