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TASCAM DA-3000 Stereo Master Recorder - Used  From Tascam

High Resolution Stereo Master Recorder and AD/DA Converter

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Tascam

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Manufacturer's Description from Tascam

Portable High-Quality Monitoring System

By installing this unit in a portable rack, you can set up reliable monitoring in any studio. You can connect it to a studio DAW system and a high-precision clock generator. At home studios, you can achieve same high-level monitoring quality to increase your work efficiency by using digital connections just like you would with a small audio interface.

 

AD Converter for Mastering

This unit can also be used as a high-quality AD converter at the end of an analog mastering chain. The fully-balanced, low noised circuitry and the high-quality AD circuitry convent the carefully adjusted audio using analog EQs and compressors into digital signals without sound degradation.

 

Simultaneous Master File Recording Using High Sampling Frequency PCM/DSD Recording

At the same time that you record a PCM master file (16-bit/44.1kHz) in software using a DAW system, you can also make a high sampling frequency PCM/DSD recording by connecting the DA-3000 directly to an analog mixer. By capturing two types of digital master recordings, you will be ready for future post-recording needs.

 

DSD Multitrack Recorder

Utilizing the DA-3000's clock precision, DSD multitrack recording is possible using multiple units. Since the DA-3000 can record two mono files instead of a stereo file, 8 units could be used together for 16-tracks of recording. Connecting the COAXIAL jacks is the only necessary connection between the units.

 

DA Converter for a PA/SR Digital Console

In recent years, digital consoles are being used increasingly in PA and sound reinforcement roles. By connecting the digital outputs of such a console to this unit you can upgrade the hall sound to an even higher quality. Since the DA-3000 has an OEL display and level meters with high visibility, you can check the signal status in the dark even from a distance.

 

Features at a glance

  • Stereo recording to SDHC card or CF card
  • PCM recording format: BWF (44.1k/ 48k / 88.2k / 96k / 176.4k / 192k Hz, 16/24-bit)
  • DSD recording format: DSDIFF/DSF (2.8/5.6MHz)
  • SD card slot (supports 4 to 32GB SDHC cards)
  • CF card slot (supports UDMA)
  • WAV file playback
  • Cascade function enables simultaneous operation of multiple units
  • Recording 2 mono files from stereo input possible
  • Mark functions can be used set up to 99 points per file (mark information can be used in software that supports BWF format)
  • When recording, designation of the recording file folder possible
  • Synchronized recording using level, stop time and recording start delay time setting
  • Input level can be adjusted in 0.5dB step
  • Using automatic track incrementing function, new files can be created automatically while continuing to record when a condition (level, file size, digital input) set in advance occurs
  • Manual track incrementing function can be used whenever you like to create a new track while continuing to record
  • Automatic mark functions can be used to easily check problems (levels, word clock unlocking) detected during recording
  • File name format can be set to either a user-defined word or the date and time
  • Repeat playback function (all files or single file)
  • Folder playback function can be used to play all files in a folder
  • Playlist function allows files to be programmed in advance for playback
  • Divide and delete functions can be used to manage files that are already recorded
  • UNDO function can be used to cancel the previous operation
  • USB host port supports copying between USB flash drives and CF/SDHC cards
  • File names can be changed
  • Direct location possible when a USB keyboard is connected
  • Word clock master can be set to Internal, Word input or Digital inputs
  • Analog input and output reference levels can be set to –9 / –14 / –16 / –18 / –20dBFS
  • Digital input has a sampling rate converter (supports 32k to 216k Hz)
  • Audio files prepared on a computer can be played back (if in a format supported for playback by this unit)
  • Oscillator function (440Hz, 1kHz, 10kHz)
  • Input monitoring function allows input signals to be output without recording
  • Updating is possible
  • EI core transformer used in power supply section
  • Dual mono circuits eliminate interference between left and right channels
  • Fully-balanced circuits realize low noise
  • 128 × 64 OEL display with a wide viewing angle
  • 24-dot stereo LED level meters with adjustable brightness make checking levels easy
  • TCXO with 1ppm precision
  • Backup memory stores settings even when the power is off
  • Fanless design eliminates unwanted noise
  • Aluminum front panel harmonizes with other studio equipments design
  • Operation possible using included RC-10 wireless remote control
  • Standard 1/4" headphones jack provides 45mW/ch output
  • USB port for USB keyboard (supports USB1.1)
  • USB port for USB flash drive (supports USB2.0)
  • XLR digital input/output (supports AES3-2003 and IEC60958-4:AES/EBU formats)
  • RCA Coaxial digital input/output (supports IEC60958-3:S/P DIF format)
  • BNC digital input/output for DSD (supports SDIF-3 and DSD-raw formats)
  • RCA analog unbalanced input/output
  • XLR analog balanced input/output
  • EIA 1U rackmount size
  • RoHS compliant
Tascam

