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Tuttle J-Master 2-Tone Burst Electric Guitar #716  From Tuttle

A Smoking Hot 2-Tone offset from Michael Tuttle!

Michael Tuttle Guitars

Available for Special Order

See something you like? This item is gone, but not forever. It can be special ordered, and even customized!

We can get it fast!

Because of our special relationship with Tuttle we can get this as fast, or faster than anyone in the industry. In some cases, we even have preferred build slots we can offer you.

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What We Think

I've always been a bit of a traditionalist when it comes to guitar body styles, but I'm fast being won over by Michael Tuttle's outstanding J-Masters; the body contours are extremely comfortable and at 7.05 lbs, it's got substance without feeling too heavy. The C-shape roasted maple neck is incredibly smooth and fast and with one touch you'll know you're dealing with the best frets in the business. With a pair of Tuttle "PD" pickups, this baby will supply you with all of the tonal colors you could possibly hope for. This sunburst beauty is as sweet as can be!


Manufacturer's Description from Tuttle

For the past two decades Michael has specialized in the fine art of what it takes to make a piece of wood feel good. Michael makes the necks feel like they're a part of your hands from the moment you pick them up.

Michael Tuttle's background includes stints with Valley Arts and Don Grosh Guitars, where, among other things, he gained a reputation for his fretwork. As a guitar player for the last 30 years, the transition from a professional musician to guitar builder has been a valuable asset to his company. He built his first guitar in the early 80's and in 1993 started building guitars commercially. After 10 years of honing the art of guitar building working for other organizations it was time to start out on his own. Michael Tuttle Guitars began in 2003. His unique craftsmanship and quality are unparalleled. Once you've played a Tuttle you'll know!

Michael Tuttle Guitars

About Manufacturer

We are so fortunate to work with the builders that we represent. Over the years, we've been lucky enough to get on board early with companies that had their act together before the "guitar world" discovered them. Several years back, two people (whose opinions we deeply respect) said we had to check out Michael's guitars. Michael sent us an S and T, and we sold the S model to the first person who heard it! Needless to say, we knew we were on to something. Tuttle has been building for over 20 years and got his start working at Valley Arts in California with Don Grosh, whom he worked with at Grosh Guitars. In 2003, Michael started Tuttle Guitars. Michael's attention to detail is very evident. Being a small builder (Michael’s team consists of himself and an assistant), everything needs to be right the first time out. This is a huge benefit for the player, as there can be no "Monday or Friday" guitars. We’ve always loved it when the guy’s name that's on the headstock had his hands all over the instrument when it was built - his reputation and quality of work is on the line every time one of his creations goes out the door. It's wonderful when you put one of Michaels guitars in a player's hands for the first time and watch their reaction. Michael is such a talented builder, and we are lucky to have such a positive relationship with him as a shop.


Serial Number: 716

Model: J-Master

Weight: 7.05

Body Wood: Alder

Neck Wood: Roasted Maple

Neck Back Shapes: .830-C

Fingerboard Radius: 12"

Nut: Bone

Frets: 6150 SS

Bridge: Tone Pros

Nut Width: 1.650

Hardware Color: Nickel

Gears: Locking Kluson

Pickguard: Gold

Electronics: 3-Way Toggle, Volume, Tone 

Input Jack: Side

Knobs: Nickel

Neck Pickup: Tuttle "PD" Humbucker, Nickel/Tortoise Shell 

Bridge Pickup: Tuttle "PD" Humbucker, Nickel/Tortoise Shell

Finish: 2-Tone Burst Nitro

Case: G&G

String Gauge: 10-46

Related Videos

Layering Rhythm Guitar Parts Lesson with Tim Pierce, Featuring Michael Tuttle Guitars

Excerpt of an episode from Tim Pierce's masterclass on layering guitar parts and the thought process that goes with trying to make a song sound big and full. The solo features his Mike Tuttle S-style.