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Call Us Toll Free888-528-9703
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Local/International (+1)919-682-5552
- Call Us! Toll Free! 888-528-9703
- Local / International (+1) 919-682-5552
Strymon Magneto - Four Head dTape Echo & Looper From Strymon
Eurorack tape-style delay from Strymon!
$599.00
"Experience the Difference"
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Rating: 4.8
Payments as low as $52/mo.
0% interest financing available. See all options.
Manufacturer's Description from Strymon
Tape Delay, Looper, And More.
Packed with powerful features while maintaining intuitive playability, Magneto is a stereo multi-head tape delay that also functions as a looper, phrase sampler, vintage spring reverb unit, phase-aligned clock multiplier, chaotic oscillator, zero latency sub-oscillator and more, with extensive CV I/O.
Transform Your Modular.
Turn simple monophonic signals into complex orchestrations. Create new oscillator tones using self-oscillation. Add rich stereo dimension to your sound, and enjoy the inherent warmth and sweet, subtle distortion characteristics of magnetic tape. Magneto transforms even the smallest rack into a fully expressive, immersive instrument.
Vintage Vibe.
To capture the full experience and complexity of a vintage tape echo machine, every last tape system attribute was relentlessly studied and faithfully recreated. From the sought-after natural saturation and soft clipping of magnetic tape when driven hard, to hands-on real-time controls for tape age, tape crinkle, and mechanical wow and flutter, Magneto delivers a rich multi-head delay experience that adds life and vibe to your sound.
Play It Like An Instrument.
Every function, control, gain stage, and signal path component in Magneto works together to respond musically and smoothly, even during the wildest live modular improvisations. All this is combined with a luxurious spring reverb to take the sound of your modular setup to a new level, and your sonic explorations into far-out territories.
About Manufacturer
The Philosophy:
We want to build products with no compromises. We want to push the limits of technology in music. We want to redefine what is possible with music gear. We want to use exceptionally great components and ridiculously powerful processors. We want to make gear that sounds better than anything you've ever heard. We want to make our customers happy. We want you to be inspired to create amazing music.
The People:
We're a small company and we'd like to stay that way. We do this because we want to create gear that is fun to design and fun to play. We want to experiment and try new things. We don't want to work for the man. We don't like authority. We don't want to grow up. We want to work hard and have fun doing it.
The History:
Damage Control was founded in 2004 with the release of our line of tube-driven effects pedals, which earned critical acclaim and became favorites among guitarists across the globe. In 2009 we teamed up with Strymon to begin co-developing products, and the rest is history.
Specifications
Sound Design:
Tape-voiced delay machine with four playback heads and one record head
Processor-intense dTape algorithm delivers meticulously nuanced recreations of vintage tape echo systems
Three operational modes: Echo, Sound On Sound Looper, Phrase Sampler
Varispeed algorithm with dynamic machine mechanics, 8:1 speed range
Input record level for clean reproduction to warm, fat saturation
Self-oscillating for tone generation
Independent Spring Reverb
Control:
Dedicated control over tape mechanics, machine health, and tone: Low Cut, Tape Age, Crinkle, Wow & Flutter
Transport controls (buttons and CV inputs) for real-time performance options
Individual Playback Head Level controls
Individual head Feedback assignment independent of playback level
Three stereo head panning options, including user-defined custom panning
Phase aligned clock out (CLK OUT) CVs synched with clock in (CLK IN) CV
Ranges:
Maximum Delay/Loop Time: 15 seconds at maximum Speed, two minutes at minimum Speed
Minimum Delay Time: 200µS at maximum speed
Clock In CV Range: 50ms – 15s
TAP Button Range: 50ms – 15s
TAP CV Range: 10ms – 15s
Audio Quality:
Analog dry path for a zero latency dry signal that is never converted to digital
Super high performance SHARC DSP
114db typical signal to noise
Sampling Rate: 96kHz
Audio Input Impedance: 22 kOhm
Maximum Audio Input Level: 20 Vpp
Audio Output Impedance: 1 kOhm
Maximum Audio Output Level: 20 Vpp
Power:
+12V rail: 210mA
-12V rail: 210mA
+5V rail: 0mA
Eurorack power cable included
Dimensions:
Rack Width: 28hp
Rack Depth: 41mm, 1.61”
Designed & Built in the USA
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