About Manufacturer

TASCAM, the company that invented the home studio revolution, is one of four divisions of TEAC Corporation, a $1.2 billion manufacturing company headquartered in Japan. While the other divisions of TEAC have grown into a multitude of high tech industries including data storage devices, consumer electronics tools and industrial products, TASCAM has remained dedicated to making innovative products for capturing creativity in the field of music and audio.

The beginning of TASCAM starts with the founding of TEAC nearly fifty years ago. In 1953, a pair of engineers in Japan - the Tani brothers - created the first TEAC product line, which was comprised of open-reel audio tape recorders. In the late 1960's, the Tani brothers and Dr. Abe, a senior engineer at TEAC, formed a special R&D group named TASC (TEAC Audio Systems Corp.) for the purpose of researching ways to apply TEAC's recording technology for musicians and recording studios. TASCAM (TASC AMerica Corp.) was established in 1971 for the purpose of distributing TASC products in the U.S. and conducting additional market research. The company's first home was at 5440 McConnell Avenue, on the west side of Los Angeles near Marina del Rey.

Specifications

Supported media

 
SD Supports 4GB to 256GB SDXC cards
(Media ejection method: push-push)
CF Supports 1GB to 64GB Type I CF cards
USB (Playback and copying only) Supports 2GB to 64GB USB flash drives
Recording and playback formats  
PCM BWF (rec/play) / WAV (playback only),
44.1k / 48k / 88.2k / 96k / 176.4k / 192k Hz,
16 / 24-bit
DSD DSDIFF / DSF,
2.8224M / 5.6448M Hz
Number of channels 2 mono (or 1 stereo)
ANALOG INPUTS  
UNBALANCED  
Connector RCA pin jacks
Standard input level –10dBV
Maximum input level +6dBV
Minimum input level –22dBV
Input impedance 22kΩ or greater
BALANCED  
Connector XLR-3-31 (1: GND, 2: HOT, 3: COLD)
Standard input level +4dBu
+6dBu (only when maximum input level is +15dBu)
Maximum input level +15dBu, +18dBu, +20dBu, +22dBu, +24dBu (switchable in menu)
Minimum input level –8dBu
–6dBu (only when maximum input level is +15dBu)
Input impedance 10kΩ or greater
ANALOG OUTPUTS  
UNBALANCED  
Connector RCA pin jacks
Standard output level –10dBV
Maximum output level +6dBV
Output impedance 200Ω or less
BALANCED  
Connector XLR-3-31 (1: GND, 2: HOT, 3: COLD)
Standard output level +4dBu
+6dBu (only when maximum input level is +15dBu)
Maximum output level +15dBu, +18dBu, +20dBu, +22dBu, +24dBu (switchable in menu)
Output impedance 100Ω or less
DIGITAL INPUT  
S/PDIF, CASCADE UNBALANCED
Connector RCA pin jacks
Format IEC60958-3 (S/PDIF)
Input impedance 75Ω
Input frequency  
when SRC OFF 44.1k / 48k / 88.2k / 96k / 176.4k / 192k Hz
when SRC ON 32k to 216k Hz
Allowable frequency deviation ±100ppm (when SRC OFF)
AES/EBU BALANCED
Connector XLR-3-31 (1: GND, 2: HOT, 3: COLD)
Format AES3-2003/IEC60958-4 (AES/EBU)
Input impedance 110Ω
Input frequency  
when SRC OFF 44.1k / 48k / 88.2k / 96k / 176.4k / 192k Hz
when SRC ON 32k to 216k Hz
Allowable frequency deviation ±100ppm (when SRC OFF)
SDIF-3 UNBALANCED
Connector BNC Connector × 2 (L/R)
Format SONY SDIF-3 / DSD-raw
Input impedance 75Ω ±20%
Clock synchronization frequency 44.1kHz
DIGITAL OUT  
S/PDIF, CASCADE UNBALANCED
Connector RCA pin jacks
Format IEC60958-3 (S/PDIF)
Output impedance 75Ω
AES/EBU BALANCED
Connector XLR-3-31 (1: GND, 2: HOT, 3: COLD)
Format AES3-2003/IEC60958-4 (AES/EBU)
Output impedance 110Ω
SDIF-3 UNBALANCED
Connector BNC Connector × 2 (L/R)
Format SONY SDIF-3 / DSD-raw
Output impedance 10Ω ±20%
Clock synchronization frequency 44.1kHz
WORD SYNC IN  
Connector BNC Connector
Input level 5V TTL equivalent
Input impedance 75Ω ±10%
Input frequency 44.1k / 48k / 88.2k / 96k / 176.4k / 192k Hz
Allowable frequency deviation ±100ppm
WORD SYNC THRU/OUT  
Connector BNC Connector
Output level 5V TTL equivalent
Output impedance 75Ω ±10%
Output frequency 44.1k / 48k / 88.2k / 96k / 176.4k / 192k Hz
Frequency stability ±1ppm or less (Ta=25˚C)
USB  
DEVICE  
Connector USB A-type 4-pin
Protocol USB2.0 HIGH SPEED (480Mbps)
Power rating DC 5.0V 0.5A
KEYBOARD  
Connector USB A-type 4-pin
Protocol USB1.1 FULL SPEED (12Mbps)
Power rating DC 5.0V 0.2A
Control input and output  
Infrared receiver TASCAM RC-10 wireless remote controller
PHONES  
Connector 1/4" (6.3mm) stereo jack
Maximum output 45mW + 45mW (into 32Ω load, 0.1% distortion)
Power AC120V, 60Hz
Power consumption 24W
Dimensions 'W×H×D) 19.0" × 1.8" × 12.0" / 483 × 45 × 305 mm
weight 9.3 lbs. / 4.2 kg
Operating temperature range 32˚F to 104˚F / 0˚C to 40˚C
Standard accessories 3P power cord, Wireless remote controller (TASCAM RC-10), coin battery for testing remote control (preinstalled), screw kit for rack-mounting, warranty card, Owner's manual

 

Audio performance
Recording
Frequency response  
PCM 20Hz to 20kHz +0.1dB/–0.5dB (Fs=44.1k/48kHz, JEITA)
20Hz to 40kHz +0.1dB/–1dB (Fs=88.2k/96kHz, JEITA)
20Hz to 80kHz +0.1dB/–6dB (Fs=176.4k/192kHz, JEITA)
DSD 20Hz to 50kHz +0.1dB/–3dB (DSD, JEITA)
20Hz to 100kHz +0.1dB/–12dB (DSD, JEITA)
Distortion 0.003% or less (THD+N, 1kHz, Ref: –16dB/BALANCED, JEITA)
0.005% or less (THD+N, 1kHz, UNBALANCED, JEITA)
S/N ratio  
PCM (24-bit mode) 113dB or higher (Ref: –20dB/BALANCED, JEITA)
111dB or higher (UNBALANCED, JEITA)
DSD 106dB or higher (Ref: –20dB/BALANCED, AES-17 20k LPF)
104dB or higher (UNBALANCED, AES-17 20k LPF)
Crosstalk (1kHz) 108dB or higher (JEITA)
Playback
Frequency response  
PCM 20Hz to 20kHz ±0.1dB (Fs=44.1k/48kHz, JEITA)
20Hz to 40kHz +0.1dB/–0.3dB (Fs=88.2k/96kHz, JEITA)
20Hz to 80kHz +0.1dB/–3dB (Fs=176.4k/192kHz, JEITA)
DSD 20Hz to 50kHz +0.1dB/–3dB (DSD, JEITA)
20Hz to 100kHz +0.1dB/–12dB (DSD, JEITA)
Distortion 0.003% or less (THD+N, 1kHz, Ref: –16dB/BALANCED, JEITA)
0.001% or less (THD+N, 1kHz, UNBALANCED, JEITA)
S/N ratio  
PCM 118dB or higher (Ref: –20dB/BALANCED, JEITA)
116dB or higher (UNBALANCED, JEITA)
DSD 116dB or higher (Ref:–20dB/BALANCED, AES-17 20k LPF)
114dB or higher (UNBALANCED, AES-17 20k LPF)